What Price, Beauty?

When confronted with a collection of kimono before me – in a dazzling array of colors and fabrics, from the subtlest gray to the brightest poppy red, from the softest of silks to the starchiest of cottons – there are always three questions that pop into my head:

Do I need another kimono?

Do I have the money to pay for it?

Do I have the self-deluding manipulative ability to justify such a purchase?

Usually, the answer to all these questions is, at least in my crazy mind, a resounding yes. But the real question behind those concerns has always boiled down to this: what price, beauty? And for that – for the balm of beauty – no price is too high, no sacrifice too great, no other outcome than that most happy of words: YES.

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Japan by Way of Porter Square

When I was attending Brandeis University, I had to take the Commuter Rail to get into Boston. The first T-stop it reached was the Red Line at Porter Square, which was just one stop from Harvard Square, so I usually got off there, and rode the enormous escalator down into the station. Porter Square has come a long way since the late 90’s, and when I was looking up some places to go for udon noodles, the Shops at Porter Square popped up.

It had literally been well over a decade since I strolled this part of Massachusetts Ave., and many more stores and restaurants had opened up. Within a tiny mall-type space, a cluster of Japanese restaurants and shops buzzed despite the early hour (it was about 11AM), and there was already a line of excited diners waiting to grab a seat at the ramen restaurant. I bypassed that (there’s nothing I hate more than a line) and found a more unoccupied place selling noodles a few doors down.

After gorging myself on a steaming dish of udon noodles and fresh vegetables, I waddled over to a store selling ceramics, tea pots, tea holders, and other objects from Japan. Beautiful glazed work set the hearts of bowls and dishes aflame, while intricately-patterned paper covered small boxes and containers. Chopsticks of simple yet elegant wood managed to be as striking as the glossy lacquered decorated versions that seemed to sparkle in the light. Beauty was all around. The gray day sank from my mind.

Then, as I made my way to the end of the store, a row of kimono hung in stately form ahead of me. I was powerless as to what happened next… (and I think you already know.)

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The Eve of New Year’s Eve

As I write this, it is the day before the last day of the year, and I sit once more at the table in the Boston condo. To my left, the Hancock Tower twinkles in the cold night sky. Perched perhaps precariously close to this keyboard is a large mug of hot chamomile tea. Tendrils of steam curl off its surface, and I blow on it each time I take a small, quick sip. The day turned progressively colder as the sun went down. The wind picked up. Whispers of trouble at home, if we can ever really call a place home, have reached me even from a distance. Unlike others, I will not get into blaming or acting a victim. Tonight, I am alone. Contentedly so. Neither lonely nor sad, neither giddy nor drunk, I sit in the single place where I’ve ever felt completely at ease, completely myself.

I wear a somewhat garish silk kimono, procured a couple of days ago at The Shops at Porter Square. I went there for some soba noodles and came home with a kimono. It seemed a perfect trade-off. It eases the pain of so much ugliness in the world.

On this evening, I eat the remains of a Basque fish soup that I made the night before. Rather than run wild on such a cold night, I will stay here. Read a little. Maybe watch the DVD of ‘Grand Hotel’ that I brought with me but have never seen. Or perhaps I’ll just sit still and be very quiet. I’ve made enough noise this past year (though far less than some would have you believe – I don’t break things outside of my own house, thank you very much). But I suppose when you break something you run the risk of being blamed for breaking everything.

Across the street, the third floor of another Boston brownstone is occupied by warm light, and holiday candles in the windows. I’ve watched this person make dinner for almost twenty years – he is (now) an elderly man with gray hair, and whenever I’m in town I see him hunched over his stove, working on dinner. It is a great comfort, especially when so much of life is uncertain. I do not know for whom he cooks. I’m assuming it’s for at least one other person, else why would someone go to all that trouble so consistently? Maybe I just want to believe that. Maybe I don’t want anyone to be alone.

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A Brutally Cold Recap

We’ve had quite the frigid spell of late, which has kept me house-bound more than I’d like, and made things doubly-difficult when in the midst of home improvements and a far-from-fully-functional kitchen. However, progress continues, and that forms the majority of what went on here this past week. (New Year’s in Boston posts to come… if you’re good.)

Christmas came but a short while ago, but I still want More.

Lucky #13: the end of a project.

The year came to a not-quite-perfect close, but that made for a not-quite-uninteresting epic recap: Part 1, Part 2, and Part 3.

Since the word of the year was ‘selfie‘, let’s look to James Franco to tell us all about it.

The eve of eves.

The days and nights may have grown bitterly cold, but there were naked male celebrities to keep things hot, especially with the shirtless likes of Brent Corrigan, Tyson Ballou, Ben Cohen, David Agbodji, Clarke Wesley, Brad Kroenig, and Wilson Cruz.

Even more exciting than a bunch of nude male celebrities. however, was the renovation of our kitchen. It’s come a long way, from the bare bones and wooden studs to an orange floor and the first bit of light at the end of the tunnel. There was a minor missing-finger-mishap, but the end result is coming together, and already looking like it’s going to be worth it all.

Throughout it all, my other home in Boston provided safety and sanctuary.

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Matthew Camp Smells Good

Rugged, raw, and just rough enough to keep you on your toes, Matthew Camp’s ‘8.5’ fragrance is not for the faint of heart or weak of spirit. It comes on strong – powerfully strong – like the first sting of a strap of black leather against the skin. It stays there a while ~ potent and rich, intoxicating and enthralling ~ daring you to sniff a little deeper. If you’re up for that, it unfolds into something more resonant, notes of cedar striking a natural balance to the opening chords of leather ~ a primal, raw-hide feel of the supple and the sublime. How can something so rough be so smooth?

The package I received of the 1 oz. size came nestled in scraps of black leather, in a box bearing the boldly abstract initial of the artist himself. More than a simple scent, this was an experience – a heightened brush with all the senses ~ something that captivated and provoked the sexiest of thoughts. If daring and desire could be bottled, this may just be it.

It’s rare that an artist’s fragrance embodies who they are so solidly, but Mr. Camp has turned his sexy image into something that can be seen and smelled. It’s as if a little bit of his dangerous charm rubs off on you whenever you wear it, a devilish glint of sexiness coming off the skin like the quickest flick of a whip.

Lingering there, on whatever pulse points you want to accentuate, his fragrance envelops like the slow tightening of a belt, the lacing of a restraint, or the simple pull of a collar. It’s bound to you now, tied up with implacable dark beauty, imbued with an animalistic spirit. It cannot be tamed or contained, and once you open that glorious bottle, all bets are off.

‘8.5’ is available directly from Matthew Camp’s website here.

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When Boston Became Home – Part 2

In the night, after the cold, the snow came. We awoke to a world wholly transformed from the darkness the evening prior. Sun glistened off every surface outside, a world of white – the brightest white – galvanized by the lightest blue sky, and all that glorious light poured into the condo. Any hesitation about the darkness of my color selections went out the tightly closed windows.

That day, we began the bedroom – in a deep blue. That included the ceiling too, which I thought I would soften with a little trompe l’oeil cloud action. If it sounds tacky and cheesy, it totally was. There’s no accounting for the taste of a twenty-year-old, particularly if said guy was raised on a diet of Norma Desmond, Madonna, and ‘Priscilla: Queen of the Desert’. That said, it didn’t look entirely atrocious. (Okay, the white fringe of the canopy bed that was to come may have been atrocious.)

As curls of smoke rose from one of my Uncle’s ever-present menthols, he paused and looked around. Every now and then he did that. Surveying what had been done, and what there was yet to do. I didn’t quite have that grasp of the big picture yet, I either fell so completely and close-mindedly into the task at hand or grew antsy at seeing only the end result. My Uncle could gauge both, but he had experience and I had none. He went into the other room. We needed a hammer. And nails. And something else, the memory of which now – at long last – eludes me, quite sadly. This is why I write things down. A trip to the hardware store was needed. I volunteered to make the trip, being the only one who knew where it was, but I hated to miss one moment of anything – so enraptured was I in having time with my favorite Uncle. I hurried out into the bright, beautiful world and stopped. It was a brilliant day. A gorgeous day. The cold had lifted a bit with the arrival of the snow. The sun was shining, unobstructed by cloud cover. This was how we survived the winter, I thought. With this brightness, with this light. You never got this in the summer. The temperature was the pay-off, but at that moment, surrounded by sun and ice crystals and light ricocheting off every spot around you, the pay-off was a bargain. My trip to the hardware store was my only time alone for those few days. There was beauty in solitude, and there was beauty in companionship. I’ve always felt slightly in the middle. When I got back to the condo, the guys had started on the bathroom. (That would be the peach bathroom – the only real misstep of the whole endeavor – and the room that would be painted over the most – its brick wall defying a complementary color to the very end.)

I set the bags down in the cluttered living room, and removed my coat. We were nearing the close of our time together, the close of these few precious days, and the beginning of my time alone here. There was suddenly a heaviness in my heart, far weightier than the hammer in my hand. I wasn’t quite ready for it to be over. I would never be ready for it to be over.

On the last morning there was still some work to be done, but we finished on time. The clean-up was quicker than anticipated. Begrudgingly, with dragging feet and stall tactics in full-effect, I helped them pack their things. My Mom arrived as scheduled, and soon they were on their way. I didn’t return to Amsterdam with them, I stayed in Boston. A new life had begun. A new home had been created. It had taken family, and that’s why it would sustain me. There was love here, even if it was only the love that I had given ~ it still counted.

All of the important people who have made me into the man that I am (for better or worse) have inhabited this condo at one point or another. They’ve visited and spent time within these walls. They have slept and eaten here, retired and woken, laughed and possibly cried. I’ve done all that and plenty more, and it’s still not enough.

Tonight, I sit at the laptop typing this out, and feeling as grateful to be here as I did almost twenty years ago. Two decades. Living, laughing, and loving… Here’s to the next twenty.

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When Boston Became Home – Part 1

Looking out the window onto Braddock Park, I am sitting at the table in the front of the condo on a reasonably warm late December evening. I haven’t written here in a very long time – not on a computer at any rate. It feels strange and exhilarating, a return and a new beginning all at once. The first time I did so was in the earliest part of 1996. We’d only just closed on the condo that previous November, and it didn’t quite feel like home. I’d stayed here in the first few weeks – in a sparse, barren, completely unfurnished place that didn’t even have a light in the bedroom. There was no couch, no bed, not even a chair to sit upon – and I loved every minimalistic minute of it. Without television or stereo or computer to entertain, I was alone with my thoughts. Any voices I had in my head were free to chatter, to no avail. Once those voices tire out, they tend to leave you alone. Still, such quiet was not meant to last – at least not when it concerned wall color and furniture. I needed to put the Ilagan stamp on the place, or it would never be ours.

That year, my favorite Uncle and a few cousins were visiting for the holidays, and we cajoled them into going to Boston and painting the condo. (By ‘cajole’ I mean my father probably gave them a hefty sum to put up with my fanatical attention to detail and color coordination, and paint the place in a professional manner.) It’s what my Uncle did for a living, so it would be done properly, and I was itching to try a rag-off technique I had been reading about in some painting book. I also wanted all the white walls to disappear, so after New Year’s Day my Mom dropped us off and we set about that first night to prepping the place for painting the next day. According to my Uncle, the preparation was where the real work in painting happened – and also the most important part of a proper paint job. We sanded and scoured, set up ladders and laid drop cloths, made a bunch of coffee and smoked a bunch of cigarettes. It must have been midnight when we finally crashed – on cots and sleeping bags (there wasn’t even a bed yet).

The next day, they were already working when I awoke. The kitchen was almost done, in a rich astroturf green. No boring neutrals here, not for some time. I was more excited about the living room. I taped off the plastered crown molding and painted it in goldleaf. Yes, I was that garish at the ripe age of twenty. (All gay guys have to grow out of this phase. Some never do. I was lucky.) For then, though, the gold went perfectly with the bordello red I had in mind for the living room. I figured the rag-off technique would soften the glaring hue, and to an extent it did.

My Uncle would roll the color on, and I’d take a rag and dab it quickly before it dried, leaving a mottled look and a softness to the walls. In person and up close it worked quite well. In photographs it simply comes across as a fire-engine worthy explosion of bright, flaming red. Let’s make it gay indeed. My Uncle and cousins never said a word. Well, they probably did, but nothing too harsh or I’d have remembered. Instead, we all worked into the evening, when it was time for a break.

One of my Uncle’s favorite things to do was watch a James Bond movie. A new one had just opened that Christmas, so I brought everyone to the Copley Square Cinemas (back when there used to be a movie theatre at Copley Place). We ordered popcorn and watched the movie, and when we finally began the short walk home, the temperature had turned brutally cold. If it was frigid for me, I can’t imagine what it must have been like for a few native Filipinos, one of whom had only ever encountered the ‘cold’ climate of Washington, DC and only saw snow for the first time when he visited us in Albany once. I will always crack up remembering my Uncle that night, rushing down the street with a tiny scarf tied around his head like some ancient Russian woman, looking like a crazed bat out of hell and asking me frantically why it was so cold. I literally had to stop walking because I was laughing so hard.

That night we returned to the condo, to its warmth and solid walls, to its honey-like amber hardwood floors, to its hot water ~ and we gave thanks for its comfort. I knew then that I was home.

{To be continued…}

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When the Good Guys Are On Your Side

I’ve known since the first day of this kitchen renovation that we had the best contractors in the business, but that was confirmed when I turned on the television and let ‘Renovation Realities’ on HGTV run through a few episodes. The premise of the show is that a husband and wife (no husband and husband, or wife and wife just yet) tackle a home improvement project (usually a kitchen or a living room) and go through the trials and tribulations of non-experts attempting jobs only an expert should be executing. After another hapless couple failed to figure out how to open the plastic packaging of a tape measure (come on), I breathed a sigh of relief that we had the expertise, know-how, and execution of Skylands Services. I cannot expound upon their virtues enough.

If you look closely, you’ll see that the kitchen is filling up. Yes, that’s the refrigerator! And the beverage center! And the oven!! Do you know how excited that makes us? You can’t know, because you’re probably able to get something out of the fridge or pop something into the oven right now if you so desire. We almost didn’t have these valuable items for this frigid weekend, thanks to a delivery issue at Lowes, but Andy got on the phone and called in another truck to make the delivery happen. It was later than originally scheduled, but the guys at Skylands rallied and installed them so we could at least survive until Monday.

In addition to protecting us from what we didn’t know, (their advice to not pay in full for items not yet delivered proved invaluable) they also offered sound and creative solutions to problems and design questions, while taking into consideration our wishes and whims (and we all know how whimsical some of us can be). More than that, though, it was their unfailing attitude in the face of any setbacks, and an indefatigable can-do spirit that lifted both Andy and myself every morning (often showing up and starting the job before we were even out of bed). That’s the kind of finishing touch that makes a contractor go from merely competent to practically perfect.

 

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James Franco & the Art of the Selfie

Every once in a while James Franco says something that is bonkers genius, such as his recent New York Times diatribe on the selfie. In it, he extols the virtue of that vainglorious facet of modern-day technology, unabashedly basking in its power, and exposing some of the tricks-of-the-selfie trade. “[A] well-stocked collection of selfies seems to get attention. And attention seems to be the name of the game when it comes to social networking. In this age of too much information at a click of a button, the power to attract viewers amid the sea of things to read and watch is power indeed. It’s what the movie studios want for their products, it’s what professional writers want for their work, it’s what newspapers want – hell, it’s what everyone wants: attention. Attention is power. And if you are someone people are interested in, then the selfie provides something very powerful, from the most privileged perspective possible.” ~ James Franco

I love a man who has a love of a little alliteration. And I love what Mr. Franco has to say, even if I don’t believe that everyone wants said attention. For me, it’s more about being honest with the world, about not hiding behind a screen-name or a photo of your pet. Far too much of the internet involves veils and masks and an image not anywhere near real. If there’s one thing that this website does (along with all my social media accounts for that matter ~ FaceBook, Twitter, & Instagram), it’s that I always revel in the truth – as ugly, off-putting, angry, upsetting, diabolical, petty, gleeful, vain, insecure, laughable, troubling, and dull as the truth can be. That goes for my own selfies too: I may be selective about the ones I show, but I don’t photoshop or airbrush them (and there are many mornings – and perhaps more evenings – when I probably should). Pretending to be something you’re not is just asking for people to be disappointed, because eventually real-life supersedes this virtual world. When that day arrives, someone is going to see you for what you are, or aren’t, and you will either feel like a dear old friend, or a disconnected imposter.

“I am actually turned off when I look at an account and don’t see any selfies, because I want to know whom I’m dealing with. In our age of social networking, the selfie is the new way to look someone in the eye and say, ‘Hello, this is me.'” – James Franco

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Cold Tea Blues

From their album ‘Pale Sun, Crescent Moon’, this is a Cowboy Junkies tune entitled ‘Cold Tea Blues’ – the perfect soundtrack for a snowy day. Sometimes it’s best to let songs speak for themselves – and for you – without my interruption.

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One Missing Finger, Lost in Our Garage

It turns out that my somewhat-celebratory post about getting over the hump regarding our kitchen renovation was premature at best, fate-defying at worst. While I was in Boston, much progress was made, as seen by these photos. The cabinetry is in place, and there is finally a sense of what it will look and feel like when complete. This is the moment I was really waiting for, and it comes with a bit of relief, as I was worried the dark wood and additional line of cabinets would close things in too much. The removal of the wall between the dining room and kitchen, however, achieved the desired effect of effectively opening the space up.

As wonderful as all this was to see, it did not come without a price. That price was the fingertip of one of the workers, who accidentally sawed it off in our garage. Being that I was away in Boston, I didn’t hear the screams. Andy did, but by the time he made it to the other side of the house the poor guy was already en-route to the hospital. They said it was just the tip, but isn’t that what all guys say? What’s worse is that they couldn’t find it anywhere in the garage. I was assured that they did an extra-thorough job of sweeping up that day, but I’m still waiting for the thing to come crawling into the house and begging haunting us forever. (I didn’t ask which finger.)

Aside from that bloody snafu, the project looks to remain on schedule, with the template for the granite countertop being measured and designed, hopefully before the storm delays anything. Once that happens, there’s a typical-two-week waiting period for the granite to be cut. Everyone has said that was the toughest wait, and I think that might be true. The first waves of renovation fatigue are starting to kick in. I may have to make one more trip to Boston… or somewhere else.

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The Light at the End of the Kitchen Tunnel

It’s far too soon to say we’re out of the kitchen woods just yet, but when you have a visible bit of final-product – like the floor and the cabinetry seen below, it gives one more joy that would reasonably be warranted. At the time of these photos, the contractor said they were about half-way through the project. That was quite the happy bit of news, as it seemed rather early. I was not about to complain about that though, and if things have progressed accordingly then by the time this post goes up we may be ready to have the granite countertop template set into motion.

At my insistence, we went with the large (24”) tile size for the floor, set on a diagonal. Andy was against it at first, despite my explanation that it would make the space appear larger (he didn’t believe me until the woman at the tile store said the same exact thing – story of my life). Now we’re both thrilled with it, and the shininess, while making for a more slippery surface, reflects all the wonderful recessed lighting from above. My only concern with the darker wood color (I fought for white, but compromised my ass off whether anyone admits it or not) was that it would darken the space too much. Thanks to the floor and the lighting, however, my concerns were abated. Of course, I’m saying that before having seen the rest of the cabinets installed…

The way things look, however, is a jolt in the right direction, and though I still may have to visit Boston for a few more weekends, I feel like we’re over the hump.

In a strange way, part of me will miss the planning and the in-between flux of construction. It’s a nightmare and a headache and a dirty and dusty bit of work, but it carried with it the hope of what was to come. Once it’s all done, that will be it. But then the cooking can begin, and the gathering of friends and family, and, finally, the warmth of a home centered around the kitchen.

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Ben Cohen and His Enormous Balls

It’s a new year, and the perfect day for checking in with Ben Cohen, especially in the form of the video below, which finds him acting all sexy and shirtless at his ‘Attitude’ cover shoot. They should have panned down to his underwear, but instead you’ll have to be content with the following photo of Mr. Cohen and his big balls.

 

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A Kitchen in Progress: Orange Floors

The kitchen renovation, while somewhat annoying, has not (to date, knock on a boner) been the traumatic experience that some people warned us about. A few minor issues aside, we seem to be on track for the original schedule to unfold as planned. That alone is impressive and worthy of gratefulness – and don’t think we don’t appreciate it.

It’s also been surprisingly uneventful being without a kitchen. The absence of running water is mildly bothersome, but we managed to set up the refrigerator and microwave in the family room, and it turns out we do more take-out than I realized. Minor adjustments on all fronts.

In the early days of moving the window and re-doing the ceiling, there were a few moments of chilly weather that seeped into the place, and when the tile floor was initially laid down we couldn’t walk on it for a day and night (resulting in the strange set-up of having to walk outside to go to bed at night). But with some pre-planning and preparation even that wasn’t a big deal.

I will admit that I miss cooking. We had a snowstorm a few weeks ago and the only thing I wanted to do while cooped up all day was make a collection of comfort food. I’d grown accustomed to trying out new fish dishes and other meals, and there really isn’t a possibility for any kind of food preparation at this time.

Yet the pay-off will be well worth it, and we’re already starting to see the results. The wall I’d wanted gone for twelve years is now history. The dining room walls, and a bit of the kitchen, have been repainted for the first time in as many years as well. (A subtle shade of green called, quite unironically, ‘Quietude’.)

The orange floor you see here is actually the “membrane” that they use as the base to hold the plaster (at least I think that’s what it is – Andy lost me in the translation). For a moment I didn’t want to change it, but cooler heads and pre-ordered tiles prevailed.

Coming up next, the orange goes away, and the first hint of cabinetry appears…

 

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A New Year, Under Construction

Most years I like to open in a quiet way, silently contemplating the stillness of the morning, gently sipping a cup of green tea while outside a red cardinal sits perched in a bush. This year will be different, and I’m opening it with a bang: the renovation of our kitchen, still in progress. While most of the major noise and banging has been completed, there is much work yet to be done, as the next series of posts will attest.

Luckily, there is a bang-up group of gentlemen who have been working on the project: Skylands Services. I cannot say enough good things about them. Not only are they on top of their game (as of this writing things have remained tightly on schedule, and the work has been executed flawlessly), they are also an affable and friendly group of guys who entertain concerns and questions with courtesy and aplomb.

When we indicated a possible change in plans and questioned whether a doorway opening we had originally laid out was big enough, they explained that not only was a vent in the way, but that the size was good because it left each side of equal proportions, thereby lending balance to the dining room area. (I’m fine with most issues if a decent explanation is made.)

Aside from their obvious expertise in such matters, they also clean up at the end of every day. We didn’t realize the importance of this until they did it, and we didn’t have to worry about tracking dust and debris throughout the rest of the house.

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