Drowned (And Possibly Possessed) iPhone

Thanks to the forces of a full moon, Sunday proved a very trying day. Not content to have my back thrown out, or my nephew pee on the patio, the universe also conspired to have my iPhone plop into the pool. Strangely enough, I was NOT taking pictures of myself at the time (I’d finished doing that earlier in the day). I was simply moving it, placing it on top of the book in my hand as I walked by the shallow end, and it slipped right in. I jumped in and pulled it out within seconds, but the damage was done.

The recommended course of action is to place it in a bag of rice and seal it up, so the rice can pull the moisture out. The only question was: white or brown rice? I ended up opting for the latter, as seen in these photos. A few hours later, I went to check on the phone, and in the dim bedroom the bag was glowing orange. What kind of E.T.-phone-home-bullshit was this? It cast an eerie glow, like it was possessed, powering up a life of its own. It was warm to the touch – maybe its survival instincts were kicking in, as it tried to dry itself of its own accord. Whatever the case, it was unsettling. And it didn’t go off when I tried to power it down either. I left it there, alone in the cool dark, glowing strangely, either in death throes or rebirth.

The next morning, the glow was gone. I tried to turn it on, and it indicated a low-battery. This was a good sign, or so I thought. I plugged it into the charger and let it charge for a few hours. And then… nothing. If this is the universe’s way of telling me that I’m too dependent on my phone, I didn’t need the message.

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Super Speedo Post

It’s the season of the Speedo, so here are a few select shots from some traditional favorites (Tom Daley, David Beckham, Ryan Lochte) and some lesser-known but equally-bulging others (Elio Pis, Paul Rothmann). Hey, it’s Monday, it might reach the 90’s, and this is all you’re going to get from me mid-day.

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First Summer Recap

The week that turned into summer has just passed, and what a week it was. Beginning in New York City with my Mom and Suzie, and finishing up with my Mom and niece and nephew, it was a wonderful start to the season.

There’s no better way to kick-off a summer of fun than with a musical, or two. In this case, it was the amazing ‘Kinky Boots’ and the death-defying ‘Pippin’.

The gardens continued their show, with a rose in the rain and the fragrant mock-orange.

Madonna premiered her MDNA Tour film in New York, but my focus was back on her 1985 song ‘Crazy For You’.

The parade of boys for the summer began with JP Calderon, Chris Fawcett, and Tomas Brand.

And last but most certainly not least, cocktail time consisted of the Southside and the piña colada.

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The Piña Colada

It might surprise you to know that I have never tried a piña colada before today. I’m not a fan of the sweet, fruity drinks that require umbrellas, so I’ve stayed away from it in all my drinking life. However, when asking for a good poolside drink, this one came up, and upon looking up the ingredients I decided I could give it a whirl. (The great thing about cocktails is that the proportions are subject to whimsy and the relative degree of tipsiness required.)

It turns out that the piña colada can be made rather potently, with a little extra rum. Not that I did it that way. For the first round, I adhered strictly to the recipe, down to the pineapple and garish maraschino cherry garnish. But after the first, the rum goes down a little easier. It happens.

The Piña Colada

Ingredients

– 2 oz. pineapple juice

– 2 oz. light rum

– 1 1/2 oz. coconut milk

– Pineapple wedge & maraschino cherry for garnish

You can combine the ingredients in a cocktail shaker with some ice, then strain into a glass, or put it all in the blender with some ice for a frozen version. I did the latter this time. Again, I’m not usually a fan of the frozen drink (being that I’m not on spring fucking break), but once in a while it’s fun. (Singing the Rupert Holmes song is not required for this, nor is it recommended in my company. At least not until I’ve had four.)

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Music for a Darkened Theater

For many movies, the mood is all in the music. For summer movies that seems especially true. Give me a good movie theme and I’m a happy popcorn-munching fan. With the exception of John Williams, no other composer instills more atmospheric music into the movies than Danny Elfman. He does most of Tim Burton’s movies, including the first two ‘Batman’ reboots. More than even Madonna and ‘Cherish’, this is the music that made the summer of 1989. Give it a listen and see if it brings you back.

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The Pool

The day begins with promise, as most summer days do. The sun is already high overhead when I make my way out of the dim, cool recesses of the house and open the door to the backyard patio. Watchful of the robins who have made a nest in the nearby weeping cherry (and their brood of three squeaking babies), I pull out a lawn chair and position it beneath the sun. It seems such a silly thing to do – to just lie there in the heat – but there are sensual pleasures to be found in the stillness and the quiet. Besides, Tom Ford once said that tan lines are sexy, and if anyone knows sexy, it’s him. And so I work on my tan, book in hand, squinting at the pages in the bright unrelenting sun.

The day passes. In between dips in the pool, I water the garden. The robins hem and haw a bit, but they have not resorted to air attacks just yet, and I’m hopeful we may have reached a truce in this uneasy cohabitation in the backyard. A hawk circles high overhead, and I eye the cherry tree, wondering if the little ones will be safe. No one is safe in this world, not even in the summer.

Slowly making its arc in the sky, the sun shifts and settles low in the West. It’s almost time for dinner, and errands. One last lap in the water, and then I must retreat inside. It’s been a beautiful day, and the only thing better than a sunny summer day, is a super-moony summer night.

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Pool Day

Forgive the lack of meaningful posts of late, but that looks to continue tomorrow. It’s simply too nice out to stay inside typing away on a lap-top. Or typing away outside for that matter. So for now, and perhaps tomorrow, you’re going to have to deal with shameless re-hashes like this Summer Picture collection. You’ve seen it all before, but look at it again until I’m out of the pool.

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The Drugs Don’t Work

Some magazine once named this one of the saddest songs in the world. Or maybe it was the most depressing. Whatever it was, it wasn’t exactly an uplifting sentiment, but some days that’s what life deals you.

 

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The First Day of Summer

Here it is, the perennial promise I make every summer and holiday season: I’m going to take it easy, reel it back on the number of posts on this blog, slow down on the activities I do, and simply enjoy the lazy, hazy, crazy days of summer. It won’t happen, but I’m going to attempt it. And part of that means pictures are going to take the place of words – like this throwback vintage shot from a few years ago. For those of you who enjoy the pool shots, you’re about to get your wish – for those that don’t… see you in September.

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You May Mock Me

This simple and somewhat forgettable bloom is that of the mockorange, and it possesses one of the most deliciously sweet fragrances of the early summer garden. Aptly named due to its olfactorial proximity to the orange blossom, the mockorange is a hardy shrub, rather plain to look at in foliage and branch. In fact, we had two ancient mockorange shrubs on our property when we bought the house, but they were almost unidentifiable as they had been neglected and didn’t bloom for a year or two. I chopped them back and amended the soil, and they returned to former glory. That same year I planted two nursery-procured pots in the backyard, in spots that were, and remain, slightly too shady. They bloom now because they have grown tall enough to tower above the beginning of the roof, reaching the run and showering their sweet perfume from high above. Unfortunately, that’s a bit too high, and they’ve overreached their allotted space. As such, they will need to be cut back drastically this year once they finish their blooming period.

The time period immediately after flowering is usually the best time to prune spring blooming shrubs. Flowering cherries and dogwood and lilacs form next year’s flower buds during the summer, so if you wait until the middle of the season you run the risk of cutting off next year’s blooms. Of course, with the heavy pruning job I have planned for these monsters, there will likely not be any flowers next year. But the backyard needs to be cleaned up, and I’ve let this go long enough. It’s time to get brutal, just as soon as this season’s blooms cease emitting their delectable scent.

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The Madonna Timeline: Song #94 – ‘Crazy For You’ ~ 1985

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

There is cracked ice still lingering on the sidewalks. I am walking on his street, the street where he lives, not sure why I am being drawn here. The pull of a confusing longing, the push of a future unfolding, and the simple wish to be closer to him all play a part. The dirty mixture of mud and left-over snow and road salt leaves my sneakers a muddled mess, but I’m too young to care about such things. (Yes, there was such a time, when my outfits were picked out by my Mom, and my shoes were bought with the requisite struggle of getting a boy to sit still long enough for a new pair of shoes.)

Swaying room as the music starts
Strangers making the most of the dark
Two by two their bodies become one

I stood outside of his house for a moment, studying the gray stone, wondering at which bedroom he inhabited. Sheer curtains tantalized and teased, while the wrought-iron of a gate or a door – I can’t remember which now – guarded the home from strangers. I walked on, not wishing to be caught (though not exactly wishing against it). I’m sure some small part of me hoped he would come out, invite me in, talk to me, engage in some way, any way. Even as a kid I longed for connection. Even before I had my heart broken, I felt the ache.

After walking a few blocks, I was back home. My face was red from the cool wind, nose running and eyes watering. After kicking off my dirty sneakers at the door, I bounded upstairs, into the safe haven of a childhood bedroom. My stomach was churning, turning over itself it seemed, and my heart raced. It felt like I wanted to cry and laugh and throw-up at the same time. In the briefest of moments I went from giddy hopefulness to utter despair. I didn’t know what was happening. I didn’t know about love, or infatuation, or even simple crushes. I didn’t know about romance or obsession or desire. I only knew that I liked a boy, and I couldn’t even tell you why.

I must have been in fourth or fifth grade ~ strange that I can’t remember which now ~ and winter was slowly turning into spring. The ice was thawing, the ground was revealing itself through the snow, and drops of water encased the world. Suddenly, it seemed everything was melting. On the radio at night, Fly 92 played their ‘Top Ten at Ten.’ I would have it on softly in the background, as I was supposed to be asleep by that time. In those weeks, it was a showdown between the dirty blondes: Madonna versus Samantha Fox. Madonna was singing for love while Samantha sang for sex, as ‘Crazy For You’ battled ‘Touch Me’ for the top spot. They went back and forth for weeks before both songs got retired (those were the days when actual call-ins to radio stations held the most sway, and a single song could feasibly stay on top for months unless it was retired).

I see you through the smoky air
Can’t you feel the weight of my stare
You’re so close but still a world away
What I’m dying to say, is that I’m crazy for you

He was the new boy in class. He had moved in half-way during the year, I think, but even if he slipped in during summer break, his newness to our class would have been instantly noticeable. I didn’t exactly have a crush on him ~ he hadn’t even grown into himself, with his leftover baby-fat, old-fashioned thick glasses, and mop of ginger hair. I had a crush on his hurt ~ the gorgeous pain and exquisite suffering of being the new kid in school ~ each pang and assault deliberately, calculatingly, and wondrously inflicted by my own machinations. It was the supreme vulnerability of being a boy that so enraptured me ~ the delicate nature of being a man. Girls could hide everything inside ~ boys had to let it all hang out ~ and one was very much safer than the other, or so it seemed to me. Brute force and physical strength only go so far, and I saw then that the real power did not reside in the external protuberance of the almighty cock, but in the hidden reverse tomb of the womb.

I was not kind to him, even if our parents were colleagues. My cruelty was as unwarranted as it was childish, my actions as mean-spirited as they were baseless. If I couldn’t have him, if I couldn’t make sense of what I was feeling for him, I would make him suffer. I would make them all suffer. Of this I am not proud. It came from a place of hurt and desertion, but I do not think that justifies any of it.

Do not hold this against me, little boy, for you must know that all the pain I deliver unto you will not approach, will not even come remotely close to the atrocities I will inflict upon myself. You will be avenged, for I will avenge you. All that you do not know, I will learn, and all of your hurt I will one day claim as my own. I will make you, and you will be the ruin of me. There was never any other outcome, and if I stole my glory then, if I took my chance and pierced your heart before you had a chance to steal mine, well, who could have done otherwise? Who would have done differently?

Touch me once and you’ll know it’s true
I never wanted anyone like this
It’s all brand new, you’ll feel it in my kiss
I’m crazy for you, crazy for you

All the while, Madonna sang this song every night. One time, I managed to record most of it on a blank cassette tape. On an out-of-town ride to dinner a few days later, I made my parents rewind it over and over, as I sat in the backseat with my brother, watching raindrops collect on the windows. Again and again I asked them to press rewind, as it was the only way I had to subdue my burgeoning thoughts. What would I do with all this… feeling? What would I ever do? It frightened me, there was no containing it. And at the same time it thrilled. I would forego all sorts of safety for this madness, the giddy insanity of instant infatuation. If anyone had ever gone through this, how did they survive it? And what was the answer, the solution, the thing that ended it all in one way or another? I sought that then, as I would seek it forever after, and to this day I don’t know if it has an ending. For so many important things, there were no answers. I thought then that it was just me being a kid.

Trying hard to control my heart
I walk over to where you are
Eye to eye we need no words at all

I had no way of knowing if what I was feeling was normal. By then, I understood that boys were meant to be with girls, that men married women and had children and lived happily ever after. The stirrings that older neighborhood boys inspired in me when they took off their shirts and swam in our pool were nothing compared to this, and my only other reference was a strange spell cast upon me by a summer camp counselor. (I watched him play wiffle-ball in the gymnasium one rainy camp day, tracing the line of sweat that ran down the back of his t-shirt. His hands would idly lift that shirt up, expose a bit of his stomach, then lower it. He caught me looking, his blue eyes crinkling up in a friendly, if impersonal, smile. Looking right through me, for I was just a trifling of a wisp, not worth noting, not worth acknowledging with any sort of effort. I still remember him.)

But this boy knew me, and I sensed he might need a friend. The notion repulsed me as much as it endeared him to me. To be so alone in a new school, to be somewhat different and out of place ~ it served only to arm me against him. And I, to my eternal shame, did not extend a hand. I felt then, as I often do now, no need for a friend. It’s an awful way to think, and if I’ve learned anything in thirty-seven years it’s to remain open to new people, new experiences, new friends. Maybe that was his lesson for me, but I didn’t see it then. All I could feel was ache and want, a sickening mixture of conflicting emotions, and a rage founded on the impossibility of the person I was becoming.

Slowly now we begin to move
Every breath I’m deeper into you
Soon we two are standing still in time
If you read my mind, you’ll see I’m crazy for you…

I kept it all inside. No family or friends would hear my story, no one would listen as I unburdened my feelings. The only thing I had was Madonna, singing of the same sense of longing, of wanting to share something. But she had eyes in which to look, another person who might return the gaze; I had no one. And so I pined, and prayed, and hoped for resolution. I felt constantly on the verge of weeping, distraught and condemned and prone to the wildest fantasies. From that moment on, my heart would never be quiet. I knew it then. I was already ruined.

Touch me once and you’ll know it’s true
I never wanted anyone like this
It’s all brand new, you’ll feel it in my kiss
You’ll feel it in my kiss because I’m crazy for you

Eventually, the obsession faded, and the object of my focus grew up and out of his awkwardness. If I were any sort of sane person, that’s when a crush would have kicked in. Instead, I went the opposite direction. As he became more popular, I lost all interest in him. Over the years, we reached a sort of truce. He forgave me for my cruelty, and I left him alone. (Considering that he had also shot up to tower over me, this was a practical choice of safety too.) I don’t know if I’ve forgiven him for forgiving me. I suppose he wanted to forget it ever happened, and I’ll bet he already has. But not me. I can forget any random act of kindness I’ve chanced to commit, and all in a matter of a few hours, but my cruelty… my cruelty haunts me ever after.

Touch me once and you’ll know it’s true
I never wanted anyone like this
It’s all brand new, you’ll feel it in my kiss
You’ll feel it in my kiss because… I’m crazy for you

There are still spring nights when I hear this song, and the thrill of that first time comes flooding back. I’m a boy again, a strange little boy born differently from so many of the other boys, and I know they can sense I’m different when all I want to do is belong.

A sidewalk crackling with ice. A car window dotted with rain. A restless boy stained with tears.

On those nights, there is no comfort or succor, no peace or understanding. There is no way to quell the heart. I play this song, over and over and over, trying to find meaning, trying to uncover the secret that will bring it all into crystalline form, perfect resolution ~ definitive and implacable ~ and none of it ever comes. If anything, it fades further from focus, retreating into the distance, ever out of reach, teasing and taunting and leaving me behind. And alone.

I’m crazy for you.
Crazy for you…
Crazy for you.

Song #94: ‘Crazy For You’ ~ 1985

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You’ll Feel It In My Kiss

Tonight, at 8 PM, the Madonna Timeline returns with a song from 1985. Back then I was not even ten years old, and just about to begin to come into the later years of childhood. That’s a very tender time for a kid: the verge of turning ten. It’s the first step to adulthood, and it was the first step in realizing attraction. Yet what I felt for other boys wasn’t physical – it was more than that – far more, for it really wasn’t physical at all. While I got along better with girls, boys were the ones for whom I felt a deeper affection.

On the radio, a new Madonna ballad played on the ‘Top Ten at Ten’ on Fly 92.3 FM. I’d lie in bed, looking up at the shadows on the ceiling, listen to her siren’s call, and wonder if what I was feeling was what she was singing about. I wanted to stare at someone through the smoky air, to feel so close but still a world away. I never wanted anyone like this, it’s all brand new…

Tonight, I’m crazy for you.

 

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Epic Madonna

Fresh off her premiere of the filmed version of the MDNA Tour, Madonna inched her way back into the spotlight in stunning Marlene-Dietrich-like form. I am so digging the top hat and bow tie look here. No woman does androgyny better, and no one ever will. (Okay, that’s easily disputable, but it sounded good.) While I gear up for the next special installment of the Madonna Timeline (the song and memory of which actually inspired the whole Madonna Timeline itself, and at #94 it’s taken a while to come around on the iPod…) I’m giving a quick look at some summer highlights of previous entries that may have gone undetected by your radar. (By the way, if you scroll down to the bottom of the page and check out the ‘Search’ box, you can type in a Madonna song and see if it’s already been covered.)

Before the summer is the spring, and the spring of 1998 was marked by ‘Little Star’, and a residual melancholy from winter, and a decade and a half before. It still haunts me.

1990 marked the summer of ‘Dick Tracy’ and Madonna’s incendiary performance as Breathless Mahoney. That sexy chanteuse sang ‘Sooner or Later’ with the determination of a vixen hell-bent on getting her man. It was an inspiration.

The summer of 2009 was a high-flying good time, with some highlights in Boston and lowlights in Ithaca, and as the last summer of my official single-hood, it was a time of ‘Celebration’.

Last summer was capped by the deceptively upbeat and desperately escapist ‘Turn Up the Radio’ – one of the only times that a current Madonna single coincided with this relatively new Madonna Timeline. It’s one of my favorite entries, because it juxtaposes such a happy song with such a bummer of a summer.

The summer of 1998 was all about ‘Ray of Light’ – the album and the single – and this song dominated a turning point in my previously-angst-ridden existence. It marked Madonna’s ultimate comeback, and remains the best album of her career (thus far).

Memories of my father from 1986 came back with her ‘Papa Don’t Preach’ single from the summer of ‘True Blue‘. The follow-up to the scorching ‘Live To Tell’, it marked another familial milestone, the beginning of a long line of Madonna-related family moments.

For the next timeline (which goes all the way back to 1985, making it one of the earliest Madonna memories) we’ll return to the very earliest of spring, a time when the first pangs of adolescence began to prick my youthful heart, and things were about to go, well… Crazy.

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Pitching the Perfect Tent – Review of ‘Pippin’

Is there anything more terrifying than the possibility of future regret? The battle of an artist to be extraordinary while maintaining some semblance of a functioning family life has always proven fertile ground for all art forms, and nowhere is that more apparent than in the current revival of ‘Pippin’.

The ambitious coming-of-age journey of a young prince goes deeper than its superficial circus-like atmosphere would have you believe, and therein lies its genius. Director Diane Paulus brings new life and magic to the Stephen Schwartz musical, touching on issues as deep as sibling rivalry, parental control, patricide, and hints of Oedipal conflict while dazzling with circus stunts. Choreographer Chet Walker retains Bob Fosse’s signature style, jazz hands and pelvic grinds intact, to aid in the seduction, and that sort of wink is necessary to draw the audience in, and give this revival the subtext that lends it greater depth. Yet it is the amazing aerials, stunning acrobatics, and visual pyrotechnics that make the story soar.

Each of the cast gets a shot in the spotlight, which affords some amazing moments. The only problem is that the evening sometimes runs the risk of feeling like a variety show, never less than entertaining, but occasionally not much more. Luckily, the performances and the actors investing in them ground it all, and keep the story together. It is, in fact, the strength of this company – where each member is an individual, unique and distinguishable at all times – that is the real winning hand of the evening. Broadway vets like Terrence Mann and Andrea Martin (the former voraciously eating up his scenes and the latter flying high above the stage with no wires or safety net) stand out while gleefully enjoining the ensemble.

Patina Miller, as the magnificent ringleader, is at turns enticing and erotic, menacing and ferocious, seductive and sensual, biting and brutal. She is the master of ceremonies, perfectly embodying the multi-faceted tension of finding oneself, while leading Pippin, and the audience, along the road of temptation. She deservedly won the Tony for her work here, culminating in a devastating last act of defiant desperation.

As Pippin, Matthew James Thomas brings a wide-eyed naiveté to his early scenes, gently adding shades of knowledge and wisdom as he progresses on his journey, flummoxed and confounded at one point, dazed but valiantly rebounding the next. He ultimately resigns himself to a real life, rejecting all the magic, and perhaps a bit of the search for being something exceptional. The story ends not there, but with the next generation, searching and seeking out the same giddy thrills, the same heights of fantasy, the same quest for something extraordinary.

The neat thing is that after witnessing such fantastic (and literal) flights of fancy, the thrilling visuals, and an evening of entertaining enchantment, the moment when the ringleader strikes the set and withdraws the magic is a compelling challenge to both Pippin and the audience. One wants to believe that the unamplified voices and costume-free starkness can match and hold up to all the colorful theatricality that came before, but the question lingers, and haunts, and it is here where the power of this revival is finally revealed. Is it worth the trade off? Or should we never give up, never settle? It is left in vague ambivalence, tottering on a high wire of hope, as astounding and challenging as the entire evening of theater has been.

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