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On the Nature of Daylight

Several years ago I was introduced to the music of Max Richter, and since then it has enriched my more contemplative moments, providing an extension of the miraculous sense of stillness somehow rife with movement. Not unlike the gorgeousness of the work of Philip Glass, its richness is in its layers and motifs, holding the breath and soul still when all the world wants to do is rush and rattle. The title of this post gets its name from the piece below, which was used to sublime effect in that heartbreaking episode of ‘The Last of Us’ that everyone is talking about. 

The repetitive undulation at work here works in a meditative fashion, lulling the listener into a sense of peace, and calming the restless wanderings of the mind. It’s more difficult to tame the heart, but this can work on that as well if we let it. Some people take issue with the repetition – I find it comforting, and the ultimate illustration of the human spirit: no matter how many times we get beaten down, no matter how many times we get disappointed, we keep coming back for more, we keep getting up and trying again. There is nothing more human than that, and in our efforts I find grace and humility and love. 

There have been moments when I’ve wanted to give up on us as a species, when I watch the news and see how awful humans can be to one another, but eventually and always they are supplanted by a story or a thread of hope in some small act of goodness one of us has done for another, and I find the fight to keep going, to keep trying, to keep living and doing some little bit of goodness in return. 

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