Author Archives: Alan Ilagan

A Breath of Brightness, A Crash of Color

A strong dose of color can change the world, especially a world mired in winter greys, chaos, and Mercury in retrograde. Charging into that battle with his #MakeYouSmileStyle and lifestyle blog (currently undergoing an exciting revamping), Will Taylor has been bringing color back into our lives, literally and figuratively, and I’m here for all of it.

His Instagram feed is a steady stream of inspiration, one that highlights his uncanny knack for impeccably matching his outfits to his surroundings, and offering helpful information on which products and techniques work best for him. Nothing is a hard sell, and his enthusiasm is as genuine as it is contagious. In other words, he’s the best sort of social influencer.

Lately I’ve been getting a kick out of his Twitter feed as well, as he opines his relative age in a world of youngsters who don’t remember what it was like being charged per text message. (Taylor’s a generation younger than me, so you can imagine how my dinosaur ass feels. He’s been blogging since 2009; I’ve been doing this since 2003.)

Above all else, it is his infectious spirit and unflagging optimism that has captured the fickle attention of style-watchers and design aficionados the world over. Ever-ready with a smile or a supportive response, he injects a badly-needed dose of colorful glamour into a mundane universe. Whether it’s his unabashed excitement over the new Lady Gaga song, or perennial reverence to a classic Madonna moment, he straddles the past and the future, while boldly living in the present. He bridges a clean, bright, modern aesthetic with a classic celebration of color and vibrancy, crafting a style that is at once accessible, functional and impossibly fabulous.

As evidenced by cheeky glimpses into bare-chested glory, he also knows his audience clamors as much for him to don colorful garb as they are to see him slip out of it. (A preference for briefs has endeared him to a whole new audience.)

More impressive than that pretty package is his relentless drive to better the world around him, starting with the outside and gradually and ingeniously working within. He isn’t afraid to share his personal stories and setbacks, and today we demand that from our social media stars. He’s also one of the most responsive Instagrammers out there, so if you say hello he’s likely to reply with a smile or quick word of thanks.

It’s a welcome breath of brightness in our dour and drab social media timelines, and whenever I see a new post of his pop up, it’s the first thing I click. We need more color in our lives. We need more color in the world.

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A Gratuitous Glimpse of Max in Motion

Some post titles speak for themselves. 

Others speak through the universal language of the GIF. 

Hard G or ginger G, whichever G you like, Max Emerson brings it beautifully. 

Feast your eyes upon his form here

And if you still find yourself starved for links, try this one. Anything to get us over Hump Day.

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Madonna’s Ray Day

In my most humble opinion, ‘Ray of Light’ remains Madonna’s best album to date. It was released on this day in 1998, and every year I mark the occasion with a link-filled post to all things ‘Ray of Light’ and that tradition continues with the track listing and links to all the songs we’ve reached on the Madonna Timeline. 

March 1998 was a special time in my life. In your early twenties, every year seems to be pretty special. That’s the magic of being young. Just be wary: it’s gone too soon, disappearing quicker than a ray of light. 

The ‘Ray of Light Album:
  1. Drowned World: Substitute for Love
  2. Swim
  3. Ray of Light
  4. Candy Perfume Girl
  5. Skin
  6. Nothing Really Matters
  7. Sky Fits Heaven 
  8. Shanti/Ashtangi
  9. Frozen
  10. The Power of Goodbye
  11. To Have and Not To Hold
  12. Little Star
  13. Mer Girl

Bonus Track: Has To Be

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Objects in a Childhood Home

Bits of wreckage strewn haphazardly about the house hinted at childhood and the wonders of youth. None of it made much sense to me as an adult, which was sad, as I pondered where I might have lost the path I once knew so well – a path of pure imagination, of whimsy and fantasy and make-believe. It was a path that led to woodland fairies perched among polka-dotted toadstools, where miniature cows moved and mooed on mounds of verdant moss, and dolls poked their heads up from frazzled piles and demanded finer frocks.

Today, there is little room or time for such happy frivolity, unless I’m spending time with my niece and nephew. Perhaps this is why people love children so much – they remind them of being young. Even though part of me feels I’ve lost my way, I still hold onto an active imagination, an appreciation of the whimsical, a respect of the power of make-believe. There is a magic that only exists in the mind. The fact that it isn’t real only makes it more potent. It cannot be stopped or limited or killed. It lives with all the creatures we conjure in our heads – in another, unreachable land, a place to which only a dreamer might gain entrance.

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Brief Capsule of Sexy Gents

I haven’t been posting as much smut as I once did, and I’m told some people miss that. Here’s a bit of a bone then, with some gentlemen who have been featured here previously but deserve another look just because they’re still pretty – oh so pretty. 

We begin with Aaron Renfree, who takes it all off for this stunning photograph. He knows his way around an underwear selfie too, as seen in this post, and is no stranger to being part of a sexy gent round-up

Jeremiah Buoni and Eyal Booker make beautiful bookends. 

Luke Evans has been a particular favorite in these parts thanks to his multi-faceted collection of talents. Singing, acting, dancing, posing in a Speedo, and most spectacularly posing out of a Speedo, he’s got a lot on display.

Brian Justin Crum made a splash in his Hunk of the Day crowning, so much so that he earned the honor twice. Meanwhile, that is Andrew Garfield’s tush, bereft of any pesky Spiderman suit and web-work. Somehow he has escaped being named Hunk of the Day, so look ahead to when that happens. 

Adam Peaty gives us a peek of summer Speedo glory in this goggles-bound photo. Who is ready for the Summer Olympics Speedo Edition?

Bringing up the bouncing bottom of this post is one of the greatest: Chris Evans. I can’t begin to list his links, so I propose doing a search in the little search box below, and don’t stop at Mr. Evans. Type your favorite hunk’s name in and see what comes up. 

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The Lion Returns with a Roar

The royal return of the king of beasts marks the start of March, and such thunderous entrance and cacophonous fanfare seems fitting as we continue on our not-so-merry march of Mercury in retrograde. We have entered the month in which spring officially begins, and though that’s not for a few weeks, hope is on the horizon.

I have a soft spot for lions, as evidenced by this dreamy song, and this summer memory. As for their connection with the start of March, I’m all for it, and if history is any indication they’ll see us through the entire month. Lambs don’t get their meteorological match until May usually. March is much more volatile, and the first days have Mercury behind them, leading to the kind of war I’d much rather avoid. To that end, I will maintain my schedule of meditation. It isn’t much, just fifteen minutes a day, but those fifteen minutes matter and make a world of difference. Silence and stillness are undervalued in today’s world, which means carving out a time and place for both can be difficult. It’s not something you can do in the car on your daily commute, or in the shower, or even lying in bed. It takes concentration and work ~ it’s not just lounging and chanting and ommmmm. But I’ve never been one to shy away from a challenge, particularly if tranquility and serenity might be one of the outcomes. They will be especially important as the lion rages and March rears its hot-blooded head. We must also remember that lions can be peaceable creatures as well, so long as we don’t interrupt the hunt.

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When the Sun Burns and the Universe Gives Warning

When the sun begins its late winter burn, that’s when it might be at its most dangerous. After a winter of darkness and gloom, the days have been growing longer. It began almost imperceptibly, right after the winter solstice, and only now, with the benefit of hindsight, can we see the progress. The brilliant bookend of a Thanksgiving/Christmas/Easter cactus, which had its initial flush of blooms when the light first leaked from the sky at the end of fall, recently started its re-blooming period, indicating that the light had returned.

As lovely as that may be, I feel we need to slow down and take the universe’s gradual progression to heart. At this point in life, I can step back and not rush into anything. That’s for the young and foolish, and there’s a time when that’s right. I’ve passed that point. Luckily, the universe has its own way of doling out lessons and warnings, and it’s powerfully effective at slowly but persistently making sure we heed its signs. Like the slow trudge to spring, it warns with almost unseen form. In fact, it may dangle something tempting or exciting in front of you even if it’s not right. Or maybe we simply ignore such warnings when we want something. At those times, the universe steps in with small signs and blips – maybe a recurring cold or other issue. If you fail to listen, or if you don’t want to listen, you might be able to ignore it a little longer. Fear not, the universe will continue to work to correct the path.

It may knock a little louder, and things may get a little rockier. Perhaps other systems fail, perhaps everything else seems to go wrong. That’s the universe nudging a little more forcefully. If you still don’t heed its signs, it shines its sunlight of truth with relentless intensity. It’s the kind of sunlight that only comes in late winter, before the leaves are on the trees, before the haze of warmth and humidity. It’s this sunlight that can burn, and the universe bangs on your front door, waking you from whatever spell holds you blind to the path you should be on, to right the wayward turns you may have taken.

One must have faith at such times. It’s possible for the world to be both too bright and too dark to see clearly. 

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The Madonna Timeline: Song #160 ~ ‘Dark Ballet’ – Spring 2019/Now

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

This particular story must begin not with a Madonna song but a selection from ‘Swan Lake’ by Tchaikovsky. It rises slowly from a mist, just above some tremulous body of midnight water sparkling beneath a mysterious moon, in the darkness of winter on the edge of glassy-eyed solitude. There is beauty here, and there is danger ~ the razor-thin line between love and betrayal. In so many ways, one wouldn’t exist without the possibility or reality of the other. When men dance with men, there is a whole new set of rules and mores. Rarely does the dance end without injury; sometimes it only ends with death.

IT’S A BEAUTIFUL LIFE, BUT I’M NOT CONCERNED
IT’S A BEAUTIFUL DREAM, BUT A DREAM IS EARNED
I CAN DRESS LIKE A BOY, I CAN DRESS LIKE A GIRL
KEEP YOUR BEAUTIFUL WORDS, ‘CAUSE I’M NOT CONCERNED
‘CAUSE YOUR WORLD IS SUCH A SHAME
‘CAUSE YOUR WORLD’S OBSESSED WITH FAME
‘CAUSE YOUR WORLD’S IN SO MUCH PAIN
‘CAUSE YOUR WORLD IS
‘CAUSE YOUR WORLD IS
UP IN FLAMES

We are in New York City for a production of ‘Matthew Bourne’s Swan Lake’, the pseudo-ballet that turns the classic tale into a coming of age homosexual love story of sorts, while touching on all sorts of emotional mayhem and compelling visuals along the way, including a cadre of shirtless male swans that are feral, ferocious, exquisite and enchanting. I’d taken Andy to see it many years ago, and tonight I was gifting it to Suzie, along with the same pre-theatre dinner stop at the Russian Tea Room – for Tchaikovsky, of course. 

The evening is threatening rain, which is actually rather benign for a January night. Even so, I brought the wrong coat for rain. After our dinner, and mocktails at The Plaza, we have an hour or so before the show, so we duck into a teahouse called Radiance. Warm wooden surroundings echo the heat of the teapots. We consider a turmeric blend but opt for something called Serenity with chamomile and lavender. When Serenity is an option, one should always choose Serenity. There, in the midst of a dark gray night, and before the curtain rises on ‘Swan Lake’, we nestle into a secret nook hidden in a non-descript stretch of street across from the theater. It is a jewel-box of a teahouse that perfectly cradles us within its curving carved wood. My necklace of black feathers, a last-minute find while waiting for Suzie to arrive, and just the thing for an evening of dramatic swans, is mostly concealed by an ornate silk scarf scented with Tom Ford’s ‘Oud Fleur’.

IT’S A BEAUTIFUL PLAN (HMM), BUT I’M NOT CONCERNED (OH YEAH)
IT’S A BEAUTIFUL GAME (HMM) THAT I NEVER LEARNED
PEOPLE TELL ME TO SHUT MY MOUTH (SHUT YOUR MOUTH)
THAT I MIGHT GET BURNED
KEEP YOUR BEAUTIFUL LIES (HMM) ‘CAUSE I’M NOT CONCERNED
‘CAUSE YOUR WORLD IS SUCH A SHAME
‘CAUSE YOUR WORLD’S OBSESSED WITH FAME
‘CAUSE YOUR WORLD’S IN SO MUCH PAIN
‘CAUSE YOUR WORLD IS
‘CAUSE YOUR WORLD IS

A twist on the typical take of this balletic tale, this version always brings out new sensations and emotions depending on where one is in their life. The first time I saw it I was touched by the familial relations and the way image and outward appearance of a family unit was more important than what went on behind closed doors.  It was a brilliant rendering of that space where what people saw of your back as you sat down in the front pew of church with your family mattered more than what was in a little boy’s heart, where appearance counted for more than substance, because what happened behind the walls of your childhood house could better be hidden and explained or unexplained away all that much easier. Distant parental figures unskilled at unconditional love, particularly for a child who didn’t behave or desire the way most other children did.

That first time I was also moved with the way the show illustrated the first flush of romantic love, that feeling of being both wanted and protected, loved and desired, cared for and completed. When the protagonist arrives at the edge of a lake and finds the beauty of the swans, it was a transcendent experience for anyone who has spent any amount of time hiding and then discovering who they were. For a gay man of a certain age, it was powerful stuff.

For this evening’s performance, those moments touched me again, but I was most moved by what happens when it appears there may be a happily ever after, when man and swan dance together while the world of swans and humans looks on, and then attacks, because at some point every couple comes under attack. Most of the time the attacks come from the inside – occasionally they come from an outside source, and only the lucky ones get out without an element of destruction. The final scenes were heartbreaking, as the very essence of love and companionship was torn violently asunder, and the envy and vindictiveness of others intrudes, ripping any remnants of innocence apart. The swan troop swoops in and attacks the one swan who saved the young man, because not everyone can be happy in the happiness of others. They killed him, but they could not kill love. The young man dies too, but not his love. For its time, it existed – like a little fire, providing warmth and haven from a cruel, frigid world – and it lasted for as long as it lasted. In such a sense, love can be both finite and forever.

The curtain fell. The show was over. We exited the theater.

Another ballet was about to begin… a Dark Ballet.

Beauty.

Darkness.

Dance.

Sacrifice.

Storm.

All of it fits within the realm of Art, that all-encompassing way that humans have developed of dealing with the world as we know it. How to interpret and shape a vision, how to reflect upon and expound upon the particular time at hand, how to express a way out when one needs to escape. Art, in its most desperate state, is survival.

It was at the Metropolitan Museum of Art during the Met Gala when Madonna premiered a snippet of this song during her magnificent performance, paving the way for the dark beauty that would be her ‘Madame X’ album. It was theatrical, and the ‘Dark Ballet’ bit incorporated classical piano riffs and some balletic dancing recalling Madonna’s own storied beginnings as a dancer, where she was supposedly christened ‘Madame X’ by none other than Martha Graham.

I WILL NOT DENOUNCE THE THINGS THAT I HAVE SAID
I WILL NOT RENOUNCE MY FAITH IN MY SWEET LORD
HE HAS CHOSEN ME TO FIGHT AGAINST THE ENGLISH
I AM NOT AFRAID AT ALL TO DIE ‘CAUSE I BELIEVE YOU
GOD IS ON MY SIDE AND I’LL BE FINE
I AM NOT AFRAID ‘CAUSE I HAVE FAITH IN HIM
YOU CAN CUT MY HAIR AND THROW ME IN A JAIL CELL
SAY THAT I’M A WITCH AND BURN ME AT THE STAKE
IT’S ALL A BIG MISTAKE
DON’T YOU KNOW TO DOUBT HIM IS A SIN?
I WON’T GIVE IN

By far one of Madonna’s most experimental works, this song joins a largely-unrecognized canon of astounding aural adventures (see also ‘Gang Bang‘, ‘Mer Girl‘, ‘Act of Contrition‘ and ‘Secret Garden‘ – not all of which work, but none of which are dull or boring). It’s also a reminder of the darker fare of her later work output after 2001 or so, such as ‘Beautiful Killer‘, ‘American Life‘, ‘Killers Who Are Partying‘, ‘Revolver‘ or’Messiah‘.

Tchaikovsky is sampled here in a nod to the genius and insanity of ‘A Clockwork Orange’, and it’s brilliant and mad and utterly exhilarating. Her voice digitally distorted beyond recognition, and past the point where words can even be understood outside of the printed lyrics here, she warps the human sound into a computerized entity at once remote and commanding. There is a chill to the proceedings, in spite of the bouncy ballet music, and the juxtaposition is one of the most thrilling moments on the entire ‘Madame X’ opus. Three decades into her career, to find Madonna still experimenting and daring us to hear new things is quite a remarkable feat, one that should not go unnoticed in this era of play-it-safe stars and ultra-careful celebrities. The chance to get canceled for one kooky mis-step looms terrifyingly on the landscape of any burgeoning starlet; that Madonna dances boldly on in the presence of such landmines is testament to what I’ve always admired about her.

She ends the magnificent journey with a spoken warning as Tchaikovsky spins giddily on behind her:

THEY ARE SO NAIVE
THEY THINK WE ARE NOT AWARE OF THEIR CRIMES
WE KNOW, BUT WE ARE JUST NOT READY TO ACT
THE STORM ISN’T IN THE AIR, IT’S INSIDE OF US
I WANT TO TELL YOU ABOUT LOVE AND LONELINESS
BUT IT’S GETTING LATE NOW
CAN’T YOU HEAR OUTSIDE OF YOUR SUPREME HOODIE,
THE WIND THAT’S BEGINNING TO HOWL?

The electronic classical interim fades as the simple piano melody and its dour minor key returns. There is one last line, sung plainly, as much a wish as a sneer. It contains all the hope and poison of the world, and the unspoken notion that if everything was always beautiful, we might never recognize beauty. How sad, when you think too much about it, when you really dig into the philosophy of the idea. How glorious too, that we have the opportunity to live in this world right now. To live in the world at any time, really. We are afforded such scant joy in the grand scheme of the universe.

IT’S A BEAUTIFUL LIFE.
SONG #160: ‘Dark Ballet’ – Spring 2019

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Never Too Late for a Narcissus

The usual time for forcing bulbs has already passed. In many parts of the country, the real deal is already poking through the ground. Spring and all her requisite beauty will be upon us soon enough. Typically, I do most of my bulb forcing starting in November, when the days are grey and grim, and I need a jolt of hope and the promise of greenery and blooms. That’s what I did late last year, just as the holidays were getting underway. It was a rather piss-poor batch of them though, as if dark forces were stymying their growth. Many buds were stillborn – the saddest thing a plant can do – and a number of bulbs didn’t even bother sending up buds. Sometimes that happens. I’d purchased enough bulbs for several rounds of plantings, but after that initial dismal showing I didn’t have the heart to start over again.

The holidays passed, thankfully, and then the bulk of winter. The days weren’t as harsh as they could have been, and could still be, and at the time I gave in to the darkness at hand, forgetting about the resort the bulbs that were stored on a shelf in the unheated garage. It wasn’t until I painted and needed to do some work requiring tools that I stumbled upon the bulbs again. This late in the game I was surprised to find them with buds of green. Little tiny hints of hope at the edge of winter. Still, I was hesitant. Perhaps too much time had passed. Maybe too much damage had been done. It hadn’t been a particularly brutal winter, but there had been days and stretches of ultra-frigid weather. We just came off a twenty-degree day, for example.

I held their brittle shells in my hands and wondered if it was worth a try. Part of me wanted to throw it all away. My heart had been broken by the first batch already, why should I risk more pain? I felt them in my fingers, pressing into their bodies a bit, trying to decipher if they were still intact, still solid enough to put forth any buds. They felt all right. They still felt substantial. I decided to give them a chance.

Resurrecting the glass container that had housed previous failures, I covered them with gravel and warm water, then placed them by the window in the dining room. Within days they perked up, sending a few straps of leaves into the air, and immediately following that a heavy crop of buds. I don’t know if they will bloom. I had such hope before, only to be left with disappointment and disaster, but I’m hesitantly optimistic. At the very least, there is already the essence of hope. That’s more than some of us ever get these days. The only things to do are wait and gauge their growth and progress, keeping them watered well but not too well. The precarious balance between life and death. For now, there is new life.

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Teaching My Mom How to Use FaceBook

“That’s not how this works, that’s not how any of this works… ” were the words running through my head whenever I would envision how to go about getting my Mom onto FaceBook. The Ilagan family was planning a big summer reunion, and the hundreds of messages I was getting from that FaceBook group were too much to wade through when one has a full-time job, makes his own dinner, and dresses himself in the morning. So Mom had to get on FaceBook, if only to deal with that. Besides, most of my daily activity is chronicled there so I figured it might make for a more communicative relationship. This was another way of staying in touch, so that’s how I’m billing it.

I jokingly posted, “My Mom is on FaceBook. Now I have to be good.” People said to block her, or tone down posts, or other such nonsense, all of which was laughable. Why would I block my Mom? She sees this website (hi Mom!) and she’s certainly seen much worse than anything that FaceBook would allow. One of the main social media adages that I’ve always applied has been to only post what you’re comfortable with your mother seeing. So there.

The challenge won’t be in censoring myself or making it palatable and easy to navigate – the challenge will be in getting her engaged and involved, because otherwise there’s no point. I’m trying to paint it as an online version of her New Year’s Day gatherings, where chosen family and friends come together to mingle and share a memory or a story or the simple workings of their day. It’s kept me at touch with people I wouldn’t normally get to see, and made the world a little warmer on lonely nights. It also reminds you of when birthdays are and other events, and eventually, if you invest information and engagement, it will leave you with a diary of sorts once the memories start piling up. That’s more useful than scrolling through fifty thousand photos from two years ago.

Plus, this will make gift-giving so much easier because I tend to post and link exactly what I want as soon as I see it. Everyone wins.

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Maluma for Calvin Klein Underwear

Maluma has been many things on this blog: Hunk of the Day, Madonna’s duet partner, Ricky Martin’s duet partner, and now Calvin Klein underwear model. That last one may be his most striking incarnation because, well, Maluma in underwear. Slow down, Papi!

As with so many wondrous and beautiful things, I have Madonna to thank for the introduction

 

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Softly by the Soup Dragons

My brother and I never shared a taste in music, though our musical preferences occasionally dovetailed. He was, in fact, the one who got Madonna’s ‘True Blue’ album first. I hadn’t come around to her completely just then, if you can imagine. Every once in a while I’d venture into his room when he was out and find some jewel of a song among the rap and hardcore bands he favored back in the late 80’s and early 90’s.

I was attracted to the colorful, psychedelic cover of ‘Lovegod’ by The Soup Dragons and its lead-off track ‘I’m Free’ – and when I delved a bit deeper I fell in love with the fourth track, ‘Softly’ – the requisite slow-burner on every rock band’s album. (Remember ‘More Than Words’?)

Figuratively, my brother had already left the nest, always a little bit ahead of me, a little braver in some ways. He went out all the time, to God knows where and with God knows whom, while my family pretended not to fret and worry, and maybe they really didn’t. I would wander into his room, where the afternoon sunlight was strongest, and sit on the floor, listening to the few good songs I could find there, watching the dust drift slowly through the air, and waiting for my moment to fly.

It was spring. The earth was about to crack open, spilling a winter that would finally melt away, melting a heart that would finally thaw from its frozen limbo.

ALL I WANTED TO
WAS TO BE WITH YOU
TO LIVE INSIDE YOUR HEAD
AND TO KILL YOU DEAD
EVERYTIME I SEE YOUR FACE
YOU KNOW I SOFTLY DIE
AND EVERYTIME I’M OUTER SPACE
YOU KNOW I SOFTLY DIE

Who could tell why I was so consumed by this song? I’m not so sure I could have put it into words myself, not then and probably not now. As it stands, I’m struggling just writing this post. There are days when the words don’t flow, when they don’t automatically assemble in a structure resembling sense or order.

It was the time of my life when I felt poised for something grand, when hormones were raging, and I wasn’t even sure where to direct my desire. I just knew that I felt something – a longing, a pull, a hesitancy, a thrill – and somehow in this simple set of chords I also realized that love might never come easily to me, that it might be the knife sheathed in something seductive and pretty, ready to draw blood, ready to draw venom.

WHEN I CUT MY HAND
AND I BREAK YOUR HEART
AND I MAKE YOUR LOVE
JUST FALL APART
EVERYTIME I SEE YOUR FACE
YOU KNOW I SOFTLY DIE
AND EVERYTIME I’M OUTER SPACE
YOU KNOW I SOFTLY DIE

Dorothy Parker once wrote a delicious poem about how breaking a heart is sometimes worse than having your own heart break. It would be lovely if that were true. I’m not so magnanimous to have ever felt that, however. Being on the receiving end of heartache would always prove more sorrowful. There is clearly more work to be done on my behalf. And while I wait, this song drones on in the background, reminding me of a different time, for better or worse…

AND EVERYTIME I SEE YOUR FACE
YOU KNOW I SOFTLY DIE
AND EVERYTIME I’M OUTER SPACE
YOU KNOW I SOFTLY DIE
AND EVERYTIME I SEE YOUR FACE
YOU KNOW I SOFTLY DIE
AND EVERYTIME I’M OUTER SPACE
YOU KNOW I SOFTLY DIE…
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Celebrating Ass Wednesday

Those nit-picky Catholics call this Ash Wednesday, but I prefer the racier spin on it. It gives us the opportunity to celebrate the booty, to toot the tush, to acknowledge the ass. We’ve done this sort of clickbait before (see this Ass Wednesday post or this one, and if you still want more see this one). 

Anchoring this post in the seaside main pic is Max Emerson, and he’s also seen below frolicking with Kyle Krieger. Mr. Emerson has been here before in equally fine fashion

In the spirit of the season, feast your eyes upon Kevin Love, who was featured in his altogether in ESPN’s gloriously infamous Body Issue

The below pair of hunks makes for doubly hot vision. Up first is Dave Marshall, followed closely behind by Ricky Schroeder

Almost hidden by some pesky palm fronds, the pert bottom of John Stamos brings back happy ‘Full House’ memories. Everywhere you go… 

Our only GIF this time around belongs to the backside of Nicholas Hoult. It’s all the GIF you need, really.

A perennial favorite for butt posts, Jack Mackenroth flaunts his assets (as in this miscellaneous collection) while Gregory Nalbone nails it as well (double time). 

Turning things horizontal but still hot, Charlie King lies down to expose all that he’s got, as he did so explicitly here and here

The greatest Olympic sport of all time, figure skating, is well-represented by Matteo Guirise, who got equally nude here

We love a dancer, hence Roberto Bolle and his previous sexy poses here. And no booty post would be complete without some Matthew Camp. [See also here, here, and here.]

Simon Dunn has made a magnificent presentation here showing off both front and backside to viewers’ delight

Bringing up the rear as only he can, Pietro Boselli has too many previous appearances to list here. Do yourself a favor and search his name in the search box at the bottom left of the page. Happy Ass Wednesday everybody! Let the Lenten games begin! 

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Remembering An Act of Kindness on My Brother’s Birthday

This story has been told here before, and probably in better detail, but I’m going over it again because it’s a sweet one. When my brother and I were kids, before adolescence and personality quirks defined and distanced us from one another, we generally got along pretty well. Born just a year and a half apart, but diametrically opposed as to the season (his birthday is today; mine is as far as you can get from the calendar day – August 24) we managed to maintain a pretty close friendship, mostly because for a lot of the time we were all we had. Not that we didn’t have arguments and periods of not getting along, but we always came back to each other. And every once in a while we’d feel extremely loving and generous and put it on display.

While we were close, we were lucky enough to have our own bedrooms, separated by the wide berth of stairs and hall that led from one side of the house to the other. On one particular weekend afternoon, when the winter sun was not quite deigning to shine, and we were holed up inside for the day, one of us – and I wish I could remember who initiated it – placed a small gift outside the door of the other. It wasn’t anything major – maybe a candy bar or a small toy or keepsake – something silly, but the meaning of it came through. We weren’t always so kind. On this day, it inspired the other one to return the favor, and soon there was a succession of little gifts that we left outside the door of the other. We raced back to our own rooms before we were discovered each time. It went on for a little while, and it touched me in ways that remain to this very day. I often think back to that afternoon, and it always makes me smile.

Today marks my brother’s birthday, so this is my little gift to him, dropped in this online room, waiting for him to discover it. Happy birthday, baby brother.

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