Author Archives: Alan Ilagan

The Madonna Timeline: Song #150 ~ ‘Forbidden Love’ – Late fall 1994

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

LOVE WITHOUT GUILT, LOVE WITHOUT DOUBT
LOVE WITHOUT GUILT, LOVE WITHOUT DOUBT
LOVE WITHOUT GUILT, LOVE WITHOUT DOUBT
REJECTION, LOVE WITHOUT DOUBT

Late fall 1994. We had passed the point where there might be a warm day here or there. The leaves had mostly fallen. Nothing could hold any heat. The first man I had ever kissed had dumped me and I didn’t even realize we were going out. Ignorance saves some hurt, but you only get a pass that first time, and sometimes not even then. My awakening to the fact that I was gay had begun and it was hardly reason for celebration.

I DON’T, DON’T CARE IF IT’S NOT RIGHT
TO HAVE YOUR ARMS AROUND ME
I WANT TO FEEL WHAT IT’S LIKE
TAKE ALL OF YOU INSIDE OF ME
(DON’T GO NEAR THE FIRE, DON’T GO IN THE DARK)
(DON’T GIVE IN TO YOUR DESIRE, ‘CAUSE HE’S GONNA BREAK YOUR HEART)
(LET GO, LET GO)

I’d been leaving campus and riding the commuter rail in to Boston to see him. Now I did it to see the places we’d gone and wallow in the misery of it. What else was November for, really? The gray days and dismal weather added to the melancholy. I relished it. All that was at Brandeis was a cold dorm high in a castle turret, shaped like a piece of pie, bound by painted cinder blocks, and a small row of high windows that made Boston look like a speck in the distance. At night that space glowed, offering hope and warning and bitterness. Madonna’s somewhat doleful ‘Bedtime Stories’ album offered a gauzy aural cocoon of sonic warmth – whether it was the loss of ‘Inside of Me’ or the brutal solitude of ‘Love Tried to Welcome Me’ or the saccharine-sweetness of ‘Take A Bow’. Along with ‘Sanctuary’, these were re-structured love songs dealing with loss and regret and the tricky aftermath of romance. It might have been all about ‘Survival’ but I wanted so much more. At the tender age of nineteen, I’d had my heart broken and had broken a couple of hearts as well. I used to pretend there was something worse about the latter, but that’s not true. Guilt is awful, but loss is worse. There’s no bonus for trying to gain sympathy if you’re the one who ended it.

IN YOUR EYES (IN YOUR EYES), FORBIDDEN LOVE
IN YOUR SMILE (IN YOUR SMILE), FORBIDDEN LOVE
IN YOUR KISS (IN YOUR KISS), FORBIDDEN LOVE
IF I HAD ONE WISH LOVE WOULD FEEL LIKE THIS (LOVE WOULD FEEL LIKE THIS)

“The love that dared not speak its name,” as Oscar Wilde so delicately described the proclivity of those of us who enjoyed sucking cock, was instilled with all the forbidden enticement and defiant decadence that had always left me fearful yet intrigued. There was no doubt I was gay – there never had been – but I’d done my best to stomp it out, to go for the girl and the white picket fence and the blasted nuclear family because it was all I knew to do. We lived in a different world then.

From the very first time I saw one of the older kids in our neighborhood strip off his shirt and jump into the pool, I knew. It was summer then – so much of our youth seems to take place in the summer – and the world was warm and happy and gay. He dove underwater, his muscles rippling in the dappled light of the pool-filtered sun, and I knew. Enthralled and intoxicated, I drank his image in like the sweetest nectar, and somehow it wasn’t even sexual yet, not that yearning. It was a want and desire that was innate and primal, it was from the very core of my being, the soul that had been born when I was born. I knew.

I KNOW THAT YOU’RE NO GOOD FOR ME
THAT’S WHY I FEEL I MUST CONFESS
WHAT’S WRONG IS WHY IT FEELS SO RIGHT
I WANT TO FEEL YOUR SWEET CARESS

He swam away, into the deep end, his pale skin so tantalizingly different from my own tan body, like some rare, elusive sea creature, some white whale forever unattainable and unassailable, and my eyes followed. Lost in a chlorine haze, blinded by sun and beauty, choking on the feeling and wanting to both laugh and cry, I stayed in the shallow end and waited for his return.

When he did, my brother and I cajoled him into playing with us – roughhousing, as the adults called it. He’d pick us up – each so light and easy in his hands – and fling us into the deep end, our little bodies flying into the air and crashing into the body of sky-blue water. It thrilled us. Not just the motion, but the giddy focus of an older person intent on thrilling us. For me, it was much more.

I’d swim back, dizzy and delirious from the sun, the water, the flight, and the fight to make it back to the surface. Circling his legs, I felt both like the shark sizing up prey, and the scattering prey itself, darting to avoid death. I didn’t know what I wanted, I only knew he entranced me. I’d wrap my arms around his thigh, brushing against his swimsuit, and he’d lift me up again and off I’d fly. I didn’t know what was better – the lift or the let-go. Or the time in the shallow water when I was close enough to smell his sunscreen and see the blue of his sparkling eyes and the way his blond hair went dark when wet.

IF I ONLY HAD ONE WISH
LOVE WOULD ALWAYS FEEL LIKE THIS
WISHING ON THE STARS ABOVE
FORBIDDEN LOVE
IF I ONLY HAD ONE DREAM
THIS WOULD BE MORE THAN IT SEEMS
FORBIDDEN LOVE (FORBIDDEN LOVE)

Summer fades quickly. So does youth. The pool filled with oak leaves, then acorns, then it was closed and dark. Buried in the muck and mess of the ensuing winters, my childhood disappeared. Now, in the impending winter that came at the end of 1994, I was alone again. Summer felt very far away. The neighborhood boy I had watched, worshipped, and held onto had long ago moved somewhere else.

Back then it seemed like figuring out I was gay was the answer to everything, and in some ways it was very much the solution to much of my angst and confusion. So many things suddenly made sense and fell into place, so many fears and worries and anxieties dissipated and dissolved. Once it was done, though, what was next? The notion of forbidden love had already been bound inextricably to who I was, that sense of shame would forever be part of me. In that cold, late fall, it felt like loneliness and heartbreak were all that followed. Still, better to have loved and lost…

(LOVE WITHOUT GUILT, LOVE WITHOUT DOUBT)
(LOVE WITHOUT GUILT, LOVE WITHOUT DOUBT)
REJECTION IS THE GREATEST APHRODISIAC

Was the forbidden nature of the societal constructs of same-sex attraction part of my inability to find love? Had the ingrained stereotypical confines of how the world viewed homosexuals bled so deeply into my being that they would be impossible to eradicate? Or was I simply unlovable? That last question was one which most people had at some point in their lives; the questions before are the added and much more complicated journey through which only some of us must travail. At such a young age, I couldn’t get my head around all of that – to be completely honest I’m not sure I can today – all I knew was the dull ache of unfulfilled desire, and the infuriating sense of loss when there had been nothing to really lose.

(LOVE WITHOUT GUILT, LOVE WITHOUT DOUBT)
LOVE SHOULD ALWAYS FEEL LIKE THIS
HEAVEN FORGIVE ME, NEVER FORBID ME

SONG #150: ‘Forbidden Love’ – Late fall 1994

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Tiny Threads: An Insignificant Series

The clothing we wear is like a shell.

Here’s the trick to shells, because it’s not about how pretty or porcelain-like they appear: their most important feature is also their most overlooked. A shell is hollow. Its hollowness is what makes it a shell.

It only lives when it is filled. 

#TinyThreads

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Colour & Chromantics

Today is the opening of the ‘Chromantics’ art exhibit at the OVADA Gallery. As a tribute to that, and as a way to celebrate the opening in the only way I can from such a distance, here’s the poem on color I wrote and that Mr. Watkins was kind enough to select for display. If you’re lucky enough to be in Oxford right now, by all means check out this show. It’s open until April 28, so there’s still time.

ColorBleed
By Alan Bennett Ilagan

From the very first time

He saw a box of crayons

Spilling their treasure across a tabletop

He knew they would hold his heart

And save his life.

Abundance of riches,

These limitless hues,

They gave happiness to all

Without explanation or reason

Inspiring wonder

With their primal evocation.

Give me your pigments,

Your shades

Your saturation.

Show me how you subtly shift

Between scarlet and cinnabar

The delicate gradations from sky to powder

Blue.

Rainbow dust

Ember rust

All your glorious gradations

Hombre undulations.

Pathway to expression

Relief and release

In every prismatic shard

This is light,

This is life

Swirled into water

Ground into dust

Imbued into oil

Elemental and fine.

Color bleeds our passions

When our voices and words

Are rendered silent,

When our sounds and songs

Become quiet

When our fingers and hands

Can no longer feel

Color allows the heart to speak

Allows the mind to reveal

Striking at the very heart of darkness

Obliterating the indistinct

Telling our story when the world

Seems hellbent on stopping us.

Color finds the way.

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Tiny Threads: An Insignificant Series

When you’re slaving over the paper towel dispenser in the office restroom, really pumping and pumping the handle because you feel it’s making traction, and nothing is happening… then all of a sudden it lets loose with an exploding accordion of fresh paper towels: that’s glorious.

#TinyThreads

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Beside the Coolness, The Bed

“The more so, I say, because truly to enjoy bodily warmth, some small part of you must be cold, for there is no quality in this world that is not what it is merely by contrast. Nothing exists in itself. If you flatter yourself that you are all over comfortable, and have been so a long time, then you cannot be said to be comfortable any more.

For this reason a sleeping apartment should never be furnished with a fire, which is one of the luxurious discomforts of the rich. For the height of this sort of deliciousness is to have nothing but the blanket between you and your snugness and the cold of the outer air. Then there you lie like the one warm spark in the heart of an arctic crystal.” ~ Herman Melville, ‘Moby Dick’

 

It’s best to sleep in a cool room. There’s an old adage that claims benefits and health to the practice of sleeping in cooler temperatures, and I’m all about it. As Melville so perfectly renders it, the contrast between a cozy bed and a chilly interior is what enables us to enjoy the comfort of the thing. It also makes getting up on a winter morning the stuff of trolls and devils. Some of us weren’t made for such hardships.

Personally, I’ve always preferred being on the cool side. It is much easier to warm up than to cool down. A sweater, a blanket, a cape, a turban – the options for gathering heat are many, and fabulous. When you’re trying to cool down, there is just so much nakedness you can achieve before the public calls the police. (I won’t even mention the difficulty of stripping down in an office setting, well, beyond this anyway.) The point is, it’s easier to add than take away. Think of it like using spices, and turn down your thermostat at night. Saves energy too.

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Tiny Threads: An Insignificant Series

To be considered good, a melon must not only be sweet, but also smooth. I do not look for crunchiness in a cantaloupe or honeydew. Crunchy is for granola.

#TinyThreads

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Those Oh-So-Cool Jonas Bros

The return of the Jonas Brothers continues with their latest single ‘Cool’ dropping any minute now. I enjoyed the video and song for their recent ‘Sucker’ but beyond these parts I’m not sure how much of an impact it had. They’ve definitely upped their imagery of late, even if their shirtless exploits will always be preferable to just about anything else. (Except maybe full-frontal male nudity…) Anyway, check out ‘Cool’ when it becomes available – I will too. 

Bulge note: much ado is being made over the crotch area of the Nick Jonas photo seen below. Everybody wants to see VPL, especially on Nick Jonas apparently. It’s here for purely academic purposes. 

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Tiny Threads: An Insignificant Series

I simply cannot wait for the new Madonna album.

That’s all. 

#TinyThreads

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X by M, and an A

Madonna posted a cryptic triple-triptych on her Instagram account, with nine images working together to one big red ‘X’ which we are all assuming is some message about her upcoming album (praise be). In the same vein of those who re-created her wire-bound face from the ‘Rebel Heart’ album, I made my own tribute because I like red and I like the letter ‘A.’ 

As for what this means in Madonna’s world, your guess is as good as mine, and I don’t even have one. Life is a mystery, and I’m not trying to figure it out anymore. Just give us some music, put your ‘Vogue’ costume on, and that’s your outfit for the night. 

The 150th entry in the Madonna Timeline is due to be posted this weekend, so keep your eyes open for that. Until then, here’s a selective group of timelines that you may have missed or intentionally skipped. Best to come up to speed before we go much further. A quick recap of some notable timelines:

#133 – Easy Ride

#134 – Inside Out

#139 – American Pie

#140 – Express Yourself

#141 – Body Shop

#142 – Vogue

#144 – Mer Girl

#147 – Secret Garden

#148 – American Life

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The Gronk Sniffs Zac Efron’s Speedo

This is supposedly the famous Zac Efron Freedom Speedo, as put on the head of Rob Gronkowski.

I’ll leave you to draw your own conclusions.

{See more of the Gronk here, and more of the Efron here.}

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Saratoga Duck Crossing

Sometimes you happen to be in the right place at the right time to see something whimsical, adorable, and perfect for spring. That place happened to be Saratoga as two ducks made their way along a crosswalk and the traffic waited for them to pass. I don’t usually bother to whip my phone camera out to capture such sights, but I did this time, just as they made their way safely across the street. It was a happy ending, as we later passed them again dawdling near a building. 

Who knew that Saratoga was so ducky? I thought horses were their thing…

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A Foolish Full-Frontal Recap

I find it hard to believe that people are still falling for the full frontal jokes of this day, but silliness can be contagious, and I’ve been afflicted. On with the recap of the last week, in which Mercury finally slid out of retrograde and hopefully restored some order into life. 

It began with a blue spruce in a blue sky

These threads are not golden, but still worth a look. 

Spring + Ice = Sprice

The Beekman Boys introduced me to HSN.

Pietro Boselli’s butt.

The Madonna/Warren Beatty duet from ‘I’m Breathless’ and the summer of ‘Dick Tracy’.

This bird was the word. 

Chris Evans: shirtless American superhero

I need it, I want it, if you get it I will flaunt it. 

Isn’t it Chromantic?

Hunks of the Day included Peter Hermann, Mike Trout, Evan Antin, Jonathan Knight, Michael Berresse, and Ben Hunte.

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Cristiano Ronaldo: The Full-Frontal Shot

Cristiano Ronaldo fans are in for a treat today, as the title of this post not-so-secretly reveals. Footballer extraordinaire, Mr. Ronaldo knows his way around a ball scene, and as purveyor of his own underwear line, knows a thing or two about boxer-briefs too. Keep scrolling to see the goods, but stop along the way for some gratuitous links. 

See this post about his skivvies.

Or this one about his bulge.

Or this one about his briefs.

Or this one crowning him as Hunk of the Day

His latest underwear design certainly shows off the piping

And speaking of pipes… that full-frontal glimpse is just beyond the scroll-down…

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Happy April Fools Day! Sorry, it’s what we do here, and always have done. Here’s a bulge-tastic post of Cristiano for those who don’t want to leave mad. 

{See Zac Efron’s full-frontal shot here.}

{See a full-frontal David Beckham shot here.}

{See Tom Daley’s full-frontal shot here.}

{See the Ben Cohen full-frontal shot here.}

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Isn’t it Chromantic?

A new art show curated by Albany sensation Tommy Watkins opens across the pond next week. ‘Chromantics’ is a show celebrating the use of color, something that appeals to all of us who love a little pigment, especially yours truly. Mr. Watkins also opened up the show for a few written pieces on the subject of color, so I sent one in and was lucky enough to be featured. While I sadly can’t make it all the way to the opening, if you’re in the area give it a look.

Watkins was an Albany institution whose work touched many and reached far beyond the typical insular circles of an art scene. He also supported and encouraged fellow artists with their creative endeavors, and I’d see him out and about on 1stFridays when he wasn’t busy putting on a show himself. The best artists are those who get out and spread their inspiration and enthusiasm, sharing their love for creative expression and genuinely thriving off such interactions. Check out the write up with all the requisite info below:

This April the Cornerstone Arts Centre in Didcot will be splashing its walls with a bright and colourful array of art works as it hosts the Chromantics exhibition. A selection of artworks from OVADA’s Associate artists pair together for a dramatic collection of colour and creativity.
This playful arrangement of striking work, including paintings and sculpture, set out to challenge the audience on what contemporary art can be. Curator and artist, Tommy Watkins, invites you to explore this unique exhibition and meet the people who are shaping Oxfordshire’s art scene.

The title of the show comes from a fusing of the words ‘Chroma’ and ‘Romantic’ as a poetic way to say ‘To be romanced by colour’. This show hopes to highlight the special chemistry found when pairing different styles of art into a cohesive body of work. These artworks revel with the brilliance of summer and extol the crispness of a spring day, but most impressive, is that this show has brought together over fifty artists, demonstrating the strength of the creative community in Oxfordshire. With inclusion being the guiding principle for selecting artworks, Watkins was resolute when saying;

“My goal with this show was to bring many different creators together and let us admire the unique and special traits we all have as artists and even more so as people. I see a chance here for us to appreciate and celebrate what makes us all individuals and at the same time emphasise how we are so much stronger when we come together as one.”

To add even more emphasis on unification Watkins has opened up the exhibition to include three poems from international poets and included artworks from a group of young artists through ‘The National House Project’, a charity that provides support to young people, enabling them to develop their own local housing.

As the first off-site exhibition for OVADA Associates, Chromantics demonstrates the organisation’s artist-led ethos. This event is the first formal collaboration between Cornerstone and OVADA and we can expect to see great things ahead with these two innovative organisations in collaboration. Cornerstone Arts Project Manager, Jessie Coller expressed her excitement by saying, “Cornerstone are delighted to be welcoming OVADA artists to our gallery with their stunning work. As a thriving arts centre, we are committed to supporting local artists and building relationships in the Oxfordshire area and we are thrilled that our conversations with OVADA have culminated with this fantastic exhibition.”

To discover more vibrant events, programming and art opportunities please visit: www.ovada.org.uk and www.cornerstone-arts.org

We also encourage you to explore the great work taking place over at www.thehouseproject.org

Launch event: 6th April 2019, 5-8pm
Exhibition runs: 3rd – 28th April – 28th 2019 (see Cornerstone website for times)
Venue: Cornerstone Arts Centre, 25 Station Road, Didcot, OX11 8RJ, UK.

Poets: Alan Ilagan, R.M. Engelhardt, Jasen Ward

Exhibiting OVADA Artists: Wendy Aldiss – Kate Aries – Didi Baldwin – Juliet Bankes – Lisa Bates – Betsy Bell – Sarah Birch – John Blythe – Luis Rafael Borja – Joshua Browitt – Sue Chamberlin – Aileen Creegan – Clare Crombie – Jan Crombie – Robin Danely – Phil Dobson – Elizabeth Gascoigne – Emily Gong – Julie Gooddy – Ellen Hausner – Mary Haynes – John Hazell – Katie Hellon – Deborah Hudson – Ala Jazayeri – Elaine Kazimierczuk – Gabriele Kern – Monica Lewis – Rebecca Lyne – Andrew Manson – Adriana May – Jacqueline McLaurin – Kieran McLean – Miranda Millward – William Milne – Jeremy Morgan – Naomi Morris – Christopher Neal – Sue Perstitious – Lucy Phillips – Jezella Pigott – Deborah Pill – Marina Price – Roger Pugh – Catalina Renjifo – Melissa Rodd – Marigold Short – Alex Singleton – Matt Smart – Brigitte Stepputtis – Katie Taylor – Gill White – Sarah Wills-Brown

Please note that works in this exhibition are family friendly.

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My New Old Obsession

There’s this robe…

So many stories in my life have begun with those three words, and thus far all have ended happily. I’m crossing my fingers that the same sort of magic will manifest itself for this post. This is the Bergman Robe. Produced by Mr. Turk, who never met a color combination or dramatic design he didn’t like, it takes the classic chevron stripes and puts them onto a gorgeous frame of clothing that drapes ever-so-exquisitely over the body. (Yes, I realize the body is what’s being sold here, but who am I not to buy? I mean try?) Even with that, my focus and gaze is on the robe. It’s the eternally elusive trick: it’s not an object you’re purchasing, it’s an attitude, an atmosphere, an air. If one buys into it, and I always do, it’s worth the $298 price tag. Yes, it’s exorbitant. Yes, it’s ridiculous. And yes, it will make me happy – because fashion is more than a means to an end – it’s an event, a memory, a moment in time captured forever. I’ve been reading that instead of expensive jewelry and other material possessions, we should be investing in travel and experiences. For me, this robe is an experience. It will lend itself to be worn on special occasions – and I will remember those occasions as much for the robe as for whatever cologne and whatever guests and loved ones are around me at the time. It may even be the experience itself. I still remember the evening I wore this velvet and ostrich feather extravaganza, alone in the Boston condo in the middle of winter, fantasizing about the future and the past, and somehow making a memory that has lasted to this day. The robe made that experience happen.

As for the Bergman robe (which you can purchase here if you are so inclined), I’ve had my eye on it for a while, and I have a few ideas on when I’d like to wear it – a fancy brunch, a summer show, a flower party, a visit to the Saratoga Auto Museum to complement the Chevron design… so it will not go to waste. I’ll even pose for a few pictures in it. If you’re going to twist my arm…

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