Pitching the Perfect Tent – Review of ‘Pippin’

Is there anything more terrifying than the possibility of future regret? The battle of an artist to be extraordinary while maintaining some semblance of a functioning family life has always proven fertile ground for all art forms, and nowhere is that more apparent than in the current revival of ‘Pippin’.

The ambitious coming-of-age journey of a young prince goes deeper than its superficial circus-like atmosphere would have you believe, and therein lies its genius. Director Diane Paulus brings new life and magic to the Stephen Schwartz musical, touching on issues as deep as sibling rivalry, parental control, patricide, and hints of Oedipal conflict while dazzling with circus stunts. Choreographer Chet Walker retains Bob Fosse’s signature style, jazz hands and pelvic grinds intact, to aid in the seduction, and that sort of wink is necessary to draw the audience in, and give this revival the subtext that lends it greater depth. Yet it is the amazing aerials, stunning acrobatics, and visual pyrotechnics that make the story soar.

Each of the cast gets a shot in the spotlight, which affords some amazing moments. The only problem is that the evening sometimes runs the risk of feeling like a variety show, never less than entertaining, but occasionally not much more. Luckily, the performances and the actors investing in them ground it all, and keep the story together. It is, in fact, the strength of this company – where each member is an individual, unique and distinguishable at all times – that is the real winning hand of the evening. Broadway vets like Terrence Mann and Andrea Martin (the former voraciously eating up his scenes and the latter flying high above the stage with no wires or safety net) stand out while gleefully enjoining the ensemble.

Patina Miller, as the magnificent ringleader, is at turns enticing and erotic, menacing and ferocious, seductive and sensual, biting and brutal. She is the master of ceremonies, perfectly embodying the multi-faceted tension of finding oneself, while leading Pippin, and the audience, along the road of temptation. She deservedly won the Tony for her work here, culminating in a devastating last act of defiant desperation.

As Pippin, Matthew James Thomas brings a wide-eyed naiveté to his early scenes, gently adding shades of knowledge and wisdom as he progresses on his journey, flummoxed and confounded at one point, dazed but valiantly rebounding the next. He ultimately resigns himself to a real life, rejecting all the magic, and perhaps a bit of the search for being something exceptional. The story ends not there, but with the next generation, searching and seeking out the same giddy thrills, the same heights of fantasy, the same quest for something extraordinary.

The neat thing is that after witnessing such fantastic (and literal) flights of fancy, the thrilling visuals, and an evening of entertaining enchantment, the moment when the ringleader strikes the set and withdraws the magic is a compelling challenge to both Pippin and the audience. One wants to believe that the unamplified voices and costume-free starkness can match and hold up to all the colorful theatricality that came before, but the question lingers, and haunts, and it is here where the power of this revival is finally revealed. Is it worth the trade off? Or should we never give up, never settle? It is left in vague ambivalence, tottering on a high wire of hope, as astounding and challenging as the entire evening of theater has been.

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A Pre and Post Show Cocktail

Sandwiched between two Broadway shows and dinner was a small sliver of time when dusk was just starting to fall over New York. Into this time, and away from the throngs in the streets, we found our way into The Chatwal Hotel, and discovered relief in the cool dim art-deco recesses of the Lambs Club lounge. With a bar fit for four, but a variety of settees in the lobby, the space was a throwback to another era, a more glamorous time, an evening rife with possibility.

The cocktail list was varied and profound, but I kept it simple and settled for the Southside – gin, lime juice, sugar, and mint (and the bartender went easy on the sugar portion as requested). I’m a sucker for a mint leaf in a cocktail (unless it’s muddled). Mom had a Hemingway daiquiri, which, according to an article I read in Saveur, is making a comeback in more elegant form.

If all of New York could be like this, I wouldn’t mind visiting more.

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The Necessary Evil of Times Square

While I loathe Times Square (always have and always will), it is a necessary evil if you want to see a Broadway show. Back when I was younger, I was more amenable to the bright lights and meandering crowds, but today I avoid the space if at all possible. Since both of the shows we were seeing – ‘Kinky Boots‘ and ‘Pippin’ – were playing in theaters on W. 45th Street, there was no escaping the crazy scene. You can either fight the crowds and get upset and angry, or embrace it and go with the flow, following the swarms and masses that swirl and make their hapless way through the jam-packed streets. I did a little of both.

We fought it by trying to escape into lofty hotel lobbies, but embraced it by having an in-between-shows dinner at Sardi’s (early and old-school enough to be rather quiet). More about the shows that book-ended the day in other places (‘Kinky Boots’ here, and ‘Pippin’ to come), but let me just say that they were incredible. There’s something uniquely thrilling about seeing a hit Broadway show with its original cast, at the height of its post-Tony glory. And it’s worth every moment we had to spend in Times Square.

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A Day & Night with My Two Favorite Ladies

New York City is not my favorite place in the world, not by a long shot, but with two of my favorite people in the world, it suddenly becomes something quite wonderful. This past weekend, my Mom and I went into the city to see a couple of shows and take Suzie out for a belated birthday dinner. Staying at a hotel on the upper East side (not quite worth mentioning), we were a few long blocks from Bloomingdale’s, and though most of that is beyond my means, it’s always a thrill to look. (And given that I’d forgotten to pack pajamas and an outfit for the return trip, it was a thrill to buy too.) Fittingly, it was my Mom who first taught me how to shop – not just to buy, but to look and stroll, to enjoy the time alone, to be inspired and feel pretty and get lifted, if only for a moment, out of the mundane.

I spent some time at the fragrance counter, talking over the upcoming changes to Tom Ford’s Private Blends line (pssst, the recent quartet of florals, which never quite grabbed me, is being discontinued by three). Perusing the periphery of Louis Vuitton, Gucci, and Prada, I was able to resist looking too closely at the price tags (far too monumental given my last credit card bill), but almost gave in to temptation by the likes of Marc Jacobs and Ted Baker.

Fortunately, cooler heads prevailed and I escaped with the bare necessities before we had to get ready for dinner. I asked Suzie to pick the spot, and she has never let me down in that regard. This was no exception, in that it was nothing short of exceptional.

Park Avenue designs its menu based on the seasons, and since it is moving next year, they had a ‘best-of’ menu featuring the finest selections from the previous years’ menus. From the elegant atmosphere to the flawless service (a slightly wrinkled menu was immediately replaced with a crisp new one before I even noted the difference), it’s really the food that shines. And what impeccable food it was.

I chose the salmon, with a taro root salad, and I didn’t care or look to see what anyone else had because it was so good. (Actually, I did – both Mom and Suzie chose the scallops, for which they both offered excessive praise). The salmon was tender, almost-melt-in-your-mouth tender, flavored wonderfully, but not too much to detract from the excellent cuts. Its taro root salad accompaniment was a jolt of effervescent brightness and texture, dancing a delectable two-step with the fish and lending a freshness perfect for the summer season.

In the end, though, no matter how delicious the food, a good dinner depends on the company, and in that I was fortunate. There was none better.

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Let’s Get Kinky ~ Review of ‘Kinky Boots’

The most fun-filled factory in production right now is Price & Son at the Al Hirschfeld Theatre, and it’s not just fabulous shoes that are being made, but a transformative musical theater experience. That’s where ‘Kinky Boots’ is saucily strutting the boards, and, fueled by two powerhouse performances, it’s the best musical I’ve seen in a decade. (And I’ll qualify that by saying that I have yet to see ‘The Book of Mormon’ and ‘Once’.)

To be honest, I’m a little jaded. Anyone who grew up in the 80’s has some sort of affinity with Cyndi Lauper, the woman behind the music here. It’s her first time writing the music and lyrics for a Broadway show, but she handles it with her trademark perky aplomb, and an insinuating score that references her 80’s disco roots, while standing on its own melodic structure. Ms. Lauper has been lucky enough to be coupled with one of Broadway’s legends, Harvey Fierstein, who wrote the book of the musical. Anyone who knows me knows that I’ve been a fan of the brilliant Mr. Fierstein ever since I first heard his unmistakably gravelly voice many moons ago (and interviewed him for a story on his children’s book, ‘The Sissy Duckling’.) Rounding out the talented trio behind the show is director and choreographer Jerry Mitchell, who makes inventive use of every square foot of factory, with multi-leveled set pieces and some portable conveyor belts for the exhilarating Act One closer ‘Everybody Say Yeah’.

Ms. Lauper’s music and Mr. Fierstein’s book give ‘Kinky Boots’ its driving power and emotional heft, but it’s the performances of Billy Porter and Stark Sands that put the show into the stratosphere of musical theater magnificence. They join the pantheon of Broadway duos like Roxie Hart and Velma Kelly (‘Chicago’) or Max Bialystock and Leo Bloom (‘The Producers’) or even Glinda and Elphaba (‘Wicked’) – teams that depend on one another for strength and survival- story-wise, and performance-wise. It is especially vital here, because at its heart, this is a show about two unlikely friends coming together and seeing that they’re not all that different. Charlie Price and Lola may well be the dynamic duo of this decade, and Sands and Porter are not to be missed.

As the heir to the struggling Price & Son shoe factory, Sands is perfectly cast as Charlie, a young man unsure of where his future lies, whether he should jump into the unknown future of ambition as impelled by his girlfriend Nicola, or make a choice to honor his legacy and fight for his past to be his future. Sands is given the difficult, and less-showy, role of straight-man to Lola. As such he is the anchor of the factory and the show, and comes through with the necessary blend of earnestness, hesitancy, and, ultimately, evolution. His big moment – the rousing, self-indicting ‘Soul of a Man’ – is an epiphany, and his performance, one of careful and complex transformation, is surpassed only by his counterpart, Billy Porter.

As Lola (Simon), Porter simply shines. He is a force of nature, a revelation in a world where that term is used far too often for far too less. He defines it here, with a Tony-winning performance that is sweeping in ferociousness and fiery in intensity. Porter manages to go from hilarious to sorrowful in a matter of moments, portraying the varying degrees of rage, drive, hope, humility, glamour, and giddiness needed to convey the inner-workings and outer-fabulousness that comprise the ‘Land of Lola’. A larger-than-life drag queen will always be a role that runs the danger of veering into campy caricature, but Porter never loses his way, guiding Lola through her journey with every bit of grace and dignity and honor that Charlie finds so difficult to find.

It is the study of the friendship between men, but also the story of what it takes to be a man, and what makes a man great. It’s a story of forgiveness, love, and how much of each other’s lives we miss by shutting ourselves off from openness and acceptance. The simplest scene in the show (spoiler alert) is when Lola performs for her father, at last in a nursing home. She sings an 11th-hour show-stopper that will have drag queens gagging with giddiness for years, and in it both exonerates herself from feeling unloved while refusing to take anything less.

That acceptance – of a parent to a child, a friend to a friend, and a stranger to a stranger- forms the emotional core of the show, and, strangely enough, it wasn’t just the tear-jerker moments (‘Not My Father’s Son’ and ‘Soul of a Man’) that moved me, but the fantastic finale of the ‘We-Are-Family’-esque ‘Raise You Up/Just Be’ that elicited the thrills of just how powerful musical theater can be.

It comes to glorious life when the previously-close-minded Don belts out, “You change the world when you change your mind” while donning some kinky boots of his own. If you let that seemingly-simple sentiment sink in, it’s miraculous, life-affirming, and dazzling. Just like ‘Kinky Boots’.

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About to Get Kinky

Coming up: my review of ‘Kinky Boots’ – the show that just won the Tony for Best Musical – and the best musical I’ve seen in a decade. Here are the six rules gleaned from the grand finale:

1. Pursue the truth.

2. Learn something new.

3. Accept yourself, and you’ll accept others too.

4. Let love shine.

5. Let pride be your guide.

6. You change the world when you change your mind.

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Lazy Ass Monday Recap

Having spent an amazing weekend in NYC with my Mom and best friend (details to come), I’m a bit tired out to post much right now, but I’ll do the usual Monday morning recap, just don’t look too deeply for inspiration.

A man from the past returned for a brief encounter, only to remind me of last summer.

Green was the color of the week, represented by the lady’s mantle, chives, and the celadon poppy.

Also, the green fairy dripped into The Fascinator.

The Hunks of the Day were represented by this unrelated trio of men: Ian Ziering, Neil Patrick Harris, and Oguchi Onyewu.

And finally, another installment of a relatively secret project.

 

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Happy Father’s Day

Sometimes I think that being a Dad might be the hardest job in the world. Yes, it’s usually the thankless role of being a mother that gets all the hardest-job-in-the-world accolades, but every so often I wonder about what it takes to be a father, especially today. I know I could never do it. But my Dad and my brother are both fine examples of how it can be done – if not perfectly, at least pretty damn well. That’s the problem with Dads – they’re never perfect, and their sons never let them forget it. Hopefully I’ve shown my Dad that, imperfections and all, I love him. Happy Father’s Day to all the Dads out all – especially mine.

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On the Train for Reno

At the moment of this writing, I’m ensconced in a hotel on the upper East Side, winding down from a double dose of musical theater with Mom. As such, today’s posts will be light, if they arrive at all. Stay tuned. We’re doing this in real time… Hold onto your hats!

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The Fascinator Cocktail

How could I not love anything with a name like the ‘Fascinator Cocktail’? Aside from its association with those cool British wedding accessories (not to mention the power to fascinate), the addition of absinthe gives this cocktail an additional exotic bite. (Former absinthe experiences will not be recounted here and now. But one day… watch out.) I’m not a huge fan of the wormwood, but since it was just a couple of dashes it wasn’t that bad. Worse, to my palette, was the copious amount of vermouth. I like my martinis dry for this very reason, and this was like one very wet martini, the absolute worst kind.

Fascinator Cocktail

Adapted from “Savoy Cocktail Book” (1933 edition)

2 dashes absinthe

1 ounce dry vermouth

2 ounces gin

1 mint leaf

Shake liquid ingredients well with ice and strain into a chilled coupe. Garnish with a mint leaf.

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The Summer Before

It all came flooding back the other day, when I was spending a lunch on a cobblestone street in downtown Albany, practicing selfies for my new Instagram account. The man rounded the corner and caught me off-guard. I pretended to be doing something else with my phone, though with arm extended and stupid smile on my face I’m sure he figured out what was going on. He smiled and said hello. At first it didn’t register. Was he someone from work? Was he a bartender from a place I patronized? Or, worse, was he someone I slept with in my early twenties? In a bathroom no less? Suddenly I remembered. A cool courtroom. A few blocks away. At this time last year.

He was the prosecutor for the murder trial on which I served as a juror. And then the floodgates opened up to a host of memories – pleasant and unpleasant that comprised the days before, after, and during that trial. A Gay Pride weekend in Boston with my friend Kiera right before I reported for duty. A hawk screaming wildly in my backyard. A vodka stinger, straight up and torturously strong.

In that week or so, I lived another life, cut off from communicating with friends and family, listening to lawyers and witnesses and doctors, and trying vainly to make sense of how one person could kill another person, whether by accident or intent. It took a few months to do much of the processing it took to get over it, and I had to come to terms with the fact that it may not be something you ever really get over. There are things that may haunt us forever, stains that are impossible to eradicate. This may be one of those things, resurfacing with a vaguely familiar face, a certain time of year, a specific location. It never goes away, does it? Even at the start of summer.

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Pot it Up

Aside from a few ferns on the front porch, and a couple of gigantic containers of Brugmansia (Angel’s trumpets) a number of years ago (which eventually grew too large to over-winter) I haven’t done much container gardening until this year. My focus was always on, and in, the ground. Yet it turns out I was missing out, and each summer I’d gaze at the barren patio of the backyard and regret not having planted something, say, before the date of a party or family gathering. This year I planted a number of containers – filled with sweet potato vines, coleus, begonias, and a couple of elephant ear bulbs in the old Brugmansia container. The latter just started poking through the soil, and it looks like we’ll have a verdant backdrop to our get-togethers.

PS – These petunias are electric.

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On Broadway, With My Mother

This weekend marks the resurrection of a former tradition, and I’m taking my Mom to New York to see ‘Kinky Boots’ and ‘Pippin’. (Okay, she’s providing the hotel and train tix – because Broadway musicals are expensive!) I’m looking forward to it, as it’s been a while since I had some one-on-one time with my Mom. I’m also psyched about these shows, as ‘Kinky Boots’ just won the Tony Award for Best Musical and ‘Pippin’ just won for Best Revival of a Musical. (I picked these a few weeks ago on a hunch. I wish I’d played the lottery instead.)

Last week in Boston I purchased the ‘Kinky Boots’ soundtrack for the ride home, and whether it was the way music on a Sunday morning ride sounds more moving, or my malleable mood, I listened from beginning to end and teared up in more than a few spots from the melody and words. ‘Soul of a Man’ and ‘Not My Father’s Son’ alone should wring emotion from the driest emotional wells. (It turns out I have a reserve after all.)

I know less about ‘Pippin’, but it’s gotten very good reviews, and visually it looks stunning. Give me a circus theme and I’m generally a happy boy. The fact that the music was written by the same gentleman who wrote ‘Wicked’ also bodes well (Stephen Schwartz).

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6:13

There was only one thing that Grandpa grew in his garden, and that was tomatoes. He dismissed the silly ladies who bothered with roses and flowers. He smirked at the acres of corn fields that reached to the sky just across the street. He even turned his nose up at the pumpkin patch where his grandchildren roamed in the fall. The one thing he did not dismiss was a proper patch of tomatoes, so when the first vine-ripened fruit of the season was stolen from his garden, it was a major event.

It had just started showing its signature red that week, after slivers of salmon and peach had erased the green, and he thought it could use one more day in the sun. On the following morning he rose, a proud man, slipping on his suspenders – red, in honor of what was to come – and, hurrying downstairs, ignored the cries for proffered coffee. When he reached the garden he was initially confused, thinking he had misjudged or misremembered where it had been. But he was certain – the third row, after the third fence rail – and upon closer inspection he found the stem that once held his magnificent fruit. A clean cut had severed tomato from plant, and a lesser-trained eye would have been altogether indifferent. The howl that resulted rattled even mother, who rarely showed signs of surprise at any of Grandpa’s idiosyncrasies, especially when it came to the garden.

He sat down with us kids later that day and explained the situation. There were a few usual suspects – rabbits, squirrels, chipmunks, and groundhogs – and then the more unlikely culprits – skunks, raccoons, dogs, and mischievous neighborhood kids. Until they were proven innocent, everyone in Grandpa’s eyes was guilty. His looks stung too, even if you had an alibi in summer camp, even if you weren’t within a fifty mile radius for the entire week of the incident.

From that day on, he sat on the back porch, eyes always on the tomato patch, from the break of dawn until the last firefly glowed its final exhaustive blink. He caught a few dogs sniffing around, grumpily disbanded a couple of roving bands of kids, and watched how the sun passed over his backyard, but there was no sign of the thief who had taken the first tomato.

He did expect that such treachery had taken place in the night, when the nocturnal animals did most of their damage. He’d heard stories of entire vegetable plots that were decimated by a single rabbit or woodchuck in one night, terrifying tales of gardens stripped of all meaningful vegetation, with nothing left but a few broken stalks, too tough to chew but damned if they didn’t try.

A little after noon one day, he took his straw hat off and slowed the rocking of his chair. Abigail had brought him a lemonade, and it sat sweating on the table beside him.

“Any luck?” she asked.

He contemplated her presence, shadowy and dark after he had been staring out into the sunlit yard all morning. “Nooo,” he slowly drawled, lingering and leaving a question at the very end. “But I am almost sure it happened at night. Not much happening here during the day. Charlie and Joan’s kids ran through, told them to leave us be, serious work to do and can’t have kids running through the place.”

Abigail sighed but said no more. She was always the most mature among us kids, the one who could talk to adults and have them listen. On this day she offered no more. The screen door clapped loudly against the house as she disappeared inside. The faint scuffling of her slipper-clad feet faded into the afternoon as Grandpa continued his vigil.

He wondered whether it was an underground job. There was an entire system of tunnels just beneath the earth, the elaborate maze of entrances and hallways dug surreptitiously by chipmunks and moles and voles that could suddenly collapse and deaden an entire row of vegetables, causing them to go mysteriously limp in a day, dead and without nourishment upon the unseen severing of their roots. He’d also heard tales of such animals appearing out of nowhere, wrestling a tomato from the vine, and disappearing underground in a few seconds flat. That could have been the covert operation that successfully tore his treasure from its ripening home.

He walked slowly around the garden, carefully examining where an intruder might have made his or her entry. The fence, about head-level, had been assembled by his own hands, using a large roll of chicken wire that had been collecting dust and spider-webs in the garage, on the stairs right above the ratty rugs that he hadn’t gotten around to cleaning. (Abigail had once presented him with a rug-beater to use on them. His look was such that she half-expected him to use it on her before she managed to scamper away. The rugs remained on their dirty perch.)

He ran his hand lightly over the hairy stems and leaves, inhaling their sharp fragrance. Was such a scent as intoxicating to the thief as it was to him? How could it be? This was the scent of summer, the scent of his childhood. Even in the arid drought of his youth, they managed a few tomatoes. And then a thief would have been unfathomable, or killed on sight. He felt the same today. His age had given him perspective, but his anger had not been dulled.

A few feet down from the scene of the crime, he looked at the pea-like cream-colored flowers dangling from a patch of pole beans, winding around the cross-hatching of the fence. He crouched down on his haunches, furtively peering through the thick wall of leaves. Through dappled pin-holes of light, like keyholes into a garden room, he saw movement on the other side of an enormous stand of squash. Reeling back, he lost his balance and fell on his butt, quickly righting himself with a deft roll to his right. On his feet almost instantly, he caught a flash of dark gray fur, mottled and almost leopard-like, and thought he saw the impossible outstretched web of a featherless wing, before losing his sight in the sun. The faint but powerful beating of displaced air, made by something that couldn’t feasibly be that big, did not betray the location of where what that had been had gone. Grandpa stood there, bewildered, but giddy with the sense of wonder. That the world could still surprise him was of unfathomable solace. He was still here. He was still alive. And the wilderness of that… thing, was all that he had never seen, come into his backyard, come into the end of his days.

He never did catch the culprit that summer, nor were any more tomatoes taken. A few years later he would tell me that story. He didn’t tell anyone then. I remember the stories and whispers that summer of some flying cat creature, a large rodent with wings, some small griffin, but dismissed them as the wild imaginings of kids with an empty summer. My bet was on it being some overgrown bird, or rabies-ridden bat, and it didn’t seem likely the latter was responsible for the tomato theft anyway. For that summer, though, it occupied my Grandfather. We all thought it was the principle of the thing, not realizing he had some something so other-worldly in mind (if that is, in fact, what he saw). And maybe it was just the first sign of his deterioration, insidiously slow at first, then gaining in rapidity, until the end was as unexpected as it was inevitable.

For him, seeing that creature, whatever it had been, was a pact with his remaining days ~ a covenant with the mysteries of the world ~ some rainbow that held the promise that there was always more to know, more to see. In time, he grew thankful for the stolen tomato, and we grew thankful, too. The remaining harvest was rich – bushels of the red fruit, boiled and canned, in sauces and sun-dried sheets – handed out to neighbors, shared with family, or sold to farm-stands. Most of them were enjoyed by the three of us in the simplest of ways: Abigail and Grandpa and I sitting on the porch, cutting up thick juicy slices that didn’t even need the dash of salt that he offered to us but never used himself.

We looked out at the bright garden from the shade of the porch, as tomato juice dripped from our chins. Grandpa, at first so irritable and suspicious, smiled at us a little – the most he ever smiled at anyone – and continued to do so as the season progressed. We would catch him looking up into the sky, thinking he was trying to figure out the weather to come, when all that time he was looking for was what he had only once seen, a clue to the universe, presented as a mystery, possibly conjured by his mind, and powerful regardless. The summer waned, as all summers do, and by the time the first frost wilted the tomato vines Grandpa had already given up on seeing that strange beast again.

Still, I see him there, waiting and watching, as if he was learning to slow the summer, to stop the sudden march of time, to retrieve his lost tomato and reattach it to the barren vine. His hands grew dark in the dirt and in the sun, his lined-face stoic and somehow expectant. The capacity of a human being. The short stay of a summer. The stolen tomato. Everything we did not know then, embraced and gently rocked, like a fever-stricken child, hot and damp and shivering in the night.

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{See also 1:13, 2:13, 3:13, 4:13, & 5:13}

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