Yearly Archives:

2015

The White Stuff

“Early Snow”

by Mary Oliver

Amazed I looked
out of the window and saw
the early snow coming down casually,
almost drifting, over

the gardens, then the gardens began
to vanish as each white, six-pointed
snowflake lay down without a sound with all
the others. I thought, how incredible

were their numbers. I thought of dried
leaves drifting spate after spate
out of the forests,
the fallen sparrows, the hairs of all our heads

as, still, the snowflakes went on pouring softly through
what had become dusk or anyway flung
a veil over the sun. And I thought
how not one looks like another

though each is exquisite, fanciful, and
falls without argument. It was now nearly
evening. Some crows landed and tried
to walk around then flew off. They were perhaps

laughing in crow talk or anyway so it seemed,
and I might have joined in, there was something
that wonderful and refreshing
about what was by then a confident white blanket

carrying out its cheerful work, covering ruts, softening
the earth’s trials, but at the same time
there was some kind of almost sorrow that fell

over me. It was
the loneliness again. After all
what is Nature, it isn’t
kindness, it isn’t unkindness. And I turned

and opened the door, and still the snow poured down,
smelling of iron and the pale, vast eternal, and
there it was, whether I was ready or not;
the silence; the blank, white, glittering sublime.

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A Patriotic Recap

With the Patriots squeaking out a victory amid one of the crazier SuperBowl races of late, it’s a day of celebration here on this Boston-centric blog. This look back at the week before begins with that SuperBowl insanity, which includes this link-filled post of Madonna, Tom Brady’s ass, jockstraps, and more.

When you’ve digested that doozy, check out the fine gentlemanly stylings of Richard E. Grant, who got all kinds of nasty on last night’s episode of ‘Downton Abbey.’ You’re gonna hear him roar.

Mr. Grant and his fragrance stirred cologne envy, but I wasn’t feeling it from Tom Ford.

Twenty nine years is a long time, but I remember it like yesterday.

Trickery and tomfoolery were afoot, as the Trickster archetype reared his mischievous head again.

Words of love.

At night, I lock the doors, where no one else will see.

The Hunks of the Day were represented by Pierre Vuala, Jose María Manzanares, Jason Rosell and Tom Luchsinger ~ while a former HOD, Andrew Hayden Smith, dropped trou and showed off his underwear.

Most impressively, at least from this inside vantage point, was this post – the first-ever Special Guest Blog – written by my friend Skip Montross. It’s the start of a whole new feature, and I’ve already got the woman who’s known me since birth, a cook who shares my love of Jack Spade, and an actual pussy lined up to helm future guest blogs. If you want to throw your hat into the mix, and I do hope you will, hit me up at alanilagan1[@]gmail.com.

Oh, and Justin Timberlake did NOT give a rim job, no matter what this picture looks like.

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This Is NOT Justin Timberlake Eating Out Someone’s Ass

It’s his way of announcing that his wife is pregnant with their child, so I assume it’s him kissing her stomach – at least, I’m hoping it is. But it does look exactly like he’s giving some analingus to a big old pasty ass, right? Besides, the idea of a rim job by Justin Timberlake is on the tip of everyone’s tongue. Talk about bringing Sexy Back… Anyway, congratulations to the proud parents-to-be!

For those who wanted Justin Timberlake’s ass to be involved in this post, I don’t want to let you down, so here’s a naked Justin Timberlake giving some gluteus maximus. He’s been naked here before, and he’s gotten his cock out here as well, so add this to the nude Justin Timberlake collection.

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Deflated Balls, Inflated Jockstraps

First things first: is it ‘SuperBowl‘ or ‘Super Bowl’? I have never been able to determine the correct version. (And you’ll find that it is used both ways in the labyrinth of SuperBowl/Super Bowl entries here. Second, let’s just face the fact: it will never be like it was in 2012. That was the year that Madonna performed at the halftime show. It was the only year I really paid any attention. It was the only SuperBowl that mattered.

But for the bi-coastal match-up and the Buffalo chicken dip (this is the one day a year I make that delicious but rather unhealthy concoction) I will get into the jockstrap fun of the day and post this link-filled rambling in honor of our national pastime. Wait, wrong sport? No matter – jockstraps contain all kinds of balls.

We begin our look back at Super Bowls past with the glorious year that sparked it all: 2012. The Patriots were once again in the game, but more importantly was the fact that Madonna was bringing her special brand of magic to the halftime proceedings. In the weeks leading up to the big game, I boned up on football knowledge with the aid of my brother and some sports-minded friends.

While Madonna’s part in the process was my main motivation in figuring out the pigskin pumptitude that is American football, there were other draws as well, the kind that can be found in any profession that involves physical prowess: hunks.

From Tom Brady and Danny Amedola to Wes Welker (traitor!), Keith Carlos and Cam Newton, the sport had a thick roster of studs who represented the results of working out like your job depended on it. Drew Brees, Steve Weatherford, Scotty McKnight and these sexy bottoms showed off their physiques, Jon Ryan showed off his gingery locks, Jimmy Garoppolo showed off his sexy smile, but all paled in comparison to what Rob Gronkowski put on display.

The Gronk got naked. The Gronk got nude. The Gronk took it all off and eventually even the other team tried to do it. If only Tom Brady would take note and show off more than his pout, the world would be a better place. (If we’re talking hottest Patriot, however, that honor may go to protein-packing Julian Edelman.) 

In all honesty, though, my interest in this football thing is waning, but I’ll do my best to rally in the face of deflated dreams and the absence of Madonna. This year the New England Patriots face the Seattle Seahawks. In the race for sexiness, it comes down to Rob Gronkowski versus Cooper Helfet, and in this battle of hotness I’ve got to give the edge to Helfet. He’s simply got more hair on his chest. In these parts, that’s the most important game of all. Sorry Gronk. Go peddle your hairless cornflakes elsewhere. In the meantime, let’s see what Katy Perry can do to pay homage to the Queen.

Play ball!

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Man Dates with Alan: Special Guest Blog

[This is a guest blog written by my pal Skip. We go back almost a decade, ever since his lovely, long-suffering wife Sherri brought him to one of my parties. Since then, he’s become a friend in his own right, and a cherished one at that. In the following post, he describes the evolution of our friendship, along with some keen social observations about the dynamics of a gay male/straight male relationship. For instance, I didn’t even realize there was an extra-seat clause when straight guys go to the movies. Read and learn.]

Man Dates with Alan

By Skip Montross

I go to the movies a lot, usually with one of my closest friends. He happens to be gay. I happen to be a straight, doughy, middle-aged, married stay-at-home dad. My wife calls them my ‘Man-Dates.’ Often times when I tell people this, as I’m wont to do while recalling a humorous story from one of our outings, they seem slightly taken aback. As if the thought of it is foreign to them. A gay man and a straight man seeing a movie together. It’s typically a widening of the eyes or a quiet ‘huh.’ A barely-noticeable gesture that tells you they find the thought somehow weird. Though it shouldn’t, this always manages to surprise me. Each time I’m reminded of the fact that what is perfectly normal to me is still viewed as, dare I say, queer to some folks. In fairness though, there was a time where it was new to me too. And I’d wager for Alan as well.

I’m not entirely sure what the first film Alan and I went to see together was. What I do remember was how funny it was when we went to take our seats. Alan didn’t know at the time, nor did I really, that I had become a practitioner of Straight-Guy Movie Etiquette. Something ingrained through years upon years of seeing films with other straight guy friends. When Alan sat I realized that my first inclination was to leave an empty seat between us. As I reflected on this later on I would come to understand a practice that straight men might refer to as the ‘Homophobia Seat.’ You see, in the life of most straight men there are few moments as uncomfortable as sitting right next to another dude in a theater where additional space is available. If it’s a full crowd, of course we’re fine filling all available seats in a row. But when the theater is wide open the threat of incidental elbow contact is too much. Hence the open seat reserved for our mutual discomfort.

As I took my seat next to Alan I vaguely recall explaining the concept to him. It’s one of those things. The little minutiae ~ slight but well-defined differences in culture. Like the first time I went to the bathroom at Alan’s home and realized that when two men live together no one worries about the seat being up. I mean, how cool is that? For what it’s worth, even when it’s an open theater with plenty of space we still sit side by side like Siskel and Ebert. We’re probably more like those two old guys from the Muppet Show if I’m being perfectly honest.

Sometimes it’s a packed house. On more than one occasion we’ve gone to a midnight showing of a new blockbuster, the kind of film that has a line around the lobby. One such night happened last year. I had gone into Alan’s to pick him up for the film. Pretty sure it was the sequel to ‘Thor.’ He was sitting at his dining room table in front of his overpriced MacBook. [Editor’s note: it’s a MacBook Air, thank you, also known as the prettiest girl in the room.] A tab was open to Fandango. He was insistent that we buy our tickets ahead of time. As it was a late Thursday night in the deep cold of a New York November I managed to convince him that it wouldn’t be necessary. There would be plenty of seats. I was wrong. So very wrong.

As we approached the pasty 17-year-old kid who would rip our tickets I noticed something out of the corner of my eye. It was a line of people that looked as if it were 1000 deep. It began about 10 feet to the kid’s right and extended down the hall, around the corner and doubling back again. By my estimation the man up front had probably been waiting a couple hours at best. He eyeballed me. He was big enough to be scary. I don’t believe Alan noticed him. Or the giant line behind him. The ticket boy looked at us and said something I’ll never forget: “I’m just about to let them in. I’m not going to make you wait in line. Go ahead in.”Alan began to walk to the theater and for a brief moment, I’m not afraid to admit, I panicked a little bit. I didn’t know what to say so I started to follow Alan. As I did the line began to open and follow us into the theater. I’ll never forget what I heard the man behind me say as he followed. You see, to him, he had just waited two-plus hours and here we were just cutting the entire goddamned line!

I heard him say, “These two motherfuckers right here better not take my fucking seat I swear to God.” Sometimes at night I wake up in a cold sweat thinking about this man and the utter rage he must have felt inside watching us walk in front of him. But Alan just kept walking. Blissfully ignorant of the fact that rage incarnate was marching 10 feet behind us. Of course as we entered the theater Alan started zeroing in on the best seats in the house. Why not? No one was in front of us to stop us. He went right towards them. I had no idea what to do. With no other valid option I just made a bee-line over to the shitty seats in that weird side row and said, “Hey, let’s sit here!” I was emphatic but Alan was utterly confused. He looked at me like I had confessed that I enjoy backrubs from goats.

“What?!” he replied incredulously.

“Dude these are great seats…” I attempted.

“Uh, no… they’re not. What are you talking about?” he inquired.

“Dude. Just sit over here man. Please. Dude. Please,” I begged.

He finally acquiesced but until a few weeks ago had no idea why. I couldn’t explain it to him then. We were surrounded on every side by people who wanted to kill us. To him it was just a weird night where I inexplicably had horrible taste in seats. But to me that will always be the night where we were villains who almost incited a hate mob. We would laugh at it later when I explained what really happened. A lot, in fact.

And that’s part of the reason why I dig seeing movies with Alan.

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The Madonna Timeline: Song #110- ‘Into the Groove’ ~ 1985/1987

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Music can be such a revelation
Dancing around you feel the sweet sensation
We might be lovers if the rhythm’s right
I hope this feeling never ends tonight…

It was a hot and happening Saturday night in my bedroom. The girls from ‘The Facts of Life’ had just departed, leaving me alone in the bright lights of the neon-clad 80’s, and we were headed into the lateness of the nine o’clock hour. Fly 92 was probably playing its Saturday night dance jam, but I had a cassette tape of non-stop Madonna mixes, and I didn’t need Shadoe Stevens clogging up my head with his smoother-than-Black-Velvet voice.

While it was originally released in 1985, I had my head in the sand at that time, as I don’t quite recall the initial chart-storming that Madonna made with ‘Into the Groove’ – instead, my memory is of the re-release it got on 1987’s ‘You Can Dance’ remix EP. On those Saturday nights when I was freed from the chains of school, I found safety and salvation in the meanderings of my bedroom. A childhood bedroom holds wonders that no parent or guardian could ever fully understand.

Yet as much as I wanted safety and security, I yearned for escape. Even then I knew I had to create my own world and forge my own way because the things I thought were secure were about to come tumbling down. And the only constant in any gay boy’s world at the time was Madonna. The rest of the world, and sometimes our own families, wanted to quiet us with shame and silence, but Madonna embraced all – gay, straight, black, white, Catholic, Jewish, Muslim – it did not matter to the Material Girl. Everyone was invited to her party ~ hell, that’s how you made the money. Not by excluding or silencing, but by celebrating. We didn’t know how deep she went then, we only cared that she knew her way around a proper pop song. She was always one step ahead of the rest of us.

And so, on Saturday nights I’d lock the door where no one else could see, and dance my worries away. Escapism was the only way out. They could belt me, they could hate me, they could shame me, but they couldn’t take away what was inside my head. They couldn’t take away what was in my heart. That’s where the groove was. That’s where freedom would be found.

Only when I’m dancing can I feel this free
At night I lock the doors, where no one else can see
I’m tired of dancing here all by myself 
Tonight I wanna dance with someone else…

Regarding ‘Into the Groove’ – The Song – I actually never loved it. It’s sacrilege to say so to certain Madonna fans, but I just never connected to this one, which is odd because so many consider it a seminal piece of the Madonna mythology. The most fun I had with it was her Reinvention incarnation with bagpipes and drums. I was touched that she was making such an overt nod to her then-husband Guy Ritchie. Love makes us do odd things – and it’s always touching to see that. I guess I just needed that incongruous Scottish mash-up – kilts solve a multitude of problems. (Oh, and put this into your blasphemous files: I’ve never seen ‘Desperately Seeking Susan’ in its entirety. Yeah, I know. Kenneth in the 212 can shoot me now.)

SONG #110 – ‘Into the Groove’ ~ 1985/1987

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Time Stills All Tricks

“It is possible, if we have real courage, to live all of life as if in play. This does not mean being frivolous or lacking compassion toward others. It means to carry a light, trusting, and open attitude toward ourselves and the world. In Tibetan Buddhism it is said that what distinguishes human nature from that of animals is not intelligence but humor. To experience life as play one must learn to see with the eyes of humor. This helps us balance the tragedy of human existence with the wonder of it. Such an attitude requires courage because it demands that we open ourselves both to uncertainty in the outer world and to the irrational in the inner world.

A truly playful attitude, even if short-lived, can act as a catalyst to synchronicity. Moreover, an attitude of lighthearted openness reduces the shadow to a bare minimum, since the defenses are relaxed. As a consequence, coincidences are often delightful. At times, a positive sense of trust and openness will allow everyday problems almost to solve themselves, as opposed to the more usual sense of struggle against chance events that the Trickster so often throws in our path.

Opening the mind to a lighthearted, playful attitude, we may avail ourselves of intuition, which is a particular kind of gnosis, or knowledge, that seems to come through the now permeable borders of the conscious mind. Intuition is a type of knowledge emphasized in virtually all spiritual traditions. This is not to say that to be lighthearted is to become psychic, as the term is usually used, but rather that we may develop en exquisite feeling for certain situations, a feeling which, if trusted, often proves correct. Intuitive feelings hold a special relationship to synchronicity, a relationship that few people have actively cultivated.”

~ Allan Combs & Mark Holland

“True openness to experience comes via a connection through the Trickster to the archetypal Self. This openness is play, and play is the Trickster’s game – irrational, paradoxical, and creative.” ~ Allan Combs & Mark Holland

 

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Words of Love, Words of Light

Poets have a much finer way with words than I could ever hope to achieve. Here are some choice words by Mary Oliver:

“It has frequently been remarked, about my own writings, that I emphasize the notion of attention. This began simply enough: to see that the way the flicker flies is greatly different from the way the swallow plays in the golden air of summer. It was my pleasure to notice such things, it was a good first step. But later, watching M. when she was taking photographs, and watching her in the darkroom, and no less watching the intensity and openness with which she dealt with friends, and strangers too, taught me what real attention is about. Attention without feeling, I began to learn, is only a report. An openness – an empathy – was necessary if the attention was to matter. Such openness and empathy M. had in abundance, and gave away freely… I was in my late twenties and early thirties, and well filled with a sense of my own thoughts, my own presence. I was eager to address the world of words – to address the world with words. Then M. instilled in me this deeper level of looking and working, of seeing through the heavenly visibles to the heavenly invisibles. I think of this always when I look at her photographs, the images of vitality, hopefulness, endurance, kindness, vulnerability… We each had our separate natures; yet our ideas, our influences upon each other became a reach and abiding confluence.

I don’t think I was wrong to be in the world I was in, it was my salvation from my own darkness. Nor have I ever abandoned it – those early signs that so surely lead toward epiphanies. And yet, and yet, she wanted me to enter more fully into the human world also, and to embrace it, as I believe I have. And what a gift [that she] never expressed impatience with my reports of the natural world, the blue and green happiness I found there. Our love was so tight.

~ Mary Oliver

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Waking to Awareness

It was January 28, 1986. I was in fifth grade. We were just coming back from a ‘Gifted & Talented’ meeting (decidedly not my term for the group of loons that lucked out on a certain aptitude test) and our homeroom teacher ushered us back into our usual seats while a television played in the background. Blue – the brightest blue the sky could be – was the first thing we saw. A trail of clouds, then a puff of smoke that was the end of seven lives. Miss Lampman whispered in a stern tone, “The Challenger exploded.”

We sat down quietly, each taking it in in his or her own way. The moment you realize the significance of something happening is the moment you start to grow up. Whether or not we were ready, there was life knocking at our door, in a silent explosion against a blue sky. It felt a little closer because one of our teachers had applied to be on that Challenger flight. The one who was chosen was schoolteacher Christa McAuliffe. Either way, it was a civilian, and somehow that made it sadder.

It was the first time the news broke through my childhood innocence. Until that point, I never really cared, or was even aware, that anything of import happened outside of Amsterdam, New York. Hell, I didn’t care much beyond what went down in my backyard and bedroom. From that moment I was obsessed with everything to do with the explosion – the twin rocket boosters, the various theories as to what happened, and, most importantly, the seven men and women who lost their lives, including the first teacher who was supposed to go into space. I set up a photo album of news events, and it grew from the Challenger news to anything of importance. I remember the stock market meltdown being one of the last items I pasted into the book – a couple years later I had no need for a book. It was occupying my head. It was an awakening, and while not altogether a pleasant one, it was necessary, it was inevitable, and I had no choice.

The best part of childhood – if you’ve had a decent one – is that for a few years you can pretend that nothing bad could ever happen in the world. If you’ve had that freedom, if you’ve had that moment, you might be ok. At least, you might have a chance. What we do with that chance is another story for another post.

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Andrew Hayden Smith in Sexy Undies

Sometimes all it takes for a revisiting of someone’s Hunk of the Day status is a new photo shoot and some judicious photoshopping (not that anything here was photoshopped…) Here is former Hunk of the Day Andrew Hayden Smith in his second appearance on this wayward blog. There’s nothing else to say, other than Mr. Smith deserved the honor then, and he more than deserves it now. White briefs always make the man.

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Trickery & Tomfoolery

“Look for the archetypal trickster in any story of growth, for growth always means moving toward one’s own human richness which, in turn, means the growth of one’s soul.

The Trickster delights in frolicking with symbols… Jumping across boundaries between the conscious and the unconscious, between the psychological and the physical, the Trickster tosses out images in play that express the sheer vitality of the imagination.” ~ Allan Combs & Mark Holland

One does not have to be psychotic to have an inflated self-image. We are all at times prone to think too highly of ourselves. At such moments the Trickster may pay us a visit in the guise of a prankster, to bring us back to earth, to make us look foolish or ridiculous in little ways just when we want to look our best. He is adept at undercutting self-inflation. ~ Allan Combs & Mark Holland

For the inner, archetypal Trickster, play includes a synchronistic taking hold of whatever materials come to hand in order to break the boundaries of our usual perceptions of reality. In addition, trickster stories almost universally emphasize his doing exactly what he pleases regardless of the consequences. The apparent selfishness is, in part, a way of portraying his sovereign nature as an uncontrollable aspect of the human psyche that originates totally outside the reach of the conscious mind. The meaning of his actions, however, depends not on himself but on some deeper aspect of the psyche in whose service he acts.

There are no limits to his antics. It is his delight to shatter our boundaries, borders, and frames, stripping us of our protective coloration and baring us helplessly to something new. This is his play, and when we ourselves are playful, we are in harmony with him. ~ Allan Combs & Mark Holland

Allowing our imagination to play, letting our fantasies have their day, is to honor him. Utterly to deny this natural tendency of the mind, to suppress the imagination, to refuse to give it a hearing, to refuse even to honor it with our momentary attention, will cause it to carry its case to the shadow where the sympathetic ear of the prankster awaits it.

Allowing the imagination to play means to lighten up from time to time, to let our fantasies run free. To do this we must relax rigid attitudes or moods, even perhaps our concepts of morality… Temporarily relaxing your morality means putting aside your culturally created and therefore limited conception of reality, including the reality of your own self. The Trickster can then reveal aspects of our selves that are hidden from our scrutiny. Growth of the personality is certainly not guaranteed by this. But if we allow the Trickster to be our guide and we follow his play consciously, we are given the very real possibility of expanding our sense of who and what we are. ~ Allan Combs & Mark Holland

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When Tom Ford Gets Extreme

Before anyone gets the wrong idea, I have not gone off Tom Ford. Despite recent dabblings in Byredo and this Valentine wish (which is still in effect), my heart belongs to Mr. Ford. I’m simply not a fan of absolutely everything the man produces, which includes the recent Noir Extreme. I did not at all like the original ‘Noir’ he put out, so an Extreme version of that has the expected effect. It’s nothing against Ford, it’s more against the Noir.

Of course, in time tastes change, so I won’t say that one day I won’t be completely enamored of Noir, but that day has not yet arrived. Until it does, I’ll satisfy my Ford cravings with any one of his Private Blends, with the exception of ‘Noir De Noir.’ See, it really is a noir thing.

A perfect example of the evolution of cologne likes and dislikes is my relationship with ‘Grey Vetiver.’ When I first tried that I was decidedly unimpressed. Again, it was due mostly to a dislike of vetiver over any fault of Ford’s. Yet as the years progressed, I came around to the Grey, and it’s about to become a winter staple of my fragrance garden. There’s a lesson here. Never say never, and always give yourself the option of changing your mind. One more thing: Tom Ford is rarely wrong. The rest of us just take a little longer to get there.

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Recap the Day Away

The last week of January has begun! I was quite over this winter before it even began, and I’m not going to say anything about it just yet as we’re still not quite over the hump. Let’s just take a quick look-back over our shoulders to survey what damages came before – and some of these damages are hot hot hot!

Take for example the Hunk of the Day. These guys kept things scorching in the face of sub-zero weather and snow storms. Four-name wonder Francisco Javier Gómez Noya started things off on the right foot, whizzing through triathlons like nobody’s business.

Hot on his heels was Cam Newton, who kept things thrilling by his winning smile (and a body to-die-for.)

Not one to let the fit and hairless have all the fun, Brian Maier brought hirsute hotness to the proceedings.

Taking a break from the hunkdom, we paused for a moment of love, or at least love of fragrance.

Sometimes something smells so good that I have to have it right then and there. Mandarino di Amalfi was one of those times, but this week it was Black Saffron.

It turned out that hunks weren’t the only thing that could keep things hot, as evidenced by this steaming bowl of Tom Yum soup.

A onesie kept my package warm in Boston.

These guys certainly helped.

Barrett Pall is in a class all his own, and is a prime example of when the Hunk of the Day becomes so much more than just a hunk.

Music makes the people come together. It also makes the winter more bearable.

Family does that too.

Once upon a time, I was a Trickster. (And at my best moments, I still am.)

Finally, the most important invitation of the year was posted. I’m opening up this platform (isn’t it pretty?) to you. Yes, YOU. The reader, the viewer, the up-to-now-silent partner in all things to do with this website. On certain Sundays I’ll be hosting a “Special Guest Blogger” with someone else helming the post of the day. The best part is that all content and submissions will be up to you. (For those who like a few guidelines, you are welcome to stick with the tried and true themes you see here on a regular basis – all things gay, beautiful, fabulous, fun, deep, moving, disturbing, decadent, depraved, sexy, seductive, scented, tumultuous, sweet, upsetting, depressing, wonderful, melodious, deleterious, witty, courageous, touching, calm, and daring – oh, and if you want to throw in your take on Tom Ford, Madonna, David Beckham or Ben Cohen, be my guest.) In other words, sky’s the limit. Oh, close friends, ex-boyfriends, and former-crushes are especially encouraged to apply, as they may give the other side to all the stories I’ve spun over the years. (I may end up regretting this, but it will be well worth watching.) Hit me up at alanilagan1[@]gmail.com if you have something to say.

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Palin for Prez!

Sarah Palin, the person who quit midway through her governorship, is hinting that she may run for President. Personally, and all politics aside, I hope with all my heart that she does throw her hat into the GOP nomination ring. There is no greater spokesperson for the Republican Party. Go Sarah!

“The man can only ride ya when your back is bent. So strengthen it! Then the man can’t ride ya!” – Sarah Palin

To be fair, I’ve always found this to be true.

[See also “Bat-shit crazy.”]

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Further Trickery

“Through synchronistic coincidences the Trickster can sometimes confront us with what we do not know about ourselves but must recognize if we are to know the whole of our own reality… As a creature without boundaries, his existence and activity are never absolutely fixed in place. He makes connections across the limits we ordinarily set for life, bringing together polar opposites and disclosing that which is hidden.

The Trickster puts life in our path in spite of our denials. We continue to stumble over his gifts, ignoring their disturbing nature when our luck is good, cursing some vague fate when our luck is bad.”

~ Allan Combs & Mark Holland

He is the mythic embodiment of the unexpected. He symbolizes the unexpected eruption into awareness of truths hidden away from the ego. In a psychological sense, the Trickster is one mode by which other archetypes, such as the archetype of the self, assert themselves.

This appearance of the Trickster is characteristic of his style: he pops up unexpectedly. The quality that he brings to synchronicity, however, is not simply that of surprise. his manner has the impish charm of cunning and magic. There is a flavor of roguish enchantment to the situations he orchestrates. ~ Allan Combs & Mark Holland

One has the feeling that in synchronicity the Trickster engages in the fabulous play of a divine jester; he is a “juggler of reality.” It is in the notion of play, we believe, that we may find the key to understanding our best relationship to the Trickster and thus to synchronicity. It is also the key to discovering his divinity in ourselves.

As a messenger and herald he represents the interests of a considerable range of unconscious or mythic figures. The most roguish play of the Trickster, however, is in the role of the prankster. In these the Trickster acts on behalf of an unconscious structure known as the shadow. ~ Allan Combs & Marl Holland

 The Trickster’s play frequently gives us opportunities, usually unwelcome, for personal growth by flaunting our most private secrets for the whole world to see. This seems to be the Trickster’s delight.

Thus, the play of the Trickster makes us confront our own faults in the everyday world, much as we are forced to confront them in our dreams. These instances offer the opportunity to recognize our faults and, by owning them, to take away their sting and in the bargain render ourselves more whole.

This is the Trickster as the shadow, stealing our purpose when we want to appear flawless – just to amuse himself with our foolishness. If we are open to this impish play, we realize that we have been reminded that we are only human, that we have limitations, no matter how perfect we might wish to appear. ~ Allan Combs & Marl Holland

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