Category Archives: Madonna

When All Else Fails and You Long to Be…

The voiceovers come toward the final second of her breathtaking 1991 documentary (and in large part the birth of reality television to come) ‘Truth or Dare‘ – Madonna’s various entourage members are giving various snippets of commentary on her admittedly zany life, while she pads around her hotel room, alone and isolated, sipping a cup of coffee and reading the paper. So many people talking about her, while she is in such quiet and solitude. Say all the hateful words you want, it still rings of loneliness and power

Everything is subject to her approval or disapproval.

Everything has to do with what she wants, what she doesn’t want, how it should look, where it should go, what it should be. It’s very tense. She’s unhappy a lot of the time. She’s a bitch sometimes.

Madonna can be mean, if she wants to. We all can. I love it when she’s mean.

She hasn’t been a bitch to me, I don’t think.

She knows what she’s doing. She knows how to work. That’s probably why she’s such a big star.

I feel like she’s a little girl lost in a storm sometimes. There’s just like a whole whirlwind of things going on around her and sometimes she gets caught up in it.

I think of this scene often, especially when life starts feeling overwhelming. How little credit we give the entertainers, the tricksters, the people who make life worth talking about. How quickly we condemn and heap hate on them for doing the only things they know how to do. And how much we love building people up to tear them down. It’s exasperating – the way the start of the holiday season often feels. When that happens, I pause and play the one song that never fails to lift me up

Cue the music, cue the snapping, and strike a pose. 

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A Bedtime Story That’s Lasted 30 Years

We have reached the ‘Bedtime Stories‘ section of the year – one of the seminal fall releases that this week celebrates its 30th anniversary. That’s right, it was three decades ago when Madonna released this quietly revolutionary album – one that set her up for the remarkable career that has sustained and endured the ensuing decades. Prior to ‘Bedtime Stories’, each and every Madonna moment was earth-shaking and taboo-shattering, culminating with the one-two knockout punch of ‘Sex‘ and ‘Erotica‘. For her die-hard fans, that 1992-1993 era was heaven; for casual observers it was deemed too much, too far, too whatever.

By the fall of 1994, Madonna was looking to rebound from that, and managed the remarkable feat of putting out a successful, if less hyped album, one that featured solid song-craft and continued her trademark trick of reinvention. The whole affair was a soft, pastel-hued work of delicate introspection, percolating R&B beats, and lush vocals. Opening with the jubilantly-defiant ‘Survival’, Madonna immediately and directly addressed the trauma and drama of the previous years, while introducing an of-the-moment sound that felt both fresh and slightly nostalgic.

Lead single ‘Secret’ provided our official introduction to this new era, grounded with a delicious acoustic guitar that built to a string-backed climax; it was a laid-back yet thoroughly intoxicating effort that returned her to the charts with surprising lasting power. It didn’t quite reach number one, but it bobbed around the top ten for far longer than some of her #1 hits stayed in orbit. The same would prove true for the album, which bubbled under the surface for weeks, resurging with her longest run of a #1 single, follow-up ‘Take A Bow’.

As if proving she didn’t want or need the #1s, she released the Bjork-penned title track ‘Bedtime Story’ – one of the most challenging and idiosyncratic songs she’s ever recorded. I’m not sure it even made the top forty, and by that time it seemed to be the point; this marked the major transition of Madonna in my eyes – she was creating music and videos for the sake of artistic purpose, not for chart positions or pop culture milestones. Hence ‘Human Nature’, which was never a chart hit, or one of her more creative videos in my opinion, but said what Madonna wanted, and needed, to say.

The rest of the ‘Bedtime Stories’ album was muted and hazy brilliance – from the soft-focus barely-disco shuffle of ‘Don’t Stop‘ to the lovelorn loss inherent in ‘Inside of Me’ to the sizzling slow-burn beauty that was the triumvirate of ‘Forbidden Love‘, ‘Love Tried to Welcome Me’ and ‘Sanctuary’. Taken as a whole, ‘Bedtime Stories’ was one of those rare cohesive albums whose sound and atmosphere was mostly consistent and sustained, rather than a haphazard selection of power singles for which Madonna had, wrongfully or rightly, become renowned. It was a transitional totem, one that paved the way for her next original studio album, the iconic ‘Ray of Light’ – and without ‘Bedtime’ there would likely be no ‘Light’.

As for my personal memories of the fall of 1994, they were and remain some of the most fiery, salient, and lasting memories of my adult life. It was the first time I ever kissed a man. It was the first time I felt distinctly and terrifyingly on my own. It was the first time I felt like an adult. And throughout it all, I still wanted someone to tuck me in at night and tell me tales of comfort and warmth. Madonna became my mother-figure that fall – and she would remain so throughout all the years that followed.

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A Sexy Recap

This marks the date way back in 1992 on which Madonna released her infamous ‘Sex’ book – a day after she released her ‘Erotica’ album – a proper collection of hook-filled bops that never got the admiration it deserved until decades later. Powerful artistic work often works that way. Anyway, this isn’t about Madonna, oddly enough – it’s our weekly recap

These merry marigolds did their vamp.

Something is brewing

A sorcerer by a sorceress.

A last floral dance?

Grounding myself.

Warts and all.

Naked and homophobic.

Dangerously feminine.

At midnight we get down.

Sun cutting through fall.

Happy birthday Andy!

Shawn Mendes liked Troye Sivan’s butt – and who could argue with that?

Dazzlers of the Day included Niecy Nash-BettsNicholas Alexander Chavez, and Kelly Friel.

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The Madonna Timeline: Song #177 – ‘Rescue Me’ ~ Early 1990’s

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Heartbeat.

Thunder.

Heartbreak.

Lightning.

Heartache

Rain.

Absence.

Silence.

A song.

We existed in a land of letters. Furtive messages left for one another on a shared computer, before there was e-mail or social media of any kind. Lyrics mostly, the occasional letter, snippets of songs and poems and phrases we’d heard whispered in a dream. That’s what we were in – the fever dream of being eighteen years old and just beginning to find yourself. Seeing glimmers of who you might want to be in another person was intoxicating. 

From the not-so-hallowed halls of high school unimaginativeness, we found each other like weak beacons in a tormented sea. Our lights having been wasted for years amid kids and adults who were always somehow lacking or limited, we found kindred spirits in each other, and when you find a twin flame at such a lovely and atrocious time in your life, it ignites something that can never be fully extinguished. 

With you I’m not a little girlWith you I’m not a manWhen all the hurt inside of meComes out, you understandYou see that I’m ferociousYou see that I am weakYou see that I am sillyAnd pretentious and a freak

She had come from another school, and back in those days I disdained anyone new. She was also outspoken, unafraid to be the center of attention, and brash in a way that intimidated others; for those reasons, and more, she eventually gained my respect. She also had similar taste in music. Embroiled in the typical maelstrom of adolescent angst and drama, we each found comfort and thrills in Madonna, for no one spoke to that more succinctly than her. It was a rare treat to find someone as enamored of the pop star at that time – there was something decidedly uncool for a boy to like her, if not outright offensive. I was just starting to learn not to care about such things. When messages started appearing on the computer I used in an early computer class, I knew instantly who they were from, and in that dreamy period of teenage infatuation and insecurity, I wrote back with similar messages and strings of words. We each needed a friend then.

But I don’t feel too strange for youDon’t know exactly what you doI think when love is pure you tryTo understand the reasons whyAnd I prefer this mysteryIt cancels out my miseryAnd gives me hope that there could beA person that loves me

At the time, I was seeing another girl, so my side of things had to remain – and did remain – strictly platonic. Admittedly there were some flirtatious moments, but when you’re eighteen that seems the least of any transgressions, and I never cheated on my girlfriend despite the opportunity. Still, I understood that meeting someone who understood me in a wholly different way was something special, something sacred, and we guarded that. In some way we sensed that we might be each other’s salvation at a point down the road, and in so many aspects we both needed to be rescued.

Rescue me (rescue me, it’s hard to believe)Your love has given me hopeRescue me (rescue me, it’s hard to believe) I’m drowningBaby throw out your rope

We were both confidently assured of our fabulousness and keenly insecure about who we were. It may  likely have been no more than youth, but you usually can’t see that at the time it all happens. We spoke to one another in a language no one else would ever understand – at times I wondered if we even knew what we were saying, so complicated did our verbal sparring turn that we would occasionally get lost in woods of words. Being so perfectly matched in wit was as much a blessing as a curse; it made for the greatest moments of connection while proving fertile fighting ground. Our battles were as epic as our chemistry, and when my then-girlfriend and I broke up (in the best way we could manage, which admittedly wasn’t the best), we finally had the chance to see how we would or could work as a couple.

With you I’m not a fascistCan’t play you like a toyAnd when I need to dominateYou’re not my little boyYou see that I am hungryFor a life of understandingAnd you forgive my angry little heartWhen she’s demanding

We shared a chemistry that transcended typical gender and sexual roles (especially seeing as how we would both end up realizing we were more attracted to the same sex in a year or so). At the moment, we came together in combustible and fiery fashion – an attraction built first on the intellectual, followed by the physical, which at our age meant burning up.

You bring me to my kneesWhile I’m scratching out the eyesOf a world I want to conquerAnd deliver and despiseAnd right while I am standing thereI suddenly begin to careAnd understand that there could beA person that loves me

We would explore every configuration of how our bodies fit together, fucking everywhere from empty playgrounds to station wagons to the middle of a road somewhere after midnight. With the intensity and fervor befitting the verge of adulthood, our lovemaking was primal, animalistic; it was like we were trying to fuck our way through each other to some other place. She pulled me into her, locking her wrists behind my back as I wondered how close we could come to abandoning ourselves to oblivion. Our passion wanted as much to destroy itself as to build itself anew each day. We were both insatiable then. 

Rescue me (rescue me, it’s hard to believe)Your love has given me hopeRescue me (rescue me, it’s hard to believe) I’m drowningBaby throw out your rope

Yet somehow I remained removed, like I was going through the motions of what a man’s supposed to do. There was a cool detachment that I thought was emanating from her, when really it was me the whole time; we so often attribute our questionable traits to others, tricking ourselves into believing we are but mirroring the state of someone else. My barriers were constantly erect, even as I was inside her, as close as two people might possibly be, and as much as we both thought it to be love, the clouds signaling the end of a season, like the clouds of our ending youth, rolled in from the horizon. Our one summer together had come to a close, and by the time I was back in Boston she had moved on to her first girlfriend, and I was kissing a man

Love is understandingIt’s hard to believeLife can be so demandingI’m sending out an S.O.S.Stop me from drowningBaby I’ll do the rest
Rescue me (rescue me)Your love has given me hope (your love has given me hope)Rescue me (rescue me) I’m drowningBaby throw out your rope

Even if we hadn’t awakened to our diverging sexualities, we could never have survived in a world of reality. Our drama was too intense, our ways with each other too extreme. We couldn’t inhabit the real world – and we both understood that surviving meant living 95% in the real world – navigating its awfulness, getting down in its ditches, dirtying the very pure realm in which we carved our love. Our final break was a messy, splintered, half-assed affair – and we had hurt each other beyond a point where we might be friends. 

Love is understandingIt’s hard to believeLife can be so demandingI’m sending out an S.O.S.Rescue me, rescue me
It’s not my business to decideHow good you are for meHow valuable you areAnd what the world can seeOnly that you try to understand meAnd have the courageTo love me for me

Looking back, with the keen sensitivity and wisdom of time unrushed, and with a willingness to acknowledge and own any bad behavior, we may have rescued each other after all. For that brief, glorious, tender time in our lives – a time that would inform all we would ever become, solidifying our souls in ways that remain true to this day, we did our best to save ourselves, and each other. Every once in a while I’ll still think of her, wonder at where she might be, how she might be, what she might be doing – and I hope she is safe and happy. After all of it, I still wish her happiness. 

I’m talking, I’m talking, I believe in the power of love
I believe in the power, I believe you can rescue me

Song #177 – ‘Rescue Me’ ~ Early 1990’s

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Something Madgical

The last time Stuart Price and Madonna were in the studio together something very special was in the offing, in the form of ‘Confessions on a Dancefloor’. That was about twenty years ago, and Madonna is the first one to acknowledge that you can never do the same thing twice, no matter how fierce. 

As the musical director from her most recent ‘Celebration Tour’, Price has been a part of a number of Madonna’s successes, so seeing them together in the studio has put all of her fans into a flutter. I’m still in that camp, and this thrills me. 

(Let’s also remember that Stuart Price did the quietly-gorgeous ‘X-Static Process’ from 2003’s ‘American Life‘. He knows his way around a sweet melody.)

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A Luscious Secret

While there is some trauma surrounding Madonna’s release of ‘Secret’ thirty years ago today, there is also celebration, as in this whirling remix by legendary DJ Junior Vasquez – then Madonna’s premiere remix collaborator (a title he would hold until reportedly pissing her off with that ill-advised ‘If Madonna Calls’ track, wherein he used a recording of her answering machine message to him without her knowledge or approval). Remixes like this primed the club kids in the years leading up to the ‘Ray of Light’ album, and would bridge the dips and troughs of her career; Madonna has always found safety and salvation on the dance floor – see her epic legacy of club hits. As for whether I danced to this in the club when it came out, I must sadly admit that no, it never happened. 

That doesn’t mean we can’t dance now.

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Remembering a Song and a First Kiss

Thirty years ago I had my first kiss with a man.

Thirty years ago I felt the fiery prick of getting burned.

Thirty years ago I sat in the dying sunlight of a fall afternoon of my dorm room at Brandeis, painted cement cinderblocks glowing behind me, the final gasp of a day heaving release and a maddening lack of resolution, and tried to make sense of what was happening to me.

Thirty years ago to this day, Madonna released her song ‘Secret’ and it still brings me right back to that moment in time

I remember obsessing over everything about the ‘Secret’ single – the photograph by Patrick Demarchelier, the artily-crowded font and its soft colors, the little dog that suddenly was part of the Madonna proceedings – and all in eager anticipation of the ‘Bedtime Stories’ album which would follow. That fateful and ill-fated September would go up in flames, and as fall ripened into October and November, Madonna sang of learning to love yourself. What strikes me more and more as the years pass is how absolutely and utterly alone I was during such a pivotal and tender turn of time. Just coming to terms with kissing a man was tumultuous enough – compounded with a reckoning of one’s own assumed sexuality, and being entirely without someone with which to share it or ask questions (that guy wanted nothing to do with educating or helping an 18-year-old gay guy find his way, and no family had a hand in helping either). Being gay was different then, especially if you weren’t out to anyone because you weren’t sure how they would accept it.

Having grown up without any mention of the notion that some men fell in love with other men or some women fell in love with other women, or that it was ok, my own acknowledgement of my sexuality was not something that came easily or with any sort of blueprint. And so I had to forge the way alone, which seems lonelier now that it felt at the time. My ignorance on that point may have proven to be my inadvertent path of survival; not having any sensory memory of how unnecessarily lonely I could have felt may have been my saving grace. 

Happiness lies in your own hands
It took me much too long to understand how it could be…

My one constant companion during those days was a journal in which I wrote out my thoughts and ruminations and worries, attempting to figure things out on my own, because no one had ever thought to tell me that it was ok, that it was all right, that nothing was wrong with me. In silence there was doubt. In quiet there was concern. In all the ways I was brought up to be, there was an unsaid condemnation if I strayed but a little off the prescribed path. I didn’t see that then – I simply did as I thought I was supposed to do. That first kiss with a man broke the spell. 

It almost broke my heart too, but I survived, living to tell the tale, living to understand how wrong it had all been, living to find the compassion and empathy to forgive myself everything I simply didn’t know yet. 

And living to see that it never should have been that way. 

After thirty years, I finally see: it never should have been that way. 

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A Coquette Madonna

Madonna and pink is one of my favorite combinations, as amply illustrated in this set of photos. It dovetails in lovely fashion with our waning coquette summer theme, where pink and moodiness and an underlying element of melancholy come into beautiful and sometimes-heartbreaking collision. Madonna is actually no stranger to the coquette aesthetic – adopting it regularly over the course of her career, but never quite going full-on thanks to her steely, indestructible element of survival. Still, she has had her moments, starting with the glamorous escapade fashion of ‘Vogue’, particularly in her 1990 Video Music Awards performance of the song, which found her dolled-up in Marie Antoinette garb as if to the coquette manor born

Her ballads have a dreamy, coquette-like atmosphere to them as well, particularly ‘This Used to be My Playground‘ and ‘Rain‘ and  ‘Crazy For You‘, while ‘Live To Tell‘ and ‘Promise to Try‘ offer something with the melancholic undertones a proper coquette scene entails. 

For sheer pink coquette majesty, look no further than ‘Dear Jessie‘ with its wistful sighs of pink elephants and lemonade, or the theatrical dramatics of ‘Take A Bow‘ and ‘Frozen‘. On a sweeter note, listen to ‘Little Star‘ and then dive back into moodiness with ‘I Want You‘. If we’re stretching, I’d include my favorite Madonna song of all time, ‘Drowned World/Substitute for Love‘, to close out this coquette collection

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Madonna in Red

Resplendent in this ravishing red ensemble, Madonna cuts a striking pose from her recent birthday trip to Italy. While her artistic output these days seems to be social media posts, if they are all this beautiful I can’t be entirely mad about it. Would I like to see a new album of music, perhaps a surprise double-album like some current pop stars have done? Of course, but I’m not holding my breath. I do note that it’s been over five years since her last full studio album was released, which marks the longest spell in between albums since her career began (she usually takes about three years between new original studio albums). I’m hoping she has a few more surprises in store for us

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Madonna Seriously

While most of the celebration surrounding Madonna’s birthday has to do with fun and upbeat memories, some of my most meaningful Madonna moments are those rekindled by the power of a serious song. Often lost amid the controversy and fashion are her ballads, which I am revisiting here in the dour downtime adored by this current bout with COVID. Travel with me down this gently-rocking path, where tales are told through the magic of Madonna music…

Trying hard to control my heart…

Sometimes it gets so hard to hide it well…

I fought to be so strong, I guess you know I was afraid you’d go away too…

I know for sure his heart is here with me…

Once the words are spoken something may be broken…

I’m gonna love you like nothing you’ve known…

No other man said Love Yourself…

Wash away my sorrow, take away my pain…

If I only had one dream this would be more than it seems…

This masquerade is getting older…

Don’t play with something you should cherish for life…

You think that you’ve destroyed my faith in love…

Deep in my heart I’m concealing things that I’m longing to say…

I still need your love after all that I’ve done…

You’re broken when your heart’s not open…

Your heart is not open so I must go…

There’s no one at all to break my fall…

I cursed the angels, I tasted my fears…

… And now I find I’ve changed my mind…

I’m not myself when you go quiet…

What I want is to find my place…

Deep and pure our hearts align…

It can’t be fun to always be the chosen one…

All the dark corners of your mind…

Being destructive isn’t brave…

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Some Fave Madonna Tracks

In honor of her birthday today, here is a list of my favorite Madonna tracks from each of her albums. (As is always the case with Madonna, these are strongly subject to change.) For now, this is how my faves shake out.

Madonna ~ ‘Borderline

Like A Virgin ~ ‘Material Girl

True Blue ~ ‘Open Your Heart

Who’s That Girl ~ ‘Who’s That Girl

Like A Prayer ~ ‘Like A Prayer

I’m Breathless ~ ‘Vogue‘ (though ‘Cry Baby‘ is such a close second)

Erotica ~ ‘Deeper and Deeper

Bedtime Stories ~ ‘Secret

Evita ~ ‘Don’t Cry For Me Argentina

Ray of Light ~ ‘Ray of Light

Music ~ ‘Music

American Life ~ ‘X-static Process

Confessions on a Dance Floor ~ ‘Sorry

Hard Candy ~ ‘Give to 2 Me

MDNA ~ ‘Turn Up the Radio

Rebel Heart ~ ‘Rebel Heart

Madame X ~ ‘God Control

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Her Majesty’s Birthday

Today marks Madonna’s birthday, and after last year’s brush with death, every Madonna birthday should be something to celebrate. She’s been relatively quiet of late, having finished off her Celebration World Tour with a stunning finale in Rio, and earning some necessary down time. Her last studio album was 2019’s ‘Madame X’ – and the dance collection ‘Finally Enough Love‘ in the summer of 2022. She hasn’t been entirely quiet, having been part of sleeper hits like ‘Popular‘ and under-appreciated bangers like ‘Vulgar‘, but there has been a slowing of new music. If you think of the time between ‘Madame X‘ and now – about five years – it’s the same length of time in which ‘Like A Prayer‘, ‘I’m Breathless‘, ‘The Immaculate Collection‘, ‘Erotica‘ and ‘Bedtime Stories‘ were released. Music plays differently these days I suppose, and we’re all just getting older. 

Happy Birthday, M. It’s such a good month for it.

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A Madonna Tease (Shh!)

Madonna has teased that her babies have a secret – not sure if she meant multiple babies, or ‘baby’s’ as her online entries often leave much to grammatical accuracy and proper punctuation. I like the polished and filtered look of these teasers, and I do hope they are in service of something more substantial. In the meantime, we fall back on the legacy of her music and live performances. See more links below…

We are also due for a new Madonna Timeline, which I’ve been doing for well over a decade; somehow we’re still not through her entire song catalog, which is further evidence of her musical history. Let’s highlight a few classics:

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Come On Girls!

“Without the Heart, there can be no understanding between the Hand and the Mind.”

Thirty-five years ago, Madonna released the second single off her ‘Like A Prayer‘ album – ‘Express Yourself’ – an instant slice of iconic grandeur, and one of her rallying anthems that would withstand the test of time. (Witness its acoustic, and surprisingly touching, rebirth in her most recent ‘Celebration Tour’.) 

This was a defining song of the summer of 1989 – and while that summer comes and goes from my memory all these years later, I remember this song playing on the radio waves, along with the waves of the ocean, and the waves of heat that beat off the sand, off the pavement, off the stone and tar of our garage roof. Such heat coming amid such a sick beat. 

Only summer could handle a banger like ‘Express Yourself’.

And only Madonna could handle seering the summer of ’89 into my memory. 

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Madonna’s Biggest Celebration Ever

Tomorrow marks Madonna’s Celebration Tour concert on the Copacabana Beach in Rio de Janeiro, Brazil. It looks to be a spectacular event, which Madonna is putting on for free for forty years of fandom. She just completed all dates of the Celebration Tour, a feat in itself following her hospitalization last year, and proof that she is one of our most enduring performers, who has stayed at the top of her game for the last four decades

While my wish-list for the Celebration Tour was way off (hey, it was a very personal wish list not what I actually thought she’d end up playing) she did hit all the right spots, as seen in the set-list below, which come with links to any and all Madonna Timeline entries that have been posted.

CELEBRATION TOUR SETLIST:

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