Monthly Archives:

January 2014

Torn Between Two Lovers, Feeling Like A Fool

There are currently two television programs I’m watching (which is one more than is typical of me) ~ ‘American Horror Story’ and ‘Downton Abbey’. That about sums up my frame of mind, and my pathology in general. Taken together, they are a clash of cultures and sensibilities, and in many ways they couldn’t be more different. Yet I love them both. Such disparate taste makes it difficult for people to peg me, and all of those ‘If you like this, try this…’ Pandora-like recommendations that Amazon and other companies try to sell always fall flat. Just because I like Madonna doesn’t mean I’ll like Kylie Minogue. Most humans are too nuanced and capricious for such grand generalizations.

Occasionally they work: I was introduced to Jo Malone through all my Tom Ford purchases, and it’s been a nice working relationship thus far – nothing serious yet, but I’m open to pursuing something. Mostly, though, I ignore the pre-programmed suggestions. There’s something grotesque about being that predictable. No matter how accurate your algorithms may be, I will always surprise you. Just when you think I’m going to go straight for the new Tom Ford Private Blend, I’ll take an Hermes detour. And just when you think you have me pegged to an Hermes T, I’ll splash on a simple essential oil from Aveda.

As for ‘American Horror Story’ and ‘Downtown Abbey’, I’m quite enjoying the current season of each. The former, in its ‘Coven’ incarnation, is, I believe, enjoying its best season thus far. Jessica Lange and Angela Bassett are chewing up the scenery right and left, and the over-the-top antics (everybody seems to come back from the dead, for better or worse) continually manage to surprise and delight in their sickness. ‘Downton’ on the other hand continues to entrance with its own dichotomous study of the upstairs versus downstairs life at the Abbey. And there we have the duality that has always appealed to me. Like Batman and Wonder Woman, we are always more than one person. Most of us are several. Some, quite a bit more. Don’t make me choose a favorite.

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Christmas Carcass

The best part of not having a Christmas tree this year is not having to take one down. Usually I look around at the Christmas trees on the street at this time of the year with shame and disgrace (because ours often doesn’t get taken down until Valentine’s Day). This year I see them and smile in relief and glee.

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Window Gazing

This weekend, hopefully the last weekend we will be without a kitchen (counting on the fine folks at Empire State Stone to cut the granite and install it in timely fashion), I am making a trip to Boston – the last for a couple of weeks, I think (though that’s always subject to change). I’m still populating posts from tales from my last trip, and that’s good, as this one will likely be less eventful anyway.

The featured photo is a typical night in Boston at this time of the year. Looking out of the window, I can see the twinkling tower of John Hancock, fronted by the Copley Marriott and the Westin at Copley Place. Long-time haunts, all of them – going back to the 90’s – even the 80’s – for memories of my childhood. Along the street, lamps glow, lighting the way for evening walkers. Dirty clumps of snow remain stubbornly in some spots, and they’ll stay there until the next storm or thaw covers or removes them completely.

As of this writing, there are no definite plans for the weekend. I’d like to keep it quiet, fill the hours with reading or letter-writing. A few shopping excursions, of course, maybe a dinner or two out. It’s too early in the winter to go crazy. Too soon to feel so antsy.

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Art of Glass

To be honest (which is the only way I know how to be), I’ve never been a huge fan of Dale Chihuly’s glass sculptures. They always struck me as too Las Vegas-like, a little too colorful and flashy to resonate deeply. But this piece, soaring into the upper reaches of the Museum of Fine Arts in Boston, may have made me a believer. It helps that those particular shades of yellow and green look so stunning against a blue January sky, reminding me of the fresh growth of a garden in the spring.

Besides, of all people, how can I find fault with the colorful and flashy?

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Follow-Up On A Missing Finger

Returning to our table at Shogun, I see Andy snickering and shielding his mouth behind his hand as he whispers, “Wouldn’t it be funny if that was Max?”

“What? Who’s Max?” I ask.

“What are the odds?” he asks in return.

“Who is Max??” I repeat.

The kid who cut his finger off,” he says with a grin.

I turn around and look at the table behind us. A college-age kid sits before his sushi, a finger on his left hand bandaged in white. I look back at Andy, recalling that neither of us has ever seen the guy who lost part of his finger on a saw in our garage.

“Go ask him!” I exclaim. He shakes his head.

I hop off my chair and approach the table.

“Can I ask you how you hurt your finger?” I say, interrupting his conversation with a young woman.

“Oh, I cut it on a saw…”

“In someone’s garage?” I cut in.

He looks at me quizzically and says yes.

“That was our garage,” I explain, and by that time Andy is already over shaking his hand. And apologizing.

The odds of running into the guy who just cut his finger off while working on your construction project have got to be pretty low, but there we were, shaking hands – the good hand, at least – with that very man. We made some small talk – it turns out everyone knows someone who’s lost a finger – and then left them to their meal.

At the end of it, we bought Max and his date their dinner, figuring it was the least we could do. Hopefully the gods of kitchen karma have been somewhat mollified, and there will be no disembodied fingers haunting the garage.

(PS – Andy made me take the picture – and good-sport Max was game.)

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The Gay Soirée: An Invitation

It will be, quite simply, the hottest social event of the winter season, and you are cordially invited to attend.

Decadent, delightful, and nothing-short-of-divine, prepare for an evening of wild fashion, beautifully-blurred gender, and over-the-top eros – where everyone is welcome and no one is alone. As Norma Desmond once proclaimed over flaming red satin, “Let’s make it gay!” And so we shall… This will be The Gay Soirée.

One month from tonight ~ Saturday, February 8, 2014 ~ at a fabulous venue – The State Room – located at 142 State Street, Albany, NY ~ from 7 to 10 PM, we will return to the deliciously debauched world of the 1930’s, when cabarets spilled over with beautiful bohemians, sexy clientele, and to-die-for fashion. The music was hot, the cocktails were cool, and the guests were glitteringly gay (in any sense of the word).

That same magic will be conjured for The Gay Soirée. Ambiance and atmosphere provided by 1930’s cabaret music from Sonny & Perley, with dance music by DJ Robb Penders. Tickets may be purchased at www.capitalpridecenter.org or by calling 518-462-6138, and are $45 in advance, or $65 on the night of the event. There are also VIP tickets available at $75 which includes a 6 PM VIP Reception (during which complimentary wine will be on hand). All proceeds go directly to The Pride Center of the Capital Region, so you can feel good about feeling good.

Even if I wasn’t the Honorary Chair for this event, this is a party I would most certainly attend. (Since I am, you should see what I’m going to wear.) Get your tickets early so you don’t miss out!

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Mary Poppins, Fried Clams & Saving My Finger (And Mr. Banks)

Outside the grand Victorian home of my friend Suzie, perched midway up Locust Avenue in Amsterdam, NY, a snowstorm rages. The roads have become, for the next few hours, impassable. My mother, who dropped me off earlier in the day to play with Suzie, phones and says she can’t come to pick me up for a while. At the top of the winding staircase, I pause and look into the family room, feeling the first tears of fear and abandonment creep out of my eyes. I will them to stop, and Suzie’s Mom puts a comforting arm around me. I can’t be more than five years old, and it is one of the first memories that will stay with me for my entire life.

It’s a memory that melds with other memories of that stately house on Locust, where we spent our Thanksgiving and Christmas holidays, where we spent most of Suzie’s younger birthdays, where I played in the garden and shared grape taffy beneath a grape arbor. The sweet spring scents of bearded iris and peonies still bring me back to those days. A love of flowers was nurtured there, my love of gardening too. And my familial friendship with Suzie. She came to mind as I sat watching ‘Saving Mr. Banks’ the other day. I loved the film, mostly because I had such a love of ‘Mary Poppins.’ And fried clams. But I’m getting ahead of myself, and making a shambles of this narrative. Let’s go back again ~ to the first time I saw ‘Mary Poppins,’ and fittingly it was with Suzie.

It can’t have been too long before or after the opening memory. If my parents trusted me with anyone it was their closest friends, Dr. and Mrs. Ko (Suzie’s parents). Since Suzie was born two months before me, we were destined to be friends, though in actuality we were more like brother and older sister. It was one of the first trips I can remember taking without my mother, and it must have been half an hour away in Colonie, because we were going to have lunch first at Friendly’s. As we neared the mall, my fingers resting on the slightly ajar backseat window, enjoying the rushing air, Suzie decided to close the window. I felt the quick pinch but pulled my finger out just in time. (She was always cruel like that:) To this day, I will bring up that incident whenever I feel I may have been too mean about something, and always in jest. It’s a running joke – like red lobsters, hambones, and Japanese lanterns. Inside jokes, all of them.

At Friendly’s, I think I ordered a hot dog – well, I know I ordered a hot dog, because that’s all I would have ordered then. Suzie, though, was more daring, opting for the fried clams. I scoffed, if a five-year-old can scoff (and I probably could), but she insisted I try one. One turned into five, and before I knew it I was hooked. (Clearly it didn’t take much to appeal to my virgin tongue, considering how fried clams at Friendly’s must compare to something like this.) That was the day I learned to love fried clams – another milestone for which I had Suzie to thank.

But the big event was yet to come ~ ‘Mary Poppins’ ~ and once the movie began I forgot all about crushed fingers and fried food, and entered a magical world where escapism and fantasy were the only ways to deal with unconcerned parents, frightening bank executives, and other scary adults.

I returned to that world as I watched ‘Saving Mr. Banks.’ Only now there were other concerns, greater concerns, that couldn’t be solved by a song or a spoonful of sugar or a simple night of safe slumber. ‘Feed the Birds’ took on new nuances, deeper and darker meanings, and it seemed that certain demons unleashed in childhood could not be conquered merely by growing up. The ever-elusive happy ending dangled its kite tail high in the sky, far out of reach, well beyond a little boy’s grasp.

Oddly enough, I realized then that no magical nanny was going to fly in on the East wind, that one day I would need to create my own magic, fill my own carpet bag, and jump into my own chalk-drawn fairy tale. I knew too that sooner or later, like Mary Poppins herself, my time to fly away would always be just around the corner. The wind would eventually change. I would eventually come to be unwanted.

What I didn’t comprehend then was why I would cry over ‘Let’s Go Fly A Kite’. I thought it could only be because Mary Poppins leaves at that point. Now I understand that it’s a little bit more.

“It’s what we storytellers do. We restore order with imagination, we instill hope again and again and again.”

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What Price, Beauty?

When confronted with a collection of kimono before me – in a dazzling array of colors and fabrics, from the subtlest gray to the brightest poppy red, from the softest of silks to the starchiest of cottons – there are always three questions that pop into my head:

Do I need another kimono?

Do I have the money to pay for it?

Do I have the self-deluding manipulative ability to justify such a purchase?

Usually, the answer to all these questions is, at least in my crazy mind, a resounding yes. But the real question behind those concerns has always boiled down to this: what price, beauty? And for that – for the balm of beauty – no price is too high, no sacrifice too great, no other outcome than that most happy of words: YES.

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Japan by Way of Porter Square

When I was attending Brandeis University, I had to take the Commuter Rail to get into Boston. The first T-stop it reached was the Red Line at Porter Square, which was just one stop from Harvard Square, so I usually got off there, and rode the enormous escalator down into the station. Porter Square has come a long way since the late 90’s, and when I was looking up some places to go for udon noodles, the Shops at Porter Square popped up.

It had literally been well over a decade since I strolled this part of Massachusetts Ave., and many more stores and restaurants had opened up. Within a tiny mall-type space, a cluster of Japanese restaurants and shops buzzed despite the early hour (it was about 11AM), and there was already a line of excited diners waiting to grab a seat at the ramen restaurant. I bypassed that (there’s nothing I hate more than a line) and found a more unoccupied place selling noodles a few doors down.

After gorging myself on a steaming dish of udon noodles and fresh vegetables, I waddled over to a store selling ceramics, tea pots, tea holders, and other objects from Japan. Beautiful glazed work set the hearts of bowls and dishes aflame, while intricately-patterned paper covered small boxes and containers. Chopsticks of simple yet elegant wood managed to be as striking as the glossy lacquered decorated versions that seemed to sparkle in the light. Beauty was all around. The gray day sank from my mind.

Then, as I made my way to the end of the store, a row of kimono hung in stately form ahead of me. I was powerless as to what happened next… (and I think you already know.)

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The Eve of New Year’s Eve

As I write this, it is the day before the last day of the year, and I sit once more at the table in the Boston condo. To my left, the Hancock Tower twinkles in the cold night sky. Perched perhaps precariously close to this keyboard is a large mug of hot chamomile tea. Tendrils of steam curl off its surface, and I blow on it each time I take a small, quick sip. The day turned progressively colder as the sun went down. The wind picked up. Whispers of trouble at home, if we can ever really call a place home, have reached me even from a distance. Unlike others, I will not get into blaming or acting a victim. Tonight, I am alone. Contentedly so. Neither lonely nor sad, neither giddy nor drunk, I sit in the single place where I’ve ever felt completely at ease, completely myself.

I wear a somewhat garish silk kimono, procured a couple of days ago at The Shops at Porter Square. I went there for some soba noodles and came home with a kimono. It seemed a perfect trade-off. It eases the pain of so much ugliness in the world.

On this evening, I eat the remains of a Basque fish soup that I made the night before. Rather than run wild on such a cold night, I will stay here. Read a little. Maybe watch the DVD of ‘Grand Hotel’ that I brought with me but have never seen. Or perhaps I’ll just sit still and be very quiet. I’ve made enough noise this past year (though far less than some would have you believe – I don’t break things outside of my own house, thank you very much). But I suppose when you break something you run the risk of being blamed for breaking everything.

Across the street, the third floor of another Boston brownstone is occupied by warm light, and holiday candles in the windows. I’ve watched this person make dinner for almost twenty years – he is (now) an elderly man with gray hair, and whenever I’m in town I see him hunched over his stove, working on dinner. It is a great comfort, especially when so much of life is uncertain. I do not know for whom he cooks. I’m assuming it’s for at least one other person, else why would someone go to all that trouble so consistently? Maybe I just want to believe that. Maybe I don’t want anyone to be alone.

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A Brutally Cold Recap

We’ve had quite the frigid spell of late, which has kept me house-bound more than I’d like, and made things doubly-difficult when in the midst of home improvements and a far-from-fully-functional kitchen. However, progress continues, and that forms the majority of what went on here this past week. (New Year’s in Boston posts to come… if you’re good.)

Christmas came but a short while ago, but I still want More.

Lucky #13: the end of a project.

The year came to a not-quite-perfect close, but that made for a not-quite-uninteresting epic recap: Part 1, Part 2, and Part 3.

Since the word of the year was ‘selfie‘, let’s look to James Franco to tell us all about it.

The eve of eves.

The days and nights may have grown bitterly cold, but there were naked male celebrities to keep things hot, especially with the shirtless likes of Brent Corrigan, Tyson Ballou, Ben Cohen, David Agbodji, Clarke Wesley, Brad Kroenig, and Wilson Cruz.

Even more exciting than a bunch of nude male celebrities. however, was the renovation of our kitchen. It’s come a long way, from the bare bones and wooden studs to an orange floor and the first bit of light at the end of the tunnel. There was a minor missing-finger-mishap, but the end result is coming together, and already looking like it’s going to be worth it all.

Throughout it all, my other home in Boston provided safety and sanctuary.

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Matthew Camp Smells Good

Rugged, raw, and just rough enough to keep you on your toes, Matthew Camp’s ‘8.5’ fragrance is not for the faint of heart or weak of spirit. It comes on strong – powerfully strong – like the first sting of a strap of black leather against the skin. It stays there a while ~ potent and rich, intoxicating and enthralling ~ daring you to sniff a little deeper. If you’re up for that, it unfolds into something more resonant, notes of cedar striking a natural balance to the opening chords of leather ~ a primal, raw-hide feel of the supple and the sublime. How can something so rough be so smooth?

The package I received of the 1 oz. size came nestled in scraps of black leather, in a box bearing the boldly abstract initial of the artist himself. More than a simple scent, this was an experience – a heightened brush with all the senses ~ something that captivated and provoked the sexiest of thoughts. If daring and desire could be bottled, this may just be it.

It’s rare that an artist’s fragrance embodies who they are so solidly, but Mr. Camp has turned his sexy image into something that can be seen and smelled. It’s as if a little bit of his dangerous charm rubs off on you whenever you wear it, a devilish glint of sexiness coming off the skin like the quickest flick of a whip.

Lingering there, on whatever pulse points you want to accentuate, his fragrance envelops like the slow tightening of a belt, the lacing of a restraint, or the simple pull of a collar. It’s bound to you now, tied up with implacable dark beauty, imbued with an animalistic spirit. It cannot be tamed or contained, and once you open that glorious bottle, all bets are off.

‘8.5’ is available directly from Matthew Camp’s website here.

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When Boston Became Home – Part 2

In the night, after the cold, the snow came. We awoke to a world wholly transformed from the darkness the evening prior. Sun glistened off every surface outside, a world of white – the brightest white – galvanized by the lightest blue sky, and all that glorious light poured into the condo. Any hesitation about the darkness of my color selections went out the tightly closed windows.

That day, we began the bedroom – in a deep blue. That included the ceiling too, which I thought I would soften with a little trompe l’oeil cloud action. If it sounds tacky and cheesy, it totally was. There’s no accounting for the taste of a twenty-year-old, particularly if said guy was raised on a diet of Norma Desmond, Madonna, and ‘Priscilla: Queen of the Desert’. That said, it didn’t look entirely atrocious. (Okay, the white fringe of the canopy bed that was to come may have been atrocious.)

As curls of smoke rose from one of my Uncle’s ever-present menthols, he paused and looked around. Every now and then he did that. Surveying what had been done, and what there was yet to do. I didn’t quite have that grasp of the big picture yet, I either fell so completely and close-mindedly into the task at hand or grew antsy at seeing only the end result. My Uncle could gauge both, but he had experience and I had none. He went into the other room. We needed a hammer. And nails. And something else, the memory of which now – at long last – eludes me, quite sadly. This is why I write things down. A trip to the hardware store was needed. I volunteered to make the trip, being the only one who knew where it was, but I hated to miss one moment of anything – so enraptured was I in having time with my favorite Uncle. I hurried out into the bright, beautiful world and stopped. It was a brilliant day. A gorgeous day. The cold had lifted a bit with the arrival of the snow. The sun was shining, unobstructed by cloud cover. This was how we survived the winter, I thought. With this brightness, with this light. You never got this in the summer. The temperature was the pay-off, but at that moment, surrounded by sun and ice crystals and light ricocheting off every spot around you, the pay-off was a bargain. My trip to the hardware store was my only time alone for those few days. There was beauty in solitude, and there was beauty in companionship. I’ve always felt slightly in the middle. When I got back to the condo, the guys had started on the bathroom. (That would be the peach bathroom – the only real misstep of the whole endeavor – and the room that would be painted over the most – its brick wall defying a complementary color to the very end.)

I set the bags down in the cluttered living room, and removed my coat. We were nearing the close of our time together, the close of these few precious days, and the beginning of my time alone here. There was suddenly a heaviness in my heart, far weightier than the hammer in my hand. I wasn’t quite ready for it to be over. I would never be ready for it to be over.

On the last morning there was still some work to be done, but we finished on time. The clean-up was quicker than anticipated. Begrudgingly, with dragging feet and stall tactics in full-effect, I helped them pack their things. My Mom arrived as scheduled, and soon they were on their way. I didn’t return to Amsterdam with them, I stayed in Boston. A new life had begun. A new home had been created. It had taken family, and that’s why it would sustain me. There was love here, even if it was only the love that I had given ~ it still counted.

All of the important people who have made me into the man that I am (for better or worse) have inhabited this condo at one point or another. They’ve visited and spent time within these walls. They have slept and eaten here, retired and woken, laughed and possibly cried. I’ve done all that and plenty more, and it’s still not enough.

Tonight, I sit at the laptop typing this out, and feeling as grateful to be here as I did almost twenty years ago. Two decades. Living, laughing, and loving… Here’s to the next twenty.

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When Boston Became Home – Part 1

Looking out the window onto Braddock Park, I am sitting at the table in the front of the condo on a reasonably warm late December evening. I haven’t written here in a very long time – not on a computer at any rate. It feels strange and exhilarating, a return and a new beginning all at once. The first time I did so was in the earliest part of 1996. We’d only just closed on the condo that previous November, and it didn’t quite feel like home. I’d stayed here in the first few weeks – in a sparse, barren, completely unfurnished place that didn’t even have a light in the bedroom. There was no couch, no bed, not even a chair to sit upon – and I loved every minimalistic minute of it. Without television or stereo or computer to entertain, I was alone with my thoughts. Any voices I had in my head were free to chatter, to no avail. Once those voices tire out, they tend to leave you alone. Still, such quiet was not meant to last – at least not when it concerned wall color and furniture. I needed to put the Ilagan stamp on the place, or it would never be ours.

That year, my favorite Uncle and a few cousins were visiting for the holidays, and we cajoled them into going to Boston and painting the condo. (By ‘cajole’ I mean my father probably gave them a hefty sum to put up with my fanatical attention to detail and color coordination, and paint the place in a professional manner.) It’s what my Uncle did for a living, so it would be done properly, and I was itching to try a rag-off technique I had been reading about in some painting book. I also wanted all the white walls to disappear, so after New Year’s Day my Mom dropped us off and we set about that first night to prepping the place for painting the next day. According to my Uncle, the preparation was where the real work in painting happened – and also the most important part of a proper paint job. We sanded and scoured, set up ladders and laid drop cloths, made a bunch of coffee and smoked a bunch of cigarettes. It must have been midnight when we finally crashed – on cots and sleeping bags (there wasn’t even a bed yet).

The next day, they were already working when I awoke. The kitchen was almost done, in a rich astroturf green. No boring neutrals here, not for some time. I was more excited about the living room. I taped off the plastered crown molding and painted it in goldleaf. Yes, I was that garish at the ripe age of twenty. (All gay guys have to grow out of this phase. Some never do. I was lucky.) For then, though, the gold went perfectly with the bordello red I had in mind for the living room. I figured the rag-off technique would soften the glaring hue, and to an extent it did.

My Uncle would roll the color on, and I’d take a rag and dab it quickly before it dried, leaving a mottled look and a softness to the walls. In person and up close it worked quite well. In photographs it simply comes across as a fire-engine worthy explosion of bright, flaming red. Let’s make it gay indeed. My Uncle and cousins never said a word. Well, they probably did, but nothing too harsh or I’d have remembered. Instead, we all worked into the evening, when it was time for a break.

One of my Uncle’s favorite things to do was watch a James Bond movie. A new one had just opened that Christmas, so I brought everyone to the Copley Square Cinemas (back when there used to be a movie theatre at Copley Place). We ordered popcorn and watched the movie, and when we finally began the short walk home, the temperature had turned brutally cold. If it was frigid for me, I can’t imagine what it must have been like for a few native Filipinos, one of whom had only ever encountered the ‘cold’ climate of Washington, DC and only saw snow for the first time when he visited us in Albany once. I will always crack up remembering my Uncle that night, rushing down the street with a tiny scarf tied around his head like some ancient Russian woman, looking like a crazed bat out of hell and asking me frantically why it was so cold. I literally had to stop walking because I was laughing so hard.

That night we returned to the condo, to its warmth and solid walls, to its honey-like amber hardwood floors, to its hot water ~ and we gave thanks for its comfort. I knew then that I was home.

{To be continued…}

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When the Good Guys Are On Your Side

I’ve known since the first day of this kitchen renovation that we had the best contractors in the business, but that was confirmed when I turned on the television and let ‘Renovation Realities’ on HGTV run through a few episodes. The premise of the show is that a husband and wife (no husband and husband, or wife and wife just yet) tackle a home improvement project (usually a kitchen or a living room) and go through the trials and tribulations of non-experts attempting jobs only an expert should be executing. After another hapless couple failed to figure out how to open the plastic packaging of a tape measure (come on), I breathed a sigh of relief that we had the expertise, know-how, and execution of Skylands Services. I cannot expound upon their virtues enough.

If you look closely, you’ll see that the kitchen is filling up. Yes, that’s the refrigerator! And the beverage center! And the oven!! Do you know how excited that makes us? You can’t know, because you’re probably able to get something out of the fridge or pop something into the oven right now if you so desire. We almost didn’t have these valuable items for this frigid weekend, thanks to a delivery issue at Lowes, but Andy got on the phone and called in another truck to make the delivery happen. It was later than originally scheduled, but the guys at Skylands rallied and installed them so we could at least survive until Monday.

In addition to protecting us from what we didn’t know, (their advice to not pay in full for items not yet delivered proved invaluable) they also offered sound and creative solutions to problems and design questions, while taking into consideration our wishes and whims (and we all know how whimsical some of us can be). More than that, though, it was their unfailing attitude in the face of any setbacks, and an indefatigable can-do spirit that lifted both Andy and myself every morning (often showing up and starting the job before we were even out of bed). That’s the kind of finishing touch that makes a contractor go from merely competent to practically perfect.

 

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