Yearly Archives:

2015

The Madonna Timeline: Song #116 ~ ‘Hold Tight’ – Spring 2015

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

A million miles later
We walked through the valley of the darkest night
We made it through the fire
We’re scarred and we’re bruised, but our hearts will guide us
Together
I know our love’s gonna last forever
We’re gonna be alright
Tonight

In a record-setting fourth-song-in-a-row-from-a-single-album, the Madonna Timeline has once again randomly skipped to a ‘Rebel Heart’ track. This time it’s ‘Hold Tight’ which features a straight-from-the-radio-even-if-it-won’t-be-played-on-it percussive percolator that finds Madonna espousing clichwd-verses of the everything’s-gonna-be-all-right sort. For me, it’s pure filler, but I think if she found a live venue for this (with some serious drums filling the stage, as seemed to be a possibility in the advance video peeks of tour rehearsal footage) it might make me a bigger fan.

For the moment, this is a filler in the Timeline too. We are getting closer to the final twenty-five percent of Madonna songs left on the iTunes circle for this Timeline, but there are still a few gems and jewels with memories to rival the best – after all, we have yet to hit – ‘Express Yourself’ or ‘Vogue’ – two monumental songs from the Madonna canon that speak wonderful words, elicit lovely memories, and conjure some life-changing moments. For now, just hold tight…

We’ll live with no limits
We’ll dance in the middle of the freezing rain
With you and I in it
Survive the eye of a hurricane
Together
We’re gonna make this better
We’re gonna be alright tonight

Hold tight
As long as you’re by my side
Hold tight
Everything’s gonna be alright

Only love, only love tonight
Lights off, we’re burning so bright
Hold tight
Everything’s gonna be alright

SONG #116: ‘Hold Tight’ – Spring 2015

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A Decade of Confessions

There are two widely acknowledged but mostly-just-perceived failures in the course of Madonna’s long and winding career. The first and most spectacular would have to be her ‘Sex’ book. Along with her ‘Erotica album, it remains the most striking milestone in three decades of controversy. After that the most notable failure would probably be considered the ‘American Life’ album and video. In the aftermath of each she put out fall albums that resurrected a career that wasn’t quite prepared to be nailed to the cross. The first was ‘Bedtime Stories‘ following ‘Erotica.’ The second (and the one for which we are celebrating a 10th anniversary this week) is ‘Confessions on a Dance Floor’ following ‘American Life.’

To be fair there were successful endeavors after those low-points (the ‘Girlie Show Tour’ and the ‘Reinvention Tour’ were actually the most immediate follow-ups – evidence that Madonna on tour is a foolproof way to win over everyone all over again) but I think it’s her musical output after each questionable career lull that is the true mark of her merit.

Despite the crowd-pleasing closest-to-a-greatest-hits-tour-she’ll-likely-ever-do ‘Reinvention’ jaunt of 2004, the reparation to the ‘American Life’-scarred Madonna only came to full fruition in the fall of 2005. She’d just broken a bunch of bones falling off a spooked horse, and the weeks of recuperation in advance of her new album left her chomping at the bit. When she is hungry for a hit – commercial or artistic – Madonna is at her best. When the world has counted her out, she comes back better than ever. By the time ‘Confessions on a Dance Floor’ was released, the time was ripe for a Madonna Renaissance.

With its brilliant, if somewhat predictable, sampling of the classic Abba arpeggios, lead single ‘Hung Up’ was huge. An immense international hit that brought Madonna near the top of the charts again, it barreled into November with a stomping bass-line and catchy chorus that stampeded dance clubs and brought back a bit of glamour to a tired scene. The video was a cheeky ode to ‘Saturday Night Fever’, and no one but Madonna could have melded the 70’s, 80’s and current dance music so effectively.

Dance music was where she had first made her indelible mark, and whenever she seemed to be losing her way, a dance classic brought her back home. (See ‘Ray of Light’.) ‘Confessions’ was literally a non-stop dance explosion, each track segueing seamlessly into the next, yet the songs were gorgeously distinctive enough to stand on their own – a nifty hat trick that’s more difficult that it might seem.

No matter what transgressions Madonna may have perpetrated in the past, all is forgiven when she returns to the dance floor. ‘Confessions’ was a love letter to her most die-hard fans, but a brilliant record on its own terms, garnering almost universal praise and re-establishing her prominence in the fickle pop culture world.

 

1. Hung Up

2. Get Together

3. Sorry

4. Future Lovers

5. I Love New York

6. Let It Will Be

7. Forbidden Love

8. Jump

9. High High

10. Isaac

11. Push

12. Like It Or Not

The ‘Confessions’ era of 2005 was a pivotal return to form for Madonna, one that winked at the past while looking unflinchingly toward the future. With its perky pastiche of dance music inspired by the previous three decades, it was a pleasant reminder of what Madonna did better than anybody else. Yet there were deeper things at work too, with admittedly-confessional lyrics that brought some substantive heft to the twinkling mirrorball surface. When she snarls, “Just watch me burn” in ‘Let It Will Be’ and invokes the listener to “Wrestle with your darkness” in ‘Isaac’ she’s not just laying down meaningless word-play over driving beats – she’s seeking something closer to a spiritual exercise, some essence of the human experience that might remain when the lights come up on the dance floor.

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The Fight Within

This is the sort of shit that inevitably reduces me to a puddle of wussy tears. It helps that the song being transformed here is one that I already loved and wrote about, cheese-factor and all. At my heart, I’m a pop-music junkie, so throw me a hook and an empowerment theme and let the waterworks rain down. Add some bagpipers walking in unison over a bridge in Scotland, and a segue into ‘Amazing Grace’ and just wipe me up off of the floor. I mean, come ON – why not just inject tear gas directly into my eyeball?

On a mid-week morning, we all need a little extra fight in our routine. (Just don’t turn into a weeping cry-baby like yours truly did.)

 

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The F-Word

It’s been hurled at me since I was a boy. A word and term meant to evoke a certain flair, a certain style, a certain way of life. It was code for something else too, even if I was too young to understand. The word was ‘flamboyant’ and to this day people use it when describing me. It’s also another word for ‘gay’ even if it’s something I didn’t get until many years later.

For those in upstate New York, ‘flamboyant’ could mean anything from sequins and feather boas to one notch above your average crocs and cargo shorts combo. That’s a wide berth, one that is easily surpassed with just a modicum of decent taste and simple tailoring. I never minded the moniker, because it meant I was doing something right, something that set me apart from the herds of drab cattle that passed for fashionable in these parts. It was a nicer and more polite way of saying that I was different, which was a nicer and more polite way of saying one was gay.

Such codes were at play long before I arrived on the scene, and they were used by people at every stage of the sexual spectrum. They were a way of marking others – enemies or would-be-lovers, interested parties or plain-clothes police officers. The words were descriptive and a form of designation. Like most labels, they served a purpose that brought freedom and limitation at once. And like most terms that others used to describe me, they were accurate only to a certain point.

Today, I hear the ‘flamboyant’ descriptor mostly from other gay men, and it can carry a certain implicit snideness, particularly when coming from someone less than confident in their own identity. I hear a note of ridicule when someone who prides himself on appearing especially masculine calls me out for looking a little too flamboyant for his taste. It’s subtle, but it’s there. A note that indicates the name-caller has a problem with a guy acting too feminine, or too gay.

Luckily for me, I’ve never considered my flamboyance any sort of indicator of who I am as a person. If it makes other people more comfortable to categorize me as such, that’s ok. They’ve already shown their hand when they went for such a dig in the first place. I’ll take my flamboyance, flaunt it, and flounce away in the finest f-off form you’ll ever find.

{This article originally appeared in the November 2015 issue of ‘Community’ published by the Pride Center of the Capital Region.}

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A Brisk November Recap

Tsk, tsk, tsk… brisk, brisk, brisk. It’s a bad sign when one starts channeling laundry detergent commercial jingles from the 80’s, and so soon in the week. No matter, the schedule is about to get very busy, and the holidays are right around the corner, so anticipation is in the air. There’s nothing I like better. Upcoming tour stops include Boston this weekend, followed by New York the following weekend, and then it will be Thanksgiving. I’ve already taken out the recipe for candied yams. (This year I’m adding orange zest – eek!!!) On with the recap before charging ahead.

The advent of the holidays means more time coming up in Amsterdam, where this delicious dinner was held.

It also means more time with these twins. (And more opportunities for dress-up.)

Laying low when the moon is high (and full).

A Hunk by the name of Zack Hartwanger needs no other introduction.

Vintage nakedness, always in season.

Blue sky, blue hair, red leaves.

Male model Dustin McNeer stole the Hunk of the Day show.

A lazy post.

Immaculate iconographer Troy Gua makes good face.

Jess Vill got his second crowning as Hunk of the Day, as did Gregory Nalbone.

Finally, no matter how brisk, some still got their naked bits and bobs out.

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Something to Remember

It’s strange that I should remember events that happened twenty years ago better than I remember what happened yesterday, but that’s what being 40 years old does to a person, and quite frankly things often seemed a lot more exciting then. Well, not so much exciting as simply less predictable. In November of 1995, when I was first moving into the Boston condo, things were decidedly chaotic, even if it was mostly on an emotional plane. (That particular plane has never been exactly stable anyway.)

Madonna, aiming for a softer, quieter image in the months leading up to ‘Evita’ had released her first compilation of ballads, ‘Something to Remember’ and I traveled into Boston to pick up a copy from Newbury Comics. Back then there was a store by Government Center (before the one at Quincy Market opened). It was a drab, gray day – typical of a New England November, and a slight mist was hanging in the air. Not even falling, really, it was more like a very thick fog that disappeared as soon as you tried to disappear into it. I walked by the unremarkable City Hall building, surrounded by further drabness, and the city felt shrouded in a sheath of gray, everything muted and quiet like the murky beginning of the album.

Pausing at the top of the stairs that led down to Faneuil Hall I opened up the liner notes and read the songs she had chosen for this one, looking at the elegant photos and wardrobe from her recent Versace shoot. Each entry would eventually have its own memory attached to it. The new ones would have theirs as well, even if I didn’t know them yet. Together, they were a way of looking back…

1. I Want You

2. I’ll Remember

3. Take A Bow

4. You’ll See

5. Crazy For You

6. This Used To Be My Playground

7. Live To Tell

8. Love Don’t Live Here Anymore

9. Something To Remember

10. Forbidden Love

11. One More Chance

12. Rain

13. Oh Father

14. I Want You (orchestral version)

I looked around as Madonna’s collaboration with Massive Attack percolated in my ears. Across the expanse, I could see the beginnings of the walk that would lead to Beacon Hill, where the first man I ever kissed might have still lived. I’d lost track of him the year before. He almost broke my heart, but I was not yet bitter. I wondered, as I often did, what had or would become of him. Beneath his plain white sheets, in the sunny then dark fall in which we met, there had been some measure of love, or at least some fleeting bit of affection that might pass as love for the very desperate (of which I had to count myself). He was gone now, and would remain so, but that was ok. I mean, I was ok with it by that time.

Turning back and looking down over the cobblestone patch that marked the entrance to Faneuil Hall and Quincy Market, I thought of my mother. She had first taken us there a number of years ago, and we had stayed at a Holiday Inn just a few streets down. We watched ‘E.T.’ in the movie theater, and my brother and she had cried. I forced myself not to, knowing that once I started I might never stop. We’d gone to Quincy Market and ate pizza in the food hall. The bull markets fascinated us with their useless and overpriced items, and shops like The Nature Company and Geoclassics held allure with their semi-precious stones and minerals. Even in the midst of Boston, the pull of nature held me rapt as a kid. I went through a few visits in my head, as ‘I’ll Remember’ played in the background.

By the time ‘Take A Bow’ began, I was walking down the stairs, covered in the finest mist blowing in from the harbor. This was only the beginning. A Boston winter was rarely an easy time. Far worse was in store for us, and the foam-capped sea, tumultuous and churning, mirrored the raging heart, and all of it under the lunacy of the moon made for a memorable few months. As soft and quiet as these ballads were, beneath them roared an emotional tempest. Yet because I did not know what was to come, I faced it all with some foolhardy courage, born from sheer ignorance, and fostered in unwitting innocence. I was only twenty years old.

Twenty years later, I still remember.

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November Nudity

It’s tougher to get your naughty bits and bobs out when the temperature takes a nosedive, but the beauty of the internet, and this lazy website in particular, is that photos from warmer days can be conjured during the colder times. Hence this pair of naked shots, and the litany of links below to take you to the warmer parts and places that once graced this space.

First up on this sexy Sunday rundown is a group of footballers (the American sort) because the Lord’s Day is not just about Jesus, it’s about pigskin. Just ask Danny Amendola, Drew Brees, Victor Cruz, Scotty McKnight, and Mark Sanchez.

Baseball has always been about summer weather. See the naked form of Matt Harvey, the aptly-named Grady Sizemore, and my pal Skip Montross. (Hey, he was once a Hunk of the Day too, you know.)

The very versatile jockstrap.

The battles of the bulges: Mario vs. David ~OR~ David vs. Tom ~OR~ Cristiano vs. Rafael ~OR~ just David.

Finally, the nude male celebrity collection, the naked male celebrity collection, or this sans-clothing collection.

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Troy Gua: Pop Icon Master Creator

Madonna is a legend.

Madonna by Herb Ritts is an icon.

Prince is a genius.

Prince in ‘Purple Rain’ is an icon.

Michael Jackson is a king.

Michael Jackson doing the moon walk is an icon.

The delineation is subtle, but important.

Troy Gua is an artist.

Troy Gua’s work is iconic.

Reflecting the world of pop culture, bending it to his vision, and presenting his own glorious version of a pop universe has made Troy Gua into one of the most exciting contemporary artists. Very much a product of the 80’s, when Warholian soup cans and Haring stick figures brought pop art into colorful, modern-day focus, Gua brings the stylistic flourishes of that decade into the present-day artistic landscape, making the image of a pop moment into an iconic creation.

Take a look at the featured commission piece of Madonna featured above, (or any of his spectacular ‘Pop Hybrid’ series for that matter). On its shiny surface it is at once familiar, but also brand new. Combining the visages of several Madonna moments over the years, it yields a prismatic result that resonates through three decades and still manages to be remarkably of the moment. Through the clever use of shadows, layering, and an assembly of images that any student of the Madonna canon knows well, it is an instantly-eternal classic ~ the very definition of an icon. Its glossy sheen, the immediate recognition of the subject, and the bold juxtaposition of opposing interpretations – sinner and saint, virgin and whore, past and future, relevant and passé – is what gives the work such nuanced heft. This is what separates and elevates an iconic artist like Gua from the rest of the pack.

I imagine a future where the world is out of room. It’s a world where, in order to save space, even our thoughts, our memories, our nostalgia becomes distilled, consolidated, hybridized, and layered on top of itself. ‘Pop Hybrids’ are the reduction of personality into logo, the reduction of individuality into the collective, the reduction of photography into design. They are a subtraction of images: the recycling, re-using and reducing of two or more images into a new and unique iconographic collection of shapes. Conceptually opposed to Warhol’s emphasis on repetition, this work suggests that we are running out of space even for our cultural icons to retain a solo spot light in our crowded collective conscience. The work deals with iconography, ironic duality and satirical juxtapositions. By layering thoughtfully paired cultural icons with one another, these visually arresting pieces challenge the viewer to decipher the image while making the sardonic, metaphorical and sometimes philosophical connections within the image. ~ Troy Gua

As he hones his skills and refines his output, Gua’s work has become iconic in its own way, with a trademark look and a deceptively clean style that straddles the line between the abstract and the completely recognizable. His output functions partly as a way of both combating and celebrating the fracturing of a collective experience and mainstream popularity that has been the bane and boon of pop culture in the age of the internet. The dilution of impact and ubiquity, coupled with an ease of distribution, has transformed the age in which we live. Artists can reach the world in a single click, and so can anyone with the slightest artistic inclination. The internet knows no such distinction, and good and bad alike can make the most of an egalitarian system that has yet to filter out the posers. The real artists – the truly great ones – will carry on much as they always have, and the best still have a way of rising to the top.

{For more of Gua’s work and background, please visit his captivating website, ‘The Art of Troy Gua – Contemporary Pop Conceptualism.‘}

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A Pair of Mad Memories

In November of 2011, a pair of Madonna songs leaked prior to the next year’s release of her ‘MDNA’ album. The first was ‘Gimme All Your Luvin‘ and the second was ‘Masterpiece.’ As this is the last weekend I have free for literally the rest of the calendar year, I’m going to leave this short and sweet. Click on the links if you want to read more. Or stick around for an artistic post coming up… as soon as I write it.

Bonus: ‘Ghosttown.’

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Autumnal Hues Against Blue Sky (& Hair)

This patch of colorful Boston ivy runs the expanse of a brick-backed building in downtown Albany. In the spring the leaves start out in a bright chartreuse green, the kind that looks phenomenal against a red brick façade bordered by a blue sky. As summer arrives, those leaves deepen into a thick and glossy evergreen shade, dark and lush and still set off to gorgeous effect by the earthy brick. Now, those leaves are putting on their finest show, in an undulating spectrum of color which, when taken as a whole, looks like some beautiful topographical map (I see Greenland). Nestled between buildings, this is one of those hidden gems that most Capital Region folks will not have the pleasure of witnessing in person, and my sad iPhone photo scarcely does it justice, but hopefully you get the idea. There is beauty all around us if we look closely enough.

Some people, myself once included, give up when the first hard frosts fell the tender foliage and flowers, but I’ve since learned that micro-climates save some precious flowers (we’ve had roses in the snow before), and certain flowers have the hardiness to weather a few frosts (the Lenten Rose and the furry-leaved sage are two such performers). In other words, there will be secret surprises that could feasibly push into December if we are lucky to continue in this vein of kind weather.

In my own backyard, the leaves are putting on a fine, albeit extremely late, show this year. The coral bark Japanese maples were the first to turn – their intricately-edged leaves a creamy yellow against those brilliant coral stems. The Chinese dogwoods went next – yellows and salmons and apricots illuminating their branches, especially resplendent in the slanting afternoon sunlight, and further punctuating the strawberry-like pinks of their fruit. The traditional Japanese maples are on the verge of bursting into flame, slowly smoldering from a rich burgundy into a searing scarlet that looks lit from within. Changing this late in the game is risky business, as the closer we get to a very hard frost, the closer they get to shriveling up and falling before they get to develop their richest shade. I thought for sure the cold nights we had a couple of weeks ago would end the show, but with this recent spate of warm weather they’ve been able to ripen into their full glorious red. Being late occasionally pays off. (Just don’t tell any of my friends. They’re late enough.)

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Naked Vintage Shower

“Do you know how sometimes you see a man, and you’re not sure if you want to get in his pants or if you want to cry? Not because you can’t have him; maybe you can. But you see right away something in him beyond having. You can’t screw your way into it, any more than you can get at the golden egg by slitting the goose. So you want to cry, not like a child, but like an exile who is reminded of his homeland.” – Mark Merlis

And sometimes you have to recycle quotes and photographs because you’re simply too spent from shooting, editing, ordering, and writing holiday cards, holiday invitations, and holiday gift books. ‘Tis the freakin’ season.

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Blood on the Moon

This bloody Super Moon from a few weeks ago was kind enough to pause as it changed from a ghostly white to a reddish Mars-like hue. It still just appears as a tiny speck, but I caught it as it was beginning to turn into this shade of red, like some blood cell as seen through a microscope. The camera, and my unsteady hand, don’t always manage to get a decent moon shot (other than my over-exposed ass) so this is the best we could both muster. You get the idea.

Around such full moons, I tend to lay low, if possible. There is too much charged air to ruffle feathers than can normally take it, and far less room for mayhem if you keep still and quiet. I learned long ago that it’s sometimes better to hold your tongue than unleash it, particularly at the wrong time. There is power in silence, and power in peace, even when there’s blood on the moon.

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Dressing Up the Twins

In my home, every day is Halloween, so when the twins visit we invariably explore the attic wardrobe and get a little dressed up. As some have pointed out, my collection of costumes is slightly more extensive than the average Uncle’s house, so we’ve only delved into the tip of this sartorial iceberg. While some adults might be timid about donning such items, the kids took to them with confident aplomb, strutting around the house and inventing a game about an invisible person who showed up in improper attire. Finally, a game I can understand!

On the day of our treasure hunt, with its loose Halloween theme, a bit of dress-up was at last appropriate, so I made like the mainstream and decked the twins out in fabulous style. I was surprised that Noah took to the sequins so readily, and that Emi (after a couple of months of cajoling) finally put on this pink feather number. It was a banner day for all of us.

(And no, you can’t see what I was wearing, because while I’ll do any number of silly things for my niece and nephew, I’m not a circus performer for you. Oh, all right, I am, and I will – I just need better lighting first.)

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Treasure Hunt for the Twins

It’s been a while since I’ve spent some quality time with my nephew and niece, so I assembled a treasure hunt at our home, and asked my Mom to drop them off for a couple of hours of Uncle babysitting. Some planning was required beforehand, with a few ‘treasures’ that needed to be buried in order to look like they’d been there for a while, and the making of a treasure map.

The map had to look distressed and old. Some rolling and weathering, along with judicious burning of the edges, contributed to its ancient feel, and I placed it in a corner of the storage attic, telling the twins I thought I had seen it around there and sending them in to find it on their own, Goonies-style. I think they were onto me, but they went along with just enough suspension of disbelief to enjoy the adventure.

The day started out sunny, but the cold soon advanced, and some strange cloud-cover issued spells of snow during part of our backyard journey. With Halloween just around the corner, I had added a few elements of spookiness to the trail that led to the treasure: a half-way buried skull in the ‘secret passageway’ (the dark walkway – only allowing enough room for a small child – between a towering hedge of Thuja and an old fence) and a pair of ‘Fairy Trap Kits’ that held all the lures to capture those pesky fairies (who could be both good or bad depending on what lesson one was trying to impart).

For those who do not know about the best ways to catch a fairy, the most effective bait is a mixture of glitter, feathers, bells, and the tiniest little clothespins (because fairies are constantly in need of clothespins).

At one point in the path, I’d suspended two small nets of chocolate coins. Hung by relatively-invisible clear plastic thread, they seemed to float in the air, gently spinning and swaying, and the kids were so eager to grab at them they barely noticed the string.

After making it to the end of the hunt, digging up their buried treasure (don’t tell them, but the jewels were made of plastic), and exhausting themselves with some fairy-trap-setting, we headed into the warmth of the house, with cups of hot cocoa and miniature marshmallows. From there we watched for signs of fairies, while Uncle Andy and Emi had a heart-to-heart over cocoa.

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A Present-Day Dinner Brings Back the Past

When I was a little boy, one of the first restaurants to which my parents ever took me was a place called Pepe’s in Amsterdam, New York. They knew the owner, Sam Pepe, and on certain Saturday or Sunday nights we would go out for a dinner together. Pepe’s was a no-frills, old-school Italian restaurant that basically operated out of what looked like a converted house. There was a bar with tall seats, and in the back a small, dimly-lit dining area. A tiny salad-bar held one of the favorite foods of my childhood: a yet-to-be-duplicated mixture of garbanzo beans in an onion marinade. It was wetter and more flavorful than any other garbanzo bean medley I’ve encountered at every other salad bar I’ve visited over the years. That was the best part of every meal there for me, and I’d have been happy if that was all there was to eat.

Of course there were full entrees as well, but as a kid we mostly just had spaghetti (my Dad had his with olive oil and anchovies and a sprinkling of parsley). Mr. Pepe came out every time we were there, mingling and talking with the guests at every table, including us children, which, when you’re a kid, is a pretty cool thing. Now that I think about it, it’s pretty damn cool as an adult. Such personal service is in short supply these days.

I was reminded of those dinners when I visited my parents the other weekend, and they took me out to L’Ultimo on the Southside. In a town like Amsterdam, it sometimes seems that everyone knows everyone else, so when we walked in my parents immediately recognized the table next to us and chatted a bit, and then our server mentioned that she knew my brother, and soon enough it was like I never left my hometown. L’Ultimo is a far cry from Pepe’s (which is a good thing considering that my tastes have evolved from the days when garbanzos were enough to satisfy) but the goodness and familiarity of a family dinner out felt the same. Breaking bread with loved ones, in the town in which you grew up, is a warm reassurance in a cold world.

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