Monthly Archives:

May 2014

In the Midst of New York, A Recap

We interrupt this string of New York City posts with a Monday morning recap, because you cannot escape the past. I realize that a little more each day, such as in the moment I looked behind me to the long line that stretched out in Home Depot. I had just put down a pair of sweet potato vine baskets since the guy ahead of me was taking a ridiculous amount of time to figure out why the item he was trying to buy was marked $4.99 and was ringing up at… $4.99. Not rocket science, but I kept my mouth shut and looked at the growing line, into which a familiar face had stepped. It happens a lot – and I usually smile and nod and ask ‘How are you?’ even if I have no clue who the person is. It’s easier that way. On this day, the woman caught me looking, and recognized me as well. I knew it before she had to even mouth the words, ‘Jury duty.‘ A fellow juror, from the trial that will always be a part of my past, and a part of me. I smiled, asked how she was doing, then paid for my things and left without looking back or engaging further. It was nothing against her – she happened to be one of the nicest people on the jury – I just wanted to keep that in the past.

As for the more recent past, it was a week that will be most fondly remembered for this year’s Broadway excursion with Mom. A couple of shows (‘Mothers & Sons‘ and ‘The Bridges of Madison County‘ have already been reviewed – and there’s one big one to come (‘Hedwig & the Angry Inch’) so for now enjoy the walk through Central Park (another one is on the way) and a dinner with Suzie.

In the name of a good cause, I almost had to get full-frontally naked – well, not almost, but closer than I was comfortable seeing… As it was, I fell far short of my goal, so the family jewels will not be going on display any time soon.

Madonna got more naked than I did.

The formal event of the Pride season will take place on June 13, 2014 ~ ‘A Breakfast at Tiffany’s Formal Affaire‘ ~ the night before the Pride Parade in Albany.

A little lazy post.

A rose of Lent, a little late, but just as beautiful.

Finally, and most importantly, a tribute to a friend from the Cape, whose life was taken far too soon.

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Dinner with Mom, Suzie, & Adrian Grenier

One of the most fun parts of the Broadway trips with Mom is our dinner with Suzie, and since Suzie is soon to be departing Brooklyn, she may not be in the city next time we do this, which made this one extra special. We scrolled through Zagat to find the venue ~ Beautique ~ and it turned out to be a hot spot. Within minutes of sitting down in a curved corner booth, I watched Adrian Grenier saunter past, sans entourage, to a party in a room just off the main dining area. He stood in the doorway for much of the dinner, which was less distracting than might be expected. (I think Suzie found him cuter than I did.)

Dinner was good, even if they did forget the side dish of fiddlehead ferns we ordered (which then rather tragically turned out to be slightly under-done). When fiddle-heads are on the menu, I say order them – their season is so limited. Soon, too soon, it was time for us to depart, in a haste to make our last show – and it was a doozy so we did not want to be late. Hedwig waits for no man…

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Unfinished Bridges

Why is it that certain undeserving shows seem to run now and forever, while more thoughtful and beautiful works close before they can be fully appreciated? Such was the question that ran through my mind as I took in a performance of ‘The Bridges of Madison County’ the weekend before it was set to close. As written by the brilliant Jason Robert Brown (‘Parade’, ‘Songs for a New World’) the raved-about score does indeed prove ‘gorgeously rapturous,’ and the lead performances are nothing short of magnificent. This is a show that must be heard in its entirety to fully capture the emotional arc of its characters. It builds from its slightly mournful opening notes, into a sweeping, lush masterpiece, with touches of bouncing country bits and soaring operatic flourishes – a strange juxtaposition of Iowa and Italy that somehow works.

While this rendition of the popular but oft-maligned book is almost immaculately faithful to its source (at odds with its subject matter), a musical version of the tale sounded, on paper at least, less than thrilling. Yet it is precisely the power of the music that finally makes this story about more than a cheating housewife. ‘Bridges’ tells the narrative of Francesca Johnson, a married housewife, and Robert Kincaid, a photographer traveling through her town, and how they fall in love and deal with the aftermath of that.

It is a tough tale to sell, and only the most accomplished actress and singer could make Francesca into a heroine for whom the audience roots. Kelli O’Hara is more than up to the task, and her Francesca transforms from a woman whose main duty in life has been sacrifice, to a woman giving gratefully, if reluctantly, over to her desires. As she loosens her hair and unties her apron, Francesca comes alive in discovering her love for Robert, even as she acknowledges the pull of her husband and family.

The success of this production relies upon both her and the audience being torn. It’s not enough for her husband to be the proverbial bad-guy, and he isn’t. A bit bland perhaps, harried to the point of anger at times, but it’s still not enough to fully support Francesca’s choosing the sexy stranger ~ played with equally winning spirit (in equally fine voice) by Steven Pasquale. As Robert, Mr. Pasquale begins a bit in the dark, emerging from the back of the theater, lost literally and perhaps figuratively, before finding himself, and a focus, in Francesca. Even so, the story requires something more to be truly moving, something to convey a love that is more than excitement or kindness or sensitivity, and that added element – the one that solves the initially-insurmountable yet undeniable fact of adultery – comes in the unlikely form it has taken: a musical.

 

I can’t tell you I know what the answer will be – it’s impossible, but this thing, this is bigger than what we can see.

This is destiny. We are tied, we are locked, we are bound.

This will not be reversed or unwound.

Whatever fate the stars are weaving, we’re not breaking, I’m not leaving…

It’s the music that supplies the solution to the moral dilemma, and the songs Francesca shares with Robert (‘One Second and A Million Miles’) are what make ‘Bridges’ such a compelling, and devastating, production. It may not entirely eradicate the blame, but it makes it gorgeously relatable, inevitable in fact.

Francesca’s actions aren’t simply an act of betrayal, they are a protection of her heart, a curious way of protecting her husband and her family, with whom she could only stay after having glimpsed another life. The love she shared with Robert is carried closer to her heart, burning quietly as her life goes on, in an exquisitely staged montage of temporal movement. The moral dilemma over whether it was right or wrong is not wholly solved with the “love is never wrong” argument, but finds some minor resolution and come-uppance in the sad musing of “what-might-have-been.”

While the show is not perfect (moments ripe for greater emotional impact – Francesca and Robert’s first dance, for example – are initially given a comic, country angle when a more earnest delivery of the waltz that accompanied it may have made for greater impact), such trifles are minor compared to the emotional journey of the show, a journey matched and exalted by its music – the waves of which begin lapping softly and gently, growing into a pounding and gloriously overwhelming emotional climax that left even this hardened viewer, who was relatively unimpressed with the book, moved and affected.

The mark of artistic magic is in making the viewer empathize with something. ‘Bridges’ is the stuff of dreams almost-realized, of sacrifice and love, of safety and obligation. It’s a study of the difficult choices we must make, how we deal with those choices, how we come to terms with our decisions, and whether we will always wonder “what if?” This is a beautiful show, and though its challenging themes and somewhat-unhappily-ever-after ending does not send the audience out beaming or tapping toes, it leaves a deeper stamp upon their hearts.

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Tom Daley, Bathing & Bulging

We will resume the NYC posts tomorrow, I promise, but when a spattering of Tom Daley GIFs appears – and they’re showing him getting a Moroccan sponge bath in his underwear, well, you put things on hold and make your core audience happy in the only way you know how. In this case, it’s not just Tom Daley in his underwear, it’s Tom Daley in motion. With today’s Madonna post, things seem to be getting back on track here. All we need is something new from David Beckham and Ben Cohen, and it will feel like all is right with the world. Just in time for summer

 

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Madonna, Looking Fierce and Naked

We interrupt the New York tales for this emergency Madonna post – because she looks so good. Shot by Tom Munro, these scintillating photos from the current issue of L’Uomo Vogue feature Madonna at her finest, reminiscent of her 1990/1991 apex. The peek of nipple in the final shot is the raciest this site has gotten in a while

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‘Mothers & Sons’ as Seen by a Mother and Son

For our first show of the season, Mom and I saw, rather fittingly, ‘Mothers and Sons’ – Terrence McNally’s Tony-nominated play starring Tyne Daly. Mr. McNally has written some powerful plays over the years (notably ‘Love! Valour! Compassion!’ and ‘Master Class’ – which we had the fortune to see on Broadway during their original runs) and this one is no exception. If it doesn’t quite match the polish of those two standards, it may because this one is a little more raw, a little more urgent – something befitting the times recalled here. It helps that the play features a trio of fine performers, led by the amazing Ms. Daly, who gives a brittle, controlled, seething-just-beneath-the-surface performance as a monstrous woman (Katharine Gerard) still mourning the loss of her only child to AIDS. The early days of that plague are recalled with a distant but humane detachment. With each passing year, it becomes easier and easier to forget, and ‘Mothers and Sons’ may be McNally’s best efforts at seeing that that never happens.

Ms. Daly gives a subtle yet stunning turn as a lonely yet terrifying woman, filled with sly moments of black humor, hidden pockets of pathos, and one perfectly-rendered tear that, on this particular evening, happened to fall literally two seconds before the fall of the final curtain. That sort of precision is the work of a studied actress at the height of her power. Daly never lets her guarded heart show until the very end. In a few heaved sobs, she finds release, but it’s not quite clear if she’s found redemption. To Daly’s credit, you want to love some part of her, in spite of all her awfulness, and you almost do.

Anger plays a large part in this play, seen in the anger of her black fur coat, in her blood red dress, in her rigid black handbag that she carries with her about the apartment. Such fussiness is at odds with the relaxed, casual attire and attitude of her son’s former lover, Cal Porter, who picked up the pieces of his tragic past eight years after the death of his partner. As Cal, Frederick Weller has the emotionally-open roller coaster ride of the evening, veering from a hopeful earnest belief in people – showing a woman who has only hurt him the city of New York and drawing the audience into his comfortable life – before careening back into the dim days in which he lost his partner, and ending up somewhere ambivalently at peace with all that has happened.

Bobby Steggert as Will Ogden offers the idealistic and innocent view of the current generation, while their young son Bud (a precocious Grayson Taylor) offers a peek at the open-minded unaffected future. McNally offers many things to many people – the struggles of gay men and the AIDS crisis of the 80’s, as well as questions of age and gender roles, and new families being raised by two dads. In discussing Katherine’s past and the way she chooses to portray herself as being from Rye instead of Port Chester, New York, larger questions are raised and examined, particularly regarding secrets and the ways we pretend – or the ways we feel we have to pretend. It’s an ambitious work, that almost proves too much, threatening to dissolve beneath such broad historical strokes, but in the end it retains its heartfelt core, anchored by a spot-on group of actors who give these full-bodied characters conflicted, exasperated, heart-rendered life.

(After watching such a terrible mother mourn her son and the way she treated him throughout his short life, I was left feeling incredibly grateful for the woman who sat beside me in the theater, who loved me no matter what, and who did her best as my mother. We walked back through a misty night, to rest up for the next day’s surprise…)

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A Walk in Central Park

The last time I was in Central Park, it was sweltering hot, and all I wanted was a bowl of peach ice cream. I was with Suzie and Chris and neither was very helpful in finding a place, even with their not-so-smart phones. Suzie suggested Chinatown, but I was not moving that far from the rock upon which I sat, tired from the heat and the day. I never did get peach ice cream that day. The point being, however, is that I’ve only seen Central Park in the high heat of summer, or the end of fall.

On this trip, I got to see it when the Park was at its most beautiful. Waves of Narcissus held onto their blooms, as did several swaths of tulips. Forget-me-knots en masse formed clouds of blue at ankle-height, and cherry blossoms and redbud blooms lit up the gray sky. Around all of it were the brightest shades of green, the epitome of spring. This is the New York that everyone loves.

Even a squirrel posed nicely for this quick series. Spring has that effect on everything.

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Back on Broadway with My Mother

Last week at this time I was boarding a train for New York City for a Broadway weekend with Mom. Though the first two days threatened rain, we somehow managed to avoid most of it – and for the major downpours (which weren’t even all that major) we happened to be in theaters or restaurants or bed. This NYC excursion is grand tradition that actually goes back even further than I initially recalled. I was reminded that we attended the original productions of ‘Lost in Yonkers’ (with Mercedes Ruehl and Kevin Spacey) and ‘Six Degrees of Separation’ ( with Stockard Channing) on a trip with Suzie and her Mom, so these theatrical escapades have been happening since the 80’s.

This time around we began with a little shopping along Fifth Avenue, peeking in at Rockefeller Center where Mom found some of her favorite chocolates, recounting how she had taken my brother and me to the skating rink on one visit, only to find that it was closed (after my brother had brought his skates.)

After a bit of window shopping, we had a lunch of sushi at Soba Nippon.

From there we tried out the fragrance counters at Saks and Bergdorf’s, where I briefly entertained the idea of my first Jo Malone bottle (I did not indulge).

We made our way up Madison, to the Tom Ford flagship store. I’ll admit to some well-reasoned trepidation upon entering the powerfully reserved yet stately storefront. This was, arguably, my favorite designer (even if I have to be able to afford one of his suits or even his shoes) – and by far my favorite perfumer. My collection of Private Blends occupies an entire shelf in my bathroom. It was like dropping off a coke-head in a swimming pool filled with the white stuff. A winding staircase led up to a room filled with fragrance. Mirrors multiplied the rich apothecary-like glass, and the scent of elegance and sophistication drifted through the air. I asked about the new ‘London’ Private Blend, but New York did not have it yet.

I walked down the hallway into another finely appointed room, where a silk dressing gown hung on a mannequin. I felt the sleeve with my fingers, and I may have sighed out loud a little. But it was nothing compared to the gasp I emitted upon seeing the shoe room. I can’t get into it now because the price points make me too sad. Despite that, and my ultimate act of resilience in not purchasing anything (hey, I can always hop a train and go back), there was something to be taken away from being around all that beauty.

We reluctantly left the world of Mr. Ford, and returned to get ready for dinner and our first show, ‘Mothers & Sons.’

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Final Hours for a Full-Frontal Reveal…

We are entering the final stretch of the Give Out Day fundraising session this year – have you clicked on this link to donate to such a worthy cause? It doesn’t look like I’ll be going full-frontal… unless a miracle of donations occurs before the midnight hour… Ahem. Tick tock, tick tock.

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Give It Out, and I’ll Give It Up

The towel comes off when you Give Out enough… 

If everyone who reads this gives just ten dollars toward the Give Out campaign, we’ll easily match and surpass last year’s numbers – and if I make it to my personal goal of raising $1000 I’ll post a full-frontal photo of myself – no lie. (The odds of the funds I raise reaching $1000 are safely impossible – but let’s go for it anyway.) Go ahead, put your money where your mouth is.

Donate HERE.

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Give Out Day – All Day, Today!

Today’s the day! This is the time when your donation to the Give Out campaign counts toward helping the Capital Pride Center continue its excellent programming and services, while confirming its vital place in the community. This is a day of support from the LGBTQ community as well as our straight allies, as it shows that everyone who contributes is a supporter of equal rights and acceptance for all. As the battle for marriage equality rages across the country, and as LGBTQ people continue to face hate crimes and discrimination, it is more important than ever to show our solidarity.

The Capital Pride Center is a great organization, and as the longest continually-running pride center in the country it has a place in our great gay history. Help me to put the Pride Center on the map as one of the top Give Out Day fundraisers for this fun day. You can donate online here – and you don’t even have to leave the house to do so!

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Who Will Save the Dahlias?

It was a fall day in Cape Cod. I was visiting JoAnn, shortly after her friend Lee had moved in with her. While JoAnn set up a stunning home, she didn’t do much with the yard, which is where Lee came in with her gardening expertise. Most of the flowers had finished their show and started their autumn slumber. The highlight of the garden – with flames still burning brightly – was a patch of red dahlias, staked and climbing up into the sky. Brilliant against a deep blue backdrop, they were like starbursts – big, glorious, hearts of scarlet, beating beautifully in the air. I asked Lee if she lifted them in the fall, to save them for the next year. She nodded. “Yes,” she said, “I’ve kept these going for a few years now.”

I am always impressed with those who save their tender bulbs until the next year, bringing them into their basements or garages each fall for survival every winter, then re-planting them when it’s safe to do so in the spring. She weeded a bit more, then stood up. It was, after all, almost time to put the garden to sleep. The remaining weeds would wait until next year too. We went inside to find JoAnn.

That weekend I got to know Lee a little better. I’d met her years before, at one of the many Cape gatherings JoAnn put on, and she was always gregarious and outgoing – the life of the party who knew how to make everyone else feel like they were having the time of their lives. In the house at North Beach that she shared with JoAnn, that spirit wasn’t dampened when there wasn’t a party going on. The next morning she joined in one of JoAnn’s famous brunches, crafting the most beautiful Bloody Mary I’ve ever seen or tasted – stacked with a toothpick of olives, celery, even a shrimp. This was a meal and, more than that, a work of art. I took a photo of it – it remains one of my favorite photographs.

Later that day she took me into Mashpee Commons for the afternoon, where I tried a plate of steamed oysters for the first time, looking out onto a Cape Cod inlet. Fall had arrived. The wind was strong. Inside, I was making a new friend – and, as with most of JoAnn’s Cape friends, it was fast and easy and comfortable. We talked about work, about the future, about the loves in our lives, and by the time we got back to the house, it was time for another party at North Beach – one of JoAnn’s traditional fall gatherings, around a fire pit, with her brother Wally’s cider, and her roommate Lee beaming and enjoying herself and teaching us all how to laugh a little louder.

I don’t think she realized how much she taught us, or maybe she did. On another visit, she was dog-sitting a pair of poodles for a friend – yippy, high-strung little things that required more tenderness and patience than either JoAnn or myself had. For some reason, Lee entrusted us to take them for a walk along the beach. We looked at each other incredulously, but she didn’t give us a choice. The dogs were placed in the back of a car, and we were on our way. At first we laughed at the situation, struggling to get them on their leashes, running through scenarios of how we might explain losing the things should the worst happen to happen, but after a few minutes we settled into it. The sun was just starting to lower itself in the sky, and the breeze kicked up over the water. Our restless hearts calmed a little, the dogs enjoyed themselves, and we took in the moment. Neither of us was very adept at that.

It was like Lee knew that it would do us good, that it would help not only the dogs (who needed to get out) but also JoAnn and myself, who needed to think of someone and something other than ourselves. To see what it was like taking care of an entity that was completely reliant upon us for survival. Somehow Lee understood that, and to this day I remember that walk on the beach, and those dogs, and I wonder at how she knew.

I never once saw her down or depressed. She didn’t even get moody or groggy in the mornings. When the rest of us were in the worst spirits, Lee was always smiling and bubbly and ready for the next adventure. She had an indefatigable love of life, of always being open to happiness and joy. She loved to have a good time, and it was impossible not to be drawn into the happiness when she was around.

When JoAnn told me that Lee was pregnant with twins, I smiled. No one would make a finer mother. Those kids would grow up knowing what it was to love, what it was to live, what it was to make a difference in the world.

It’s not right that someone so vibrant should be taken away so early. She had just given birth to her twin boys before she passed away, and it won’t ever make sense to any of us lucky enough to know her. A great light has gone out in the world, and though there are now two little legacies who will grow up hearing stories of how wonderful their mother was, it won’t ever fix the broken hearts she leaves behind. I like to think that she had gone to sleep happy and content, filled with nothing but the hope and joy that her new babies had given her. It is a thought that gives just the faintest of solace.

She was on my mind as I planted this year’s garden a few days ago. I thought back to that fall when we talked in the garden. Lee was one of those special people who saved the dahlias, who took the care to see them through the winter. She’d cut them back, brush the dirt from their tubers, and package them up for safe-keeping in the basement. Who will save the dahlias now? We needed more people like her in the world – the ones who would take the time and make the effort to help, to save, to celebrate, to love. We needed her here.

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On This Date…

Yesterday we had some web issues with the site, so it was down for a few hours. I was unaware, as I’m not online during the day (aside from FaceBook and Twitter on the phone) but as soon as I got home I managed to get it back online. This sort of tedious talk is what I try to avoid at all costs. And so, since I didn’t have time to do a proper post based on this, here are a few links to what was going on here…

One

Two

Three

and Four years ago.

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