Is It A Sin To Love Too Much? ‘Here Lies Love’ Review

We love to see our idols fall. It’s an infuriating aspect of human nature that we somehow enjoy their pain as much as their pleasure. Before we can revel in them at their lowest, however, we must first raise them up. That supersonic trajectory and its subsequent plummet, forms the powerful pumping heart of ‘Here Lies Love’, a musical that sings the story of Imelda Marcos, notorious First Lady of the Philippines.

Like its complex heroine and the country in which it’s set, ‘Here Lies Love’ is brash, brilliant, and over-the-top in all the right ways. It personifies the Philippines in ways subtle and overt, with its strange juxtaposition of Catholicism, hedonism, treachery, honor, and, yes, love. As a Filipino myself, I’ve always maintained that we’re a crazy, fun-loving culture, filled with a riotous mash of squalor, beauty, violence, peace, laughter and tears. In other words, it’s just like any other country, with the drama racked up a few notches, all backed by a cheesy dance track. Having visited the Philippines a number of years ago, I can also vouch for the fact that the Filipinos love their karaoke, and take it rather seriously. (In fact, someone was literally shot when their rendition of ‘My Way’ was not up to par. True story.) That’s the kind of atmosphere that makes ‘Here Lies Love’ such a perfect personification of the Philippines and its most famous First Lady.

“Is it a sin to love too much?” Imelda asks as a young girl. She is just a teenager, making googly eyes at a white-suited Ninoy Aquino (a twist to the story that I originally found too good to be true, but after researching it, it appears based in fact) who rejects her for being too tall for his burgeoning political career. Following that she finds her way to the charismatic Ferdinand Marcos, who is leading his own campaign to become President, and she is swept off her feet into a politically-charged world of power, glamour, and burgeoning corruption.

The music of David Byrne and Fatboy Slim, which originally spear-headed this production in the form of a concept album, is the perfect disco-infused impetus to drive a Filipino tale like this. Don’t let those disco touches dissuade you from giving props to the tunes: these are solid songs, grounded with some gorgeous melodies and performed by some spectacular voices.

Ruthie Ann Miles brings the voice and the looks to the former beauty-queen, and an uncanny resemblance to Imelda (those sky-high shoulders and that bulbous chignon certainly aid in the magic), but more compelling than all of that is the way she crafts the arc of her character’s journey from innocence and passion to calculation and cruelty, never losing an ounce of the complexity and vulnerability of a woman caught up in her own myth, trying to hang onto her husband, and herself.

As the seductive dictator, Jose Llana brings political charisma, chiseled sex appeal, and a palpable power to Ferdinand Marcos. It’s a testament to his charm and magnetism that, while knowing all the while what Marcos really did, we still can’t help but fall prey to Mr. Llana’s alluring performance. He draws us in with one of the most beautiful songs of the evening, ‘A Perfect Hand’, which makes optimal use of its audience interaction as a news crew follows Llana around the room as he campaigns and poses with his constituents, projecting the images on screens and giving several audience members their moment in the limelight. If you have any doubt as to the effectiveness of the audience participation required of the program, it dissipates here.

As intoxicating as Llana’s Marcos is, the heart of the show belongs to Conrad Ricamora as Ninoy Aquino, who becomes the real champion of the people, giving voice and vitality to the emotional depth of the proceedings. His character is not without fault, however, and such complexities are what make this more than just a disco-karaoke romp. It’s a tragic fairy tale with a dark heart, shot through with jabs of hilarity, and soaked in moments of deeply-affecting pathos. That it manages to be this entertaining is a thing of wonder.

After a rousing song lamenting the assassination of Aquino, performed by his grieving mother no less, Imelda appears high on a ladder, decked out in a sparkling gown. “Why don’t you love me?” she sings, entirely oblivious to the devastation at hand, and fixated solely on herself.  She asks in a way both comical and earnest. If she has become a monster, we the people have had as much a hand in it as her, allowing ourselves to be duped, wanting to believe in something better for someone else, wanting to believe we had a champion.

Trapped in her opulent palace, she looks up as a helicopter roars overhead, waiting to whisk her and her husband away to exile. A figure the public has built up to be, reviled and revered, she stands as a symbol of her country, a symbol of someone we think we want to be – breathtaking, beautiful, cruel, glamorous, and greedy.

That’s the beauty of this production and its people -“ it’s ridiculous but at the same time moving, as hilarious as it is heart-breaking, and it requires a cast and crew that can expertly execute moves with precision and grace. The staging is intricate, with some hokey-but-effective choreography, and the audience moves with the action. In fact, if they don’t move they’re likely to get run-over. This immersive nature of the show works, as the audience becomes part of the People Party, standing in and making it onto the screen in news reports, dancing along with Imelda as she hits the hottest clubs of the world, and ultimately joining in a final demonstration of peace.

It totters on that tricky border between high-art and cheesy-sleaze – there’s certainly a bit of the tacky at work, but it’s done with a wink and a heartwarming smile. If you give yourself over to the guilty-pleasure aspects of it you can’t help but be taken to a fantastical place half-way around the world, moved to the paradisiacal and perilous plane of the Philippines, where the beat never slackens, and the party never stops.

{Photos by Joan Marcus.}

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The Ageless (& Shirtless) Ryan Phillippe

Some people never age, and some people never wear shirts. Luckily for us, these two traits often intersect in the same glorious body, as evidenced by these beach photos of Ryan Phillippe showing off what he still most definitely has. While it’s not as much as he showed off here (Warning: Gratuitous Male Nudity), it’s always a welcome eyeful.

 

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The Party of the Season ~ Tomorrow!

“Because no matter where you run, you just end up running into yourself.”

The last time I was in New York, I walked by the Tiffany’s storefront, where Audrey Hepburn daintily ate her make-do breakfast, longingly gazing into the windows. It’s a poignant starting point for tomorrow’s ‘Breakfast at Tiffany’s Formal Affaire,’ a formal party put on by GLSEN the night before Albany’s Gay Pride Parade and Festival. Tickets can be purchased here, and I’d recommend getting yours sooner rather than later.

As this is Albany, the formality of the event is largely loose – and since it’s part of the all-inclusive celebration of Pride, pretty much anything goes, so if you’re worried about not having a tuxedo or ball gown, don’t be. (For the record, I will NOT be in a tuxedo – I have something see in mind…)

On the other hand, there is no limit to how formal you can get if you are so fancily inclined, and it’s always nice to see how much Albany can get dolled up. There are more than a few folks who continually manage to be impressive and surprising in this city – and seeing everyone in their finest is going to be one of the best parts of this party.

The Washington Park Lake House will be the setting for this evening of enchantment, providing a bit of rustic elegance somewhere between the cramped confines of Holly Golightly’s depressingly-small apartment and the expansive cement-surrounded monolith of Tiffany’s itself. This looks to be the social event of the season, and coming on the eve of Albany Pride it seems that the stars have aligned for a night to remember.

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My Other Mother

My first memory of her is running up the dark stairs of their Victorian home and wrapping my arms around her legs, sobbing like a kid of, well, my young age. I couldn’t have been more than five years old, and I was visiting Suzie on my own for the first time. I felt safe and had fun, but when it was time to go and a storm prevented my Mom from picking me up at the designated time, I panicked and ran into her arms. Suzie watched from the family room, probably puzzled at such excessive tears for missing my Mom from just across town. But her mother understood, and comforted me like only a seasoned mother could do. That is who Aunt Elaine will always be to me: a second mother.

A few years later, while my Dad was undergoing eye surgery and my Mom was staying at Albany Med, my brother and I had to spend the night at the Ko home. She tucked us into one of her son’s bedrooms in the attic, and once again we felt safe and cared for, comforted when a small sliver of worry hung over the slowly-ticking hours. I think she knew our latent fears, but she never let us worry or think about it too much.

A summer or two later, I rang the door to pick Suzie up to go somewhere, and Elaine answered with bags under her eyes, like she’d been crying. For the first time, I saw her as a human being. She explained that Dr. Ko had had nightmares of the war again, and had been up all night. All I had ever seen or known of her had been the jovial, unflappable matriarch. It was a glimpse of vulnerability coupled with steely strength, and I never forgot it.

She relied on that strength when Dr. Ko died in what remains one of the saddest things that has ever happened in my lifetime. In the middle of a house filled with family and friends and relatives from around the world, she held it all together, and to this day I don’t know how she didn’t crumble. We all wanted to fall apart that March, but the one person who saw everyone through it was Elaine. I remember hugging her like I did all those years ago, trying to become some small source of comfort, trying to go back to a happier time. Suzie and I grew up then, even if we didn’t want to, even if we weren’t quite ready. And still, her Mom stood, talking to others, comforting them, taking care of us, watching out for everyone.

No one was ever quite the same after that, but somehow Elaine retained her spirit and drive. In some ways I understand that she had to keep going, had to keep giving, in a valiant effort to keep from giving up. There must have been days when it seemed like too much, but she never revealed that to most of us.

Throughout all of it, she had her volunteer work. My Mom and I would marvel at how she did it. Not just at how much she loved it, but how much she physically did – all the hours of traveling, of studying, of helping. My Mom’s a pretty selfless person too, but even she was in awe of the force of nature that is Elaine Ko-Talmadge.

Recently, she received the New York State Liberty Medal, one of the highest honors presented to citizens. Nominated and presented by State Senator Cecilia Tkaczyk, the award represents a lifetime of community service and volunteer work, and nobody exemplifies that more than Elaine. I honestly don’t know one other person who has given so much. I understand now that it was in her nature to give, but it was also what she needed to do to survive.

Fittingly, many of us didn’t find out about this latest honor until it was in the newspaper because she never said anything. It wasn’t her style to make a fuss over herself – and that’s what it means to be a truly charitable person. She never did it for the accolades or the praise. She did it to make a genuine difference.

Congratulations, Aunt Elaine, on a lifetime of work that has not gone unnoticed.

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Graduation, Exhilaration

Every year at this time we tend to get a little crazy. Maybe it’s the residual antsy-ness from school, or the delayed effects of a long winter of cabin fever, or just simple revelry in the sun and warmth. It makes you want to get into the car, roll down the windows, and burn some rubber. So that’s what my brother and husband did in this ’69 Pontiac GTO, while I clung to the backseat, hanging on for dear life.

Suffice to say, once around the block was more than enough for me.

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School Silhouettes

It was never cool to like school. For the most part, I fell into that category too, and most years I couldn’t wait to walk out of those stuffy buildings for the last time in June. But after some years, the good ones, I didn’t want it to end. Secretly I wished we had a few more days or weeks, and privately I knew I’d miss the camaraderie of my classmates. Even then I found comfort in human contact as much as I shrugged it away.

As I was watching my niece and nephew and the graduating class of their pre-school program, I was struck with how the teacher was so moved, as she thanked those who helped her throughout the year. With tears in her eyes, she expounded upon the virtues of each member of the class, predicting what sort of career of future the kids might have, praising their strong-points, and instilling in them a sense of self that the best teachers always manage to bring out.

The pre-schoolers themselves seemed largely unaware of the finality of the moment. Their smiling faces betrayed nothing of worry or consternation at moving on to the next phase of their lives. At such a young age how could they worry about such matters? I wondered instead at their teacher, and what these transitory moments might mean to her. She’s with these kids for a year or two, informing and shaping their lives as they grow up, and at the beginning of summer she’s gone from their lives.

I don’t think I could do that. I couldn’t handle getting attached or affected by people only to have them leave after a year. Over and over again, some years more difficult than others, but each one meaningful in its own way. I don’t think my heart could take having to say goodbye every year like that. As a child I knew no other way but as an adult it’s a choice, and it’s not something I’d want to do. It sounds a bit melodramatic, and perhaps it’s an exaggeration, or at least some connection that only happens in childhood. (I never found quite the same dynamic with any of my college professors, but I remember almost every single one of my grade school teachers.)

As the twins posed in front of their silhouettes, I wondered what was going through their heads. They still have one more year to go before they move on, and they’re still too young to really remember any of this in the future. That’s all right. I’ll remember it for them.

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A Pair of Penguins, and the Smallest Grads

We attended the pre-school graduation ceremony of my niece and nephew yesterday, and it was kind of fantastic. WHile they don’t technically graduate until next year, they played a part in this year’s festivities, singing and dancing and dressing up as penguins for a Noah’s Ark skit (complete with choreographed waddle down the aisle). For a couple of four-year-olds, they behaved quite well (after having some stage fright at his Christmas pageant, Noah came out of his shell and sang his heart out with grand arm movements to rival any Evita histrionics I have conjured in the past).

After the ceremony, we went back to my parents’ house and had some post-grad fun followed by a little dinner. The rest of the photos speak for themselves. (My heart belongs to any kid with the courage to wear circus-peanut orange. Uncle Al is proud.)

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Caption These

It defies everything we thought we knew…

My mid-life crisis is going to last forever.

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Tuesday Morning Poem

Doesn’t Every Poet Write a Poem About Unrequited Love?
By Mary Oliver

The flowers

I wanted to bring you,

wild and wet

from the pale dunes

 

and still smelling

of the summer night,

and still holding a moment or two

of the night cricket’s

 

humble prayer,

would have been

so handsome

in your hands —

 

so happy – I dare to say it –

in your hands –

yet your smile

would have been nowhere

 

and maybe you would have tossed them

onto the ground,

or maybe, for tenderness,

you would have taken them

 

into your house

and given them water

and put them in a dark corner

out of reach.

 

In matters of love

of this kind

there are things we long to do

but must not do.

 

I would not want to see

your smile diminished.

And the flowers, anyway,

are happy just where they are,

 

on the pale dunes,

above the cricket’s humble nest,

under the blue sky

that loves us all.

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The Birthday Girl In All Her Glory

Today is Suzie’s birthday, and after Andy she’s probably the person I get asked about the most, based on what I write in this blog, and put up on FaceBook or Twitter or Instagram. I like that, the way that the people who are most important to me have become a cast of characters that other people care enough to inquire about.  As for Miss Thang, she will likely be spending her special day working and taking care of the family as per usual (we will have celebrated in NY at dinner and an Imelda Marcos musical by the time this gets posted.) Whenever I start complaining about how much I have to do or wonder where I’m going to find the time to do it, I think of Suzie and instantly shut the hell up.

She’ll be moving out of Brooklyn this month, which is something she’s been waiting and wanting to do for a while, but without a definitive plan or destination in mind, she and the family will probably be staying with her Mom for a bit. Selfishly, I’m a little excited, as we haven’t lived this close to each other since the 90’s.

Happy Birthday, Suzie! Here’s to fried clams, Mary Poppins, grape taffy, red lobsters, ham-bone, and Pinocchio. (I only really remember five of those references… what was ham-bone again?)

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A Recap for a Week of Peonies

The peony parade began later than usual this year, having only just started in the last week or so. Traditionally the peonies have been spent by the first flush of warm days in June. I prefer the later arrival, as it gives me time to appreciate their beauty after the excitement and jam-packed days of May.  For now, we look back on the first full week of June – the month of roses, even if the peonies are stealing the show with their lingering loveliness. One of the best invitations I’ve ever received was a simple hand-written note from my mentor Lee Bailey, who wrote, “Come and see me when the roses are in bloom.” I arrived just after their blooming season, and made a vow to never miss June again.

Earlier in the week we featured what will hopefully become my new summer fragrance, courtesy of none other than Tom Ford.

It was the start of the annual explosion, with some perennials giving off their own show as well.

Guys in Underwear.

A musical about Imelda Marcos. I’m in. So are Chris and Suzie.

Miss Madonna. Oh so classic.

We had a plethora of Hunks on parade as well, including ginger Christian Kruse, perfect male model Justin Clynes, Mr. Shades himself Jamie Dornan, Renaissance man Daniel Robinson, fellow Filipino Vince Ferraren, country crooner Luke Bryan, and World Cupper Olivier Giroud.

The first dip of the season. Non-skinny, believe it or not. (I waited until the second to take the clothes off.)

It was a cruel summer… but this one won’t be.

Oh, and some more guys in underwear.

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Wicked Summer Game

The school year had come to an end, and the days were full of ripe promise. In the heat and bright light of day, it seemed there were no wrongs in the world. Hollyhocks climbed into the blue sky, and the beetles that marred their foliage were picked off and drowned in cans of motor oil. Summer could be a messy business, but the iridescent wings of the doomed looked very pretty as they slowed and stilled themselves in the thick fluid.

There is a memory within a memory here, as a glass mason jar filled with dead beetles and oil gets replaced with an empty one, and I chase fireflies around in a corner of the backyard. Near a hedge of euonymus, I corner the pulsating bugs, lit from chemicals within, as they try to capture mates or call to friends or whatever the neon green light is for. Little stars of Gatsby’s great green dream glow and tease, just out of a little boy’s reach. It is a cruel thing, sometimes, to give a kid that kind of hope.

The world was on fire and no one could save me but you.
It’s strange what desire will make foolish people do.
I never dreamed that I’d meet somebody like you.
And I never dreamed that I’d lose somebody like you.
No, I don’t want to fall in love (This world is only gonna break your heart)
No, I don’t want to fall in love (This world is only gonna break your heart)
With you (This world is only gonna break your heart)

In the bedroom, when I was a little older, say the summer of ’91, I watched the street from my window. A book by Dickens fell to the floor. The CD had long since reached its last song. At night, all was gray, all was shadows, and the light of the moon crept in over the floor, over the bed, over the tendons of my wrist. Skin was somehow more true in the light of the moon. Strange how that happened, and I studied myself in the echoes of the sun’s reflection.

I wanted to marry the fireflies and save the beetles and go back and fix everything I had done wrong. I reached for the moon but it stretched farther away. ‘Don’t go,’ I whispered to no one, startling myself with the words. ‘Stay with me,’ I whispered to the night, but the night remained silent, moving slowly onward.

What a wicked game to play, to make me feel this way.
What a wicked thing to do, to let me dream of you.
What a wicked thing to say, you never felt this way.
What a wicked thing to do, to make me dream of you and…
I want to fall in love (This world is only gonna break your heart)
No, I want to fall in love (This world is only gonna break your heart)
With you.

In the years to come, there would be men who whispered to me of love in the night. It’s always easier to whisper such things in the darkness. Safer, too. You stand a better chance of not being laughed at, or at least of not seeing the smile of victory, because there is always a victor in these matters. Usually it’s the one who is told they are loved who holds the power. True love, it is said, has nothing to do with power or victory marches, but the fact remains that the one who is told gets to hold the cards. Even if the teller is the more courageous soul.

Nobody loves no one.
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The First Dip of the Season

Sparkling across the swirling water of the pool, the sun slants down in the afternoon sky. The day has turned warm, and after working on the lawn and the garden the sweat was rolling down my back. Andy had heated the pool to a comfy 84 degrees, but instead of my customary dive I slowly made my way down the ladder into the shallow end, like I used to do as a kid.

There are two popular ways to enter a pool: stepping gingerly into the water inch by inch, or jumping right into the deep end, immediately submerging yourself. The latter is generally said to be easier to do when entering cold water. The slow and excruciating method of trying to gradually adjust and get comfortable as you painstaking lower yourself into the water is, in my mind, just a way to prolong the discomfort.

On this day, however, and into this warm water, the slow entry is pleasant. Easing my body beneath the surface, I am soon enough immersed in summer again, and as I push off into the deep end, I feel the weightless joy of floating at last.

It was a long winter, and I’m glad it’s over.

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Keeping It [In] Brief[s]

There has been a resurgence in briefs in the drawers of men, and it’s time to celebrate with a gratuitous post like this in which we revisit some of the more notable brief encounters we’ve had over the years, starting with an expert in fuzzy balls, Novak Djokovic. He keeps it simple in basic black – a wise and classic choice, on or off the court.

Mario Lopez kept it real in this pair of skimpy Christmas briefs, as he trimmed the tree and presented his presents.

Zac Efron gives tighty whities a bad name in this set of questionable briefs. One would have thought he’d fill them out better than that. Then again, one would prefer Zac Efron completely naked.

Faring far sexier in his briefs is Nick Youngquest, who knows how to pack a punch, and a package.

Sometimes a simple pair of white briefs is all you need for runway glory, at least according to Noah Mills and this ridiculously sexy walk.

Josh Wald may be wearing the skimpiest pair of briefs ever made here (one that perhaps passes into string bikini territory.)

Busting out of his Calvin Klein briefs is Ngo Okafor, whose chest more than matches what comes below.

Two words: wet briefs. Two more words: Sandor Earl. One last word: semi.

I can’t decide if Christian Sancho looks better in or out of his briefs.

Jack Mackenroth makes all sorts of underwear look great in all sorts of ways.

As bodacious as these brief-barers are, they still don’t quite match the excitement of a jockstrap – but that’s another post for another time.

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She’s So Classic

There’s been a lull in the Madonna Timeline, due mostly to laziness. Well, busy-ness that results in laziness – though exhaustion is a more apt term. For that, I apologize. To tide any Madonna fans over, here is a quick recap of some of her more classic tracks – as the next Timeline selection is one of her most iconic songs.

The most recent entry is one of my favorites: ‘Like A Prayer.’ The 1989 classic has withstood the test of time, and is arguably her finest musical moment.

The tender touch of ‘Crazy For You’ took me all the way back to 1985, and all those lonely nights listening to the radio, pining for what I didn’t even know I wanted.

The giddy bubble-gum pop of saccharine sweetness that was 1986’s ‘True Blue’ album found gooey aural honey in its title track, while upping the dramatic ante in ‘Papa Don’t Preach’ and ‘Live to Tell.’

The title track of her greatest album to date dropped in 1998, when ‘Ray of Light’ took that summer by storm. She’s got herself a universe, indeed.

A different kind of summer fun was hatched in 2012, when ‘Turn Up the Radio’ did its best to keep things sunny.

Even the strongest summer turns to fall, and so it was in 1995, when Madonna joined Massive Attack for the moody ‘I Want You.’ Shortly after that there was the brilliant, brittle self-empowering anthem of ‘You’ll See.’

No one quite understands it, but ‘Drowned World: Substitute for Love’ is still my favorite Madonna song. It cracked me open in ways no other song had done before, or since – though ‘The Power of Good-bye’ certainly came close.

Sex and romance and the bad-ass dominatrix named Dita reigned over the S&M parade known as ‘Erotica’ but it was ‘Justify My Love’ that planted the proverbial seed. I still sometimes miss the brazen, cheeky vixen of that time, and thrill when she returns in small doses.

Your definition of ‘classic’ may likely conflict with mine, and there’s no pleasing everyone when it comes to a blanket categorization like that, but these are some of the Madonna moments that made me sit up and take notice. Not that I wouldn’t have acted like a panting dog anyway ~ it’s my usual stance when it comes to Madonna.

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