Author Archives: Alan Ilagan

Wash Your Hands Like You Were Washing These Naked Male Celebrities

PSA: how to wash your hands – vigorously, with soap and warm water for at least 20 seconds. It’s not that difficult, though most people aren’t accustomed to the full 20 seconds. The memes have been popping up all over given the coronavirus hysteria of late, so here’s a more pleasant way of guiding your hand-washing techniques. 

Wash your hands like you were washing Nick Jonas.

Wash your hands like you were washing Ronnie Woo.

Wash your hands like you were washing Chris Hemsworth.

Wash your hands like you were washing Zac Efron.

Wash your hands like you were washing Idris Elba.

Wash your hands like you were washing Jason Momoa.    

Wash your hands like you were washing Henry Cavill.

Wash your hands like you were washing Chris Evans.

Wash your hands like you were washing Tyson Beckford.

 

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Latin Hunks United: Ricky Martin & Enrique Iglesias

When the news hit that Ricky Martin and Enrique Iglesias were uniting for a tour, squeals of glee and shrieks of delight were heard the world over, and those were just the ones coming out of my mouth. In truth, I probably won’t get around to seeing this double-billing (much to my disappointment), but it does sound absolutely scintillating. Mr. Martin has a long list of links in which he’s appeared previously, starting out with his very first Hunk of the Day nod, a brush with his naked tush, this scorching Speedo glimpse, and this pairing with Maluma

Mr. Iglesias has been here as well, in his Hunk of the Day post. Tag-teaming the stage will no doubt be an event to remember, so here’s to wishing them well as they embark on thrilling the world with their voices and their moves. (And their bodies.)

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A Gratuitous Daniel Craig Post

Daniel Craig at 52 puts my body to shame when it was 42. 

Come to think of it, Daniel Craig at any age puts my body to shame at any age so it doesn’t much matter.

Seeing his physique at 52, however, does inspire me, and forces the realization that getting older isn’t a bad thing, it just means we have the opportunity to work harder at things like staying in shape. Mr. Craig has been working at that for years, ever since he first rose out of the ocean like Venus on the Half-shell, in that powder blue square-cut that achieved instantly iconic status. See that glorious sight in his original Hunk of the Day feature here. And a shirtless guest appearance in Andy Cohen’s HOD. Then enjoy the rest of these photos for GQ Magazine. 

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Love in Three Acts: Music for The Plaza

Marc Shaiman is the genius composer behind the music for the current revival of ‘Plaza Suite’ – set to begin previews this week. The social media masterminds behind the ‘Plaza Suite’ Instagram account posted a list of music to get us in the mood, and it included some of Mr. Shaiman’s work from ‘Down With Love’ – this particular piece seemed to best personify the upcoming play, as it is a three-act treatise on love and relationships set against the backdrop of the fabulous Plaza Hotel.

Bubbly and sparkling and effervescent, this is sort of upbeat 60’s inspired music that harkens to a simpler time, when escape could be found in a weekend at the Plaza, or a classic stinger cocktail, or the racing strings of a song. When such strings could be tied up and resolved in the third act, no matter what went down in the first and second. There’s hope in that – giddy, refreshing, lilting hope. 

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A Coat Reborn in Sparkling Fashion

Have you ever had a project you were working on that you didn’t want to end? It may have started off as a chore, but along the way you grew to love it, and by its completion you realized part of you didn’t want it to end? Maybe it was a really good book that you enjoyed so much you rushed through it, rapidly turning the pages until the last chapter, or a television series that you paused binge-watching midway through because you wanted to make it last. Such was the happy conundrum I found myself in when I was nearing the end of finishing a coat for our upcoming trip to New York.

Doing my best to curb some shopping and trying a new turn at sustainability (yawn), I’ve been recycling outfits and wardrobe instead of buying new things, and part of that involved updating a floral embroidered coat that I’ve worn for special times like anniversaries in Boston. With the bright lights of Broadway beckoning with ‘Plaza Suite’, a celebration of Skip’s birthday, an intimate performance by Betty Buckley at the Cafe Carlysle, and a weekend at the Plaza, I wanted something that would sparkle. While this coat had more than enough pizzazz to make a statement, updating it for a new decade meant pushing it completely over the top, with a few pounds of crystal beads employed for the revamping. With its floral pattern already outlined, it was just a matter of matching the beads to their background. It would be a heavy undertaking, and I understood the cost and labor and time involved in a single item of clothing that is so embellished. There was a valuable lesson in that.

In a dire winter, sewing each crystal bead onto the coat became an act of sanity, a thread connecting the otherwise-wayward days and nights into a singular purpose, taking my eyes off other troubling concerns and giving me a pretty focus with a goal that suddenly felt secondary to the act itself. It felt good crawling into bed at the end of a long sewing session, my fingers aching in the best possible way, reminding me of work done well, of a sense of accomplishment. Slowly but consistently, I worked diligently at my task, beneath the bright task lighting in the basement, beside the fire, returning to a few seasons of ‘Schitt’s Creek’, the iconic ‘Gentlemen Prefer Blondes’ with Marilyn Monroe, and a double-viewing of Tom Ford’s ‘A Single Man’ playing in the background. The coat grew in fabulousness, as well as tangible weight. After every session, I would slip it on, turning in the mirror to see what was left to do, witnessing and thrilling at how the beads were catching and throwing off the light. As the floral design was encrusted with crystals, I realized I was nearing the end.

The last part involved replacing the buttons. Strangely, when the coat came into my possession, it had these old, worn, brown wooden buttons completely at odds with the style and color of the coat itself, and probably thrown on when one of the original buttons went missing. Instead of buttons, as I didn’t intend to button this coat, I used large faceted crystals in shades of amethyst and emerald. As the final beads went on, and I neared the last part of the embellishment process, I found myself slowing and stalling. I understood I didn’t want it to end.

I also understood that I would need a new project soon. A night in New York is over far too quickly, no matter how brightly one may sparkle.

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A Lost Hour & A Pretty Little Recap

Losing that hour for Daylight Saving Time is always a bummer, but I’ll gladly give it away for the arrival of spring. This is the last full week of winter, and it begins with a full super moon and Mercury still in retrograde. Though the world seems to be falling apart around us, let us find shelter and beauty amid this recap.

Whimsy collected and recollected in a childhood home. 

Madonna’s greatest album to date celebrated another anniversary. 

Not-so-mad Max in motion. 

The colorful and dynamic world of Bright Bazaar. #MakeYouSmileStyle

Enjoy the silence

The M-Empowerment Mix

A gratuitous Daniel Newman moment

Join me on this journey

Betty Buckley returns to the Cafe Carlysle this week.

These #TinyThreads wove their way back to the blog. 

The Swans of Fifth Avenue were ravishing

Preparing for a weekend at The Plaza.

‘Plaza Suite’ begins previews this week.

Hunks of the Day included Greyson Chance, Logan Lerman, Justin Michael Williams, Deon Hinton, Andy Baraghani

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How Suite It Is

The reports from friends who have seen the pre-Broadway Boston tryout of ‘Plaza Suite’ at the Emerson Theatre have been rapturous, which bodes well for our attendance at the first New York preview this Friday. When it was announced that John Benjamin Hickey was directing Sarah Jessica Parker and Matthew Broderick in a Neil Simon play, my friend Sherri and I debated which to attend – the Boston tryout or the New York premiere. We ultimately decided on New York’s first preview, since it fell on the same day as Skip’s birthday, and would put us right in the proximity of the play’s namesake. (I splurged and reserved a room at the Plaza for the weekend, because if ever there was a time to stay there, this would be it.)

A trip-tych of stories told from the same suite of the Plaza Hotel (Suite 719, I believe), ‘Plaza Suite’ was first performed in the late 1960’s, and this production will inject new life into the work thanks to the trio of creative stars who are bringing this into a very different world. From all indications, they are succeeding, and I haven’t been this excited about a play in a very long time. While Ms. Parker and Mr. Broderick are undoubtedly the big-name draws, the lynchpin may be Mr. Hickey’s directorial prowess. I remember Mr. Hickey from his riveting performance in 1995’s ‘Love! Valour! Compassion!‘ which completely changed my life, and if history is any indication, amazing things can happen when an actor shifts into directing mode.

The source material is intriguing too and anything that Neil Simon has written intrinsically contains both brilliance and humor and a crackling examination of how humans interact. One of the very first shows I’d ever seen on Broadway was his play ‘Lost in Yonkers’, which featured the then relatively-unknown incandescence of Mercedes Ruehl and (eek!) Kevin Spacey. An ensemble piece, the play was as touching as it was hilarious, and it drew me in even as an almost-teenager. More than that, it instilled an early love of theater, even if we didn’t make to Broadway very often to see new shows, and attending it with Suzie and our Moms made going to a show with loved ones a most favorite event. This time I get to do it with Sherri, Skip, and Chris (with whom I’ll be celebrating 25 years of friendship). A theatrical love-fest is surely in the works.

 

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A Weekend at the Plaza

This upcoming weekend marks the first time I’ll have the privilege of staying at The Plaza, despite flirting with the idea every time I’ve planned a trip to New York. The closest I’ve come to its storied decadence has been a cocktail at the Oak Room and one of their famous Afternoon Tea services in the Palm Court (for Mother’s Day). Both were thrilling enough on their own, though I have a feeling they are but appetizers for the main course of a weekend stay in one of their rooms. That’s finally coming to fruition as we head into town to catch the first preview of ‘Plaza Suite’ with Sarah Jessica Parker and Matthew Broderick. If ever there was a time to splurge on a room at the Plaza, this would be it. (I love a consistent theme.)

To prepare for this once-in-a-lifetime event, I’ve been reading ‘The Swans of Fifth Avenue’ by Melanie Benjamin and ‘The Plaza’ by Julie Satow ~ the latter which tells the tale of the hotel’s history and many of its famous and infamous denizens and guests. There’s something special about a hotel with a past, and the Plaza has a rich history that breathes and pulsates within every gilded hallway. The echoes of Truman Capote’s famous Black and White Party whisper around each corner, while sumptuous bouquets of orchids keep modern-day secrets while wearing glamorous veils. A delicate perfume pervades the place, hinting at decadent shops below, and lending an elegance that touches all the senses. The Plaza is an immersive experience ~ an attitude, a sophistication, a feeling that bridges past, present and future. I can’t wait to step into that history.

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The Swans of Fifth Avenue and Beyond

“In the end, as in the beginning, all they had were the stories. The stories they told about one another, and the stories they told to themselves.” – Melanie Benjamin

It feels like there’s a resurgence of swans in my life, and with it all the complicated glamour and ferocity of their species. From this emotional rendering of ‘Swan Lake’ to this unexpectedly devastating book ‘The Swans of Fifth Avenue’ by Melanie Benjamin, the equally celebrated and maligned bird is emblematic of all the complexity and beauty of life around us. Ms. Benjamin proffers an embellished story of what might have gone on behind the painted faces of Truman Capote’s temporary coterie of swans along Fifth Avenue, and the demons and conflicted journey of Mr. Capote himself. It’s a tale of human connections torn asunder by decadence, betrayal and the binds of society that seem to pull more tightly the higher one ascends in social strata. It’s a view of the precarious threads of friendship, how delicate such a thing can be, even after years of thinking you know someone. It’s also the story of beaut, and how we always seem to want more, even when entirely immersed in it. Because that’s when it’s hardest to see.

“But there was always more. More beauty to be seen, more places to travel, more acclaim to be won. More love to earn, to barter, to exchange or withhold. To miss, always. Outside, looking in. Why did he always feel that way, every moment of every day?” ~ Melanie Benjamin

There is something very sad and almost sinister about the way the world works to challenge certain people. There’s an element of chance and luck that doesn’t always dole itself out fairly, a sliver of destiny that almost dares us to believe, if only for a moment, that we have some sort of say in the trajectory of our lives, that we have some bit of control. It’s a tease. It lends a delicious tension to whatever events flutter about us, a tempting but ever-elusive golden ring for which we reach over and over, grabbing and grasping in desperate, pathetic attempts at snatching it. The wiser ones among us take joy in trying, in going through the strenuous motions. They understand it’s all for naught, and they relax and let go, allowing themselves happiness in the simple act unto itself. The rest of us go through life thinking it is possible to reach it, to foolishly believe that others have reached it, that others have found happiness upon reaching it. In the end, it’s not something you can grab or hold. It’s not something you can ever reach. It exists always a little ahead, or perhaps a bit behind, but never close enough to touch. To some it’s a green light, to others a diamond ring. To all, a desire – a want – and it makes us feel alive.

Now there were no more stories to tell, to soothe, to comfort, to draw strangers close together; to link the hearts and minds.

To wound, to hurt. To destroy the one thing they each loved more than anything else…

Beauty. Beauty in all its glory, in all its iterations; the exquisite moment of perfect understanding between two lonely, damaged souls, sitting silently by a pool, or in the twilight, or lying in bed, vulnerable and naked in every way that mattered. The haunting glanced of a woman who knew she was beautiful because of how she saw herself reflected in her friend’s eyes.

The splendor of belonging, being included, prized, coveted.

The loveliness of a flower, lilies of the valley, teardrop blossoms snowy white against glossy green foliage. Made lovelier because of the friend’s hand tenderly proffering the blossom, a present, a balm.

The beauty of understanding tears in an understanding face.

The beauty of a perfectly tailored shirt, crisp, blinding white, just out of the box.

The beauty of a swirl of taffeta, the tinkling of bells, diamonds, emeralds; a pristine paper flower.

Beauty. 

~ Melanie Benjamin

 

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Tiny Threads: An Insignificant Series

If you’re lucky, the most annoying part of your day is when your socks aren’t pulled on all the way.

#TinyThreads

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An Intimate Venue, A Living Icon

Following her fantastically-life-affirming turn as Dolly Levi in ‘Hello, Dolly!’, Betty Buckley took only the briefest of breaks at her beloved Texas ranch, where horses and sunsets and family offered a much-needed balm for restoration and rebuilding. Not that Ms. Buckley was ever idle. She hatched her plans for concerts and teaching dates almost as soon as she said goodbye to Dolly, and her upcoming stint at Cafe Carlysle (March 10-21) looks to be another jewel in her performing crown. Ever since being bowled over by her portrayal of Norma Desmond in ‘Sunset Boulevard’ I’ve been a fan of Ms. Buckley’s. Her stage work is the stuff of studied genius, and her gloriously extensive catalog of recordings is a road-map of a singer’s journey. Not content to express herself solely through music, her acting prowess (a stunning turn in ‘Split’ recently) was honed by her stage work, as well as numerous appearances on television and film. Taken together, all those talents and skills are put to exquisite use in her live performances.

I had the privilege of attending one of her shows during the release of the ‘Hope’ album and it was just as wondrous as expected. In between some of her upcoming shows, Ms. Buckley will be offering several classes, and it struck me that the mark of a great artist is whether or not they share their knowledge and giftswith the world, allowing others to learn and grow from the choices and paths they have taken. Buckley has been roundly praised for the way she instructs – honoring and challenging her students while respecting the task at hand. In addition to respecting her students, she has always honored her audience. She once explained that instead of putting either artist or audience on a pedestal, she prefers to see them as equals, which opens up an entirely new dialogue. So much of a powerful performance depends on the investment of the viewer, and Buckley has been one of the artists who manages to completely engage the audience, whether it’s by transforming so magnificently into an indelible character like Dolly Levi or Norma Desmond, or by so personally attending to every nuance of a story song in her concert work.

There is an element of respect to Ms. Buckley that has always fascinated me. In a business where so much is based on egomania and self-promotion and relentless ambition, she’s made a career – a wildly-varied and successful career – without falling prey to such vainglory, bringing a timeless beauty that resonates within and without. That’s not easy to do in our culture of instant and unforgiving cancellation, or in an environment where youth is valued over all else. Ms. Buckley continues to defy is the world’s ageist notion that relevance and success is a thing of youth – simply by doing what she does, over and over again, and reinventing the ways in which an artist expresses themselves. It is a feat of majestic strength and power. She’s been doing that for her entire career, touching upon Broadway, television, singing, film and teaching. Her concert work may be seen as the most personal form of artistic expression, as the entire show is a journey of her own making. I’m looking forward to taking that journey with her once again.

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On the Right Path, Baby

When I first started meditating a month or so ago, I found it quite a challenge. Even the brief ten-minute window I allowed myself seemed interminably long and despairingly bleak. It was also the first time I allowed my darkest thoughts and emotions to have their time in the spotlight of my mind, and all their ugliness and awfulness was on gross if necessary display. I wasn’t proud of all the things that came rushing to the surface: the anger, resentment, bitterness, jealousy, fear, sorrow, anguish, cruelty, and rage. Each reared its head, but instead of pretending them away, instead of faking that everything was good and I was not bothered by it, I sat beside them, taking in their grotesque nature, acknowledging and honoring the place they had taken up in my mind, respecting that they had been a part of me for all this time. One by one, I allowed them their say, their existence. No longer was I trying to snuff them out, for they each had their purpose. They each had a reason for existing. I sat with them, and then I let them go. Every meditation gave them a chance to be heard and acknowledged. As the days and nights passed, the thoughts and emotions that came up gradually changed and shifted. The heaviness and darkness that seemed relentless slowly lifted. Other thoughts took their place – healing, resignation, acceptance, forgiveness, and even hope.

Still at the start of my meditative experiment, I’m not sure which way it will take me, but I’m feeling much better, so I hope it continues. Enraptured by this trajectory, I’ve taken to expounding upon and promoting meditation for my friends, explaining to Suzie and Kira how I go about it, subtly suggesting ways they might make a practice of it. Suzie asked if I ever cried at the emotions dredged up during a session, and I had to admit that I had in the very beginning. Not so much for what I was feeling at that specific moment, but for the fact that, while I’d made my life all about me for over four decades, I’d never really taken care of myself. There was something very sorrowful about that distinction. It clues me into a profound realization that in all these years of putting forth a self-centered image in the hopes of making some sense of self-worth stick, I’d failed at simply taking care of myself. And in the last few months, when I understood in heartbreaking fashion that no one – not my husband, not my parents, not my family, not my friends – could ever help if I didn’t help myself, the simple act of focusing on my own breath, my own life, became the most tender, kind and compassionate thing I could do.

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Fig Life

Andy pointed it out a few weeks ago – the smallest ray of hope in a dark winter – when the buds of our fig tree began swelling. On the bare branches of the dormant plant I overwintered in the garage, the first signs of life were becoming apparent. While the brown turkey fig was reportedly hardy as far north as Zone 5, our specimen had done so well last summer that I didn’t want to risk it. Some winters are more brutal than others. Without a proper snowcover, and considering the roller-coaster of temperature extremes we’ve had, it was a wise decision. Within the unheated garage, our little fig tree got its necessary period of dormancy – a rest period to recharge and rejuvenate for another season of fig-producing glory. As we neared the end of winter, it suddenly leafed out with the warm spells we’ve had of late.

That dormant period, in which a plant rests, is like a resetting of its mission. Many errors and mistakes can be forgiven with enough time and contemplation. Yes, this was an early start, maybe too early. With the celebration comes a warning – a tease filled with tension. Global warming, brutal summer, decaying winter. Still, there is no prettier shade of green than the delicate chartreuse that first greets the burgeoning light, and at a time when we are so desperate for spring, my heart jumped at the new signs of life.

If our little fig tree could survive our winter of neglect (I barely bothered to water it, afraid it might rot) then perhaps another spring might reinvigorate all sorts of malaise. I studied the beautiful tiny leaves that reached for the lone window in our garage, admiring the plant’s resilience, the way it drew upon the reserve of its roots and branches, bare though they be. There was still life here, it was only slumbering until the necessary nourishment and coddling brought it back to its former glory. Hope remained. Spring waited. Beauty rested.

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A Gratuitous Daniel Newman Moment

Actor Daniel Newman has been making a thirst-trap splash on his Instagram account of late, so it seems an opportune moment to remind everyone of the first time he was Hunk of the Day here. He also recently honored his 6thanniversary of sober living, an inspiration for anyone struggling with addiction or just wanting to better themselves. We need to celebrate more of this in the world. The goodness, the betterment, the encouragement. There is darkness enough – let us have a bit of light. (And here’s his second crowning as HOD, because one simply wasn’t enough. Depending on what’s coming on Instagram, two might not be enough either.)

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From Rage to Power: The M-Empowerment Mix

No one has had a better handle on the bittersweet and heartbroken anger that fuels empowerment better than Madonna. For all her steely nerve and breathtaking independence, she’s always been a romantic at heart, and she’s been hurt playing the game of love as much as anyone else. Maybe even more-so if we are to judge from her musical response to heartbreak. While some of her post-break-up songs are sorrowful (‘Take A Bow‘, ‘The Power of Good-bye‘, ‘Frozen‘, ‘You’ll See‘) there are others that simply rage, forming the jumping-off point to a whole new realm of empowerment, which always feels unlikely at such difficult times, but which has to happen in order to move ahead.

Here’s a little empowerment mix for anyone that needs to rage before moving on.

  • Living For Love– It’s all about getting back up again, literally and figuratively. “I found freedom in the ugly truth/I deserve the best and it’s not you.”
  • Devil Wouldn’t Recognize You– “Now that it’s over you can lie to me right through your smile/I see behind your eyes/now I’m sober, no more intoxicating my mind/Even the devil wouldn’t recognize you, but I do.”
  • Gang Bang– Madonna at her most bitter and pageful, ‘Gang Bang’ is a hyperbolized jaunt through a little bit of the old ultra-violence, but it’s her whispered delivery of barely-veiled vitriol that gives this track its lethal bite: “You were building my coffin, you were driving my hearse.”
  • Unapologetic Bitch– A barbed gem from the ‘Rebel Heart’ opus, this finds Madonna unapologetically ticking off a list of offenses from a former lover: “Tell me how it feels to be ignored.”
  • I Don’t Give A…– Blunt, brutal, and brash, this exhaustive rendering of all that’s required when moving on cloaks some potent heartache: “I tried to be a good girl, I tried to be your wife/ Diminished myself and I swallowed my light/ I tried to become all that you expect of me/ And if it was a failure/ I don’t give a…”
  • Best Friend– How this bonus track from the ‘MDNA‘ period got lost in the shuffle is anyone’s guess, and it’s an eternal shame, as it’s one of the most devastatingly personal examinations of a failed relationship that Madonna has ever written: “I lost my very best friend/ Not gonna candy-coat it and I don’t want to pretend/I put away your letters, saved the best ones that I had/ It wasn’t always perfect but it wasn’t always bad.” It’s her most pointed and powerful take on divorce since ‘Til Death Do Us Part‘ from the ‘Like A Prayer’ album.

  • Sorry– This dance-floor tantrum was thrown in the face of wrong-doing, when saying sorry simply isn’t enough anymore: “You’re not half the man you think you are.”
  • Jump In every romantic bust-up, there comes a turning point when the anger and rage turn to resolve and betterment, when a person finally realizes the only thing to do is move on, starting at the jumping point. Are you ready?
  • Express Yourself– Continuing on with Madonna’s perhaps-greatest rallying cry for empowerment, this classic song demands nothing but the best for its protagonist, wisely leaving wimps and wannabes in the dust: “And when you’re gone he might regret it, think about the love he once had/Try to carry on but he just won’t get it.”
  • Falling Free– The final song on the brutal ‘MDNA’ break-up album, this finds the ambivalent abstraction of setting someone free, and finding freedom of your own in the process: “I let loose the need to know, and we’re both free, free to go.”

  • Messiah– A warning as much as a bittersweet resignation: “I am the promise that you cannot keep/ Reap what you sow, find what you seek.”
  • I Fucked Up– Madonna never fessed up to being wrong for the bulk of her career, and we loved her all the more for it. By the time the divorce album of ‘MDNA’ came along, however, she had to admit her part in the proceedings, and did so in this blunt apology song. Like ‘Best Friend’, this one got lost in the bonus track shuffle, and its heartbreaking and almost unnoticed final line is tellingly ambivalent: “I’m sorry, I’m not afraid to say, I wish I could have you back, maybe one day… or not.”
  • I’ll Remember– One should always end on a hopeful note, or at least a note of reconciliation. Maybe even redemption. Love is always worth the pain. 

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