A Recap Wet & Blue

The past week has been a rollercoaster of rain and sun, with some crazy storms forcing me to crack open ‘Un Jardin Apres La Mousson‘ – not an unpleasant fragrance for any summer day, but one that I usually reserve for when the atmosphere is questionable and moody. On with the weekly recap

A frog or a toad, this is what husbands are for.

A Madonna celebration postponed.

An oopsie moment worthy of a Tiny Thread.

Words & notes & a naked booty.

In the almost-midnight hour.

Troye Sivan’s sexy ‘Rush’ for summer.

Pink & wet.

Poussez my bussy!

Heavens to Betsy!

The cliffhanger of a cucamelon.

Meet me in the city with macarons.

A return to New York City with the help of some very dear friends.

Dazzlers of the Day include Christian Hull, Ryan Gosling, Janet Jackson and Olivia Rodrigo.

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Dazzler of the Day: Olivia Rodrigo

The dividing line between fans and non-fans of Olivia Rodrigo seems to meander along the wavering edge between older and younger people on my social media timelines. Those in the fandom have posted the following interesting figures:

  • She is the first person born after the year 2000 to have multiple songs debut at #1 (three in total now that “Vampire” has debuted at #1)
  • She is the only person in history to have the lead singles from each of their first 2 albums debut at number one.
  • She was the first female in history to have her first two singles from her debut album enter the chart at number one.
  • She is the youngest person to debut 3 singles at number one – ever.

For those reasons alone, she has easily earned this Dazzler of the Day

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Return to NYC – Part 2

A necessary evil to any Broadway show is the crush of crowds and people in Times Square. It has always been the bane of any NY visit, and when you have any degree of social anxiety, it requires a certain mindset and mental preparation, as well as a fortitude forged out of sheer will and desperation, to successfully navigate without a complete breakdown. When I was younger, I didn’t seem to mind as much, though part of that was being blithely and blissfully unaware of any anxiety issues – the discomfort I may have felt was just something I took in stride, a misunderstanding of my stress level as something that everyone felt. 

On this evening, Chris and I took a car to meet Suzie, Tommy and Janet at the Mermaid Oyster Bar for a pre-theater dinner, followed by drinks (and pistachio ice cream for some of us) at the Chatwal Hotel lobby. This has long been a favorite escape from the madness of Times Square, a quiet and largely unfrequented place that has often served as a calm waiting room before or after a show. Mom and I have enjoyed many a cocktail here, and Andy and I also met up with Skip and Sherri after we took in separate matinees (‘Sunset Boulevard’ and ‘Natasha, Pierre, and the Great Comet of 1812’). All meetings here have been magical.

 

The main reason for this trip was to attend ‘Grey House’ which sounded like something different from the usual Broadway fare, and a darker indication of the times in which we live. I also harbored hopes that it would be as spooky and scary as the mysterious promos made it out to be. (Having been duped before by productions that claimed to be the most “emotionally terrifying” experience I would ever have – ‘A Doll’s House’ will never be that for me – I kept expectations low, and happily ‘Grey House’ surpassed them all. There’s way too much to dissect or digest here, but if you’re looking for a thought-provoking, tense, and somehow still fun evening of theatrical excitement, stop by this creepy abode. 

It was a lot to take, and so we stopped for post-show drinks at the Bryant Hotel (which Chris had recommended, but apparently he was thinking of the Nomad) – it didn’t much matter – the place was quiet, dim, and offered an intimate chance to decompress following all the wickedness of the show. We walked Suzie back to her hotel – right near the Port Authority – and then decided to walk to rest of the way to our hotel – no small walk, for no spring chickens, but it was summer, and warm, and it rekindled more youthful days where walking dozens of NY blocks was a goal and end unto itself. 

We passed through Hells’ Kitchen – apparently where the gay boys are these days – and paused at a couple of bars. We even poked our heads into one of them before deciding that a slice of pizza and the rest of the walk back would be more than enough entertainment for the remainder of the evening. It was already well past midnight, and it seemed best not to tempt any devilry that might find us out later than it was. 

It had been an ideal, and gloriously brief, re-entry into NY and Broadway, healing whatever upsetting memories I’ve held since my last planned trip. It made me want to return again, which is more than what usually happens when I’m at the tail-end of a trip to the city. There was still magic here – maybe there always was and I simply hadn’t given it a chance to reveal itself. Maybe I was just grateful and glad to be alive in the city, spending time with friends, and realizing that however much life had knocked all of us about in the last four years, we could still reconvene and pick up where we left off. 

“The soft rush of taxis by him, and laughter, laughters hoarse as a crow’s, incessant and loud, with the rumble of the subways underneath – and over all, the revolutions of light, the growings and recedings of light – light dividing like pearls – forming and reforming in glittering bars and circles and monstrous grotesque figures cut amazingly on the sky.” ~ F. Scott Fitzgerald, ‘The Beautiful and Damned

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Return to NYC – Part 1

“From the night into his high-walled room there came, persistently, that evanescent and dissolving sound – something the city was tossing up and calling back again, like a child playing with a ball. In Harlem, the Bronx, Gramercy Park, and along the water-fronts, in little parlors or on pebble-strewn, moon-flooded roofs, a thousand lovers were making this sound, crying little fragments of it into the air. All the city was playing with this sound out there in the blue summer dark, throwing it up and calling it back, promising that, in a little while, life would be beautiful as a story, promising happiness – and by that promise giving it. It gave love hope in its own survival. It could do no more.” ~ F. Scott Fitzgerald, ‘The Beautiful and Damned

The last time I was scheduled to be in New York, our plans were derailed spectacularly as the COVID pandemic dawned upon the world the exact weekend we were due at the Plaza. Some PTSD remained as Suzie and I boarded the train for the city to see some old friends and a new play. I’d warned her and Chris that I was looking for a calm and quiet weekend – something that a brief foray into Times Square to get to the theater might prove difficult, but both were game for any potential social anxiety moments. Basically, I needed two of the people who make me feel the most safe to cushion this return to NY, even if a cushion wasn’t really needed in the end. 

We arrived at the old Penn Station, disappointed that it hadn’t changed in the slightest, despite what we’d seen advertised about a new version, but in our ignorance we didn’t realize we just had to cross the street to find the bright and airy Moynihan Train Hall – and as Chris was just checking into the hotel, Suzie and I made an early lunch of fried chicken and fried pickles in one of the train station restaurants. There’s also a Magnolia Bakery and Ladurée cart for your dessert and macaron needs. (Andy would benefit from the latter on my way home.)

It helped that thanks to Chris we were staying near the Upper West Side, close to Central Park and away from the super-crowded masses. Suzie and I arrived to see our friend whom we had not seen since these Christmas festivities, and after a brief re-introduction we were back outside for a stroll through Central Park’s Shakespeare Garden. 

Someone remarked that it’s strange how people come to the city just to find places that don’t feel like the city, and as we walked through the sunny highpoint of the day, past lilies and daisies and hollyhocks in full, resplendent bloom, it did feel like we had been taken completely out of the concrete jungle. 

With rickety fences of gnarled wood and old-fashioned glades of flowers straight from an English countryside, the space was not only an antithesis of the city, but a throwback to another time. It was the respite that provided a way to enjoy New York on a summer day. Coupled with lifelong friends, it was a brush with the sublime, and more friends were on the way to add to the joy…

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Meet Me in the City (With Macarons)

Come on and meet me in the city
Get your courage up and take the highway down
Put on the dress you wore the night we met
You and me are going to paint this town
We’ll go wild and seize the night…

My recent trip to New York begins at the denouement, with this little box of macarons from Ladurée, brought back to my husband as a treat from the new Moynihan Rail Station. To find such beauty and deliciousness in the heart of a train station is wonder and whimsy and wildness when you least expect it (especially if you’d been entering New York through the old Penn Station for decades). This trip would mark my first time back since the winter of 2020 – right before the world imploded – and I wanted it, and needed it, to be quiet and uneventful. 

Finding the quiet and uneventful in the madness that can be New York is a challenging quest in itself, yet somehow we always manage to locate such moments, sometimes conjuring them from will and wish and whim. This was a lovely trip and it feels finely fitting to tease it with this inviting post. Decadence is there for the taking, if you dare to take it, and if escape is to be found in a box of macarons, then let us have the macarons, every last one. 

Our train departs tomorrow – get rest tonight, if you can… 

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Dazzler of the Day: Janet Jackson

This is one of those superstars whose crowning as Dazzler of the Day is anticlimactic at best, (see also Dolly Parton, Beyoncé, and Madonna) and almost insulting at worst, since it pales in comparison to the body of work that she has amassed. Janet Jackson needs no introduction, and from her quiet beginnings as the Jackson 5’s baby sister to her current reign as untouchable pop goddess, she’s created a legacy that shows no signs of tarnishing. The album that means to most to me is probably ‘janet.’, coming out as it did during my senior year of high school when some of the most indelible memories of youth were being created. That means the album is celebrating its 30th anniversary this year, and ‘That’s the Way Love Goes’. 

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The Cliffhanger of a Cucamelon

A couple of years ago our neighbor Ken gifted us with a bowl of cucamelons – a Mexican cucumber that has a tart, almost lime-like flavor. It was a zesty taste of summer – bright, refreshing, and new – and it came in the most adorable packaging I’ve ever seen in a cucumber. About two inches long and one inch wide, they were small in size and stature, and their skin looked exactly like that of a watermelon, giving the impression of baby watermelons (hence one of their common names, mouse melon). The effect was utterly enchanting, and I’m not one who is typically impressed by anything especially precious. 

This year, I planted a large rectangular pot originally designated for tomatoes with about a dozen cucamelon seeds, hoping for a hefty harvest. They desire hot and sunny weather, and this season did not start off strong on either of those fronts. They sat in damp soil doing nothing for a couple of weeks. Only when I surrounded their support stakes with plastic wrap (as a preventative measure against a chipmunk or squirrel that had been digging there) and created a greenhouse effect did they begin taking off.

Lately, they’ve enjoyed the hot and humid weather we’ve been having in between thunderous rainstorms. We’ve been pampering them a bit, rolling their planter beneath the canopy whenever rain threatens as they are still in danger of rotting if the soil gets too waterlogged, then pushing it back out into the sun, where they can bake and grow. Right now they have just reached the top of the tomato fences, so I added four bamboo stakes to allow them additional height and support. It’s not the prettiest concoction, but it seems to be satisfying their preference for something to grab onto. 

This past week, we witnessed the first bloom – a tiny little yellow flower that came with a bulbous base that will soon turn into the cucamelon if all goes well. Supposedly this will happen in seven to ten days from the time the bloom appears, which seems too good to be true. I’ll keep you posted on the progress ~ a cliffhanger the likes of which hasn’t been seen since ‘Dallas’ had the world asking, “Who shot J.R.?” Stay tuned… (and blessings and good health to anyone who is old enough to remember that reference). 

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Heavens to Betsy!

The warnings came first, and Andy hastened to move our precious pot of cucamelons (which just had their very first bloom!) under the patio canopy. The wind came second – great shifts in the atmosphere barreling through the oak trees and pines in the distance. The approach of dark skies came third – like some ominous army quickly approaching, rumbles grew to thunderous claps. Finally, the rain fell – hard and heavy – ripping every last drop of moisture from the sky before throwing it all down onto the earth.

If my grandmother was still alive, she’d have exclaimed, “Heavens to Betsy!” upon the arrival of last night’s storm. It was on the tip of my tongue, waiting to be uttered if the astonishment of the deluge of rain reached an extreme level. As it is, Andy thinks I’m bonkers enough without bringing back sayings from my grandmother’s era, so I held it inside and merely texted it to my Mom. 

The rain continued, and just as I was growing accustomed to its roar and the dim winter-like light level of the house, it abated – lightening its barrage as it lightened the sky. The storm was over as quickly as it came – I could have and perhaps should have slept right through it. Summer works its magic and tumult rather quickly. Blink and you’ll miss it. 

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Poussez My Bussy

Cuchi, cuchi and ooh la la and everything sexy Frenchie…

This is Poussez and I’m having a 70’s summer disco moment!

It is not my habit to employ many exclamation points because they are too often misconstrued, departing from what I originally intended to convey – and since that changes from point to point, with varying degrees of exclamation, it’s as much my fault as the reader’s. You are exonerated, assuming you’re still with me and reading these words. That will hopefully get harder if/when you press play on the song below. Go on, click it – you know you want to… spin us back to the disco and the dance-floor.

We need some sort of release right about now. It’s Friday – we have arrived at the front door of the weekend – and ooh, la, la let’s just get down and dirty from the very damn beginning. Since I was but a baby as the 70’s were ending their storied tacky fabulousness, I hold no memories of dancing in some ‘Saturday Night Fever’ disco ball hall, but I did my fair share of imagining, and these days that’s the safest way to participate.  

By the way, ‘Poussez’ loosely translates as ‘push’, and if you don’t know what the bussy is, well, you can look it up on your own computer. I won’t sully these pages with such gorgeous atrocities. Besides, my bussy is already all over these parts. See my Insta. See my Threads. Wait, don’t… 

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Pink & Wet

Tomorrow I’ll break out a bussy post, so come back for that to kick off your weekend right.

For now, just some tantalizing pink blossoms doused with wetness – because the plant kingdom is sexier than anything the human body will ever produce, no matter how naked we get

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Troye Sivan & the Rush of Summer

Are you old enough to remember when Calvin Klein got into all that heat and controversy for those 70’s-inspired porn/heroin chic ads featuring super-young almost-models? Troye Sivan‘s latest video for ‘Rush’ is like one of those brilliant ads brought to magnificent life – a slice of glorious abandon and divine debauchery to match the spirit of summer. Just when you think the gays had already found their summer anthem (‘Padam, Padam’ by you-know-who) Sivan comes out with this scorcher which has an even hotter video and sound, absolutely resounding with summer vibes and sweaty nights. 

‘Rush’ unabashedly takes its name and inspiration from the well-known brand of poppers (you know – the one with the lightning bolt on it). For the bad-gay record, I’ve never tried poppers. In some ways, I’m as square as they come. For those who have, and for anyone who wants to approximate that fabled euphoria, this song and video are a way to access the high without the risk. You do you. 

{See more of Troye Sivan in this Dazzling post.}

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The Almost-Midnight Hour

Burning the candle at both ends, rather than running the risk of using the midnight oil, I sit in the attic and write these words, knowing you won’t read them until the next morning, and slightly hesitant because of that. Night-writing usually results in something moodier than what we typically want during the day, and I try to keep an ear open to what this will sound like when the light is in the sky again. 

My schedule has been edging toward less and less sleep, which tends to run me into the ground, and I’ve found myself dozing off around 6 PM, whether I’m in a chair, or couch, or bed. The damn Wordle streak I’m on (122 and counting!) has me slightly obsessed and half-hoping it ends soon so I can let go of the stress and pressure, and start missing days again. Oh the silly things we put ourselves through, the silly things we humans do. All to pass a day, or a night. Why can’t we simply sit and be?

A song then, for such a sentiment.

A song for putting me to bed for the night, and for greeting you first thing in the day. 

Maybe it’s a little sad for one or the other, but even summer has its tinges of sadness, and sometimes they are worse than the winter because the world now feels at odds with the heart. 

A meditation followed by a night swim – this is how I get my kicks, and it’s more glorious than any of those wild nights of my 20’s. Fine for their time and place, and completely repellant and disagreeable to me in thought and deed now. Our capacity to grow and change and keep doing it year after year is one of my favorite parts of being human. It almost makes up for all of our failings and falterings. 

I wish a meditation and a night swim solved the pain and the problems that plague any average adult living in this world. I wish I knew better how to handle the sorrows that creep across our paths on any given day. I wish there was more to do than offer a hug or a word of encouragement. I wish…

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Words & Notes

It isn’t that I don’t want to be forgotten. 

That’s the big fear, isn’t it? Being forgotten. Being here for as long as you have been here and not being remembered for any of it. As if being here, then, were entirely meaningless. As if being is meaningless.

The artists who acknowledge and own up to their egos will admit to this being part of their art

It isn’t that I don’t want to be forgotten. 

Having loved, and having been loved, is, I think, the purpose of any purity in our lives. We can pretend there are loftier aims and goals, maybe some greater meaning and altruistic impetus to get us into heaven, but I really think it’s smaller and more finite than that. Such a little thing – love – a four-letter word to rival all the other four-letter words. 

Artists want to think the work is what will remain, the work is what will endure, and then only if it’s good and true and authentic

I am not a good artist.

All I will ever have to leave is a little bit of love – but if I leave a little each day then I will be happy with my life, and none of it will have been wasted or wanting. 

Sometimes I get too wrapped up in the day to remember this. 

Sometimes I fall into the trappings of just getting through the damn drama of the day.

Sometimes I simply refuse. Defiant to the noble cause, impossible to the very end, and insisting upon hurting my own heart and taking the rest of the world down with me. 

And I, sometimes, Aspire Instead. 

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#TinyThreads: An Insignificant Series

Reclaiming the original #TinyThreads, this is a picture that leaves room for your own imaginary interpretation. Picking up what must be our gazillionth bag of brown mulch for the garden from Lowes, I returned to the car and found this matching puddle of paint next to it. My first thought was ‘Oopsie, the Ice Blue Show Queen had an accident!’ Your thoughts?

#TinyThreads

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A Celebration Postponed

Finally emerging into the spotlight since her hospital stay a number of days ago, Madonna made her social media comeback announcing that her Celebration Tour would begin in Europe this October, with the North American leg being rescheduled for next year. If it means she is getting healthy and stronger, I’m fine with this news. I was beginning to worry because when things are that shrouded in silence and mystery, it usually portends something worse than anything the public is immediately told. 

In the meantime, this recent post outlined my Top Twenty Madonna timelines. Of course twenty is too few, so here are a few more entries worthy of another look. 

Come join the party with this ‘Celebration‘, which chronicles a summer moment in Boston.

Nothing Fails‘ in the 100th Madonna Timeline entry. 

My favorite thing in the world: ‘Words‘.

The art of dressing up is one I learned early, following the cues of ‘Dress You Up‘.

There was that time Madonna took us to ‘Medellin‘.

I Don’t Search, I Find‘ and when Madonna is involved, getting there is most of the fun. 

With a striking video directed by David Fincher, ‘Bad Girl‘ was a song set to a cinematic thrill.

Everything feels so strange, I’m ready to take this chance, I need to dance… ‘I’m Addicted‘.

Best of recovery wishes to Madonna, and gratitude for always giving us ‘Something to Remember’

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