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February 2020

When the Sun Burns and the Universe Gives Warning

When the sun begins its late winter burn, that’s when it might be at its most dangerous. After a winter of darkness and gloom, the days have been growing longer. It began almost imperceptibly, right after the winter solstice, and only now, with the benefit of hindsight, can we see the progress. The brilliant bookend of a Thanksgiving/Christmas/Easter cactus, which had its initial flush of blooms when the light first leaked from the sky at the end of fall, recently started its re-blooming period, indicating that the light had returned.

As lovely as that may be, I feel we need to slow down and take the universe’s gradual progression to heart. At this point in life, I can step back and not rush into anything. That’s for the young and foolish, and there’s a time when that’s right. I’ve passed that point. Luckily, the universe has its own way of doling out lessons and warnings, and it’s powerfully effective at slowly but persistently making sure we heed its signs. Like the slow trudge to spring, it warns with almost unseen form. In fact, it may dangle something tempting or exciting in front of you even if it’s not right. Or maybe we simply ignore such warnings when we want something. At those times, the universe steps in with small signs and blips – maybe a recurring cold or other issue. If you fail to listen, or if you don’t want to listen, you might be able to ignore it a little longer. Fear not, the universe will continue to work to correct the path.

It may knock a little louder, and things may get a little rockier. Perhaps other systems fail, perhaps everything else seems to go wrong. That’s the universe nudging a little more forcefully. If you still don’t heed its signs, it shines its sunlight of truth with relentless intensity. It’s the kind of sunlight that only comes in late winter, before the leaves are on the trees, before the haze of warmth and humidity. It’s this sunlight that can burn, and the universe bangs on your front door, waking you from whatever spell holds you blind to the path you should be on, to right the wayward turns you may have taken.

One must have faith at such times. It’s possible for the world to be both too bright and too dark to see clearly. 

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The Madonna Timeline: Song #160 ~ ‘Dark Ballet’ – Spring 2019/Now

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

This particular story must begin not with a Madonna song but a selection from ‘Swan Lake’ by Tchaikovsky. It rises slowly from a mist, just above some tremulous body of midnight water sparkling beneath a mysterious moon, in the darkness of winter on the edge of glassy-eyed solitude. There is beauty here, and there is danger ~ the razor-thin line between love and betrayal. In so many ways, one wouldn’t exist without the possibility or reality of the other. When men dance with men, there is a whole new set of rules and mores. Rarely does the dance end without injury; sometimes it only ends with death.

IT’S A BEAUTIFUL LIFE, BUT I’M NOT CONCERNED
IT’S A BEAUTIFUL DREAM, BUT A DREAM IS EARNED
I CAN DRESS LIKE A BOY, I CAN DRESS LIKE A GIRL
KEEP YOUR BEAUTIFUL WORDS, ‘CAUSE I’M NOT CONCERNED
‘CAUSE YOUR WORLD IS SUCH A SHAME
‘CAUSE YOUR WORLD’S OBSESSED WITH FAME
‘CAUSE YOUR WORLD’S IN SO MUCH PAIN
‘CAUSE YOUR WORLD IS
‘CAUSE YOUR WORLD IS
UP IN FLAMES

We are in New York City for a production of ‘Matthew Bourne’s Swan Lake’, the pseudo-ballet that turns the classic tale into a coming of age homosexual love story of sorts, while touching on all sorts of emotional mayhem and compelling visuals along the way, including a cadre of shirtless male swans that are feral, ferocious, exquisite and enchanting. I’d taken Andy to see it many years ago, and tonight I was gifting it to Suzie, along with the same pre-theatre dinner stop at the Russian Tea Room – for Tchaikovsky, of course. 

The evening is threatening rain, which is actually rather benign for a January night. Even so, I brought the wrong coat for rain. After our dinner, and mocktails at The Plaza, we have an hour or so before the show, so we duck into a teahouse called Radiance. Warm wooden surroundings echo the heat of the teapots. We consider a turmeric blend but opt for something called Serenity with chamomile and lavender. When Serenity is an option, one should always choose Serenity. There, in the midst of a dark gray night, and before the curtain rises on ‘Swan Lake’, we nestle into a secret nook hidden in a non-descript stretch of street across from the theater. It is a jewel-box of a teahouse that perfectly cradles us within its curving carved wood. My necklace of black feathers, a last-minute find while waiting for Suzie to arrive, and just the thing for an evening of dramatic swans, is mostly concealed by an ornate silk scarf scented with Tom Ford’s ‘Oud Fleur’.

IT’S A BEAUTIFUL PLAN (HMM), BUT I’M NOT CONCERNED (OH YEAH)
IT’S A BEAUTIFUL GAME (HMM) THAT I NEVER LEARNED
PEOPLE TELL ME TO SHUT MY MOUTH (SHUT YOUR MOUTH)
THAT I MIGHT GET BURNED
KEEP YOUR BEAUTIFUL LIES (HMM) ‘CAUSE I’M NOT CONCERNED
‘CAUSE YOUR WORLD IS SUCH A SHAME
‘CAUSE YOUR WORLD’S OBSESSED WITH FAME
‘CAUSE YOUR WORLD’S IN SO MUCH PAIN
‘CAUSE YOUR WORLD IS
‘CAUSE YOUR WORLD IS

A twist on the typical take of this balletic tale, this version always brings out new sensations and emotions depending on where one is in their life. The first time I saw it I was touched by the familial relations and the way image and outward appearance of a family unit was more important than what went on behind closed doors.  It was a brilliant rendering of that space where what people saw of your back as you sat down in the front pew of church with your family mattered more than what was in a little boy’s heart, where appearance counted for more than substance, because what happened behind the walls of your childhood house could better be hidden and explained or unexplained away all that much easier. Distant parental figures unskilled at unconditional love, particularly for a child who didn’t behave or desire the way most other children did.

That first time I was also moved with the way the show illustrated the first flush of romantic love, that feeling of being both wanted and protected, loved and desired, cared for and completed. When the protagonist arrives at the edge of a lake and finds the beauty of the swans, it was a transcendent experience for anyone who has spent any amount of time hiding and then discovering who they were. For a gay man of a certain age, it was powerful stuff.

For this evening’s performance, those moments touched me again, but I was most moved by what happens when it appears there may be a happily ever after, when man and swan dance together while the world of swans and humans looks on, and then attacks, because at some point every couple comes under attack. Most of the time the attacks come from the inside – occasionally they come from an outside source, and only the lucky ones get out without an element of destruction. The final scenes were heartbreaking, as the very essence of love and companionship was torn violently asunder, and the envy and vindictiveness of others intrudes, ripping any remnants of innocence apart. The swan troop swoops in and attacks the one swan who saved the young man, because not everyone can be happy in the happiness of others. They killed him, but they could not kill love. The young man dies too, but not his love. For its time, it existed – like a little fire, providing warmth and haven from a cruel, frigid world – and it lasted for as long as it lasted. In such a sense, love can be both finite and forever.

The curtain fell. The show was over. We exited the theater.

Another ballet was about to begin… a Dark Ballet.

Beauty.

Darkness.

Dance.

Sacrifice.

Storm.

All of it fits within the realm of Art, that all-encompassing way that humans have developed of dealing with the world as we know it. How to interpret and shape a vision, how to reflect upon and expound upon the particular time at hand, how to express a way out when one needs to escape. Art, in its most desperate state, is survival.

It was at the Metropolitan Museum of Art during the Met Gala when Madonna premiered a snippet of this song during her magnificent performance, paving the way for the dark beauty that would be her ‘Madame X’ album. It was theatrical, and the ‘Dark Ballet’ bit incorporated classical piano riffs and some balletic dancing recalling Madonna’s own storied beginnings as a dancer, where she was supposedly christened ‘Madame X’ by none other than Martha Graham.

I WILL NOT DENOUNCE THE THINGS THAT I HAVE SAID
I WILL NOT RENOUNCE MY FAITH IN MY SWEET LORD
HE HAS CHOSEN ME TO FIGHT AGAINST THE ENGLISH
I AM NOT AFRAID AT ALL TO DIE ‘CAUSE I BELIEVE YOU
GOD IS ON MY SIDE AND I’LL BE FINE
I AM NOT AFRAID ‘CAUSE I HAVE FAITH IN HIM
YOU CAN CUT MY HAIR AND THROW ME IN A JAIL CELL
SAY THAT I’M A WITCH AND BURN ME AT THE STAKE
IT’S ALL A BIG MISTAKE
DON’T YOU KNOW TO DOUBT HIM IS A SIN?
I WON’T GIVE IN

By far one of Madonna’s most experimental works, this song joins a largely-unrecognized canon of astounding aural adventures (see also ‘Gang Bang‘, ‘Mer Girl‘, ‘Act of Contrition‘ and ‘Secret Garden‘ – not all of which work, but none of which are dull or boring). It’s also a reminder of the darker fare of her later work output after 2001 or so, such as ‘Beautiful Killer‘, ‘American Life‘, ‘Killers Who Are Partying‘, ‘Revolver‘ or’Messiah‘.

Tchaikovsky is sampled here in a nod to the genius and insanity of ‘A Clockwork Orange’, and it’s brilliant and mad and utterly exhilarating. Her voice digitally distorted beyond recognition, and past the point where words can even be understood outside of the printed lyrics here, she warps the human sound into a computerized entity at once remote and commanding. There is a chill to the proceedings, in spite of the bouncy ballet music, and the juxtaposition is one of the most thrilling moments on the entire ‘Madame X’ opus. Three decades into her career, to find Madonna still experimenting and daring us to hear new things is quite a remarkable feat, one that should not go unnoticed in this era of play-it-safe stars and ultra-careful celebrities. The chance to get canceled for one kooky mis-step looms terrifyingly on the landscape of any burgeoning starlet; that Madonna dances boldly on in the presence of such landmines is testament to what I’ve always admired about her.

She ends the magnificent journey with a spoken warning as Tchaikovsky spins giddily on behind her:

THEY ARE SO NAIVE
THEY THINK WE ARE NOT AWARE OF THEIR CRIMES
WE KNOW, BUT WE ARE JUST NOT READY TO ACT
THE STORM ISN’T IN THE AIR, IT’S INSIDE OF US
I WANT TO TELL YOU ABOUT LOVE AND LONELINESS
BUT IT’S GETTING LATE NOW
CAN’T YOU HEAR OUTSIDE OF YOUR SUPREME HOODIE,
THE WIND THAT’S BEGINNING TO HOWL?

The electronic classical interim fades as the simple piano melody and its dour minor key returns. There is one last line, sung plainly, as much a wish as a sneer. It contains all the hope and poison of the world, and the unspoken notion that if everything was always beautiful, we might never recognize beauty. How sad, when you think too much about it, when you really dig into the philosophy of the idea. How glorious too, that we have the opportunity to live in this world right now. To live in the world at any time, really. We are afforded such scant joy in the grand scheme of the universe.

IT’S A BEAUTIFUL LIFE.
SONG #160: ‘Dark Ballet’ – Spring 2019

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Never Too Late for a Narcissus

The usual time for forcing bulbs has already passed. In many parts of the country, the real deal is already poking through the ground. Spring and all her requisite beauty will be upon us soon enough. Typically, I do most of my bulb forcing starting in November, when the days are grey and grim, and I need a jolt of hope and the promise of greenery and blooms. That’s what I did late last year, just as the holidays were getting underway. It was a rather piss-poor batch of them though, as if dark forces were stymying their growth. Many buds were stillborn – the saddest thing a plant can do – and a number of bulbs didn’t even bother sending up buds. Sometimes that happens. I’d purchased enough bulbs for several rounds of plantings, but after that initial dismal showing I didn’t have the heart to start over again.

The holidays passed, thankfully, and then the bulk of winter. The days weren’t as harsh as they could have been, and could still be, and at the time I gave in to the darkness at hand, forgetting about the resort the bulbs that were stored on a shelf in the unheated garage. It wasn’t until I painted and needed to do some work requiring tools that I stumbled upon the bulbs again. This late in the game I was surprised to find them with buds of green. Little tiny hints of hope at the edge of winter. Still, I was hesitant. Perhaps too much time had passed. Maybe too much damage had been done. It hadn’t been a particularly brutal winter, but there had been days and stretches of ultra-frigid weather. We just came off a twenty-degree day, for example.

I held their brittle shells in my hands and wondered if it was worth a try. Part of me wanted to throw it all away. My heart had been broken by the first batch already, why should I risk more pain? I felt them in my fingers, pressing into their bodies a bit, trying to decipher if they were still intact, still solid enough to put forth any buds. They felt all right. They still felt substantial. I decided to give them a chance.

Resurrecting the glass container that had housed previous failures, I covered them with gravel and warm water, then placed them by the window in the dining room. Within days they perked up, sending a few straps of leaves into the air, and immediately following that a heavy crop of buds. I don’t know if they will bloom. I had such hope before, only to be left with disappointment and disaster, but I’m hesitantly optimistic. At the very least, there is already the essence of hope. That’s more than some of us ever get these days. The only things to do are wait and gauge their growth and progress, keeping them watered well but not too well. The precarious balance between life and death. For now, there is new life.

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Teaching My Mom How to Use FaceBook

“That’s not how this works, that’s not how any of this works… ” were the words running through my head whenever I would envision how to go about getting my Mom onto FaceBook. The Ilagan family was planning a big summer reunion, and the hundreds of messages I was getting from that FaceBook group were too much to wade through when one has a full-time job, makes his own dinner, and dresses himself in the morning. So Mom had to get on FaceBook, if only to deal with that. Besides, most of my daily activity is chronicled there so I figured it might make for a more communicative relationship. This was another way of staying in touch, so that’s how I’m billing it.

I jokingly posted, “My Mom is on FaceBook. Now I have to be good.” People said to block her, or tone down posts, or other such nonsense, all of which was laughable. Why would I block my Mom? She sees this website (hi Mom!) and she’s certainly seen much worse than anything that FaceBook would allow. One of the main social media adages that I’ve always applied has been to only post what you’re comfortable with your mother seeing. So there.

The challenge won’t be in censoring myself or making it palatable and easy to navigate – the challenge will be in getting her engaged and involved, because otherwise there’s no point. I’m trying to paint it as an online version of her New Year’s Day gatherings, where chosen family and friends come together to mingle and share a memory or a story or the simple workings of their day. It’s kept me at touch with people I wouldn’t normally get to see, and made the world a little warmer on lonely nights. It also reminds you of when birthdays are and other events, and eventually, if you invest information and engagement, it will leave you with a diary of sorts once the memories start piling up. That’s more useful than scrolling through fifty thousand photos from two years ago.

Plus, this will make gift-giving so much easier because I tend to post and link exactly what I want as soon as I see it. Everyone wins.

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Maluma for Calvin Klein Underwear

Maluma has been many things on this blog: Hunk of the Day, Madonna’s duet partner, Ricky Martin’s duet partner, and now Calvin Klein underwear model. That last one may be his most striking incarnation because, well, Maluma in underwear. Slow down, Papi!

As with so many wondrous and beautiful things, I have Madonna to thank for the introduction

 

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Softly by the Soup Dragons

My brother and I never shared a taste in music, though our musical preferences occasionally dovetailed. He was, in fact, the one who got Madonna’s ‘True Blue’ album first. I hadn’t come around to her completely just then, if you can imagine. Every once in a while I’d venture into his room when he was out and find some jewel of a song among the rap and hardcore bands he favored back in the late 80’s and early 90’s.

I was attracted to the colorful, psychedelic cover of ‘Lovegod’ by The Soup Dragons and its lead-off track ‘I’m Free’ – and when I delved a bit deeper I fell in love with the fourth track, ‘Softly’ – the requisite slow-burner on every rock band’s album. (Remember ‘More Than Words’?)

Figuratively, my brother had already left the nest, always a little bit ahead of me, a little braver in some ways. He went out all the time, to God knows where and with God knows whom, while my family pretended not to fret and worry, and maybe they really didn’t. I would wander into his room, where the afternoon sunlight was strongest, and sit on the floor, listening to the few good songs I could find there, watching the dust drift slowly through the air, and waiting for my moment to fly.

It was spring. The earth was about to crack open, spilling a winter that would finally melt away, melting a heart that would finally thaw from its frozen limbo.

ALL I WANTED TO
WAS TO BE WITH YOU
TO LIVE INSIDE YOUR HEAD
AND TO KILL YOU DEAD
EVERYTIME I SEE YOUR FACE
YOU KNOW I SOFTLY DIE
AND EVERYTIME I’M OUTER SPACE
YOU KNOW I SOFTLY DIE

Who could tell why I was so consumed by this song? I’m not so sure I could have put it into words myself, not then and probably not now. As it stands, I’m struggling just writing this post. There are days when the words don’t flow, when they don’t automatically assemble in a structure resembling sense or order.

It was the time of my life when I felt poised for something grand, when hormones were raging, and I wasn’t even sure where to direct my desire. I just knew that I felt something – a longing, a pull, a hesitancy, a thrill – and somehow in this simple set of chords I also realized that love might never come easily to me, that it might be the knife sheathed in something seductive and pretty, ready to draw blood, ready to draw venom.

WHEN I CUT MY HAND
AND I BREAK YOUR HEART
AND I MAKE YOUR LOVE
JUST FALL APART
EVERYTIME I SEE YOUR FACE
YOU KNOW I SOFTLY DIE
AND EVERYTIME I’M OUTER SPACE
YOU KNOW I SOFTLY DIE

Dorothy Parker once wrote a delicious poem about how breaking a heart is sometimes worse than having your own heart break. It would be lovely if that were true. I’m not so magnanimous to have ever felt that, however. Being on the receiving end of heartache would always prove more sorrowful. There is clearly more work to be done on my behalf. And while I wait, this song drones on in the background, reminding me of a different time, for better or worse…

AND EVERYTIME I SEE YOUR FACE
YOU KNOW I SOFTLY DIE
AND EVERYTIME I’M OUTER SPACE
YOU KNOW I SOFTLY DIE
AND EVERYTIME I SEE YOUR FACE
YOU KNOW I SOFTLY DIE
AND EVERYTIME I’M OUTER SPACE
YOU KNOW I SOFTLY DIE…
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Celebrating Ass Wednesday

Those nit-picky Catholics call this Ash Wednesday, but I prefer the racier spin on it. It gives us the opportunity to celebrate the booty, to toot the tush, to acknowledge the ass. We’ve done this sort of clickbait before (see this Ass Wednesday post or this one, and if you still want more see this one). 

Anchoring this post in the seaside main pic is Max Emerson, and he’s also seen below frolicking with Kyle Krieger. Mr. Emerson has been here before in equally fine fashion

In the spirit of the season, feast your eyes upon Kevin Love, who was featured in his altogether in ESPN’s gloriously infamous Body Issue

The below pair of hunks makes for doubly hot vision. Up first is Dave Marshall, followed closely behind by Ricky Schroeder

Almost hidden by some pesky palm fronds, the pert bottom of John Stamos brings back happy ‘Full House’ memories. Everywhere you go… 

Our only GIF this time around belongs to the backside of Nicholas Hoult. It’s all the GIF you need, really.

A perennial favorite for butt posts, Jack Mackenroth flaunts his assets (as in this miscellaneous collection) while Gregory Nalbone nails it as well (double time). 

Turning things horizontal but still hot, Charlie King lies down to expose all that he’s got, as he did so explicitly here and here

The greatest Olympic sport of all time, figure skating, is well-represented by Matteo Guirise, who got equally nude here

We love a dancer, hence Roberto Bolle and his previous sexy poses here. And no booty post would be complete without some Matthew Camp. [See also here, here, and here.]

Simon Dunn has made a magnificent presentation here showing off both front and backside to viewers’ delight

Bringing up the rear as only he can, Pietro Boselli has too many previous appearances to list here. Do yourself a favor and search his name in the search box at the bottom left of the page. Happy Ass Wednesday everybody! Let the Lenten games begin! 

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Remembering An Act of Kindness on My Brother’s Birthday

This story has been told here before, and probably in better detail, but I’m going over it again because it’s a sweet one. When my brother and I were kids, before adolescence and personality quirks defined and distanced us from one another, we generally got along pretty well. Born just a year and a half apart, but diametrically opposed as to the season (his birthday is today; mine is as far as you can get from the calendar day – August 24) we managed to maintain a pretty close friendship, mostly because for a lot of the time we were all we had. Not that we didn’t have arguments and periods of not getting along, but we always came back to each other. And every once in a while we’d feel extremely loving and generous and put it on display.

While we were close, we were lucky enough to have our own bedrooms, separated by the wide berth of stairs and hall that led from one side of the house to the other. On one particular weekend afternoon, when the winter sun was not quite deigning to shine, and we were holed up inside for the day, one of us – and I wish I could remember who initiated it – placed a small gift outside the door of the other. It wasn’t anything major – maybe a candy bar or a small toy or keepsake – something silly, but the meaning of it came through. We weren’t always so kind. On this day, it inspired the other one to return the favor, and soon there was a succession of little gifts that we left outside the door of the other. We raced back to our own rooms before we were discovered each time. It went on for a little while, and it touched me in ways that remain to this very day. I often think back to that afternoon, and it always makes me smile.

Today marks my brother’s birthday, so this is my little gift to him, dropped in this online room, waiting for him to discover it. Happy birthday, baby brother.

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Broadway Disappointment Deja vu

The last time this happened the wreckage was much worse. My plans for our annual Mother’s Day weekend outing in Broadway were set on their head when it was announced that the two-part play ‘The Inheritance’ was closing prior to when we had tickets for a show. That leaves two gaping holes in the show schedule, however, given financial burdens of late that may be a blessing in disguise. We still have ‘Jagged Little Pill’ on deck, and there’s no way that’s going to close before May (unless another pepper spray incident occurs). What a disappointing world…

This isn’t the first time planning far in advance backfired. In the late 90’s I had really good seats for productions of ‘The Triumph of Love’ (which starred Betty Buckley in her follow-up role fresh off Norma Desmond in ‘Sunset Boulevard’) as well as ‘Side Show’ (starring another ‘Sunset’ alum Alice Ripley). Both shows closed just days prior to when we were scheduled to see them, so we ended up canceling the entire Broadway trip that year.

This time I’ll try to salvage what we can and find a suitable replacement. There’s not a dearth of shows, but there is a dearth of funding, and I’m too old to be bothered with foolish, reckless nonsense like overcharging credit cards. Everything happens for a reason, and it seems this isn’t the time for ‘The Inheritance’. I doubt I could take a deep, emotional two-part play at this point anyway. If you have any suggestions or recommendations for which show to see next, send them my way.

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A Final Recap for February

We still have one more week of this awful month to go, and Mercury remains in retrograde, so it looks to be a trying one. Lent begins on Ash Wednesday this week, not that it means what is used to mean for a lapsed Catholic/former altar boy such as myself. All sorts of vexing traumas are rekindled with this time of the year, and new ones are being born every day it seems. On with this recap so we can end it sooner.

There were winter warnings because the season is far from over. 

My new iPhone is a pleasant shade of seafoam. 

When the world swerves out of focus, get into your underwear.

The best way to bear a burden is to share it. 

Sniffing around memory triggers.

The #TinyThreads resurfaced because of a bathroom incident. 

The unmindful shower (warning: minor male nudity).

How to inhabit the body in downtown Albany.

Boston beckoning.

The kind of coat you can’t wear.

Saddest coupling of words: Author Unknown.

It took me three decades to finally learn how to do this

Hunks of the Day included Nick Pulos, Duayne Boachie, Rick Cosnett, Erik Steinhagen, and Markus Thormeyer

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It’s Taken Me 30 Years To Relax

Thirty years ago I rode to Ballston Spa to meet with the woman who would become my oboe teacher. For our first lesson, I barely got to play a note. Before I even took out my instrument, she made me lie down on my back. The key to playing the oboe, she explained, was learning how to breathe. I thought I knew what she meant, but I didn’t, and even when I approached understanding, it was just going through the motions. At the time, it was a difficult lesson that didn’t open itself up right away.

She told me to lie back on the couch and relax.

In case it isn’t obvious, the moment someone tells me to relax, I tend to do the opposite, resulting in all sorts of additional tension. Shoulders bunched up, shallow breaths into my upper chest, and the wish that she would just tell me how she wanted me to relax made for an uncomfortable set of circumstances. I lied there for a while doing my best imitation of a relaxed person while she waited and watched. My mind scrambled to find the way out of this, the magic thing she was looking for me to elicit. Should I yawn? Should I feign sleep? Should I fart? What did this lady want from me?

She pushed my shoulders down. “You’re not relaxed yet,” she told me. No shit. You are telling me to relax and I just met you ten minutes ago. I’m lying on my back on your couch and you’re hovering over me, watching every intake of breath. How in the hell was I supposed to relax? It was at least the fifth circle of social anxiety hell, and every which way I looked was just another circle of it.

I stayed there and she instructed me to close my eyes, because whatever a relaxed person was supposed to do was clearly not in my lexicon. I’d always impressed every teacher I had and within the first few minutes of this oboe lesson I was letting her down. If I couldn’t do something as simple as relax, how in the hell could I play an oboe concerto? Well, I didn’t quite make that connection at the time – I only knew that I was failing and flailing at the whole relaxation exercise, and that made me even less relaxed.

We stayed that way for about ten more minutes, at which point she indicated I still wasn’t relaxed. Detecting a note of amusement in her voice, and guessing that it usually didn’t take this long for other students to relax, I implored her with a little laugh of desperation. Patiently, she waited for whatever sign she was seeking that would indicate my desired state of relaxation, but it never came.

I couldn’t do it.

I couldn’t relax.

Not under command.

Not while being watched.

And all I wanted was for her to tell me what to do so I could pretend to actually do it.

Was all my tension and unease written on my face? I tried relaxing the muscles of my forehead and jaw, I tried letting a soft smile spread to the corners of my mouth, and I tried to slow the erratic blinking of my eyes.

This was an excruciating exercise for a kid like me. I don’t know how long we waited, but I knew it usually didn’t take this long. Already, and forever after, I would be slightly different from everyone else. My mind began to wander because I was at an impasse, and whenever I find myself with nowhere to turn, I let my unconscious mind work its own way out of the predicament. In this instance it was just enough, and my breathing went just the slightest bit into my stomach, at which point my teacher perked up and said I was finally relaxing. She put her hand on my belly and asked me if I felt the breath going in.

Oh my sweet Lord in heaven, that’s what she wanted? Why didn’t she just say so from the damn beginning? I can breathe into my stomach and look like the most relaxed person on earth! She wanted something genuine and real, but I was in no way ready for that. In fact, I wouldn’t be ready for decades. But I could feign a physical state of relaxation simply by slowing my breathing and letting it fill my stomach. I knew it was pretend, but it was a start. And it got me up off the damn couch.

I would not be able to truly relax for many years. From my outward appearance, most people couldn’t tell. It wasn’t that I was a high-strung person – I didn’t usually act jittery or tense or nervous (unless I happened upon excessive caffeine or sugar), and I didn’t have the typical persona of someone who didn’t know how to let go. In fact, the majority of people who encountered me assumed I was more relaxed than most, living a charmed, easy life with nary a care or concern. Unfortunately for my health and well-being, I kept it all bottled inside. My tension, my anxiety, my crippling doubts – they all held up within my heart, hiding there and wreaking havoc in other ways.

For a long time I thought it could be solved in another person – the perfectly supportive set of parents, the loyal and trustworthy set of friends, the caring and tender romantic partner – and those things helped in their own way, but they also hindered finding it on my own. Only recently have I begun to see that it doesn’t involve a husband, a family, or a support network of friends, it doesn’t involve a job, a career, or a creative outlet, it doesn’t require fancy clothes, expensive cologne, or material accumulations. It was within me, just waiting to be unlocked, waiting for me to figure out the way to access the calm serenity that is possible when you look within and face whatever truths you’ve kept inside. That may mean accepting the unease when someone commands you to relax. That may mean acknowledging the discomfort that comes with worry and fear. That may mean lying on a couch and realizing that you can’t always be perfect for everyone, and that it’s ok not to be. Because if you’re ok with yourself, you don’t need all those other things.

Today, I breathe into my stomach when things are falling apart around me, and it helps. It doesn’t solve everything, but it changes the dynamics of perception. Most of the time that’s enough. I breathe in slowly, then breath out slowly. Repeating this a few more times, I shift my focus from the bad things at hand to the singular effort and action of the breath.

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Comes the Dawn ~ Author Unknown

Two words, otherwise innocuous and innocent, when put together can become the saddest thing in the world. ‘Author Unknown’ is one such pair that has always struck me as supremely sad. Coupled with the sadness is a mystery, a tantalizing hint at something still left to be discovered, a puzzle that can never be fully solved. Banished to a blank background, without a known author the only thing we can go on is the words themselves, which is how writing should be read for the most part, even if it results in a disembodied voice. A voice that exists on its own, without history or source or baggage, speaks to us differently. It demands something more from the reader, and only the strongest among us will truly attempt to engage. 

Comes the Dawn

After a while you learn the subtle difference

Between holding a hand and chaining a soul

And you learn that love doesn’t mean leaning

And company doesn’t mean security –

And you begin to learn that kisses aren’t contracts

And presents aren’t promises –

And you begin to accept your defeats

With your head up and your eyes open –

With the grace of a woman – not the grief of a child

And learn to build all your roads

On today because tomorrow’s ground

Is to uncertain for plans – and futures have

A way of falling down in mid-flight –

After a while you learn that even sunshine

Burns if you get too much –

So you plant your own garden and decorate

Your own soul – instead of waiting

For someone to bring you flowers –

And you learn that you really can endure—

That you really are strong

And you really do have worth –

And you learn and learn—

With every goodbye you learn

~ Author Unknown

 

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A Fresh Coat You Can’t Wear

Over the last long weekend, I painted a pair of bathrooms – one in a shade called ‘Summer Sky’ and one in a shade reminiscent of the summer sun called ‘Wild Daisy’. You may guess where my mind has been. As Mercury shifts into retrograde motion, we need to ground ourselves with safe rituals. Painting has always been that for me. I may not like it, but it helps.

According to my Uncle Roberto, who was a house-painter when he was alive, painting is all about the preparation. It was the prep work that was the most difficult and time-consuming, but it made all the difference in whether the paint job was to be successful or not.  My Uncle was best at showing us how not to live, mostly with warning tales of his storied past and questionable decisions, but when it came to painting he knew what he was talking about, and I took the lesson to heart.

These days painting often signifies a rebirth, or a cleansing of some sort. It was literally that for this round, as I couldn’t get some candle soot off the walls and ceiling so I simply threw new paint at the problem and here we are. We were due for a change, and as we enter the final throes of a winter I’m all too ready to forget, it’s time for something new.

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Back to Basics, Back to Boston

Over the past couple of years I’ve scaled back my trips to Boston. Part of it was due to work, part to the desire to stay closer to home, and part of it was simple laziness. Life gets in the way, as some New Age philosophy goes. (Is it really a New Age at this point? When does it become Old Age? Because I think we’re there.) But back to Boston, quite literally. Though I didn’t spend my entire childhood there, I spent a few key childhood moments in the city, and then I spent the formative years of my late teens and early twenties there, which made me into the man I’ve somehow become, for better or worse. Every time I’m there, I feel a bit more grounded. It was where I had been lost, and where I had found myself. That’s something you have to do alone.

Often, I was there in solitude, yet rarely did I feel lonely. The condo was my companion, and the city twinkled outside its windows, ready and waiting for when and if I wanted to play. When the weather turns I will feel its pull again, although even in the most unwelcoming atmospheric conditions, Boston somehow manages to thrill. Sometimes it’s even better when the outside world wails, and inside the condo is a cozy respite from the meteorological and emotional mayhem of a rough winter.

As I write this, an early spring songbird trills an unexpected and not unwelcome string of notes. It feels slightly out of place with so much winter yet to go, but we’re on the right track. There’s less than a month of this shit to go. Boston beckons… and I hear the call.

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Inhabiting the Body on a Lunch Break

It had not been a good morning. Though the sun was shining, it was bitterly cold. It looked a bit like spring, but the air was decidedly entrenched in winter. I hesitated when looking out at the world. The wind was blowing the detritus from smokestacks at a stiff horizontal. Flags fluttered in taut formation and the Hudson River was ruffled in waves of all sizes. I decided to venture out in spite of it.

At the local coffeehouse, I sat in a seat by the window and soaked in the bright light. My spirits lifted, as they tend to do with an influx of light, and I felt a bit better. The server had given me the wrong cookie – I ordered a Blackout and when I got back to my seat I saw it was a regular chocolate chip. Initially I resigned myself to eating it, but I realized my heart was set on the Blackout cookie – it’s the only reason I was breaking my eating-well streak (ok, mini-streak) – so I went up and asked if I had been given the right cookie. The man said no, and he gave me the one I ordered and said I could keep the chocolate chip one as well. The day was turning around.

I sat and slowly ate both cookies, while reading more about mindfulness and monks. The passage I was on described inhabiting the physical body, and how monks are always completely aware of where the body is and what it’s doing. If they are sitting, they are conscious of themselves sitting, if they are standing they know fully that they are standing. It sounds silly, but how many times do we actually acknowledge and realize what our bodies are doing unless something is going wrong?

I took the idea with me as I left, and focused on the fact that I was walking. My legs were moving – one foot in front of the other like the animated Christmas special says – and I saw the footfalls of my monk-strap shoes. Everything happens for a reason. Across my mouth, covered against the wind in a pink and gray scarf, a slight half-smile appeared, and maybe it showed in my eyes because I passed a woman who gave me the broadest and most genuine smile I’d seen in a while. It was almost disconcerting, in a very happy way, and I thought back to the adage that the Buddha may appear in anyone at any time. If we approach strangers with that in mind, it makes for a much more peaceful existence. I thought it was a fluke, but then I passed another woman whose fuchsia jacket caught my eye. She too had the biggest smile on her face and directed it right at me, as if waiting for a response. I was too shy to do anything, but I felt those smiles and I took them in.

The wind was not so brutal now, even as the temperature was dropping. Fortified by a hot cup of coffee, or the friendly visages of sweet strangers who may or may not have been manifesting the Buddha, I felt the warmth of the universe.

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