Monthly Archives:

April 2014

Just a Pair

This is a filler post. I haven’t made one of these in a while, trying valiantly to give more content to this blog, but I may go back to filling in the blanks with photos. Spring is a busy time…

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Aromatic Indulgence

It’s not something I usually do. Only on certain nights, when I need an extra boost, or have had a tough day, do I indulge in such fragrant indulgence. My gateway into this world of naughty nose-tickling was a bottle of Hermes, used on an evening following a steamy but rainy summer day. It was so exquisite, I sprayed a little on before going to bed one night. It wasn’t to entice or impress, it wasn’t to turn on or turn out – it was a simple act of solitary enjoyment, a self-celebratory act of pampering that, contrary to wide-held belief, I don’t often allow myself. (This blog is a repository of all the times that I do, so it may seem that way.)

The other night, after a weekend of Easter activities and family gatherings, I wanted to mark the occasion and extend the moment a bit, so I looked through my collection of Tom Ford Private Blend samples and dabbed a little ‘Black Violet’ on my wrists. It’s a fragrance I wouldn’t purchase or request in a full bottle – far too sweet for everyday use, and not really my style  – but perfect for a special spring night. Remembering the joy Andy and I found in our family was a special-enough moment to merit Mr. Ford’s handiwork, and the vision of great swaths of sweet violets in sun-dappled light sent me off to a dreamy slumber.

As with most of the Private Blends, the floral aspect is imbued with a darker edge, something a little sexier and more mysterious than the delicate violet would deign to reveal on her own. Such shyness, when removed, is an integral part of its eventual enjoyment. The most flagrant exhibitionists are only successful when aware of the anti-thesis of their showmanship.

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The Dream is Alive

A few days ago Andy posted a photo of Ogunquit, taken on the Marginal Way, that immediately set my heart to missing that gorgeous seaside town. We’ll be there in a few weeks, and I cannot wait. Nowhere else is there such a sense of peace and calm such as we have found in Ogunquit. Our May stay also marks the start to our summer season, and there are traditionally lilacs in bloom (or slightly before or after that glorious spell). In all respects, even in years when it’s done nothing but rain, Ogunquit has offered us respite and relaxation, as well as some badly-needed, and increasingly rare, time together, as husband and husband. In fact, it’s a toss-up as to what I love best about it – the sea, the seafood, or the time with Andy.

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Tulip Titillation

Their color spoke to me first – the scarlets and salmons, the serpent-like tongues of yellow lapping toward the edges – and then the softest gentlest green of the silver-tinged leaves. They were the ultimate antidote to the longest winter. They pushed all thoughts of that season far away, clearing the way for summer. It was the only outcome. How happy that the tulip heralded such a direction.

Second was their fragrance. Nothing overpowering, nothing too cloying or sweet. In fact, nothing to write much about at all, but it was the scent of spring, the scent of pure joy. It was not something that Tom Ford would try to bottle, it was not going to multiply by waves of bath gel or body lotion, it was a subtle smell, with just the slightest bit of spice to work its trance-like effect.

Finally, there was their history. I love a flower with a tale to tell. Especially one as twisted and tumultuous as the tulip’s. People paid fortunes for a single tulip bulb. A bit of feverish supply-and-demand madness, a crippling inflation, and a blight or two along the way – and all in the name of a single beautiful bloom. The power of the flower.

Some beautiful things defy logic and reason. Some things cannot be priced or valued in any such hum-drum manner. How to monetize the sublime? And why would you bother?

The moment you sully something so pure is the moment it starts to deteriorate.

Such prettiness demands a lighter touch, an effortless brushing by the merest of breaths. It is meant to be inhaled, like the purest of perfume, in ethereal fashion, unfettered by clumsy hands or the clutch of a greedy child.

I didn’t always understand this. My hands picked them from the garden – to covet, to cherish, to hold close. They fought back with their pollen, committing suicide with their fallen petals, or simply expiring in a wilted, lamentable heap of decomposing tissue. I too fell prey to the tulip craze – and I’d do it all over again to come so close to beauty.

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A Sigh That Only Tom Ford Could Elicit

These are Tom Ford‘s Chesterfield Floral Embroidered Silk Tassel Jacquard Evening Slippers. They merit such a lengthy moniker because they are priced at $4120. [Gulp.] That’s a bit much for evening slippers, even if you are Tom Ford. But if I had that kind of money, I’d totally get them because they are, quite simply, perfection.

And even if I didn’t have the money, I would toy with the idea of finding a way to get them (selling an organ?) because they are so pretty it would be like investing in a work of art.

PS – They also come in blue, for a fraction of the price of the pink ($3770.) But I do prefer pink…

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Put A Recap on It

Having finished off the final days of Lent with a Good Friday flourish and an Easter Bunny Sunday, the week in which I started a new job came to a rather quiet close. We finally had a spell of sunny, decent weather, whereby I could finally begin work on the winter clean-up. Thus far I’ve loaded 25 lawn bags of debris and leaves from the backyard, and I’m only about halfway there. My back will verify, but it will be worth it. Onto the week behind…

Shifting gears from the sexy to the sweet, a pair of posts featuring the Ilagan twins set the cute dial to high, with this tease, and this delivery. The kiddie hi-jinks continued here and here, because with twins it’s always double the fun.

A Trojan Experience.

Music, man flesh, and memories, accompanied by the magnificent Ella Fitzgerald and Norah Jones. Oversexed again

An incredibly shirtless set of Zac Efron GIFs that set fantasies on fire.

Dreaming Until

Giving rise to things other than Jesus, the Hunks of the Day included Nick Kenkel, Gerrad Bohl, Matt Cardle, Noah Wright and CJ Richards.

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Getting My Feet Wet (And Fingernails Dirty)

Every gardener goes about their winter clean-up a little differently. Some start at one end of the yard and work neatly and methodically across the expanse until it’s all done. Some dabble a little here, and a little there, picking and choosing tasks as they present themselves. I’m somewhere in-between. I like to alternate tasks so as not to set winter-weary muscles into shock or spasm – a little raking, then a little bagging – a bit of pruning, then some soil amending. Then I’ll do a methodical sweep from one end of the yard to another to finish it all off.

This year we’re a bit behind, and usually by this time I’d have had a number of workable days in which the clean-up would already have been accomplished. When I walked out into the backyard and surveyed the sad state of affairs, I had a strange moment of wanting to give up. I contemplated not doing a damn thing, and letting the gardens and yard go all ‘Grey Gardens’ this year. With a new job and other responsibilities coming up, I felt a little overwhelmed. But I put on the gloves, unfolded the first paper lawn bag, and began as I always begin – pruning the sweet Autumn clematis to within a foot of the ground and removing last year’s twining stems from the arbor. You never when a spring or summer might be the last.

Another spring clean-up has begun, and the long, happy road to another warm season stretches far into the distance. Embrace it ~ summers are not endless, and spring is even less so.

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Happy Easter!

You monsters love to see me in tears, so here’s the annual Easter Bunny shot, trotted out again to bring you your yearly dose of pleasure in my discomfort. It remains Suzie’s most favorite picture of me, and for years it stood framed in her house. (How and why anyone would send it to other people is beyond me. It’s a veritable photographic record of how to torture a child.)

At the mall the other night, I looked over to see a line snaking its way toward an explosion of fake flowers and plastic grass, and in the center of it all a sign that read simply, ‘THE BUNNY.” Those poor kids, I thought, with a rare moment of compassion for the little people. All they want is the chocolate non-animated version of that thing. I will say that the Easter Bunny has come a long, friendlier way from the horrifying form he or she used to take when I was peeing in my pants having my picture taken with the beast.

I’ve also come a long way in reconciling my initial traumatic experience, going so far as to approach an Easter Bunny at a Boston brunch last year and conquering the fear. Still, part of me will always recoil at this holiday, and I’m glad you get such joy out of it. Now hop along, there’s nothing more for you to see here.

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Until…

“Suppose I happen to know a unique flower, one that exists nowhere in the world except on my planet, one that a little sheep can wipe out in a single bite one morning, just like that, without even realizing what he’s doing – that isn’t important? If someone loves a flower of which just one example exists among all the millions and millions of stars, that’s enough to make him happy when he looks at the stars. He tells himself ‘My flower’s up there somewhere…’ But if the sheep eats the flower, then for him it’s as if, suddenly, all the stars went out. And that isn’t important?” ― Antoine de Saint-Exupéry

If I caught the world in a bottle
And everything was still beneath the moon
Without your love would it shine for me?
If I was smart as Aristotle
And understood the rings around the moon
What would it all matter if you love me?
Here in your arms where the world is impossibly still
With a million dreams to fulfill
And a matter of moments until the dancing ends.

There was a river rushing by, and on the other side of it a city rose in the twilight. On our shore a wedding party assembled, all in happy, colorful costumes, all joy and unabashed love. There would be dancing and embracing and kissing, and the moving silence of a bell that could never be rung. Here a magical horse and accompanying chariot awaited to whisk us away to an evening of enchantment, where beneath a blanket we could hold hands and sigh. There was no way to stop the rush of a river in spring, nor a reason to try.

Here in your arms when everything seems to be clear
Not a solitary thing would I fear
Except when this moment comes near the dancing’s end.
If I caught the world in an hourglass
Saddled up the moon so we could ride
Until the stars grew dim
Until…

She sings songs of love, songs of heartbreak, and songs of longing. She will sing your song, if you ask nicely, if she knows it, and she will smile and nod when it’s over. You will thank her with folded green paper tossed into a glass goblet, with your smile and your hands brought together, and waves of love and appreciation – because that sort of thing matters, that sort of thing gets through. She will sing a song that accompanies you as you cross the river, and return to your world, and then she will sing you to sleep.

One day you’ll meet a stranger
And all the noise is silenced in the room
You’ll feel that you’re close to some mystery.
In the moonlight when everything’s shadows
You’ll feel as if you’ve known her all your life
The world’s oldest lesson in history.

When the song ends, and you’re alone in the quiet, you may find reason and want to cry. It’s all right if you do, though better if there’s someone to hold you. Well, not better, for there’s an unfair stigma attached to solitude, but different. It is possible to dance alone, but it’s so much friendlier with two.

Here in your arms where the world is impossibly still
With a million dreams to fulfill
And a matter of moments until the dancing ends.
Here in your arms when everything seems to be clear
Not a solitary thing do I fear
Except when this moment comes near the dancing’s end

When the dance is done, and the world has stilled, and all seems ready for slumber, you will slip into the sheets of a perfectly-made bed. Maybe someone will tuck you in, whisper sweet nothings, and hold you until the morning. Or maybe you will just dream until…

Oh if I caught the world in an hourglass
Saddled up the moon so we could ride
Until the stars grew dim
Until the time that time stands still
Until…

 

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Dreaming of… Dallas?

DALLAS-FORT WORTH: REDBUD AND MISTLETOE
By Amy Clampitt

 

Terrain that from above, aboard the hurled

steel spore, appears suffused with vivid

ravelings, the highways’ mimic of veinings

 

underground, the fossil murk we’re all

propelled by, for whatever term: as with

magenta freshets of Texas redbud, curled

 

among dun oaks fed on by yellowing nuggets

of old mistletoe, the sometime passport

to sulphurous Avernus (the golden leafage

 

rustling in light wind), though here we hugely

deafen to the hiss of Nemesis: so turns

the wheel of change; so turns the world.

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Turn Me On

Those who seem to be the most popular are usually the ones who are the most lonely. It’s the reason they’re popular – they’ve made themselves so in an effort to never be alone. I’m too honest to be very popular, and up until now I’ve never been lonely, but I think I may be starting to feel it a bit. The truth is, I’m more often alone these days than with people. Usually by design, but sometimes against my subtle wishes.

Like a flower, waiting to bloom
Like a lightbulb, in a dark room
I’m just sittin’ here waiting for you
To come on home and turn me on

And so I wait. For the feeling to pass, for the loneliness to subside, for what I once knew to return to me – because once upon a time I was all right, and it was okay to be waiting. There wasn’t restlessness, there wasn’t discontent, there was me – alone and waiting.

Like the desert waiting for the rain
Like a school kid waiting for the spring
I’m just sitting here waiting for you
To come on home and turn me on

Sometimes we have to be a home to ourselves. Sometimes we have to stoke our own fire, tend to our own hearth, and be satisfied, happy even, with the wait. Sometimes the wait is all there is.

My poor heart, it’s been so dark
Since you’ve been gone
After all your the one who turns me off
But you’re the only one who can turn me back on

Once in a while, though, maybe once in a lifetime, someone comes along and ends the waiting. And they are home.

My Hi-fi is waiting for a new tune
My glass is waiting for some fresh ice cubes
I’m just sitting here waiting for you
To come on home and turn me on, turn me on
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Friday Morning, Enter Fire

SUNRISE
By Mary Oliver

 

You can

die for it –

an idea,

or the world. People

 

have done so,

brilliantly,

letting

their small bodies be bound

 

to the stake,

creating

an unforgettable

fury of light. But

 

this morning,

climbing the familiar hills

in the familiar

fabric of dawn, I thought

 

of China,

and India

and Europe, and I thought

how the sun

 

blazes

for everyone just

so joyfully

as it rises

 

under the lashes

of my own eyes, and I thought

I am so many!

What is my name?

 

What is the name

of the deep breath I would take

over and over

for all of us? Call it

 

whatever you want, it is

happiness, it is another one

of the ways to enter

fire.

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High Holy Holding Pattern

As the high holidays kick into gear, I’m going easy on posts for the moment, as I’m starting a new job and want to focus on that, as well as getting ready for spring and trying to be healthier and happier – both of which require effort and work and living in a world off of the computer. That doesn’t mean I won’t be checking in regularly.

The easiest way to keep abreast is by that social media triumvirate of FaceBook, Twitter, and Instagram – each of which I try to update throughout the day, no matter where I am or what I’m doing. That holy trio often gives you a better pay by play of what’s going on with me than the lengthy diatribes and hot hunks you may find here. So friend me or follow me and we’ll have a splendid time.

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Bewitched, Bothered & Bewildered

It’s a memory that may not have actually happened. The time of the year is accurate, the weather quite distinct, and the location a very tangible one. The tail end of August, after a rainy day, on the very tip of Cape Cod ~ Provincetown. It was still summer, but barely, and the first hints of fall were seeping into the night. The year was 1995, and Suzie and I made our virgin trip to what might as well have been the edge of the world. Foolishly, we hadn’t thought ahead to make any sort of reservation (things were slightly different back then) so we entered the town after a long drive, exhausted and not in the mood for the lack of vacancy that was going on. Finally, we found a place – well, Suzie did – and I went along, relieved to lay down on a stationary object.

It was on a quiet side street, and after the rain the town had seemingly gone to sleep. The forecast had not been a happy one, but Suzie and I were just glad to be out of upstate New York, and near the water. Overcast and cool, we couldn’t care less. Depositing our suitcases in the room, we rustled up some grub and had a leisurely dinner. That night, Suzie stayed in while I took a short walk along Commercial Street.

A long line of men stood watching me pass by. In a tight black t-shirt and flowing linen pants, I must have looked like a cross between ‘The Birdcage’ and the clearance section of International Male. I was too young and inexperienced to know any better, and I strutted down the street like a bashful peacock, a haughty, arrogant air defying anyone to say hello, a mask of outward confidence barely betraying a bottomless well of insecurity. I pretended so long and so hard that it would eventually come true, but back then it was ordinary make-believe, a case of flimsy affect that I was certain people could see right through. Quickly, I passed the crowd, much quicker than it felt I’m sure, and made my way further into the evening. The air had cooled from the rain, and that glorious fragrance of its aftermath, the scent that always made the rain worth it, was lingering like a few scant straggling blooms of the privet. A few still managed to hang on, perhaps tricked by the upcoming change in season.

I’m wild again, beguiled again, a simpering, whimpering child again
Bewitched, bothered, and bewildered am I
Couldn’t sleep, and wouldn’t sleep when love came and told me I shouldn’t sleep
Bewitched, bothered, and bewildered am I…

That much of the memory is clear. Pristinely so. The only haze was that of the actual evening – my head recalls every nuance perfectly – until this moment. On a street off of Commercial – and it may be directly off, or the one just above, running parallel – a quiet portion of Provincetown revealed itself between green hedges and immaculate yet lush landscaping. There stood a guest house, and through its windows a warm amber light glowed. It was painted richly in shades of purple and lavender, with accents of brick red that somehow worked (though I would never combine them in any outfit outside of a circus). Gold was at play too, either in gold leafing or brass handles or some sort of filigree that wound its way into my memory. There was music too, faint at first, but it came to the ear if you stopped pushing gravel around, if you stood still and listened like we never really do. Scratchy at first, like the muffled old spinning of a true record player, it smoothed itself out into a soulful and creamy voice singing of love and sex and loss and relief.

Lost my heart, but what of it?
He is cold, I agree…
He can laugh, but I love it
Although the laugh’s on me.
I’ll sing to him, each spring to him,
And long for the day when I’ll cling to him…

I looked deeper into the house through the windows. A bookcase stood on one side of the room. A chair was placed by a small table. I thought of two old men having tea and coffee together, sharing a moment, sharing a lifetime ~ a lifetime of twists and turns exemplified by the languidly-paced music.

This was, I believe, my first brush with ‘Bewitched, Bothered and Bewildered.’ I’d just heard it in the film version of ‘Love! Valour! Compassion!’ so looking back it was probably that soundtrack that was playing. Ella Fitzgerald’s version, so dreamily slowed down into a dirge of desire, a meandering tale of the blossom and decay of romance, the tricky, capricious nature of love, and the way most of us would do it all over again no matter what.

He’s a fool and don’t I know it, but a fool can have his charms
I’m in love and don’t I show it like a babe in arms
Love’s the same old sad sensation
Lately I’ve not slept a wink
Since this half-pint imitation put me on the blink

I stood there, alone outside a guest house that wasn’t mine, near rooms that would remain forever closed to me, and looked into the dark sky. I wanted for something I could not put into words, for someone who seemingly did not exist. If you’ve ever wondered whether it’s possible to miss someone you’ve never met, yes, it is. I learned that then, as Ms. Fitzgerald told her wonderful, woeful, wild and winsome tale.

I’ve sinned a lot, I mean a lot
But I’m like sweet seventeen a lot
Bewitched, bothered, and bewildered am I
I’ll sing to him each spring to him
And worship the trousers that cling to him
Bewitched, bothered, and bewildered am I
When he talks he is seeking words to get off his chest
Horizontally-speaking he’s at his very best
Vexed again, perplexed again, thank God I can be oversexed again
Bewitched, bothered, and bewildered am I

Not having ever had your heart broken doesn’t mean you can’t access or know heartbreak – and sometimes loneliness exists even when you’ve never lost someone. I listened to the end of the song and walked back to our room. The next day, before departing, we’d visit the beach. A windy and wild day, it remained slightly overcast. The photos we took show us squinting into the rush of air and sand, hair blowing messily, propped against a travel pillow for whatever buffering effect it might produce. We read a bit there on the beach, listening to seagulls and the occasional snippet of conversation carried by the wind, and then it was time to go.

On our way back from the Cape, we brushed Boston, where these photos were taken. In a few weeks I’d return to Brandeis, but there, in the sudden dark, driving with Suzie, I was in a holding pattern. Waiting. Wondering. Watching for signs. The turn of the song, then, a surprise twist lending whimsy and humor and pathos, and for the next few years I’d find it all, even, and especially, when I didn’t want anymore.

Wise at last, my eyes at last are cutting you down to your size at last
Bewitched, bothered, and bewildered no more
Burned a lot, but learned a lot, and now you are broke, so you’ve earned a lot
Bewitched, bothered, and bewildered no more

Love, then, was a difficult business. It came in fits and stunts, it arrived unwanted and unheralded, it was there when you least expected it and elusive when sought out. It was a funny thing, made that way out of necessity. We’d all be crying if we couldn’t turn it on its head, but for me at least, it was hard to make a laugh out of such sorrow. Ella knew this, and her voice comforted and soothed. She said it would be all right, it would work out in the end, because sometimes we end up with the wrong people. Sometimes we have to go through the silliness, the sexiness, and the sadness, as she took us through the last lines of the song. Determined to leave it all behind, the words are a final declaration of defiance, and a chance to start it all over again with someone else. Back then, that was hardly an appealing notion. I wanted to fall in love once and for all and have it last forever. That was the romantic in me.

Couldn’t eat, was dyspeptic, life was so hard to bear
Now my heart’s antiseptic since you moved out of  there
Romance finis, your chance, finis, those ants that invaded my pants, finis
Bewitched, bothered, and bewildered no more.

And there it ended, not with a bang or a boom but with a simple “no more.”

The song haunted me for years. I wanted it to have a happy ending. I wanted it to work out. I wanted there to be something that matched the longing and yearning and wistfulness of the music. But it wasn’t happening, and eventually, after trying to force a few failed romances to be what they would never be, I understood. If it’s meant to be it will be. If it’s not, it won’t. Once I got that into my head, once it was understood, the world of romance became a much happier one, and I became a lot happier too. It was then that I embraced the song, every twist and turn of it, from the unlikely hope at the start to the freedom of the finish.

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The Music of Troy

The first time I set foot in the Troy Music Hall was when I was rehearsing for an Empire State Repertory Orchestra performance. It is said to have some of the best acoustics in the country, but I wouldn’t have known the difference if I’d been playing underwater. It was enough just getting through the staccato sixteenth notes of Copland’s ‘Hoe Down’ on the oboe, that most unforgiving of double-reed instruments. I’d been feeling knocked down by the competitive nature of the orchestra, and the demanding discipline it required of an already-fragile fifteen-year-old, but the beauty of the surroundings entranced me, occupying my worry and setting me at ease.

A couple of weekends ago we went to see a performance of Ciaran Sheehan, and the beauty of the hall, a well as the traditional Irish music, transported us to another time. The sound of the venue remained perfect, and the musicians who played that evening wholeheartedly agreed, opting to try out part of their program without any electronic amendment so as to enjoy the acclaimed acoustics.

Some people joke about Troy, and I’ve been guilty of that in the past, but there are good things here, and the music hall is proof of that.

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