Category Archives: General

The Press Release a Decade in the Making

It’s been quite some time since FaceBook forced us to write about ourselves in the third person, and I’ve missed it. There’s something very analytical about that, vain and vapid too, so it suits just about every part of me. In honor of that, and the ten-year anniversary of this site, I present to you the official Press Release on the decade which came before:

FOR IMMEDIATE RELEASE

Ten years ago Alan Ilagan invited the world to the virtual party of www.ALANILAGAN.com, and since that time the revelry has raged every day.  From writer to photographer, poser to pantomime, gallery manager to exhibitionist, and husband to Uncle, he’s tried on a lot of hats over the years, every one photographed, chronicled, and archived on this very site. Revealing a lot while revealing very little is the hat trick at which he is most adept, and beneath every revelation he has made is another tantalizing veil, a hint at ever more to come. 

This is where his talent for combining the written word and the visual image comes into clear focus. This is where he gets to experiment, explore and play ~ unabashedly showing off no matter the risks or mistakes that might result. It’s a sight to be seen, a voyeuristic and clandestine adventure, one in which the sharing of a journey has become an art form unto itself.

Somewhere along the ensuing decade, the site became about more than Mr. Ilagan himself. It was a mirror of all sorts of things ~ celebrity, art, music, beauty, pop culture, gay rights, marriage equality, family, love, and friendship ~ not only in the way he saw the world, but in the way we saw the world. It was no longer about Alan as the sole attraction, but more of a community cocktail party. He’d make the drinks, but he wanted you to be a part of it. An integral part of it. In fact, the reason for it. Like the parties he’s thrown, it’s become less about the host and more about the guests. While it feels like an exclusive event, one never gets the notion that they are anything but included in the festivities. Sometimes the gathering is elegant, sometimes it’s raunchy, and sometimes it’s too much for words – but it’s always engaging, it’s often enjoyable, and everyone is always welcome.

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If I Could Melt Your Heart

Never one to wish for frozen temperatures, or a cold and cruel Winter, I do fear a thaw coming at this time of the year. A thaw is a dangerous thing. A thaw messes with the mind. I still recall a thaw that came in January of 1995. Walking in the melting snow, lost amid the fog and the feelings, I remember the yearning of my heart, the misdirected obsessions, the unrequited love – or the closest I could come to love at the time – and, swirling as it did in the mild water vapor, the fog of the snow banks matched the fog of the mind.

In my ‘Whimsy’ Project of the time, I sought out creative expression, hoping for some ease or relief, but finding only a mash and jumble of words and products ~ losing my way amid the fluff, getting carried away by the airy confections, anything to distract from the truth. The fog has that effect on the heart and the head. I wished for someone to appear on one of those nights, and maybe someone did. I knew who he was, but I didn’t know where he had come from, or if I had conjured him ~ whether he was real, whether his kiss had warmed or cooled my lips, or if the night had been so wet I had only to open my mouth and the whole universe left it moist from a thousand kisses. The coldest kindness can feel like the warmest embrace when the rest of the world is so frigid. Therein lies the risk of a thaw. Like the otherwise-perennial plants lost to the heaving that comes from such weather extremes, the heart can be irreparably broken when given sudden careless warmth in the midst of a barren tundra. The flowers that bloom there do not last very long, and are so small they are seldom even seen.

So save the brief reprieve and give me the real Winter. Batter me with the wilds of wind, the sharp sting of snow – pelt me with your ice and sleet and frozen shards on tips of lashing limbs – just do not tease with the promise implicit in a thaw. That promise is too far off. We’ve had our Fall. Let us have our Winter. There is no other way to get to Spring.

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An Asset to the Abbey

“A family must never be a topic of conversation.” ~ The Dowager Countess, ‘Downton Abbey’

A more fitting quote could not have been conjured as I sit here on a Sunday night watching the Season Premiere of ‘Downton Abbey’. Following a day – well, a month – of family issues, I was on the verge of purging all that’s been going on, and writing it all out here, but they aren’t my issues at stake, and not my place to speak of them. Sometimes it’s good to have a reminder from a Dowager. Sometimes I’m too blunt, too coarse, for my own good. For the good of others too… perhaps more-so.

And so I find relief and escape in the fading aristocracy of a family, and world, very much removed from my own. A soap opera with British manners, and Dame Maggie Smith – I’ve missed this. It’s so much nicer when the intrigue and the drama is made-up – even if what goes on there mirrors what is happening here. Properties come under peril, histories come under scrutiny – the language of a family is rife with particular dialects, subtle nuances, tricky traps, emotional minefields, and hidden pockets of hurt. You can change almost everything about your life today – your friends, your lovers, your husbands, your wives – but you cannot change your family. A lot may have shifted in the world since the time of ‘Downtown Abbey’, but that much remains the same.

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Project Yourself

In celebration of the 10th anniversary of www.ALANILAGAN.com, we have posted my last five Projects on ‘The Projects‘ page. Way back in the beginning, when I started all of my sinning, ‘The Projects‘ were the impetus for getting online – a repository of written and photographic work that the world could peruse. A decade later, they are still the main outlet for my creative passions, the works where all my energy, anger, desire, joy, and sorrow find release. If you’re lucky, you can find redemption in expression, and salvation in sharing. Like so much of the world, we recall most recent events first, and so the order of The Projects begins with the last project I did:

Bardo: The Dream Surreal‘ was a look at everything that fell in-between ~ the space between light and dark, the time between dusk and dawn, the moment between sleep and waking ~ and the tension maintained through the project is what I love most about it. There is no happy ending, no definitive finish, no easy understanding of what is really going on. It takes a very surrealistic look at the worlds we inhabit, particularly those that totter on the razor-thin edge of ambivalence. The photographs are manipulated to make one wonder what is real and what it not, and, like a dream, it feels just real enough to stir and disturb. Though there are hints of impending darkness, I tried to inject enough whimsy and wit into it to keep the loose narrative flowing and floating.  

A 21st Century Renaissance: The Resurrection Tour‘ was my project from 2010’s travels. For this one, I went back to basics, beginning with the very elements of this world, then fusing the scientific with the artful, melding the constructions of nature with the constructions of art, in an effort to foster a Renaissance of the time when discovery, and the arts, flourished. From the stars in the sky to the particles of sand on the shore, it was a rebirth of sorts of my fascination with how the natural world and its beauty informs the artist, and how the artist in turn creates and reflects such inspiration.  

 

My first, last, and only stay at New York’s infamous Hotel Chelsea was chronicled in 2009’s ‘A Night at the Hotel Chelsea‘. Shot over the course of a single afternoon and evening in the stultifying heat of July in the city, it captured the raw grit of that now-defunct establishment, and the faded glamour of a hotel long since past its prime. Vestiges remained, and friendly ghosts wandered with us through the halls, but for me it was more a sign that my time in such places was coming to a close. I was too old to be okay with roaches and dirty corners and rickety beds. It did, however, make for some wildly textured and moody photographs, proof that the dirtier and grimier the surroundings, the more interesting for a photo shoot. It also inspired some of the more risque photos, because when you’re in the very hotel where Madonna shot part of her ‘Sex’ book, you can’t help but pay homage.  

 

The Circus Project‘ from 2008 was the first, and thus far only, work that has the word ‘project’ in its title – and since I’ve been doing this stuff since 1993, give me a break on the creative dirge. Telling the tale of a young man who finds escape in a season with a traveling circus, it’s one of my more structured narratives, combining prose with pictures as the journey across the country, and through the seasons, reaches its harrowing, and questionable, conclusion. I wanted to posit what it would be like when someone who always felt like an outcast joined up with the most outlandish group of outcasts, and still managed to feel apart from it. In essence, what is it like to not belong anywhere? For anyone’s who ever felt on the outside, like they didn’t quite fit in, I wrote this with them in mind.  

 

With the exception of a single parting shot, ‘StoneLight‘ was a collection of black-and-white photography from 2007. Shot in various cemeteries in Albany, New York, and the surrounding area, it was a study of contrasts – light and dark, stone and air, living and dead, mortal and immortal – and was one of my first projects that relied solely on visuals, with nary a word written or spoken throughout it. I like the hushed aspect that gave it, and if you ever just wanted me to shut up and stand still, this is the project for you. Relying on the sculptural aspects of headstones and burial plots, it explored the titular marriage of Stone and Light, and the nuances found there were, I thought, best exemplified in black-and-white images. (On a behind-the-scenes note, this is the project that got me the Gallery Manager position I held for four years, and in a way I attribute it to my coming into the art scene of Albany, NY.)

 

I invite you – nay, implore you – to take your time with these Projects. Bookmark them and come back if you can’t do it right at this moment – as they are the heart and soul of this website, and they are the work of which I am proudest, the work into which I poured everything I had. Some artists want money. Some artists want acclaim. Some artists want applause. All I ask is that you look, that you read, and that you take a little piece of me with you when you go.

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Now We Are Ten

Ten years ago my body looked like that.

And ten years ago I started www.ALANILAGAN.com.

Obviously, a lot has changed for both.

This month marks the tenth anniversary of this website. Back in January of 2003, we first opened the portal into my unruly patch of the internet – two months prior to its scheduled opening (thank you, Pat Troy) – and since then I’ve never looked back. At the time, it was nothing like it is today. There was no daily blog, there was but a scant collection of Photographs, and my Projects were in-flux and too ponderous to properly post in full. All I wanted back then was a repository for some of my work, a place to which I could point whenever someone asked me what I did and ‘Keyboard Specialist 1’ failed to encompass it properly.

Ten years later, an eternity for a personal website, I am taking a moment to give myself, and those who have helped out so graciously throughout the years, a little pat on the back. Look at The Projects. Check out The Pictures. Read The Writings. We’ve come a long way. I now post an average of three posts a day, occasionally less, and often more (catch us on a day like Super Bowl Sunday and you’re likely to see multiple posts on cocktails, jockstraps, Madonna, shirtless football players, and guys in their underwear – all in honor of America’s favorite game.) That goes seven days a week, 365 days a year. You know those other sites that take weekends and vacations off? I don’t. When I’m out of town, I have posts programmed. When I go out to a party on Friday night, knowing it will be a rough Saturday, I make sure to have something set up before I sip my first cocktail. It takes a lot of work to make it look easy. Why do I bother? Because I know what it’s like to visit your favorite website and not have an update in days, weeks, months, and I would never want to do that to someone who is good enough to stop by and give me a moment of their time.

I don’t get paid for this. I’ve never received one dollar for doing what I do here, and I never bothered to seriously look into that because it’s always been a labor of love, a creative outlet worth ten times the amount in therapy. There may come a time when ads start popping up (and if any advertiser wants in and can figure out how to get it all set up, shoot me a message) but even that won’t change the commitment and promise I’ve made to you. You’ve seen me through some of the most difficult, and some of the most happy, moments of my life. In ways, you’ve seen me through more things than my closest friends and family have, simply by being here more than any of them have, and that’s a strange and wonderful thing.

I’d like to thank the ongoing cast of characters that wanders in and among my online world here, including my  husband Andy, my parents, my brother, my niece and nephew, and the friends who have become like family – Suzie, Chris, JoAnn, Kira – as well as the webmasters who have kept this site going when I thought HTML stood for something, well, decidedly different than what it does – Pat Troy, who started it all, and Skip Montross, who made it into what it now is. I couldn’t have done any of this without all those people, and more. You would be part of that more – yes, you, who are reading this now and wondering if I mean you – I do. It always falls short when all I can muster is a ‘Thank you’, but it’s a heartfelt one, because as much as I want to believe I could do this alone, I couldn’t. Nor would I ever want to – this journey we’re on is meant to be shared.

With that, I invite you to relax, pull up a chair and a favorite cocktail, and settle in for another year of www.ALANILAGAN.com.

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Housekeeping (Knock, Knock)

It is at this point where we take a brief pause and prepare for the tenth anniversary of this website. Work has been completed on retooling things for just such an occasion, and we are ready to begin the celebration just as soon as some minor housekeeping is finished. For the moment I need a little break. Hence the shirtless pics and the buying of some time while I sleep in and greet the day when I’m good and ready. Trust me, the wait will be worth it. Get ready for ten…

 

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Lady in Fur

Matchy-matchy is rarely a good thing, as seen in this coat/hat combo.

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Snow Berries

They aren’t the biggest fruit in the Winter bowl, but they carried just enough color to catch my eye, especially when highlighted by the white of the snow and set against the pale blue of the sky. If my memory of spring blossoms is true, these are cherries. Not the kind you eat (and even the birds seem to have left these largely alone), but the ornamental sort grown for their blooms and foliage.

You have to look a little harder to find such color in the Winter months, and by March these will no longer be half as bright, but for now they’re up, dangling in the wintry sky, daring the wind to take them away.

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Greeting the Year with the Gummi Bears

Dashing and daring, courageous and caring,
Faithful and friendly with stories to share
All through the forest, they sing out in chorus
Marching along as their song fills the air…

Sitting on my parents’ family room couch, my brother brings up the above clip on his phone. It is Alica Keys on Jimmy Fallon, singing a theme that is both familiar and foreign. A vague Saturday-morning recollection of cartoons and chaos strikes my mind. Ahh, yes, the Gummi Bear theme – one of the greatest opening cartoon themes ever written. Side by side in the exact spot where we spent many a Saturday morning, my brother and I listened to the Gummi Bears theme, greeting a New Year in our childhood home.

Magic and mystery are part of their history,
Along with the secret of gummi-berry juice
Their legend is growing, they take pride in knowing
They’ll fight for what’s right in whatever they do…

And for extra-old-school authenticity, here’s the original version.

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Raw & Ready

Let’s begin without a lot of fanfare. Let’s begin without any pomposity. Let’s begin where it all began, with a few snapshots – rough and imperfect and rudimentarily raw. Let’s return to the very basic tenets of sharing and exploring and creating. Back then it was the simple notion of telling a story.

It was the way we went around our childhood classrooms, each student giving a brief synopsis of their summer vacation. Some of us listened, some of us merely waited for the chance to speak (so sure that ours was the story of greatest excitement), and some of us did a little of both, leaning in to those who mattered most, politely ignoring those who dismissed us in the past. We each had a part in the play at hand, and it was how we learned to communicate and connect.

This is a far cry from kindergarten, (what I would give for nap time at any point during the day), but many of those lessons remain relevant. It’s not enough to share. It’s not enough to speak. It’s not enough to pretend that the world is only there to hear what your summer story is. Everyone has a summer story. Some are better than others, and sometimes it’s the way in which they’re told that matters most, but all of them matter – to at least one person in the world. That is enough. That is all.

We don’t have to be perfect. We certainly didn’t start off that way. We won’t end that way. And what’s in-between is as far from perfection as we can humanly get. It will be okay to make mistakes, to blink when the shutter goes off, to miss the proper punctuation, to run off with a sentence here and there.

The greatest thing is that we’re all in it together. Like that elementary school circle, when we first faced one another as children – whispering about Halloween costumes, making paper angels dusted with glittery snow, exchanging Valentines, and fidgeting until it was time for kickball – we are still the same in so many ways. There is more that we share than we don’t.

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Restart

New Year’s Day was never one of my favorite holidays. It meant the end of Christmas vacation. It meant the return to the Winter doldrums. It meant a bunch of family had to be endured (and enjoyed, truth be told). And all because of the change of the calendar year. At the very least they could have spaced it out a few months, instead of coming right on the heels of Thanksgiving and Christmas.

Yet here it is – another baby to coddle and coo over, hoping that this time, this year, we can make it all right, make it all okay, send this one off into the world prepared and perfect, even when history, and every other year, tells us differently. We are resilient creatures, if a bit foolish, but it’s all we know, and we still do the best we can do. When I look back at the year that’s gone, and the year to come, it makes me glad that we are still trying, that we still care. The world can and may crumble around us, but we won’t give up. In a place where cynicism so often gets heard above all else, I offer this quiet whisper of hope to start us off. I’ll do my best to keep you entertained, if you’ll do your part to keep me safely grounded.

Happy New Year.

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The Perfect Year

Ring out the old, Ring in the new
A midnight wish to share with you
Your lips are warm, my head is light
Were we alive before tonight?
I don’t need a crowded ballroom,
Everything I want is here,
If you’re with me,
Next year will be…
The Perfect Year…

It just may be my favorite scene out of any musical, and it always makes me cry. The cynical story of Norma Desmond and ‘Sunset Boulevard‘ is not high on anyone’s warm and fuzzy list, but in this brief snippet we have a glimpse at what makes her lovable in the face of all her delusional arrogance and haughty defiance. This is just a fragile person, hopelessly and unrequitedly in love with someone else who doesn’t love her back, at least not in that way – not in that all-encompassing romantic way that we all deserve to be loved. The world had already left her behind, but that doesn’t stop the heart from wanting, from loving. It never fails to move me.

It’s New Year’s Eve and hopes are high
Dance one year in, kiss one good-bye,
Another chance, another start
So many dreams to tease the heart,
We don’t need a crowded ballroom,
Everything we want is here,
And face to face,
We will embrace
The Perfect Year…
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A Linky Look Back – Part I

Originally I was going to do one simple quick end-of-the-year post saying ‘Fuck this, so glad it’s over’, but after watching Barbra Streisand in a recent interview, I gave in and looked back (don’t ask). No matter how wretched the year, there are things to be learned, if nothing else you know what to try to avoid. So without further ado, I present to you my Year in Review. Well, the highlights anyway, because most of it was too dreadful to recall to life.

In January 2012, I made a quick trip to frigid NYC, where Suzie and I finally got to see Bernadette Peters live in a revival of ‘Follies’. It calmed my yearly (monthly? weekly?) bout of wanderlust and fulfilled my fetish for hotel room living. If I had my druthers, I would leave my mark in a different hotel every night.

February 2012 was a bright spot, and probably one of the most fun times I had all year. Who knew I would shoot my wad so early? I usually like to wait… Anyway, it was the Superbowl. And Madonna was there. And I was Tebowing. And wearing a jockstrap. It was the best of times. Then came the shameful secret I had kept for two decades, and I finally felt freedom at revealing it. By March 2012, the only thing that mattered was Madonna’s new MDNA album, that got a wordy review here and here.

April 2012 brought the slowly healing balm of Spring, even if the Winter never quite bit as much as we knew it could. The Madonna Timeline continued on its merry journey, and she reminded me how marriage could indeed be x-static, among other things. I got my very first massage, and promptly became addicted.

In May 2012, President Obama came out in support of gay marriage, just a couple years short of ours, but good nonetheless. By the time summer peeked in, I had given my first, almost successful, time out. For my first summer read of June 2012, I dove into Andy Cohen’s ‘Most Talkative’ with gleeful relish. I enjoyed the moment, not realizing it would be the last one I enjoyed for quite a while – possibly the rest of the year, and possibly beyond. My life-changing tour of jury duty would alter everything I thought I knew. My summer – my year – was ruined before it barely began.

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Secret Snow

Having finally had this year’s very-late first proper snowfall, it’s time to explore the wonders of the white stuff. Almost every kid loves the snow, as much for its fun aspects as its power to close school. For me, it was, and remains, the enchanting blanket that transformed forests and streets, houses and hills, the ugly and the dead, into something magical, something beautiful, something pristine and perfect. It was, far quicker than time, the great equalizer. It stilled and silenced, and hushed the world with one fell swoop.

When I was little, I used to traipse out into the forest behind our house, bundled up in a snowsuit so heavy and thick I could barely walk, in moon boots and mittens so clumsy it’s a wonder I didn’t simply roll about like some tottering weeble. Somehow I made it into the woods, where I would spend hours sliding down banks, making snow forts, hiding beneath the snowdrifts beside drooping evergreens, and imagining worlds of solitude and wonder. I wandered alone in the beauty, content with what was suddenly sublime. Trails of squirrels and rabbits were ghostly reminders that others were around, somewhere, and it was enough just to know. The quiet back then was not eerie, the stillness not worrisome, and when it snows now I go back to that peace, and I remember.

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