Category Archives: General

Twisted Sleighride

I can’t quite remember why we were taken there. My parents were not, and are not, big party people. Most of the parties they’ve thrown over the years have been at my nudging/insistence, but when they do go out they always seem to have a good time. So for whatever reason, we were brought along for an afternoon of holiday hayrides and the warmth of a log-home lodge out in the countryside, courtesy of my parents’ friends.

The home was indeed a bit of a drive (and in the mind of a child distance should be multiplied times five), but at the end of the driveway there was the house, and a little ways ahead was the road heading into the forest, where horses waited to carry the sleigh.

We went inside first, I think. It was decorated for Christmas, and there was hot chocolate with marshmallows on hand – though this may have been in my imagination. Snow was lightly falling – not unlike it is at the very moment I write this – the pretty kind of snowfall – slowly and delicately and just enough for a dusting on the ground, enough to make things pretty again.

Various friends of the family were there – I actually think Suzie may have been there, but for some reason our paths didn’t cross much that day. My brother was with me, but I also don’t recall much interaction with him. It was as if I were on my own at this gathering. How strange that a child should be left so alone.

At some point I was herded outside to take one of the obligatory sleighride/hayrides, through the forest – into the woods. I was reluctant, because I don’t think my parents were coming along for the ride, or if they were they were sitting up front while I was in the back. Or maybe Dad hadn’t even come along for the party and it was just Mom. I only know I didn’t like it, and as the horses took off, the immense evergreens that marked the opening to the path closed off the house behind us, and the light went dimmer.

It was later afternoon, and getting dark anyway. Beneath the boughs overhead it was darker still, and the horses themselves seemed apprehensive, slowing a bit as we rounded bends and went further into the forest. The others laughed, gripping their cups of hot chocolate or hot toddies, while in the back my little body jostled along with the rest of them, eyes wide and waiting for some winter specter of the forest to appear and snatch one of us away.

I was terrified that I would fall off and there would be no way for me to catch up to the horses or find my way back to the house. My mind raced with worry, desperately conjuring what-if scenarios, madly searching my pockets with mental wishes for breadcrumbs or other trail-indicators. And through it all, everyone else laughed and talked, oblivious to all the danger.

I was in no mood for joking, though I tried to smile along with some of the adults. I was not comfortable there, I don’t know why. Today the thought of such a ride thrills me; I would give anything to go back and traverse the pine-laden forest, drawn by horses and dusted by falling snow, but not then, not that day, not when I was a kid. A sensitive child is quick to ruin, easily destroyed, and it’s almost impossible to prevent. This must bring its own form of madness to the parents, and I know that now. I think I knew that then, but what can you expect a kid to do? Close his eyes, whimper, pray, and hope that it’s all a nightmare… and then the ride was over and we were all still intact. The house was lit brightly as we returned, the sky had darkened considerably, but the snow glowed a deep blue as it does on some evenings.

Back inside the kids scattered, making our way upstairs to a loft that looked out over the main floor. It must have been the family room, strewn as it was with toys, a comfortable couch, some chairs, and various chests and storage shelves. I don’t know why it was so dark, but a lone light with a deep amber shade was all that illuminated the expanse.

We played as the monotonous hum of the adults drifted up from below, but it was hard to see. My brother and I discovered a chest that had a gas mask in it. The acrid smell of rubber stayed on our hands as we threw the mask back and forth, both scared and excited at the strange object. When we’d had enough, it went back into the chest, where I kept my eye on it for the rest of the evening, sure it was enchanted with some sort of evil magic, certain it would rise of its own will and smother one of us children in the dark.

Soon we were called downstairs to leave, and after bundling up in our winter coats and boots, we were back in the car and departing the strange party. I don’t think I ever told anyone what I felt that day – and what could have been said anyway? When a child marches into awareness, someone is always scared, someone is always hurt, and someone is always in the dark.

 

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The Madonna Timeline: Song #20 – ‘To Have and Not to Hold’ – Earliest Spring 1998

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

To have, and not to hold,
So hot, yet so cold,
My heart is in your hand,
And yet you never stand close enough for me to have my way…

The thawing of that cruel and bitterly cold winter of 1998. The remnants of my Rochester ruins. The frozen wharf of a lonely Boston night. Biting winds, and the slow, gradual rebirth of the earth after the soul-rending slumber, a snow-covered sleep.

A masquerade party at the condo – the celebratory act of getting-over-it – and the lingering pangs of hurt, the sorry aftermath and sad spilled drinks of forgotten guests. A crumpled costume, all wrinkled wreckage – such fabulous flotsam and jetsam, glittering and gay in the night, sorrowful and woe-ridden in the morning.

To look, but not to keep,
To laugh – not to weep,
Your eyes, they go right through,
And yet you never do anything to make me want to stay…

The elusive, seductive pull of being told the object of your affection does not adore you back. Whispered longings, secrets never said, the killing ticking of a clock in the middle of the night, when no one is around, when the rest of the world has gone to sleep with its lovers, when the silence is crushing, and the loneliness all that is embraceable. Long gray slivers of moonlight across the floor, and a flickering candle beyond the door.

Like a moth to the flame,
Only I am to blame…
What can I do?
I go straight to you…
I’ve been told,
You’re to have not to hold…

You walk alone in the night, beneath the burgeoning buds of cherry trees, into the most romantic time of the year. You sleep alone in the dark, unafraid because you have no choice, and still you want, you yearn, you hope. There is so much to be shared.

To look, but not to see,
To kiss, but never be the object of your desire,
I’m walking on a wire and there’s no one at all to break my fall…

And then you think you find someone, and they stay with you for a while, the breeze blowing through the curtains in the night, and everything might be okay for a while, but things are strange, and the night turns cold, and you realize in your heart of hearts that it is only for a while.

Don’t break my heart…
Only I am to blame…

Song #20: ‘To Have and Not to Hold’ – Earliest Spring 1998
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My Favorite Christmas Decoration

No, it’s not a miniature disco ball (even if they are my signature baby shower gift). Nor is it a heavily-plumaged bird of paradise. It doesn’t sparkle or glow, flutter in the slightest breeze, or move of its own accord. There is no electricity or batteries needed, and no assembly is required.

It is the simple mouse house seen here, worn and torn after three decades of attic storage. Made of an old bark-covered log, hollowed out in certain sections (where the mice are supposed to live), it is a rather sorry piece of my childhood, but for precisely that reason it is my favorite. A segment of the roof is missing, as are a few of the decorations (as evidenced by the glue that once held their bases).

Back when I was kid, this piece completely enraptured me, capturing my imagination and igniting thoughts of cozy, fire-crackling scenes of cuddly forest animals, huddled together in their trees, safe from the winter snow. It was a vision of comfort, along with the connotation of safety and warmth, and, above all else, it was a vision of family. I longed for a house filled with such warmth. Sometimes it was, sometimes it wasn’t, but the mouse house was never-changing. A small wire tree or disproportionate kitten figurine might break off, but the core – raw, splintered, and unfinished – remained intact throughout the years.

To this day, gazing at that decoration makes me feel a little happier, a little warmer, and a little closer to the elusive holiday spirit of the season.

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The Day of the Holiday Party

This year marks the tenth holiday party that Andy and I are giving. There is no theme (mostly because I was too lazy), and no new outfit (I’m planning on wearing what I wore at that very first party back in 2000 – though I’ll need a new pair of jeans because the originals no longer fit. I’d insert a parenthetical frown here if I used such nonsense.) At this point, our parties run on autopilot, and there are very few surprises left. Give the guests a warm house, plenty of booze, and something to nibble on – and boom, it’s done. Personally I like to throw on something a little more special than your average cocktail dress, but that’s optional. There’s nothing left to prove.

Of course, I had thrown parties long before I knew Andy, and I still fondly recall a few insane events at the Boston condo, where 50 people were somehow crammed into two rooms, hanging out in the closet, pouring onto the fire escape, and making enough noise to warrant regular visits from the police (who were always nice about it, joking that I must not have remembered to include the neighbors who had complained).

Those parties were raw, wild affairs – filled with cocktails, but light on food – in fact, if people wanted to eat I usually asked one of the guests to whip something up (thank you to Simon for some amazing stuffed mushrooms). And yes, I consider jello shots a form of solid food.

They were mostly casual events, if hyped-up to high heaven as not-to-be-missed milestones. Mainly, I just liked to see people having a good time. As host, I learned early on that it would be impossible to have any real meaningful conversations with anyone at these parties, which killed me at first, but once I let that go it became a simple night of frivolity and fun, light on the serious talk and heavy on the laughter.

Guests often take their cue from the host (though if that were really the case then I wonder where all the passed-out people were at The Arabian Night Party of 2002…) so if the host is having fun the guests will usually follow.

My one secret to throwing a party is Rosalind Russell. In the hours leading up to the event, I try to do something to calm my nerves and remind myself that it’s just a party. I don’t have the means or desire to get a spa treatment or massage, so I substitute a showing of ‘Auntie Mame’. If the opening party scene doesn’t put you in the mood for a good time, nothing will. Remember, life’s a banquet and most poor suckers are starving to death!

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The Madonna Timeline: Song #19 – ‘Waltz for Eva & Che’ – December 1996

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Continuing the Evita theme of late, the iPod has chosen another selection from that famous Andrew Lloyd Webber musical and it’s a duet between Madonna and Antonio Banderas. God knows I love a waltz, and God knows I love Madonna, so this is one of my favorites from the album. The final flourishes of the instrumental portion towards the end are especially inspiring.

Though it came in the midst of a questionable time, this song doesn’t have any heartache attached to it – only a happy memory of my college graduation party, held December 23, 1996 at my parents’ home in Amsterdam, New York. I wore a tux with tails, and even a bow tie and cummerbund. A lone calla lily served as a boutonniere. Suzie went so far as to wear a dress that was almost sleeveless. It was a big night.

The house was decorated for the holidays, lights twinkling around every corner, and the whole evening seemed to sparkle. I had managed to finish a full semester early, completing my Brandeis journey sooner than expected. I wanted out – I wanted freedom – I wanted to see the world – I wanted to waltz. And starting in the next month, I embarked on just that, but that’s another suitcase in another hall, and another story for another iPod selection.

Better to win by admitting my sin
Than to lose with a halo…
Song #19: ‘Waltz for Eva & Che’ – December 1996
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The Sadomasochism of Sixth Grade

We were all at the sixth grade dance – our very first dance at McNulty – and the girls were on one side of the room and the boys were on the other. We had split into such factions in about the fourth grade, and while my heart (and humor) were with the girls, my allegiance (and feigned loyalty) was bound to the boys.

The dance was painstakingly dull. Nothing was happening. A pathetic bowl of soda punch sat on a colorful paper tablecloth. Some stale, soggy chips went untouched in a bowl. Most of us boys stood with our arms folded, daring the girls to approach us. I don’t remember if any did, or if any of us said no, or what happened. There were no memorable embarassments, no life-altering snubs, and nothing of particular note. I only remembered the walk home.

His name was Craig. Well, that’s not his real name, but it will do for these purposes. Craig and I had been friends for a while, though he was from a completely different way of life. He wasn’t in the “gifted and talented” program that half of my class was in (what a wretched and unfairly exclusive group that was monikered). He didn’t wear nice clothes. He sometimes smelled of his parents’ cigarettes. But while rough around the edges, he didn’t mind my, well, attitude.

I did not like like him – he was a friend and no more. I did not have a crush on him, not in the least (and I had had crushes on boys by that time). I felt a certain tenderness toward him, and all that he didn’t have. We were friends – and that is all. I say this now to preemptively strike any notions of anything romantic between us. Craig was, and to my knowledge remains, completely heterosexual.

After the dance drew to its excruciating close, Craig and I walked a few blocks together. Beside us the land dropped off where a steep hill led down to the four diamonds. While the baseball fields below were level and meticulously mowed, this hill was wild and unruly with knee-high grass and a few shrubs that threatened to turn into trees. Craig and I playfully started pushing each other closer and closer to the edge of the hill, and as boys at play tend to do, we escalated into a friendly competition to see who could hang onto the upper ground for the next block or so.

Craig was about a foot taller than me (everyone was), and at least fifty pounds heavier, but I was scrappy, and though by rights I should have been down for the count, I managed to gain the top of the hill more than either of us expected. But that wasn’t my goal. My thrill was in being slung back down the hill, scrambling against someone more physically powerful than me, and meeting that force with defeat – and relishing it.

Beyond the sexual, beyond the sadomasochistic – somehow I felt that I deserved to be punished. And somehow I think part of me liked it. The martyrs, the downtrodden and the put-upon – is there not something exquisite about them and their plight? It goes deeper than simple gluttony for punishment, penetrating further into the recesses of the psyche than simple sadomasochistic pleasure.

Every time he threw me back down the hill a part of me thrilled in the brutality of it, in the raw act of aggression – all the while knowing that Craig would never really hurt me. It was play. What went through my head was the furthest from his, I’m sure, and that only added a secretive element of subterfuge to the game. All the time he thought he was the dominating force, I plundered his power for my own amusement and excitement.  I sought out the role of submissive, knowing full well that Craig never stood a chance at matching my wits or outsmarting me if it came down to it.

For that day though, it was enough just to have him fling me through the air, push me down on the ground, feel the force of his strength and the pull of gravity have their way with my little body. I knew it wasn’t the same enjoyment that other boys got out of wrestling or playing, and I knew enough to keep that to myself. I also knew that one day I would seek out excitement in other forms, far more terrifying and dangerous than a hillside tussle, and this quaint little game, for which I made Craig feel great guilt over his power, with feigned injuries, heavy breathing, and willfully injured pride – was but the beginning of a boy’s strange entry into adolescence.

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The Madonna Timeline: Song #18 ~ ‘Supernatural’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

I wake up with your fragrance and it’s all over me
What cologne do you wear?

The ipod has chosen its first B-side Madonna song in the form of ‘Supernatural’. Thematically, this is more of a Halloween song than a Christmas ditty, but since it arrived in December of 1991, it has the holiday connotation, whether fitting or not. I ordered it from some overseas mail-order company (it was actually a 3 inch CD – the cutest little thing, really.) As the B-side to’Cherish’, it actually was released a year or so prior to when I got around to receiving it.

At this point in my life I was more concerned with fish and Madonna than romance, so the supernatural love story alluded to in the lyrics didn’t impress me much.

You transcendentally imposed yourself upon my bed,
You know you didn’t say very much…

Around this time I had also ordered a batch of live rock, so this song brings me back to the saltwater fish tank that housed a Heniochus and a lionfish, along with three (then two, then none) damsels. It was as exciting and pathetic as it sounds, with much of my world revolving around a closed-off bedroom, Madonna music, and an unruly head of hair that hadn’t discovered the proper products yet.

You’re not demanding for a man, that’s really quite rare
You’e not the least bit obsessed with your hair
You’re not upset when I come home later than ten
For a ghost you’re a very good friend.

I felt estranged from my whole family, isolated and powerless, scared and lonely, and my only outlet was in letters and mix tapes to Suzie, who was spending a year abroad in Denmark. She was one of my only lifelines- she and my friend Ann. Without them, I don’t know what I would have done. The world was closing in around me, and it was a world in which I played no real part. I longed for something else, somewhere that I belonged – another world perhaps – but ‘Supernatural’ was not cutting it for inspiration.

I had such high hopes for this ‘Like A Prayer’ out-take, and it was the first time I realized that some things are better left on the cutting room floor. Not that this song doesn’t have its own Halloween charm, I just couldn’t get into it at the time. It took a few more questionable B-sides before I would truly get it into my head that not every Madonna song is a keeper (‘Goodbye to Innocence’ anyone?)

A ghost baby?
Song #18: ‘Supernatural’ – December 1991
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What Happens in the Men’s Room

The photo below illustrates a no-talking-zone. There is nothing so important that it can’t wait until I am finished peeing to discuss. I don’t even want to say “Hello” when I’m standing at the urinal. And yet the number of guys who think it’s appropriate and perfectly fine to talk to me while we’re peeing is insane. Whatever happened to simple urinal etiquette?

This has nothing to do with being pee-shy. I could pee on you if I had to go badly enough (and I know for a fact that I’ve peed for photos more than I care to recall). But I still don’t want to talk when it’s all coming out. It just feels wrong.

It’s the same feeling of minor discomfort I get when there is a row of ten urinals and someone comes in and stands at the one right next to me. Is this necessary? There will always be guys who are curious out of desire or who like to show off (and that’s a different level of discomfort entirely) – I’m not talking about them. I mean the ones who are there only to pee, and feel the need to stand next to you, talk your ear off while you both have a dick in your hand, and act as if it’s no big deal at all.

I like to observe what I thought was an unsaid rule in restroom etiquette: leave an empty urinal between you if at all possible. More than one and you run the risk of having people question your manhood, but when you go to the closest urinal and start yapping about dinner at your mother-in-law’s, no one is having a good time.

At my workplace there is no way around this, as there are only two urinals right next to each other. In this instance, silence is the only way to go, but not everyone goes that way. In fact, it’s not unusual for guys to be shouting over the stalls, urinal to urinal, and out into the hallway to keep the talk going, and it’s just insane.

The only way I can think of to combat this (because silence and dirty looks clearly aren’t working) is going to be to talk back. And trust me, the kind of talk I do with a dick in my hand is not what you want to hear when you’re going on about the game last night.

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The Madonna Timeline: Song #17 – ‘Don’t Cry For Me Argentina’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Her voice has never sounded better. Even in the bustling pre-Thanksgiving buzz of Logan Airport, I can hear her clearly over the headphones of my portable CD player (this was 1996). I am about to board a flight to San Diego, my emotional state is shaky at best, but when Madonna is singing one of the most famous Andrew Lloyd Webber show tunes of all time, ‘Don’t Cry For Me Argentina’, I pause to listen. There are storms moving in from the West, but the flight is departing on time. A heavy coat is slung over my arm, and I wish I could leave it in the cold of a Boston November. But I’m getting ahead of myself. The iPod has chosen ‘Don’t Cry For Me Argentina’ as the next selection, and while I was hoping we might get an Evita song at this time of the year, I suddenly feel ill-equipped to fully convey the sad connotations that this song evokes.

It won’t be easy,
You’ll think it strange,
When I try to explain how I feel
That I still need your love after all that I’ve done…

The Fall of 1996 found me living in Boston, and commuting to Waltham for my last semester at Brandeis. I had fallen for a classmate in my Literary Criticism course, and for a brief moment he seemed smitten with me. We shared a love of musicals, the cute guy at the Boston Chipyard, and my impeccable sense of style. We also shared a couple of late-night talks on the telephone, some pleasantly random encounters on campus, and a slight fear of our Literary Criticism professor.

I won’t go into other details here (that’s the ‘You Must Love Me‘ story, and the iPod hasn’t shuffled that way yet), but after a few weeks of flirting, one flat semi-date, and a risky letter laying it all on the line, he was not as enthralled with me as I was with him. And as my pathology has historically shown, it’s the ones who want nothing to do with me that I seem to love the most.

I had to let it happen,
I had to change…

And so, long story short, he broke my heart, in the kindest possible way, but a broken heart is a broken heart and there’s nothing much to be done about it. That November the ‘Evita’ soundtrack was released. It was Madonna in an Andrew Lloyd Webber musical – a gay man’s dream – but while the rest of the Madonna-mad homos celebrated, I tried to heal.

Back in those days, I lived a very organized and regimented life. Chalk it up to my Virgo birth sign, or my parents’ rigid structure – the point was, I had my school life and job and creative outlets strictly planned out, and there was little to no time for an emotional breakdown or messy feelings to muck up the flow. But I had read somewhere that Madonna claimed she allowed herself one day to get over a bad break-up, so the Tuesday that the ‘Evita’ soundtrack came out I designated as that get-over-it day.

Luckily, I did not have classes on Tuesday, so I slept in and putzed around the condo a bit. The day was dim and overcast, but there was no rain. I walked over to Tower Records (again, this was 1996, and it still stood on the corner of Newbury then) and bought the soundtrack.

I vividly recall the press Madonna was getting at the time, especially the one-two knock-out punch of Vanity Fair and Vogue. She was poignant, vulnerable, and poised on the brink of her first comeback following the Sex years. She’d had her first child – a daughter named Lourdes – and she was healing her lifelong hurt of a lost mother and a number of lost loves. In my dismal state I could somehow relate, and suddenly I wanted to be anywhere but where I was.

So I chose freedom,
Running around, trying everything new,
But nothing impressed me at all,
I never expected it to…

The next weekend my cousin’s wedding was taking place in San Diego. It was both exactly what I needed, and the last thing I wanted. A wedding is a wretched place to get over a broken heart, but at our darkest moments most of us turn to family – the people who have no choice but to love us. Or so we hope.

The truth is I never left you,
All through my wild days,
My mad existence…
I kept my promise,
Don’t keep your distance.

In Logan Airport, I took off my winter coat and waited for the plane to board. In my ears I listened to Madonna sing that epic song. Midway across the country, flying over all those square states, a storm appeared to the left of the plane – lightning and thick clouds swirled, and in the dark of night I almost dared God to take all of us down – I was that far gone.

Up in the sky, I felt removed from everything. The seat next to me was empty (are there ever any empty seats anymore?) so I could lie down and nap, and the flight attendants didn’t mind. While the night progressed, I was moving West and turning back time. What could be found in those three hours I was momentarily gaining? Would there be wisdom there, and would that soothe the ache?

Landing in San Diego was a healing moment of its own – the balmy humidity was a salve on the raw coldness I brought from Boston. I hopped in a courtesy van and arrived at the hotel where my family was already going about their wedding business. All except my brother would not be told of my state of mind. I wasn’t even out yet, and the accompanying loneliness and sadness weighed secretly upon me.

I tried to distract myself with the sunniness of San Diego, and the silliness of fashion, finding a tiger-print coat and a maroon ostrich boa in a vintage shop. I asked my brother to take a photo of me walking in a park, head down and countenance downtrodden, and it would become that year’s somber Christmas card. Through it all, I couldn’t shake the feeling of being unloved, and while my head (and my own brother) was telling me that this person was not worth the trouble, my heart would not be quieted – the heart wants what it wants.

At the wedding I talked and laughed with family. There were compliments on my outfits – there would always be compliments on my outfits – and if I had nothing else, I could still look good. I wondered then, if that’s all I had to offer. My lost suitor had been captivated by my clothes – in fact our first conversations revolved around clothing. How could such a superficial thing even compare to what I was feeling on the inside? And what do you do when you’ve built up such a pretty facade, but all anyone wants to do is look?

Such silly ruminations, and such a silly boy I was for feeling so devastated. Perhaps it’s even silly to speak of such things now. Yet these are the things that shaped me into the man I am today, and in so many ways those faults have not been perfectly patched. They run deep, and they run wide, and no matter how far I think I can go, they’re always with me.

And as for fortune and as for fame,
I never invited them in,
Though it seemed to the world
They were all I desired.
They are illusions,
They’re not the solutions
They promised to be
The answer was here all the time,
I love you
And hope you love me…

I didn’t cry for Argentina. I didn’t cry for Madonna and her newborn child and first shot at movie star credibility. I didn’t even cry for the boy who never sat next to me in class again.  I cried for that fact that love would never be easy for me, and that as good as I was at dressing up and making the ladies laugh, I could never be good at love.

In one of the magazine articles of the time, Madonna was talking about how she gained the coveted title role of the movie, and she said something that I grasped as hopeful for my goal of attaining a guy:

I thought of a line from ‘The Alchemist’ that goes something like, “If you want something bad enough the whole earth conspires to help you get it.””

That’s not true in matters of love, and I think Madonna knows that too.

Have I said too much?
There’s nothing more I can think of to say to you…
But all you have to do is look at me
To know that every word is true.

Song #17: ‘Don’t Cry For Me Argentina’ – November/December 1996

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The Madonna Timeline: Song #15 ~ ‘Nobody Knows Me’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

I’ve had so many lives since I was a child,
And I realize how many times I’ve died…

The iPod bops along to Madonna’s incendiary ‘American Life’ album from 2003, shuffling over to ‘Nobody Knows Me’, a blippy, vocally-distorted stop/start stilted jolt of a song with a neat little funk-out. I think this will be perhaps best remembered for Madonna’s performance/lip-syncing of it on her Reinvention Tour (summer of 2004), when she strutted across a conveyor belt, doing some crazy-fun half-moon arm gestures.

After seeing the show in NYC, I remember marching along Broadway to my hotel with this song in my head, feeling solidly empowered and like I could take on the world. That’s the best thing about some of Madonna’s songs – they pump you up to the point that you don’t care who is staring at you as you dance (or trip) your way down Broadway.

This is, in my opinion, the only real ‘dance’ song on American Life (prior to remixes), and one of the few ‘lighter’ selections from that brilliantly dark album – in other words, it’s not indicative or representative of the rest of songs, but it is definitely a stand-out track, perhaps because of that.

The big disappointment in the concert version (as seen below), is that Madonna takes out the best part of the song – the quasi-bridge break-down:

I don’t want no lies!
I don’t watch TV!
I don’t waste my time!
Won’t read a magazine…

I’m not that kind of guy
Sometimes I feel shy…
Song #15: ‘Nobody Knows Me’ – Summer 2004
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The Madonna Timeline: Song #14 – ‘Frozen’ ~ Winter 1998

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

 
You only see what your eyes want to see,
How can life be what you want it to be?
You’re frozen when your heart’s not open…

I had been hoping that the iPod would not choose this song for a while, as it’s one of the most emotional Madonna songs for me – the kind that perfectly aligns with a momentous time in one’s life, that both illuminates and shades that time, becoming a mini-anthem, dirge-like or not, and I cannot hear the song without being somewhat affected and reminded of that moment in my life.

You’re so consumed with how much you get,
You waste your time with hate and regret,
You’re broken when your heart’s not open…

It was the winter of 1998 – January – and I was living in Boston but searching, as always, for a break from where I was. Upstate, friends awaited me in Rochester, New York – and I headed there for a few days of carefree fun to dispel the wickedness of winter. We headed to a club for drinks and dancing, and in the darkness between the flashing lights, I saw him for the first time. A cute guy in overalls and a baseball cap – and a smile that was somehow, and unfathomably, meant for me.

My friend Gina went up to him and introduced us, much to my embarrassment, but he was nice and we talked. I’m not going to lie – when you’re 22 and single, every first meeting carries with it the possibility of being the first time you meet ‘the one’. (When you’re 35 and married, you realize that’s not how life really works.)

He must have known that then, but I did not. We went our own ways at the club for a while, but found our way back together at the end of the night. He wrote his name and number on a cocktail napkin and told me to call him the next day.

I was staying at Gina’s apartment, and when we got home she told me that he was a chef at a new restaurant. The next day we made reservations for dinner there, and he invited us into the kitchen to say hello. We agreed to meet up after his shift.

If I could melt your heart…
We’d never be apart…
Give yourself to me…
You hold the key.

The intervening time between dinner and meeting him is a blur, as is much of those few days. I remember being incredibly nervous until I saw him, as if I could never quite believe he was real, and whenever he was absent (which was most of the time), I felt panicked and desperate and almost manically hopeful. (Attractive traits all around.) I hid this as best as I could. There would be no crazy letters of self-saving ultimatum (not yet anyway – they would come later), and in those first few days I was free to imagine that this was the start of a great romance. That night it certainly felt so.

We went to the Avenue Pub – a local haunt less keen on style and more concerned with cheap, strong drinks. We sat at the bar and I met a few of his friends. At one point his hand rested on my knee – a sign of affection or camaraderie, I wouldn’t ever know – and though I usually cringed at being touched, with him it was all right, it was endearing, and it made me feel like I might be loved. Such a simple gesture, I don’t know how I could allow myself to believe it was so fraught with import, but there you have it. My state of mind. His casual carelessness. Our mutual desire.

Now there’s no point in placing the blame,
And you should know I suffer the same,
If I lose you, my heart will be broken…

I followed him back to his place, a rather lengthy drive through the cold winter darkness. In the dim light of a night that was suddenly filled with falling snow, we kissed and undressed. Shades of silver and gray swam among wrinkled sheets. It was warm next to him, and it was one of the only times I fell asleep without unease next to a man. What followed would do that to me. Not through any act of deliberate cruelty on his part, but in the absence of returned love – the debilitating draining that inevitably befalls unreturned affection.

In the early morning light, a layer of white snow covered the waking world. He got up to take the dogs out. I asked, jokingly, if he was going to wipe the snow off my car. He grinned before closing the door behind him. I dressed quickly in the dark chill of that morning, my body knowing even then that I needed to leave. When he returned, he asked me to stay, but I couldn’t tell if he meant it. Outside, I made the discovery that he had brushed the snow off my car.

For the rest of my stay I will call him daily, to see if he wants to meet up. He will hedge, say yes, then cancel at the last minute. I will sit, showered and dressed, in Gina’s apartment, for the next two nights – even extending my trip with the hope that he would be able to make it, and then when I absolutely had to return to work I made the solitary drive home.

Love is a bird, she needs to fly,
Let all the hurt inside of you die,
You’re broken when your heart’s not open…

Once back in Boston, I had a few phone conversations with him in which he explained that he would have liked to see me, but he just couldn’t schedule it with his busy work week. I understood, and mentioned I would be back in Rochester in a few weeks, so perhaps we could meet then. He agreed, and like a fool I believed, and returned – by bus to Amsterdam, then with my parents’ car to Rochester.

It’s strange, and a little embarrassing, to look back at my actions then, but whenever a sense of shame sneaks over me, I remind myself that I didn’t know any better. I didn’t understand that there were romantic rules of attraction, and to go against these rules meant certain ruin. If I liked someone, I let them know it. I didn’t wait three days to call, or act unavailable. If I was smitten, I didn’t hide it, and if I wanted to see someone, well, I drove six hours to see them.

Like most of the men in my life, I loved him – or thought I loved him – more than he would ever love me. As I get older, it sounds sillier and sillier for someone to say, but at that moment, in that time of my life, it was anything but silly.

On my second, third… fourth trip there, he didn’t even bother to return my calls. I sat in the car and cried, wrenching tears from a writhing shell of a body. In a rare moment of desperation, I called my Mom and simply told her that things weren’t going well. I didn’t give specifics, I just needed to hear her voice.

It was winter, and Madonna was gearing up to release her ‘Ray of Light’ album, leading off with the single ‘Frozen’. The snow fell around me as I returned to my parents’ home, and I shoveled the driveway to keep from going crazy. Walking off into the backyard forest one night, I laid down on the frozen ground, letting the snowflakes tickle and melt upon my face. On a still winter’s night, you can hear them fall – tiny pings and rustling crystals – and if you wait long enough you can join in their frozen mass. I did not wait that night.

If I could melt your heart…
We’d never be apart…
Give yourself to me…
You hold the key.

There would be more tears, and more pain, and more feelings of doubt and insecurity, and always the wondering as to my own worth. I could gain the attention and enthrallment of any number of people – yet the ones I loved the most couldn’t be bothered to love me back. It would be the conundrum that informs my life to this day.

You only see what your eyes want to see,
How can life be what you want it to be?
You’re frozen when your heart’s not open…

As for the song itself, ‘Frozen’ marked Madonna’s masterful move into electronica, by way of Morocco. With its sweepingly majestic Middle Eastern strings and barren drum programming, it melded an icy chill with desert heat – exemplified by a Goth-like video shot in the desert night. The first time I heard it was on one of those obsessive trips to Rochester. Sitting in Gina’s sad little apartment waiting for him to call, I watched as the video came on MTV – and in the tradition of ‘Like A Prayer’, the first time I heard it I didn’t like it immediately. Soon enough, it was one of my favorites – the crux of yearning and learning, obsession and lonely resignation.

If I could melt your heart…
Song #14: ‘Frozen’ ~ Winter 1998
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Declaration of Frightened Independence

Up until the last year or so, I’ve never much minded the fact that Andy and I won’t have any children, adopted or otherwise. It’s not a secret that I’ve never been a big fan of the babies and kids, though with the recent addition of a niece and nephew that stance has certainly softened (and I’m still waiting for my brother to take me up on my earnest offer to babysit). At this point, most of my friends have had kids – and Suzie is already due for another one (in April). And again, none of it really bothers me.

First off, Andy and I are in no financial position to support a child. Second, neither of us has a lifestyle that is particularly suited for raising children – I would not do well being housebound for too long. Third, the adoption process for a gay couple is, from all that I’ve heard, a serious and sometimes difficult commitment that can take years to go through. And finally (and most importantly) I don’t know if I would want to bring a child into this world – or at least be responsible for a child in this world.

As I said before, it’s never bothered me. And if Andy really wanted a baby, I’d be willing to go through all of it, and probably end up being a pretty decent Dad too. (You don’t get to see my sensitive side, so you have a skewed view.) But the reality is, children are likely not in our future.

I haven’t thought about it much until recently. There will come a time when Andy and I will be old, and the only people we would have to take care of us will be each other. It’s hopefully a long way off, but it will happen no matter what. And being that Andy is a number of years older than me, it’s probably going to be me alone for at least a few years. Completely alone.

It’s a prospect that never really scared me until now, and in all honesty I can usually put it from my mind, but when the holidays creep around I am reminded that most people will have someone to look after them as they age. This is just one more thing that Andy and I will have to do on our own. And sometimes… it’s a little daunting.

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Xmas Gift List

No, not mine, believe it or not (I haven’t had time to get it laminated just yet). Right now I’m actually thinking of other people, and though I say the exact same thing every year to no different denouement, this time I’m doing my shopping early and mostly online so I can just relax and enjoy the season. I swear.

Being that we’re all in the poor house these days, I’ve decided to make a few gifts, much like I did as a kid, minus the sloppy execution and visible glue. I still remember one of the simplest, and most fun, gifts I ever made my Mom (though I doubt she does). It was one of those classic lined notebooks with the black mottled covers - completely non-descript on the outside (a travesty I would never forgive today, I don’t care how old anyone is) – and I was determined to fill it with little essays.

I started writing in it in November – and each day I wrote a  few sentences on a random topic (three-bean-salad, trees, yarn) like our third grade English teacher was having us do (the three-bean-salad was her topic of the day – I didn’t even know what it was so I faked hating it). Yes, this was the kind of crazy fun kid I was – getting off on a third-grade English assignment and turning it into a gift idea for my Mom.

For some strange reason, I hid the book under her bed so she wouldn’t find it. (?!?!) I figured it would be the last place she would look for a present from me – and I guess there’s a strange sort of logic to that, because to my knowledge she never did find it (or, and this is much more likely, she found it and simply didn’t say anything). I think I managed to fill about a quarter of the book with ramblings-on about coffee, colors, flowers, keys, and anything that drifted into the insane quagmire of my third-grade head, and by Christmas morning it was wrapped and under the tree.

While I don’t clearly recall her reaction to such a gift (I’m sure it was dutifully grateful, and I was probably too excited with my own gifts to notice (is that the stuffed unicorn I’ve been begging for?!) but I distinctly recall making the book for her, and hoping she would like it. This year, I’ll be doing the same thing (but don’t worry Mom, it’s not a book).

The bottom line is that this year the gifts are hand-made, so don’t expect much (even though my gluing skills have advanced markedly since the third grade.)

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The Madonna Timeline: Song #13 – ‘Forbidden Love’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Once upon a time there was a boy and there was a girl…

Am I the only one who remembers that Madonna had a song called ‘Forbidden Love’ on her 1994 album Bedtime Stories that predates this ‘Forbidden Love’ from her Confessions on a Dance Floor album over ten years later? Regardless of the recycling, the iPod has chosen this ‘Forbidden Love’, and though I have no clear-cut memories of this particular bit of passable-filler, it’s always functioned adequately as a segue into ‘Jump’.

The title is probably the most exciting part of the song, though Madonna does no in-depth follow-through for her gay fans, playing it Romeo-and-Juliet straight. As for the music, this is one of the slower songs from the non-stop action of the Confessions album, reminiscent of some Scissor Sisters work of the same time. Madonna performed the tune admirably on Madonna’s Confessions Tour (right after she climbed down from her mirror-ball cross), but I’m guessing we’ll never hear it again.

Just one kiss, just one touch, just one look, just one love…
Song #13: ‘Forbidden Love’ – 2006
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The Madonna Timeline: Song #12 – ‘Over and Over’

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

It doesn’t matter who you are,
It’s what you do that takes you far…

Funny that the iPod should choose ‘Over and Over’ at this time – one of my favorite bloggers, Amanda Talar, recently posted a FaceBook memory of Kids Incorporated – which I recall mostly for the fact that Martika sang this very song on the show.

My other memory of the song came a few years later, when Madonna released her non-stop dance remix collection, ‘You Can Dance’, in 1987. God, those synth drum machines sound so 80’s…  where are my neon day-glo leg-warmers? I won’t even mention the elaborate dance routines I worked out to this song’s seven-minute-plus dub version. (Have I embarrassed myself enough? Hey, it was the 80’s, and we all made a lot of mistakes back then.)

As an eleven-year-old boy, the lyrics meant less to me than the catchy hook and beats, but a bit of the sentiment must have gotten through, because as fragile and superficial as some would make me out to be, I’m pretty resilient – and I do get up again, over and over. Determination, ambition, hard work, inspiration, blood, sweat, and tears – I love that this song refuses to give up.

And here’s that exercise-inducing dub version – all seven-plus-minutes of it:

I’m not afraid to say I hear a different beat…
Song #12: ‘Over and Over’ – 1985/1987
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