Author Archives: Alan Ilagan

FireWater: Scene 7 ~ Tapas & Tinis, Ogunquit

“But I knew it. And I remembered the fleeting bitterness that was mine as I realized that I was in a struggle with death and that these others did not know.” – Jack London

A fall surprise. In Ogunquit, Maine, at the new Tapas & Tinis, I sidle up to the bar, alone in the small room, and after a brief wait I am presented with a long list of faux-tinis. Summer has already passed, but the sun is shining and the air is warm – the idea of a cucumber martini, as suggested by the bartender, seems refreshing and perfect for a crisp fall day. 

Everyone who’s anyone knows that a traditional martini is made with gin, so a “Gintini” already has a strike of redundancy against it. Wretched mangling of the moniker aside, the Hendrick’s Cucumber Gintini is an unexpectedly superb treat. Floating cucumber slices add to its fresh appeal, their large blank eyes staring up at the drinker, open-wide and beckoning with their innocent scent. They leave a lingering fragrance, notes dancing across the surface, an effect that intensifies as the drink wears on – a pleasant sensation really, and an elegant way to ease into the gin. 

{‘FireWater’ is a project from 2009 that has gone unposted until now.}

[See also Scene 1: Bourbon Street, New Orleans

Scene 2: College Ave, Ithaca, NY

Scene 3: Union Square, San Francisco

Scene 4: Boston & Provincetown

Scene 5: Braddock Park, Boston, MA

and Scene 6: Times Square, New York.]

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FireWater: Scene 6 ~ Times Square, New York

“I have never been able to demonstrate love except when I have been drunk, and the love I have shown then has been trumped up out of the bottle.” ~ Jean Stafford

Ensconced twenty floors above 42nd Street, with the sun bouncing off the buildings on a late afternoon in fall, I am waiting for Suzie to arrive. At the hotel bar – is there anything grander than a hotel bar? – a tourist with an Irish accent orders a vodka with a Guiness chaser. I think of how easy it is to talk to strangers when you’ve had a drink. It’s the universal ice-breaker. The gentleman slides into a chair in the lounge and begins his descent. He thumbs through his American money before downing the vodka. I ponder the drink menu. 

An article in the ‘New York Times’ recently heralded the Negroni as a quintessential Fall drink. It’s on the menu, so I order one now. Rich with the redness of Campari and jazzed up with an orange peel, it goes down quickly – the rush of fall gliding along my throat like so many autumnal-hued leaves in scarlet, persimmon, and amber. 

One of the best things about having a drink while waiting for friends is that I don’t care whether or not they’re late. This bodes well for all involved parties. 

{‘FireWater’ is a project from 2009 that has gone unposted until now.}

[See also Scene 1: Bourbon Street, New Orleans

Scene 2: College Ave, Ithaca, NY

Scene 3: Union Square, San Francisco

Scene 4: Boston & Provincetown

and Scene 5: Braddock Park, Boston, MA.]

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FireWater: Scene 5 ~ Braddock Park, Boston

 “A poor companion without a cocktail, I became a very good companion with one.” – Jack London

Fall 1997 ~ Alone in Boston, I am feeling a sense of peace and solitary contentment, even as I want someone with whom to share the euphoria. Still, I’ve never minded drinking alone. Fall has unleashed its cool nights on the city – a welcome, refreshing jolt after sludging through a thick, humid, sticky summer, and the schizophrenic push and pull of October. By November the chill has stuck – even the subway has cooled off. The leaves no longer soft or fiery of color, they are brown and brittle and dry, crunching and crackling beneath the feet. The life of summer has been extinguished for another season, and I turn inside to gather myself for the coming winter. 

The walls of the living room are deep red, mottled by my own hands and aided by my Uncle – the hardwood floors are a light golden amber – it’s an Inferno of a room, as is my very first martini. I find a recipe for the classic drink in Mr. Boston’s bartending guide. For that first one, I pour in the gin and just the smallest dribble of dry vermouth – foregoing the olives completely – initiation by fire. Even chilled, it burns the tongue and throat, but by the last sip it’s going down smoothly. The bite is gone, and I’m deliriously up in flames. 

I will come to adore that burn – the first flush of the cheeks – the sting – the way the heat begins in the stomach, and how I can actually feel it moving outwards, emanating from within and bringing me to flushed relief – thousands of tiny tongues of flame, lapping away at my bloodstream and dotting it with sweet, hot forgetfulness.

{‘FireWater’ is a project from 2009 that has gone unposted until now.}

[See also Scene 1: Bourbon Street, New Orleans

Scene 2: College Ave, Ithaca, NY

Scene 3: Union Square, San Francisco

and Scene 4: Boston & Provincetown.]

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FireWater: Scene 4 ~ Boston & Provincetown, Sunday Mornings

“I would like to sit down with 1/2 dozen chosen companions & drink myself to death but I am sick alike of life, liquor and literature.” – F. Scott Fitzgerald

Boston ~ It’s a summer morning in Boston and the delicious bite of a Bloody Mary is sinking its horseradish-spiked teeth into my stomach. A stalk of celery rises out of the highball glass, its color and fragrance the embodiment of summer. Laughing and talking with my friends, I think how I’d like it to be this way always, and I have one of those moments where the world is in tune and I’m right in tune with the world, the kind you usually only notice long after the fact. Our breakfast arrives and I acquiesce to another Bloody. The world is brighter at the beginning of a buzz. We talk about the trivial things that occupy most people before marriage and kids and mortgages and homes. Even our worries seem carefree, and on mornings like this I think we sense that. 

Provincetown: It’s a summer morning in Provincetown and the disgusting bite of a Bloody Mary is sinking its horseradish-spiked teeth into my stomach. A wilted stalk of celery weeps from the edge of the highball glass, its bruised leaves tinged with brown decay – another victim of the heat of summer. Along the sidewalk the brunch-goers meander by, laughing and talking, as I sit there sneering at such Sunday morning silliness, all the while wanting to be part of it, wanting to not be so hung-over, wanting to take more interest in the conversation that goes on around me. My friends do not see my wandering eyes through my sunglasses, do not sense my shame and fear at what I have done. I sip at the hair of the dog, hoping for a bit of that feeling of flying, hoping it settles or at least quiets my raging stomach, hoping for forgetfulness of everything that came before. It does not come, either in sips or gulps, and by the end of the second one I realize it’s a waste. 

{‘FireWater’ is a project from 2009 that has gone unposted until now.}

[See also Scene 1: Bourbon Street, New Orleans

Scene 2: College Ave, Ithaca, NY

and Scene 3: Union Square, San Francisco.]

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FireWater: Scene 3 – Union Square, San Francisco

“The buying of drinks for other men, and the accepting of drinks from other men devolved upon me as a social duty and a manhood rite.” – Jack London

Summer 1997 ~ Sitting in the grand wood-paneled drawing room of the Westin in Union Square, my friend Chris and I survey the scene. High ceilings soar into the sky, and a menu filled with specialty martinis is presented to us by an attentive but not overbearing server. In downtown San Francisco, we are two young men starting the weekend, and our lives, like so many do. The excitement of a new city, the thrill of a vacation, and the company of a good friend swirl together and I drink it all in.

Chris orders a margarita, silly salty rim and all. I decide on a melon martini. The drinks arrive. Mine is bright green – it glows like absinthe. It goes down much easier than that wormwood bitterness though – a sweet, pucker-inducing potion with a bit of lime to balance the Midori. 

After the second one, and before anything solid, I’m flying. Through Union Square we walk, and suddenly the crowds no longer matter, my non-existent love-life doesn’t matter, even the nagging urges to walk, issued by Chris of all people, don’t matter now. Just out of college, we have begun our adult lives. Like all other times when the bottle has been unleashed, I am more excited than scared, and the courage I find under the influence of liquor will become my trusted armor.

A decade later Chris and I will revisit the scene – the high wooden paneling will have been replaced by modern minimalism, and the ensuing years will have tread fine lines on our faces. But there is consolation in the company of a friend – and a martini. 

{‘FireWater’ is a project from 2009 that has gone unposted until now.}

[See also Scene 1: Bourbon Street, New Orleans

and Scene 2: College Ave, Ithaca, NY.]

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FireWater: Scene 2 ~ College Avenue, Ithaca, NY

 “The curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. The lover craves any possible relation with the lover, even if this experience can cause him only pain.” – Carson McCullers

Spring 1997 ~ Tequila. Cheap. Dirt cheap. I don’t yet know that quality does matter, and good liquor makes a great deal of difference – in taste, in effect, and above all in hangovers. I down about half the bottle with some orange juice, and walk out onto the front porch where some college friends of Suzie have gathered, joining them on a ratty old couch. It is the most fun fifteen minutes of my life – talking and laughing and entering those heady first moments of oblivion when everything is right with the world, people are good, and no one is out to get you. It is my first tequila experience, and it hits hard, and swiftly. 

Stumbling upstairs, I make it into the bedroom or the bathroom – I can’t remember. All I know is that a few hours later I am still heaving up what little remains in my stomach into a plastic-lined garbage bucket that Suzie has set up beside me. The next morning she is, rightfully, a bit pissed off. My first bout with shame, captured in sheepy smiles on film, and a hasty retreat to my hometown. Before departing, I draw a rough rendering of a skull and bones on the half-empty tequila bottle. 

{‘FireWater’ is a project from 2009 that has gone unposted until now.}

[See also Scene 1.]

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Firewater: Scene 1 ~ Bourbon Street, New Orleans

 “I loathe alcohol. It is my enemy. And my seducer.” – Jean Stafford

Spring 1997 ~ I am weaving through the French Quarter, all bountiful decadence and beautiful desolation. This is my kind of town. Still new to drinking, I haven’t quite weaned off the sweet and fruity, beginning with a couple of amaretto sours and a white Russian, before stumbling into Oz and making my way up to the wrought iron balcony. In the cramped restroom, a couple tugs frantically at each other, hurriedly shutting the door in my face as I interrupt their kiss. It’s still early, and only one or two guys are dancing on the floor. A muscled man in tight trunks gyrates atop the bar, right above my head. I sip my drink and he leans down and tells me he likes my shirt. Thanking him, I slink back outside. My money will be poured down my throat before making it into his underwear.

On the street, a stand offering three-dollar Hurricanes has appeared in circus-like glory. A giggling couple orders one – an enormous amount of rum and frozen fruit juice in an obnoxiously ridiculous plastic cup. I can only finish about a quarter of mine, as I’m already swimming in drunken abandon. It’s sickly sweet stuff, and an instant headache comes on. Around the corner, I meet a Greek sailor on leave. We find an abandoned warehouse on the river, but I am already floating.

{‘FireWater’ is a project from 2009 that has gone unposted until now.}

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FireWater: Overture

I’m not one for feeling lonely.

When I was little, I could occupy myself for hours – alone and in silence – living my life out in my head, without need or want of a companion. Loneliness has never been a province of mine.

I know a lot of people who can’t abide being alone – even for a moment. Quiet solitude makes them uneasy. They need someone to be around at all times – and if there isn’t someone there, they get on their phone to make sure that someone soon will be. They do not do well sitting still. I have several friends and one or two family members that are like this. My Uncle was one of them – though maybe it was less a need to be around people and more of a desire to be around anyone other than me. I could never tell, and I’ll never know now. 

These people are usually incredibly fun company because they need to be. Their disposition requires it of them, and their survival instincts have adapted them to being the kind of person you generally want to be around, precisely because they need people to be around them.

I’ve never understood that. Stillness and solitude never bothered me. I embraced them. The trick is not to need anyone. You can do anything if you can do that. You can fly. No ties, no responsibility, no bonds, no disappointments. That’s what drinking can do, and that’s what drinking is like – flying.

To that end, there’s no better cohort than a cocktail. A good drink is a forever-friend – find one that’s agreeable and it’s a companion for life. I’ve amassed a decent collection of such friends over the years. Many are chosen by the season – summer calling for a gin & tonic; fall asking for something with slightly more depth, like a Negroni; winter wanting for the substance and sustenance found in a Manhattan or Sazerac; and spring, well, spring is for any number of spellbinding beauties – an Aviation, a Last Word, a Ramos Gin Gizz… spring is for everything. 

I’ve spent some of my most memorable moments of friendship over a cocktail. It’s often the only way I have of opening up and feeling comfortable with people. The ultimate annihilation of inhibition, and the only way I can show my true feelings, even if they were never meant to be spilled, even if they would do better bottled up. 

There are those who drink to enhance companionship – the good-time drinkers. Sometimes, on good days, I can fall into this category and become just one of the crowd – in control of the good time, enjoying the company, and functioning like everyone else. But simple camaraderie is not the underlying reason for the drink.

I used to think that I drank to feel less alone. Strange, that – for as I said, I do not seek or need company as a general rule. I don’t mind a bit of banter with the bartender or a neighbor on the next barstool, but I’m perfectly content without them. 

I guess I drink to feel less lonely with myself, if that makes sense – or more at ease with myself, at least. It is my own company that is uncomfortable – and the best way to escape from your own self is to approach oblivion. 

Welcome to FireWater. 

What’s your poison?

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Fear Before Fire

How it should be that I’m sitting in the glow of this lone computer screen and a sextet of candles, scared out of my mind and listening to Philip Glass and his take on ‘Dracula’, is not entirely known to me. I ventured into the attic in the early hours of night, where it was dark and cool – not cold like winter, merely cool, as befitting of fall. This once-cozy place turned into something infernal once the candles were lit and the diabolical score for ‘Dracula’ began playing. It is, I suppose, the season to be frightened. 

A pointed hat is perched on the edge of the wooden desk. A pair of stones – one of rose quartz and one of carnelian – sits in the center of a mushroom-shaped pedestal. A brooch of indeterminable origin occupies another mushroom-like bowl. The candlelight is little solace, the flames dancing in macabre and unpredictable fashion, skittering like the violins across the darkness. 

It’s just pre-project-birthing nerves, perhaps, the usual doubt and fear that accompanies any creative release, even if there is distance from when this one was written. Thirteen years of distance. It does lend a certain enchantment, a protective talisman to keep the demons at bay, if only for a night. When the harsh light of day returns, there may also be terror. 

And then the start of the ‘FireWater’ journey. 

Walk with me…

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Preamble to FireWater, A Long-Lost Project

Bitterness
By Rumi

In my hallucination
I saw my Beloved’s flower garden
In my vertigo
In my dizziness
In my drunken haze
Whirling and dancing like a spinning wheel

I saw myself as the source of existence
I was there in the beginning
And I was the Spirit of Love
Now I am sober
There is only the hangover
And the memory of love
And only the sorrow
I yearn for happiness
I ask for help
I want mercy

And my Love says
“Look at me and hear me
Because I am here just with that”

I am your moon and your moonlight too
I am your flower garden and your water too
I have come all this way eager for you
Without shoes or shawl

I want you to laugh
To kill all your worries
To love you
To nourish you

Oh sweet bitterness
I will soothe you and heal you
I will bring you roses
I too have been covered with thorns

“Drinking is an emotional thing. It joggles you out of the standardism of everyday life, out of everything being the same. It yanks you out of your body and your mind and throws you against the wall. I have the feeling that drinking is a form of suicide where you’re allowed to return to life and begin all over the next day. It’s like killing yourself, and then you’re reborn. I guess I’ve lived about ten or fifteen thousand lives now.” ~ Charles Bukowski

“I drink to make other people more interesting.” ~ Ernest Hemingway

“It’s a great advantage not to drink among hard drinking people.” ~ F. Scott Fitzgerald

“After the first glass, you see things as you wish they were. After the second, you see things as they are not. Finally, you see things as they really are, and that is the most horrible thing in the world.” ~ Oscar Wilde

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Dazzler of the Day: Jamie Lee Curtis

Taking the easy way out would be granting this Dazzler of the Day to Jamie Lee Curtis simply because it’s Halloween season and there’s a new Halloween movie out. That would also deny the remarkable power and talent that Curtis has exemplified these past few decades. (I’ve been smitten since her scene-stealing romp in ‘True Lies’.) But even that falls by the wayside when I think of the real reason she is so dazzling: she knows who she is, failings and all, and she simply doesn’t give a fuck anymore. That is the greatest inspiration for any of us still scared to genuinely confront who we are at any given time – and it’s dazzling and mesmerizing and worthy of all the accolades that are coming to her. 

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Rekindling a Long-Lost Project

“My days of pleasing men are over. You know, I’ve said how I used to sit in bars and learn how to drink cause they wanted me to drink with them and all that. It’s the end. I’m not going to do anything anymore for anybody… As far as being pleasing to men, well, yeah, I would try and cook up nice costumes…” ~ Little Edie Beale, ‘Grey Gardens’

Thirteen years ago – which was 2009 for anyone who wants to be horrified by the passage of time – I completed a project entitled ‘FireWater’ which never saw the dark light of the internet. A printed copy was shown to a very few select friends, but for the most part this long-lost project went silently into the dim recesses of the forgotten, particularly when compared to the bombast and hype surrounding others (see ‘PVRTD‘ and ‘The Delusional Grandeur Tour‘). 

Designed as an elemental companion piece to 2007’s ‘StoneLight‘, ‘FireWater’ was my exploration of cocktails and drinking, and was intended to be a very dramatic and dark look at the possibility of becoming an alcoholic. It was more of a character study, something I would explore in works like ‘The Circus Project‘, ‘A Night at the Hotel Chelsea‘ and ‘Bardo: The Dream Surreal‘. Rather than a straightforward autobiographical narrative (something early projects relied upon), the story of ‘FireWater’, while based on actual events, was more of a what-if scenario, deliberately playing up the danger and risks of someone teetering on the edge of control. 

2009 was around the time when I was just barely beginning to figure out the way to artistic expression without actively being a direct participant as a subject. That was not a journey that could be completed in a single project or small span of time – that would take years. One of the main reasons ‘FireWater’ was not released then was that I understood, all too well, that putting it out there would only fuel the fire of misunderstanding and mistaken beliefs on my own drinking. In other words, the world would assume I was an alcoholic.

Not to say that I’m not… and not to say that I am… but that’s a discussion for another time. For now, let’s note that I have not had a drink in almost three years, nor have I wanted one, and that has been one of the easier choices I’ve made in my life. Which brings us to another reason why I’m releasing ‘FireWater’ at this moment: like so many other things I’ve recently made a certain peace with lately, this can no longer hurt me. And what others make of my journey has never been within my control anyway. When you reach a certain place of security and self-knowledge, those things fall away. 

Entire truth be told, the main reason I didn’t release ‘FireWater’ back then was that I was scared. I knew that it was entirely possible that I was headed toward becoming a problematic drinker, and that was something I wasn’t ready to face or address. For the first time, a project was hitting too close to home, and it felt too immediate to safely post for all the world to see. Some things are better worked through on one’s own time and in one’s own safe-space. I’ve given enough of my soul to the world, laid bare too much and too often. One of my infallible instincts is self-preservation, and it always kicks in when I’m right on the verge of doing something too destructive. It came through then, and so the project was shelved, literally, until I dusted it off a few weeks ago and realized it was time to put it out there.

This week, the online premiere of 2009’s ‘FireWater’ takes place – and this post will act as a placemark and disclaimer, particularly for those who have come to expect mocktails and non-alcoholic mindfulness in these parts. As a creative project, this is not an authentic description of my life, nor should it be seen as an endorsement of heavy drinking. It does describe a certain time period, and certain events, but it is also largely exaggerated, the way many of my projects have been, to play up the exciting or dangerous aspects of what is otherwise a mundane and un-noteworthy existence. The role of an artist is sometimes to make the mundane into something exciting, even if that means accentuating the darker parts of life, and pretending that things are more perilous than they may actually be. ‘FireWater’ was originally a hint at that darkness – and while much of it still stands up to the years that ensued, it is now also a hint of the artistic process, and what role the artist plays in the action. 

As mentioned previously, I have’t had an alcoholic drink in almost three years. Alcohol is no longer a part of my life in the way it once was, and being thirteen years removed from this project is more than a safe distance so as not to get burned by it in any way. That said, there are whispers and glimpses of danger here – warnings and forebodings that I see in retrospect, and that makes it all the more compelling. Our journey back to such a place begins in a few days. If you think you can handle it, please join us for the ride. 

“There are other ways to kill yourself, I really do think, than swigging down that rotten stuff…” ~ Little Edie Beale, ‘Grey Gardens’

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The Elusive Amber Absolute by Tom Ford

Not many fragrances live up to their over-the-top billing and extreme descriptors, but ‘Amber Absolute’ from Tom Ford’s Private Blends more than fulfills its accompanying literature. It carries even more mystery and magnificence since it’s been discontinued for years, and later versions are reportedly nowhere near as potent as its original incarnation. An early blog attempt at capturing its magic fell flat for me, and I never properly honored such an exquisite scent, so I’m trying again here. 

This is considered by many to be the greatest Tom Ford Private Blend, and it is definitely the most gorgeously dark and decadent scent in my cologne cabinet, surpassing even the intoxicating ‘Tuscan Leather‘ and ‘Portrait of a Lady‘. It was re-released as part of a Reserve Collection, but I’ve been told it’s not as good, so I’ve been using my original as sparingly as possible to make it last. The re-releases tend to be slightly watered-down, while the price has gone insanely up. 

October is usually when my bottle gets its turn off the shelf, cozily cuddling up to the chilly nights. When fireside chats demand sweaters and boots, this is a scent that can hold its own with the burning embers and smoky air. No other cologne can combat such a combination as well as ‘Amber Absolute’. 

There is amber and musk at its animalistic heart, while a smoky shroud of incense lends a spiritual mystery that almost balances the primal beast lurking within the bottle. Almost… because that dirty, flirty, anything-but-religious fervor cannot be contained or balanced by incense or hints of vanilla. Despite their valiant efforts to sweetly tamp down the fiery tongues of fragrance unleashed with each spritz, this is one monster that refuses to be tamed. It’s like fucking around with fire – sooner or later someone gets hurt – and what a lovely way to burn.

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Dazzler of the Day: Lauren Ford

Back when I was managing the Romaine Brooks Gallery at the Capital Pride Center, I met a young volunteer named Lauren Ford who had just started working at the center. She would join us for the 1st Friday art events and we would share stories. A few weeks ago, I was attending the inaugural LGBTQ+ Convening by the Governor’s office, and Lauren was one of the presenters at the session I was in. It was a happy moment seeing someone I met so many years ago doing so well, and I’m honored to name her as the Dazzler of the Day. Here’s a bit more about her:

Lauren Ford is a Licensed Master Social Worker and the External Contracts Training Manager for the Sydney Albert Training and Research Institute (SATRI) within Northern Rivers Family of Services. As a Training Manager, Lauren coordinates, designs, and delivers professional development and continuing education curriculum for nonprofits, schools, healthcare organizations, and government agencies. Lauren pairs her background in psychotherapy and case management with her training in adult learning theory and curriculum design to build interactive courses that reflect evidence-based mental health approaches and techniques. With over a decade of experience as a mental health professional, Lauren has developed a wide and dynamic skillset through experiences working with local community centers, large nonprofits and statewide advocacy organizations. Her areas of expertise include trauma-informed care and resiliency building, verbal de-escalation, affirming care for LGBTQ people and families, and public welfare policy.

Lauren earned both her bachelor’s and master’s degrees in Social Work at the University at Albany. In 2012, Lauren joined the Big Brother’s Big Sister’s program and has enjoyed a 10 year long friendship with her “little brother.” She was a 2014 fellow with the Capital District chapter of the New Leaders Council and went on to serve on the chapter’s board in roles such as Selections and Alumni Chair for 6 years. Since 2018, she has also served as a mentor for the Emerging Nonprofit Leadership Accelerator (ENLA) program through the Institute of Nonprofit Leadership Development at the University at Albany. Currently, Lauren lives in the city of Albany with her partner and enjoys going to the movies – especially super hero and horror films, exploring museums and nature, and volunteering as a cake baker for “Jazzy Sun Birthday’s” a program that supports children and families experiencing homelessness served by St. Catherine’s Center for Children.

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A Recap Fit for a New Jacket

Behold the humble recap, repository of the past, and too often ignored or crafted hastily because of it. As someone who doesn’t like to indulge in nostalgia all that often, I find fall returns me to the past more than perhaps any other season. This year, I am allowing myself a few looks back, and honoring the process of acknowledging what came before. That bleeds into this recap, for which I’m donning a new jacket in honor of that sort of honoring. To truly bury the demons of the past, we must fully face them. Whenever I’ve done that, I usually find they’re not really demons at all – just the faded remnants of memory and circumstance, assembled into something far more sinister in my imagined memory palace. Let’s look over the past week, then lay it to rest. Coming later this week, the online premiere of a long-forgotten project from 2009… and it’s going to be on fire…

Do not place faith in false idols, sunny though they may seem

A planned fall weekend with my friend Kira took a tragic turn

Amid the fall, some things were fresh as a summer daisy

These dog’s balls were something to be seen

With a chill in the air, it was high time for tea season, and this tea is hot.

A last letter to the first man who ever kissed me.

The smell of sex in the 90’s

A rainy moment ripe for meditation

The morning glory of love.

Andy preserved these jars of summer jewels to see us through the fall and winter.

Dazzlers of the Day included Dan Reynolds, Nick Jonas, Florence Pugh, Kenneth M. WalshMichael Breyette, and Rufus Wainwright.

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