Category Archives: General

The Madonna Timeline: Song #11 – ‘Justify My Love’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

I wanna kiss you in Paris,
I wanna hold your hand in Rome,
I wanna make love on a train… cross-country…

 

This came out in December of 1990, and as I was not yet a superfan, I don’t remember much about when the big brouhaha went down. The MTV ban, the Nightline premiere and interview, and video’s commercial release – missed it all. To be honest, I never much liked the song (where exactly is the song?) It seems more of a simple recitation of mildly erotic lyrics set to a mediocre percolating beat, with nary a glimpse of melody. I like songs that have a bit more substance to them.

Of course, ‘Justify’ was all about the video, and it remains a not-that-naughty bit of soft-porn, S&M-tinged pop art that looks rather quaint today. (And features the timelessly hot piece of ass known as Tony Ward, for which the term bubble-butt seems perfectly made.)

(Surely this post deserves a bit of the butt of the man who caught Madonna’s eye – an eye that sometimes favors body over face. It’s nice to see that Mr. Ward still fills out his briefs like nobody’s business.)

I do think the remixes of this song (one of the first times William Orbit worked on her stuff, I believe) are superior to the source material – and the one version I came to enjoy was her performance of the song on The Girlie Show Tour in 1993. (And only the end, when the actual singing began.)

Some have pointed to ‘Justify My Love’ as the seed that resulted in the Sex/Erotica debacle, and that may be true. Personally, I don’t care how sexy you get as long as you have a catchy tune to put it over – for me, ‘Justify’ wasn’t it.

Poor is the man whose pleasures depend on the permission of another.

Song #11: ‘Justify My Love’ – December 1990

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The Madonna Timeline: Song #10 – ‘Sky Fits Heaven’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Traveling down this road,
Watching the signs as I go,
I think I’ll follow the sun,
Isn’t everyone just traveling down their own road,
Watching the signs as they go,
I think I’ll follow my heart…

Finally! This is the first Madonna song that the iPod has chosen from her Ray of Light album – my favorite, and in many opinions the best, record she’s ever made. ‘Sky Fits Heaven’ is one of its stellar tracks – for the wondrous traveling images, and the metaphysical musings she proffers.

I can’t say that there is a definitive memory I have of listening to this song (though the whole Ray of Light time period was an emotional one) it’s a welcome reminder that we’re all on this journey, and it is the journey that matters.

This is also a great driving song if you have a long way to go – shifting (some might say jarring) changes in tone, time signature, and style keep it always interesting, while the glorious soaring chorus makes you feel like you’re taking flight, that anything is possible, and the road you’re on is the only road you’ll ever need.

Madonna gave a rousing aerial performance of this song on the Drowned World Tour in 2001 (see below) – where she flew around the stage in the kick-ass Geisha portion of the show. Yes, actual flying – because she can.

It’s a very good place to start.
Song #10: ‘Sky Fits Heaven’ – Spring 1998
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The Madonna Timeline: Song #9 – ‘Promise To Try’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Keep your head held high, Ride like the wind,
Never look behind, Life isn’t fair,
That’s what you said, so I try not to care…

Before the specific memories of this song are expounded upon, a brief history of my relationship with Madonna – as fan and admirer – must be written first. The iPod has shuffled to ‘Promise To Try’, from 1989’s ‘Like A Prayer album. It was a non-single, and to be completely honest, I must have skipped quickly past ‘Promise’ when I first heard the album. See, I wasn’t always the superfan I am today. In fact, the cassettes of ‘Like A Virgin‘ and ‘True Blue both originally belonged to my brother. It’s true – I was more of a singles guy back then, and while Madonna is quite possibly the greatest singles artist there was and ever will be, I didn’t bother with her albums much. It’s strange to think of that – and it makes little sense, because hers were the only albums I ever learned inside and out, loving each song, filler or not. So when ‘Like A Prayer’ was released, it was the first full album of hers that I bought myself. And on first listen, I didn’t like it. Not only did I not like it, I was actually offended (scared) when I heard ‘Act of Contrition’. The whispered prayer opening, the blast of electric guitar, and the closing bit of blasphemy – it was all too much for this Catholic altar boy to take, and I thought for sure that God would punish me for even listening to it. Now here’s the bit that makes me sound a little crazy – even for me: so scared was I that God would not be happy with me even having the cassette in my house, I took it outside to the backyard, found a large rock, and was about to smash it to pieces. I lifted the rock over my head, ready to bring it down on the sad little cassette tape, but stopped. I cannot say why, or what prevented me from going through with it.

Maybe it was the memory of innocently dancing around the bedroom to her songs, or maybe I thought there was something holy in that tape itself, but I went back inside and pushed the tape to the very back of my desk drawer, and to the back of my mind.

A couple of hits later (‘Express Yourself’, ‘Vogue’) and I was ready to forgive, so when I heard her Blonde Ambition Tour was being broadcast on HBO, I asked my brother’s friend to record it for me. And it happened all over again – the performance of ‘Like A Prayer’ was just too much, and Catholic guilt and fear rushed to my head. I quickly taped over it.

{Moment of silence}

(Father, forgive me for I have sinned, it has been an eternity since my last confession, and this is my sin: I taped over my recording of Madonna’s only Blonde Ambition broadcast.)

Again, time passed, and a few hits later (I loved ‘I’m Breathless’ cause it was basically a Madonna showtunes album) I was back on board, but I didn’t become a superfan until I heard ‘Promise to Try’ in ‘Truth or Dare. To show you that I wasn’t a proper fan just yet, I had no idea what the song was, or where it might be found. (I actually asked for the ‘Truth or Dare soundtrack at one record store.)

And then one night in the Fall of 1991, when insomnia was having its way with me again and adolescent angst was threatening to end my very existence, I thought maybe… just maybe… that song is here somewhere. I found the ‘Like A Prayer’ album and put it into my walkman (yes, walkman – it seems so long ago). I fast-forwarded through ‘Express Yourself’ (okay, I probably listened to some of it) – but I definitely fast-forwarded through ‘Love Song’, and almost all the way to the end of ‘Til Death Do Us Part‘, though I listened to its fade-out, and all of a sudden the piano chords that I knew so well from repeated rentals of ‘Truth or Dare’ rang out, in their entirety and without Madonna’s gravesite voice-over, and I was hearing the plaintive words of a little girl who missed her long-lost mother. In an instant I was a superfan – whose love and passion for all things Madonna would not waver for the next two-plus decades.

Back then, ‘Promise to Try’ became the theme for that lonely Autumn. Suzie had gone away to Denmark, and on every mix tape I made her (and there were many) I included this song at some point. I remember listening to it on my walkman as I raked piles of brown oak leaves in the forest behind our house. The air was bitter, the sky was gray, and I didn’t even want to be – but I listened to Madonna, and there was solace in her longing, hope in her loneliness, and inspiration in her strength.

A somewhat-comical side-note on this song: one of the lines almost made it as my yearbook quote, but wiser heads fortunately prevailed and I did not use one. (Though looking back at the Guns ‘N Roses and Tesla quotes of the time, mine would have held up far better.)

I fought to be so strong,
I guess you knew I was afraid,
You’d go away too…
Song #9: ‘Promise to Try’ – Fall 1991 
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A Walk in the Woods

Believe it or not, there was a time when my John Fluevog-clad feet liked nothing better than to walk in the woods. As a kid, my favorite past-time was to disappear in the wooded area behind our house and travel the forested banks that ran all the way down Northampton Avenue.

As a kid, I was wedded to the forest, and all natural things. Plants and animals, streams and seas, flowers and fossils – they each thrilled me – and while my gaze could be captured by a fancy feather or glittering bead, my heart belonged to what was in my own backyard.

Somewhere along the way, I lost touch of that connection, though threads of it saw me through – gardening, potted plants, a tank of tropical fish – and every once in a while, a glimpse of the sublime. A stream running through the County of Kerry in the Irish countryside ~ a damp, gray afternoon of spotting waterfowl through the fog of Big Sur ~ or a simple walk through the fern-blanketed forests hidden in my hometown.

These photos were taken on a recent trip to Amsterdam, NY to visit my parents. There is a park behind an old elementary school that has trails leading down to a small stream. I used to explore these woods when my brother had baseball practice in the field next to them. (Though I don’t remember all these invasive horsetail plants taking over the watery basin.)

I got turned around only once, for a brief time, though I never felt truly lost, and if I had to I could simply follow the way from which I had come and re-trace steps – instead, I forged ahead and rejoined another trail that led me back to where I began. (The only real danger here would be running into the golf course that borders these woods, i.e. no danger at all.)

Sometimes the simple running of a stream is enough to calm the spirit. I need to remember that more often.

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The Madonna Timeline: Song #8 – ‘Cherish’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

This is one of my favorite Madonna song memories because it captures a specific period of time when the world was just opening up to me. The year was 1989, and I had just turned fourteen when Madonna released the third single from ‘Like A Prayer’ – ‘Cherish’. To be honest, it wasn’t nearly my favorite song from the album, and the video (though brilliant in hindsight, and the first foray of Herb Ritts into the medium) seemed rather ho-hum, especially after the inflammatory riot of ‘Like A Prayer’ and the S&M-tinged sexiness of ‘Express Yourself’.

To see Madonna frolicking on the beach with a child and some mermen? Tame, if not outright dull. But like all good things, it would grow on me, from the girl-group harmonies of the song to the simple, slow-mo beauty of the video. And what was taking place in my young life at the time was simple, but memorable.

So tired of broken hearts and losing at this game
Before I start this dance, I’ll take a chance
In telling you I want more than just romance…

My Mom took me, my Gram, and my brother up to Maine for a last vacation before school started. We went to the beach, but it was already too cold to go in. We stopped at some of the Kittery outlets, and I remember getting a navy cable-knit sweater for fall. (I was still in my preppy mode but just beginning to break free.) ‘Cherish’ played on the radio, and to this day it’s one of the few Madonna songs that my brother actually liked a bit more than me. At the time, there was something too soft-focus about it – I preferred my pop songs to have a bit more power to them. But like all slow-burners, this one forged its way into my memory.

You are my destiny,
I can’t let go, Baby can’t you see,
Cupid please take your aim at me…

It was the start of my first year of high-school, and I had to attend practices with the Amsterdam Marching Rams. It was ridiculous, insane, and practically dangerous to march with an oboe, but I adamantly refused to learn another instrument, so I strapped a clarinet lyre to the bottom bell and proceeded to practice choking myself with a double reed.

After my eighth grade shenanigans, I wasn’t sure if anyone would even talk to me (that was the year I happily stepped into the villain’s role, so dull and boring was Wilbur H. Lynch Middle School for me). Now, the girls I hurt the most were the only ones I wanted to talk to – and somehow I worked my way, through wit and humor, back into their good graces again.

All the while, ‘Cherish’ bubbled over the radio, and on MTV, but never from my own CD player because I wasn’t obsessed with Madonna right then.

I can’t hide my need for two hearts that bleed with burning love,
That’s the way it’s got to be.
Romeo and Juliet, they never felt this way I bet,
So don’t underestimate my point of view…

I hadn’t lost my heart to any boys yet – in fact, I was still holding out hope that I’d find a girl and settle down with a wife and a home, and a family. I found men attractive (as I had since I was a little boy) but I put those feelings into the recesses of my heart, willing myself to focus on the girls instead, even though it seemed that I was destined to remain in the friendship circle, with no hope of romance.

Cherish is the word I use to remind me of your love…

To be honest, it didn’t bother me much at the time. Somehow I knew I was only meant to be friends with women – that I was better at being friends with women – and it was a safe and comforting thought. (Oddly enough, the drama and trauma I witnessed in many messy boy-meets-girl scenarios seemed more upsetting and depressing than anything I was going through – one of the strange bonuses of flying under the radar as an unknown-even-to-myself gay kid.) And still the chords and yearning chorus of ‘Cherish’ strummed in my head – a wistful unfulfilled longing for something, for someone.

Cherish – give me faith,
Give me joy, my boy,
I will always cherish you…

As September bled into October, ‘Cherish’ peaked on the airwaves, an autumnal call to romance that subliminally fueled the innocence of my adolescence. It was a song that held onto summer, despite all the pushes and pulls of a new school, and a new school year, and the slow awakening of a boy who, despite all direction, was headed on a journey all his own.

Song #8: Cherish ~ October 1989
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The Madonna Timeline: Song #7 ~ ‘Heartbeat’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Today the iPod has shifted to the insistent thumping of ‘Heartbeat’ from 2008’s Hard Candy, Madonna’s most recent studio album. This was reminiscent of the 80’s, as much of Hard Candy was, and in the best possible way. Another song without any specific memory, other than driving along Albany Fucking Shaker and blaring it in the car. A filler, indeed, but there’s nothing else I’d rather be filled with.

Madonna performed it on her Sticky & Sweet Tour, in a serviceable, if unmemorable way. (I don’t think I liked the shorts she wore during it.)

See my booty get down, see my booty get down…
Song #7: Heartbeat~ Spring 2008
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The Madonna Timeline: Song #6 ~ ‘Keep It Together’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

I GOT BROTHERS, I GOT SOME SISTERS TOO

STUCK IN THE MIDDLE, TELL YOU WHAT I’M GONNA DO

GONNA GET OUT OF HERE, I’M GONNA LEAVE THEIS PLACE

SO I CAN FORGET EVERY SINGLE HUNGRY FACE.

Finally, the iPod has reached the magnificent ‘Like A Prayer’ album, albeit it with one of its weaker songs. ‘Keep It Together’ was the last single from the 1989 album, and I have one distinct Boston memory of it. We were in the city staying at the Copley Marriott or the Westin -I can’t remember which (back then they blended into one, and were actually affordable). I was old enough to go off on my own, as was my brother, so we had gone our separate ways. 

I’M TIRED OF SHARING ALL THE HAND-ME-DOWNS,

TO GET ATTENTION I MUST ALWAYS BE THE CLOWN

I WANNA BE DIFFERENT, I WANNA BE ON MY OWN

BUT DADDY SAID LISTEN, YOU WILL ALWAYS HAVE A HOME.

It was near the end of winter, and just starting to get warmer. I found myself in the Downtown Crossing/Chinatown area as dusk settled, and it was starting to get dark. There were a few brief moments of panic, when I got a bit turned around, and for a barely-teenage kid that can seem harrowing, but I held it together and kept walking, sure I’d find something familiar, and soon enough I did. 

Back on the T, I arrived at Copley and went into the Copley Mall, all brightly lit and warm with its clay-colored tiles. At the time, there was a card/gift shop where the back of Louis Vuitton now extends. I went in there, browsed the novelties, and ‘Keep It Together’ came on over the radio, filling the store with Madonna. It was the perfect end to the day.

I HIT THE BIG TIME, BUT I STILL GET THE BLUES

EVERYONE’S A STRANGER, CITY LIFE CAN GET TO YOU

PEOPLE CAN BE SO COLD, NEVER WANT TO TURN YOUR BACK

JUST GIVING TO GET SOMETHING, ALWAYS WANTING SOMETHING BACK.

When we returned to Amsterdam from Boston, it was time to head back to school for the long stretch of days to spring and hope. As always, on that first day back I felt a bit homesick for my family, echoing the sentiment of ‘Keep It Together.’

Madonna went on to perform the song as the encore/finale to her Blonde Ambition Tour (which also closed ‘Truth or Dare’) in a ‘Cabaret’-inspired bondage-costumed extravaganza (as outfitted by the great Jean Paul Gaultier).

WHEN I LOOK BACK ON ALL THE MISERY,

AND ALL THE HEARTACHE THAT THEY BROUGHT TO ME,

I WOULDN’T CHANGE IT FOR ANOTHER CHANCE

CAUSE BLOOD IS THICKER THAN ANY OTHER CIRCUMSTANCE.

Song #5: ‘Keep It Together’ – Winter 1990
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The Night Madonna Saved My Life

{This is a repost of something I wrote in October of 2008, but given the news of late it seems a good time to resurrect it.}

I feel it
It’s coming…

Sixteen years ago I did not have my driver’s license. I was old enough to drive, I just hadn’t gotten around to making it officially legal, mostly because I didn’t care. Still, I loved sneaking out at night when my parents had gone to bed, putting the car in reverse, and starting it as the wheels eased out of the driveway.

That Fall was difficult for me on a number of levels. It’s not worth going into depth about it – it was simply a lonely time, and the onslaught of dreary gray weather did nothing to abate my melancholy. As a cold rain began to come down, I drove out of the small city and onto the back roads of upstate New York.

Rain,  feel it on my fingertips, hear it on my windowpane,
Your love’s coming down like rain,
Wash away my sorrow, take away my pain.

The rain was tearing the leaves from the trees. Dark brown oak leaves were driven down by the wind. The car sped along the messy road. Back in my bedroom, a plastic bag, a large rubber band, and a bottle of sleeping pills awaited my return. A page of Final Exit was marked, its instructions strangely void of emotion, no guidance on what to feel.

I know it’s real, rain is what the thunder brings
For the first time I can hear my heart sing,
Call me a fool but I know I’m not
I’m gonna stand out here on the mountaintop
Until I feel your rain…

The road turned, twisting itself along a line of trees. Rain pelted the windshield, a curtain of falling leaves parted for the car, and my sweaty palms and wet eyes glazed the glass between us. On the radio they were playing an as-yet-unreleased Madonna album, Erotica. I would never get to hear it in its entirety, not if everything went according to plan. It was the one drawback to ending it that night. I could bitterly rejoice at skipping all my homework due the next day, and defiantly put off cleaning my room- add it to the mess I was leaving – but I would not be able to hear the rest of Madonna’s music, not if I left tonight.

Waiting is the hardest thing,
I tell myself if I believe in you, in the dream of you,
with all my heart and all my soul,
that by sheer force of will, I could raise you from the ground,
and without a sound you would appear, and surrender to me, to love.

It was a simple ballad with a simple chord progression and a simple resounding theme of yearning, and if Madonna was having a rough go of it then how could anyone, much less myself, be expected to do any better?
So I decided to wait, at least until the album came out and I could get a proper listen, promising myself that I could always come back to where my head was at and do it right then.

I feel it,
It’s coming,
Your love’s coming down like
Rain.

There would be other attempts at self-annihilation, and there will always be that part of me that sometimes wishes to go away, but for that moment, that night, the simple promise of a Madonna song was enough to bring me to another day.

– Alan Ilagan, 2008

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This week I’ve pondered how I made it through, what it was that saved me all those times, and more often than not it was something as simple as a new Madonna album. I made it through the week waiting for that CD, and after dancing around the bedroom to “Deeper and Deeper” I realized that if I could make it through a week, I could make it through a month, and if I could make it through a month, I could last a year, and by then I would be out of high school, and maybe things would be better. And they were.

If you’re contemplating suicide, if you think you just cannot go on, please stop and wait a moment. Think it over for a day, for a week – it is never as bad as you think it is. And I don’t care if it’s Madonna, or Lady Gaga, or Justin Freaking Bieber, find something to hold onto. If you still feel alone, call someone. The Trevor Project is a 24-hour, toll-free suicide hotline for gay youth – there will always be someone there to listen. It may seem silly, but it’s not.

I grew up without The Trevor Project, but on another dark night when the world closed up around me I had the strength to call a local suicide hotline, and as foolish as I felt (and as sure as I was that they knew who my parents were) I poured my heart out to the woman on the other end, and it was all I needed to make it through that night.

There is always someone somewhere willing to listen to you, and though you may feel like there is nothing to live for, you have no idea what the next day or year will bring. Don’t deprive the world of everything you might one day become. You are not alone, so if you need to talk just call The Trevor Project at 866-488-7386.

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The Madonna Timeline: Song #5 ~ ‘Stay’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Suddenly the iPod is begging for me to ‘Stay’ – from 1985’s Like A Virgin. Wow, talk about taking it back a few years (or decades in this case). Again, a non-single from those magical Virgin days, and the only memory I have of this is a Boston trip my Mom took me and my brother on, and this cassette just played over and over as we slept in the backseat of the station wagon. Neither my brother nor myself had any clue what a virgin really was, but when the grooves are this good it doesn’t matter.

Don’t be afraid,
It’ gonna be all right,
Cause I know that I can make you love me…

Song #5: Stay ~ Sometime around 1985

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The Madonna Timeline: Song #4 ~ ‘Future Lovers’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

I’m gonna tell you about love.
Letâ’s forget your life,
Forget your problems, administration, bills, and loans
Come with me…

The iPod seems to be on a Confessions on a Dance Floor trip, selecting ‘Future Lovers’ as the next random song. While this one was never a single, it opened her Confessions Tour in 2006, and as such is embedded in my memory on those how sweaty nights at Madison Square Garden and the TD Banknorth Garden in Boston.

This was probably her greatest concert entrance (no mean feat considering the brilliance of her Blonde Ambition ‘Express Yourself’ opening). Descending in a giant glittering disco ball (okay, not-so-secret behind-the-scenes reveal – she never came down in the ball, it descended and she entered it from below before it opened up). The effect was still spectacular.

When the disco ball opened up like some gorgeous hot-house flower unfurling its magical splendor, there was our Lady of Perpetual Provocation, resplendent in a horsetail top hat and whip, corseted satin and lace, and every bit the ring-leader of another amazing spectacle.

‘Future Lovers’ is a great way to open the show – playing to the die-hard fans who know the non-singles, while being familiar and groove-heavy enough to thrill anyone who didn’t memorize the track listing of the Confessions album. She inserts a bit of Donna Summers’ ‘I Feel Love’ into the live version, and it’s pretty amazing, setting the course for one of her most fun shows.

On a personal note, I saw this with my two favorite people – Andy in Boston and Suzie in New York. I think Suzie’s breasts were leaking as she was still breast-feeding Oona at the time, but she was a trooper and our Madonna concert tradition remained unbroken. As for Andy and Boston, I just remember dancing along with the sweaty masses and loving every minute of it.

In the demonstration of this evidence,
Some have called it religion.
This is not a coincidence.
Would you like to try?
Song #4: Future Lovers ~ Summer 2006
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No Matter How Fierce

By all informed assumptions, and my own admittedly grand expectations, today’s high sunny weather and soaring temperatures, coupled with a day off from work and a pool that Andy had the foresight to keep heated, should have been a gorgeous repeat of this past summer’s best days. And while it was a beauty I forgot the wise words of a woman who knows all too well that, “You can never do the same thing twice, no matter how fierce.”

The air is hot and the sun is high in the sky. The sky – not piercing blue, but blue enough – has only the slightest wisps of clouds in it. A breeze rustles the tall plumes of the maiden grass and the spent seed-headed stalks of the cup plant. There is a monarch butterfly momentarily trapped beneath the bright awning, but soon it escapes. The sweet perfume of an Autumn clematis carries around the corner of the house, and I pull the soaring umbrels of a seven sons’ flower closer to my nose, breathing in the not-so-subtle fragrance. ‘Autumn Joy’ sedum provides a last bit of color, and the roses are still hanging on, Knock-outs indeed. For all of this, something is missing, because something is over.

Along with all the beauty that remains, there are signs of the impending winter. The lack of rain has many of the plants and shrubs wilting – the same look after a killing frost, and just as unexpectedly sad. Though the temperatures are in the 80’s, it is apparent that it’s not summer anymore. The grasses have gone to seed – the Northern sea oats, once so fresh and green have ripened into shades of rust and tan. All of the ferns have withered and shriveled in the dry heat, brittle and brown like gnarled old hands clutching rosary beads, and the peonies went all powdery and faded weeks ago.

The garden, like the backyard, is a different place to be. Even reclining on a lawn chair and reading in the heat of the sun is different now, and I shouldn’t have been surprised. It’s the same feeling I get whenever I go back to some place that has held special meaning for me. The site of a cherished friend’s wedding, the hotel lobby that formed a meeting hub for a fantastic vacation, the street where I once held hands with my boyfriend – if ever I revisit them, there is an emptiness there, a disappointing hollowness, and they only end up being a shell of what they once were.

On bad days, it feels like life is nothing more than a sad recreation of everything good that came before, and a rather sorry one at that. Today was not that bad of a day, but when I put something like Summer to bed, I don’t want to be awakened in the middle of the night for a glass of water.

Tomorrow, I am off to Boston…

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Matthew & Madonna

If there is one person more enamored and idolatrous of Madonna than me, it is Matthew Rettenmund from Boy Culture. Hell, he even wrote the book on her (literally ‘The Encyclopedia Madonnica’ – and it’s brilliant, but more on that later.) A brief while ago, Matt got to meet Madonna and her daughter Lola at a pink carpet event for their ‘Material Girl‘ clothing line, and their meeting, so many years in the making, is documented touchingly on his site here.

I’ve never been all that interested in other people making their dreams come true. I mean, yes, I’m happy for them, but the whole dream-realized moment is usually a let-down (and far too Oprah-like for me). Once in a while, though, someone’s dream touches me, and if you’ve been a part of their journey for a long time, it means a lot more. That may be the reason that Matt’s encounter with Madonna was such a happy event, even if I’m viewing it through vicarious distance.

My admiration of Mr. Rettenmund goes back a long way – to 1995 when ‘The Encyclopedia Madonnica’ was published. It had been a difficult few years for Madonna, what with the big ‘Sex backlash and some questionable behavior (dating Dennis Rodman, fouling up on David Letterman) so for a fan this sort of book was a welcome reminder of what we loved most about her. While ‘Bedtime Stories’ worked wonders for her music and video rehabilitation, we were not yet to the miraculous double-come-backs of ‘Evita and ‘Ray of Light,’ so it was still rocky going.

At the time, I was a rabid Madonna fan, lining up at midnight for any new album release, skipping class on a day that a new CD maxi-single was out (hello Junior’s Luscious ‘Bedtime Story’ remixes, good-bye ‘Madness & Folly in Renaissance Literature’) and lining my dorm room with posters of her. When ‘The Encyclopedia Madonnica’ arrived at Tower Records, I hungrily devoured it, poring over every word, savoring each glimpse into every detail of her life, and cherishing the compendium of collected facts in one convenient tome. More than that, however, was the voice of the author, for while Madonna alone was inspiration, the perspective of a gay guy who had found his way in the world was even more compelling. I remember sitting in my dorm room and recognizing something in his writing, some familiar understanding, coupled with a kind of longing for a gay friend. I needed someone to show me the ropes, to indoctrinate me into this world that was both inclusive and impossibly exclusive – a guide or a mentor – and for a while, the narrator fulfilled that role. I didn’t have a lot of close gay friends – I still don’t – so it meant a lot to find so many shared feelings and thoughts on a favorite subject.

It didn’t matter that I never met him, or that I was in Boston and he was in New York. It didn’t matter that he wouldn’t know me if we were the only two people in an elevator. All that mattered was that someone had seen what I had seen in Madonna, and had put it eloquently into words. There was nothing overtly personal about Matt in the book, but he was there on every page – his love, admiration, and honest critique of the woman I so loved resonated deeply within.

That such a love of an artist could result in another work of art was a joyous bonus. In our shared love and appreciation was a way to feel less alone, and less lonely. Those cold winter nights of coming out – first and only to myself – were comforted by two people whom I still have not yet met. But at least now I know that they have met each other, and the world somehow feels a little warmer because of it.

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The Madonna Timeline: Song #3 ~ ‘Push’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

The iPod is telling me to ‘Push’. Not much to say, as this wasn’t a big memory maker. A track on Madonna’s otherwise-brilliant ‘Confessions on a Dance Floor’ album from 2005, it was never a single, so most people won’t know it. To be honest, it’s mostly filler, something that comes on when I’m in the shower and can’t reach the stereo. 

You push me to go the extra mile,
You push me when it’s difficult to smile,
You push me, a better version of myself,
You push me, only you and no one else.
Song #3: Push – Winter 2005/2006
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The First Time I Kissed A Man: Post Script

For the first few years after our brief time together, I did look for him whenever I was in Boston. Not blatant stalking or hunting him down – I knew where he lived and where he worked, so it would have been easy enough to find him. I’m talking generally, if I was on the T or walking around Copley.

Once, I thought I saw him – the man had a head of grayish white hair, so the malicious, vengeful, spiteful part of me was hoping it was him. I quickened my pace and approached, almost calling out his name, but as I reached him I saw that I had been mistaken. That was the last time I remember looking for him, and it was over twelve years ago. Today he’d be about 50 years old.

These days I only think about him in the Fall, if at all, and not with much anger, only a small bit of sadness, tinged with pity. Even that gets harder to muster as the years pass, and I am not sorry for it.

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The First Time I Kissed A Man

If you’ve only kissed girls all your life, the first time you kiss a man is a shock. A rough shock. Literally. My face feels like it’s being shredded by some ridiculous grade of sandpaper. He holds my head in his hands, and this will not be the only way he hurts me. For now, though, it is completely what I want.

In the afternoon light of September, in an apartment on the steep incline of some side street in Beacon Hill, I am sharing my first kiss with a man. The year is 1994 and it’s the start of my sophomore year at Brandeis University. The room is small, and comprises both the bedroom area and the kitchen. A bathroom is outside off the hall.

The sheets on the bed are white, or the lightest of gray, and he doesn’t seem to have many worldly possessions. I’ve always envied that sparse sort of set-up, and those not bound by attachments or material goods. Even in a few short weeks I manage to accumulate things, my closet over-stuffed and scarce of empty hangers. Here, just a small collection of plates and kitchen utensils dries in a wire dish rack. A lone towel hangs on the doorknob. By the window a cluster of books stands on a table.

He excuses himself to take a quick shower, and I am shocked at his simple, instant trust of me, having only met a few hours before this. Already jaded before I’ve even been hurt – or maybe there’s some sort of hurt that I can’t even remember anymore, a phantom pain from not feeling loved or protected – and my suspicion lies hidden like a dagger, hidden but always present, ever-ready to strike, to slash, to slay.

He returns wearing only a white towel, and in that white light of the bed my summer-tanned body lays atop of his, the cool bright sheets blocking the slight breeze from the half-cracked window. I wonder what the other people on the street are doing in their apartments on this afternoon.

My face and lips feel raw after sliding against his stubble. It tickles and stings and troubles in a dangerous, intoxicating way. He admires me like no one has ever done before, but I’m still uncomfortable as he watches me pull my pants on. It seems odd to just leave, but he mentioned something about his shift, and it’s even stranger to think of staying, so I depart after leaving my phone number.

I step out of the stale smell of the old brownstone row, and back on the street I look up to his window. He is there smiling and waving. I wave back and walk down to the bottom of Hancock Street. Across the way is the site of a former Holiday Inn that my mother once stayed in with me and my brother. We saw ‘E.T.’ in the movie theater there that no longer exists. Part of me still feels like that little boy, but as I board the train I catch my reflection, and, aside from the backpack, it is the visage of a young man.

How to explain the heady giddiness of my heart in those early days of Fall? Every phone call with him carried me further away from the campus, away from the silly dorm antics, the childish college pranks. I wanted no part of that carefree fun, looking down on my fellow school-mates and disconnecting from that world irrevocably, in a way that risked future regret and silly behavior long past the point when it should have been out of my system. I was far too serious for my own good, thinking I was setting up my life for happiness at some time far in the future, putting off a good time in the moment and mistakenly eyeing what was to come, what was always ahead. I gave it away for him, as I would do for countless others, but in the beautiful light of that flaming September there was nothing else I could have done.

Somewhere there is an old 35-mm photograph of me, taken while I was on the phone with him, showing a rare unguarded moment where the camera was set up just as he called, the sun was setting, and my face betrayed not happiness, but worry. High in Usen Castle, in our semi-circular dorm room on the top floor, I sat on the bed talking to him. He was squeezing in a conversation just before his shift started at the hotel restaurant, from a pay phone no less, back when there were still pay phones around. He must care, I thought.

Every place he moved through held meaning for me. Across the street from the fancy hotel at which he worked was a park. An unlikely oasis in the midst of downtown Boston, it was quiet there, and workers in business suits and sneakers sat on benches reading books. I spent a lot of time in that park. Even when we weren’t meeting, I sat there, reading or writing or just watching the few people who meandered along its walkways.

Sometimes we did meet, for dessert or dinner, and there was a night when we kissed in the shadows of the Southwest Corridor, before the condo was even a glimmer in my eye.

In his apartment, we spent most of the time in bed. The flickering light from a tiny television glowed on the stark white walls. Night air drifted in from the window, along with some muffled shouts and street noise. I asked him how you could tell if you were truly in love with someone. He told me he once heard it said that if you were really in love with someone, you could envision spending the rest of your life in a tent with them and be perfectly content, never wanting for anything more, and never wanting to leave.

Sometimes I tell people that I could envision the two of us doing just that – other times I express doubt that anyone could be happy in such a situation. I never tell it the same way twice because I still don’t know how I feel about it. How could someone who was capable of being so hurtful possibly know anything about love? I trusted in his years of experience, putting a blind faith in simple human decency, only I never let him know. In my silence was acquiescence and the assumed aloofness that would destroy so many chances. I did not know that then – sometimes I don’t know it now.

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You know when you’re not supposed to be with someone. It starts with a pang so small you’re not really sure that the doubt is real, but as the days and weeks pass, the pang becomes a full-fledged throbbing, and every moment you’re with them threatens to suffocate with its worry. When it happens for the first few times, you do not yet have the sensitivity to feel it coming, nor fully experience the hurt it leaves. At least for me, this was the case. I liken it to the first time you’re really hung over. You swallow and swallow as the saliva mounts in your mouth, and you know you don’t feel right but you still don’t know how not right, so you trudge along to work or school and from sheer ignorance or refusal, you do not stop to vomit and end it all quickly.

When his calls stopped and the lingering light and warmth of fall gave way to the harsh chill of October and November, I didn’t know enough to feel the pain of having such affection withdrawn. I also didn’t know how to cling or hang onto someone, to emotionally obsess and hold onto something that was already dead. This may have been what saved me – my ignorance of how to feel that pain, how to access that hurt. It would be the last time I didn’t know.

My parents invite me along for a weekend in Chatham, MA and I gratefully accept. In the air is the misbegotten notion that he might miss me, when my absence would only bring relief at the most, if it registered at all.

The weekend is gray and cold. There is no going back to any hope of Indian summer throwback days – we are too far gone. The first thing I do as my parents settle into the room is to walk to the forlorn, empty beach. It is dark and windy, and the town and beach are deserted. Wind whips wildly around in a savage attack, sparing no bit of shelter or respite. I pull my coat closer around me. In the sky is the promise of an imminent storm, but I don’t care. Dark clouds threaten, the cruel wind stings, and as I arrive at the beach, the sand and salt water shoot poisoned pin-pricks into any exposed skin.

Part of me wants to walk into the ocean, numb myself with its cold, be helplessly drawn out with the undertow, and let come what may. What else could a thinking person want on such a dismal, gray day, in such a dismal, sad world? Of course I don’t, deliberately walking up and down the shore instead, dodging the tide and peering behind at footprints that will come to nothing.

To this day, I can point out which bench I was sitting on when we first spoke. I want to pretend it doesn’t have that power, that it no longer matters, but the memory won’t let me. In Copley Square, before the rising spires of Trinity Church, there are just a few benches that face each other. I pass them first, and then pass him. His eyes, sparkling and blue, glitter in the September sun, and I can’t do anything but stare into them. And so I turn around and settle on one of those benches, pulling out the book I’m reading, ‘The House of Mirth’ by Edith Wharton.

I was not meant to be in Boston today. I was supposed to be at a school newspaper meeting at Brandeis, but halfway through it I knew I would never like being told what I had to write. I snuck out as they were touring their make-shift office space and got on the commuter rail to the city.

It is a beautiful September day – a little on the warm side but when faced with what is to come, quite welcome. For some reason the city seems quieter, and despite the recent influx of college kids,  less crowded. Maybe it’s because I only see him.

I read the same page about three times before I acknowledge him sitting on the bench before me, and he is the one who speaks first. It would always be the other guy who speaks first because I will always be too afraid.

He asks if I want to walk with him, and I nod. We turn toward the river. I had never been this way before, and if there’s one thing that makes an indelible impression and memory, it’s discovering some new part of a city you thought you always knew. We must have meandered along the Esplanade, past the Hatch Shell, in the dappled light of the changing trees. I remember the walk, but it is dim and vague, and the only thing I could focus on at the time was him. We are going back to his place, and while I had never done anything like this before, somehow I knew what to do, what I had to do.

At the tender age of nineteen, how could I have been so sure? This was before the ubiquity of the Internet, before ‘Will & Grace’, before Ellen. No one had ever told me it was okay. He was no exception. He told me nothing. To all my questions, he gave out no answers, at one point snapping viciously that he didn’t want anything to do with “this education crap”. That no one had helped him to come out, and he was not about to help anyone else figure it out. But all this had yet to come.

There is no use recounting in detail how our weeks together passed. He was callous and cruel in ways that cut me deeper since it was my first time, and because of that it would take years to thaw the icy boundaries I erected to deal with it.The bigger person I sometimes try to be wants to absolve him of his guilt, but I can’t forgive him for how he treated me.

I am now almost the same age he was when he met me, and I still can’t fathom treating another person like that. At first I thought I might, when I reached this age, but it’s not an age issue. My introduction to the gay world was a cold, cutting, every-man-for-himself attitude that should never have been. There were other atrocities too, darker things that I will never put into words, but I’ve written enough about him already, and it’s not fair to post just one side of the affair – God knows I’ve never been an angel. For now, I am done, and the story ends here.

I wish I could say that it didn’t affect me, and that I was mature and knowledgeable enough to chalk it up to an isolated individual, but I can’t. Even if was just one bad seed, it happened to be the seed I tasted. You can’t get rid of that so easily, no matter how intellectually you understand it shouldn’t matter.

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