Because it’s Monday.
Because it’s always a good time for a gratuitous photo of Tom Daley in a Speedo.
Because Tom Daley looks good showing off his bulge, his arm pits, and his torso.
April 2013
Because it’s Monday.
Because it’s always a good time for a gratuitous photo of Tom Daley in a Speedo.
Because Tom Daley looks good showing off his bulge, his arm pits, and his torso.
That’s about as profound as it’s going to get here today. Just another Manic Monday…
It was a week dominated by the unreal tragedy at the Boston Marathon, and the subsequent manhunt surrounding the Boston area, and as such I was slightly all over the place, unsure quite how to deal with it blog-wise, ultimately ending up with a single written letter to the city I love so much. I have nothing left to say about it at the moment.
When things turn crazy in the outside world, I tend to turn inward, to friends and family, especially when they remind of childhood innocence, as in the birthday joy of my niece and nephew.
Other distractions could be found in the vain, vapid, and ridiculous pornstache I had going (and which finally went bye-bye for real last night.)
What separates the men from the real mean, and the women from the real women.
Once-a-freaking-century this happens, and of course it has to happen to my prized possession.
There was only one official Hunk of the Day for the week, and he managed to shine and doff his shirt, as evidenced by the great Colby Keller.
To make up for the dearth of shirtlessness and male nudity, I offered what was behind Doors One, Two, and Three.
April showers sometimes bring April flowers, as seen here and here.
While searching through my flash drive I realized that I never posted the Easter outfit from Boston, and as I’ll be departing Massachusetts for another week or two, it seems a fitting time to put it up. Besides, these are all filler posts until I return with a new batch of inspirational photos. As you read this, I’ll hopefully be traversing Massachusetts and New York, a little spent, a little tired, but emotionally satiated from having seen some very good people.
This Phalaenopsis was a wedding gift from a friend, but in the stuffed car that transported all our gifts from my parents’ home to ours, there was no room for the magnificent spray of blooms that rose from it at that time. Since then, we never got around to bringing it over, so it has remained in residence there, where it has sent up at least two rounds of blooms since 2010. It’s showing off again, a reminder of that glorious summer, and a bang-up banner way of announcing the new spring. Let the showers bring the flowers.
This small patch of Scilla siberica marks the first bit of greenery and color the garden has produced this year. It goes head-to-head with the blooming of the Helleborus a few feet away. It’s been a slow spring to break, and I’m hopeful it continues to take its time before the deadening heat of high summer. Most years the beauty of spring goes by too fast – one of the reasons I love it so much. The temporal, the fleeting, the evanescent – these will always have the greatest draw. In people, and in plants.
To the person who successfully identifies where all three photos were taken in Boston, a cocktail of your choosing. (And yes, I know I already owe one or two of you cocktails for some musical trivia – just remind me and we’ll sauce it up.)
A castle with a turret and a drawbridge. A damsel in anything-but-distress. A fireside hearth, before which a pink and diamond-studded shoe dries on a grate. And a yarn-tailed pony, resting on its side, ready to be brought back to life by a little hand.
When I was a kid, this sort of scene would have kept me occupied for hours, as I imagined all kinds of scenarios, setting and reconfiguring this castle, moving all its occupants (Piglet included) and enacting various far-fetched daily dramas for the knights and queens and animals. In truth, I made just as much out of a cardboard box that Dad would bring home from the hospital, and never really thought to want more until I got older. I grew and fostered my imagination because I had to, and I wouldn’t have had it any other way. If children can’t learn to entertain themselves on their own, without fancy phones or sensory overload, they will never be satisfied as adults.
I’m starting to sound like a grumpy old man, and perhaps I am. There may be nothing new under the sun. I do wonder what’s becoming of imagination, when all the wildest experiences can be conjured on a computer screen, so readily at hand, so easily explored. Maybe I just want to go back to being a kid again. Maybe that’s what we all want in some way. Maybe that’s why children are so captivating to some of us.
Plans were made for a weekend in Boston a number of weeks ago, and I am not about to be dissuaded from visiting the city I love by what happened at the Boston Marathon. In fact, if anything, it has galvanized my desire to be there. I will never be afraid to be in Boston. And quite honestly, there’s probably never been a safer time to be in town.
The featured pic here is the wallpaper we discovered a year or two after we purchased our house. Hidden behind a cupboard we were taking out, it was a nice little surprise from the 70’s. For campy atrociousness and vintage gay porn, it fits the bill (much like my current facial hair – hey sexy pornstache!) Yet for a home that you’re trying to drag into the new (now old) millennium, it had to go. Much like the last of the paneling that lined the stairway to the cellar. For years we kept it as it was – a faux-wood-grain, dark and dungeon-like, but too onerous to even contemplate painting. (Certain stairways run deceptively high – at its highest point this must have been at least thirty feet. Until you’re on a shaky ladder at that height, you don’t really realize how frightening that can be. I foolishly looked down and almost passed out.) The other peril of painting while wearing a sleeveless Patriots shirt can be seen below: paint gets everywhere, even under the watchful control of the most meticulous Virgo. But in the end, the results were worth the war wounds, and the final vestiges of 70’s influence have at last, eleven years into owning our home, been eradicated.
Tricky thing, time. Plays all sorts of jokes on us. Even when we get it right, which is more rare than we realize, it still laughs, dismissing our vain notion of having mastered it. We are always at its mercy. So much of life is about timing. Too much, if you think about it. And it’s always a losing battle. Still, we seem to want to do our best to kill it, to stop it, to slow it, to move it, to hasten it or to rewind it. It’s never, and it’s always, the right time.
I like this song. It ticks along as if it has no timely agenda, just soulfully spreading its mellow vibe out over the night, into the break of morning. The passing of a day conveyed in the dark. The twirling of a clock, infinitely circling. The stillness of the hour. The hour at hand…
The bouquet is pretty enough. Deep pink blooms, a delicate fragrance, and dark green leaves comprise the vase of roses I picked up for Andy. The photograph came out decent enough as well. So why don’t I like it? It’s a pet peeve of mine: store-bought flowers, as pretty as they photograph, carry less weight and beauty for me than something that came out of my own backyard. It’s easy to stop by Fresh Market or Trader Joe’s and pick up the materials for a proper bouquet. It’s simple to artfully arrange them in a vase and coax them into full bloom. And it’s a breeze to wait for the morning light to dapple in through the curtains and give the flowers the necessary illumination to present well, but somehow it all rings hollow.
Give me a looser, wilder, rougher collection of blooms any time. Give me shorter stems and home-made filler (Miscanthus works surprisingly well). There’s something about those flowers – more prized for their less-than-abundant number, more meaningful for knowing all the hard work that went into them – that speaks directly to my heart. They’re not as bright, or big, as the store-bought ones, but I value them because of it. They will always be more beautiful that way.
Last year we lost one of our two Fargesia nitida bamboo stands. It was a devastating blow, particularly when you consider the circumstances: the fountain bamboo flowers only once in its lifetime – after about a hundred years – and then promptly sets seed before dying a quick death. The odds of purchasing a Fargesia around the time of its blooming period were pretty slim – but it appears this was one of those times. I’d been nurturing both plants for about seven years, and they were finally a decent size, reaching up to the roof of the house, and starting that gorgeous cascading effect that gave the grass its common name. When I noticed that the bamboo on the East end of the house was starting to bloom last year, my heart sank. I knew what was to come. The small yellow blooms passed, the seed set, and then it turned brown and dried up. It was sad and quick, but I let the seed ripen and collected as much of it as I could, hoping to sow some this year.
I walked the length of the house to examine the other Fargesia stand to see if it too was going to give up the ghost. Luckily, there were no signs of flowers, so I breathed a slight sigh of relief, and pocketed the worry that since they were purchased from the same place at the same time, it was likely this was going to bloom in a year or two. The other day, I looked out of the bedroom window and saw the scene below:
This is the bud of the bamboo flower. It will bloom in the new few weeks. Then it will set its seed, and the beautiful plant will die. Both corners of our home will be bereft of their bamboo buffer. The gorgeous softening those plants have provided will suddenly cease, the peaceful countenance they somehow inspired will subside, and the corners will jut out once again. The only hope that will remain are the seeds I will try to collect again. These precious vessels will be our way of continuing the beauty. I’ll give some of them to my Dad (he is the original gardener of the family, and he does much better at sowing seeds than I do) and I’ll try to get some growing back in their original spots. By the time the next owners of our house arrive, they may be back for another hundred years of beauty.
You were the first city I remember visiting outside of the town in which I was born. I couldn’t have been more than five, but I remember the bus ride and the aquarium ~ the penguins and the seals. Your windy waterfront and the glorious smell of the ocean drifted over your cobblestone streets, and though the day was gray and overcast, I fell in love with you at first sight. The Chinese yo-yo you granted on parting – a gift procured from one of the bull-markets – saw me home, its soon-to-be-tattered purple paper reminding me of the place I would one day go.
You were the city where we watched ‘E.T.’ for the first time, and I forced myself not to cry even as Mom and Paul let loose their torrents. We stayed in a Holiday Inn then, right next door to the theater, and across the street was a flower shop. You showed me my first brush with beauty, with art, with the wondrous resources a city had on hand.
You were the backdrop to weekend visits with my Mom and brother, the first safe place we could roam as we were growing up. Now ten or eleven, we were allowed to venture forth from the Marriott into Copley Place, and my brother and I wandered into the doors where we were welcome, back when there were art supply and book stores, card and novelty shops. Your glass walkways cradled us from the weather, from the night, from the outside.
You were the first place I watched a professional baseball game with my whole family, as the Red Sox beat the Blue Jays the year they almost (almost!) took home the World Series. Sitting in Fenway Park, I cradled a small brown bag of Paperwhite Narcissus culled from a trip to Faneuil Hall – more precious to me than any baseball paraphernalia – but even if bulbs trumped balls in my life then, that year I was the only kid in the entire 6th grade class of McNulty Elementary School not rooting for the Mets, and eating all the Bill Buckner crow they dished afterward.
You were my home-away-from-home when I went away to college. Whenever I got lonely at Brandeis, I could find my way to the places and haunts where I had walked as a child, feeling comforted by my history there, by happy memories, by the city that had so warmly imbued my childhood with stability. When I was homesick, you made me feel at home, and in time it was impossible to feel homesick in Boston, because you had already become my home.
You were the first place I found a job of my own, at the Structure in Faneuil Hall, looking out over Quincy Market – the place I knew in my heart I would one day be working. You introduced me to your friends, the hard-living co-workers with the staunchest Boston accents – ones that almost required a translator when and if drinking was involved.
You put my first gay dance club right in plain but hidden sight, behind the darkened windows of Chaps on Huntington, and after a few White Russians you raised my hands in the air with a hundred other gay men and showed me the life-saving soul-affirming tradition of Sunday tea dance, and the glory of that moment has gotten me through every Monday morning since (even if the ride to work has at times been a little rocky).
You were the first place I ever lived on my own, without the security blanket of a roommate or the safety net of a dorm beneath me. I still remember that cold night at the very end of fall, when I trudged back to the condo alone, and could not bring myself to face the loneliness. Instead of weeping or giving in, I turned around, away from the safety of the empty rooms and into the arms of you – into the arms of the city – where all the strangers bustling about your streets were more dear to me than a solitude broken only by my mirrored reflection.
You shone your moonlight-capped crests of a million little waves as I looked out over the harbor on a frigid wind-whipped night in January, lamenting one of many guys who didn’t love me back. You were always there for those heartaches – from the first time I ever kissed a man in Beacon Hill, to the clandestine kiss with my last boyfriend (before Andy) in the Copley Fairmont Hotel. I think I may remember you most fondly, if a little sadly, for being there to pick up the pieces when it all fell apart.
You held my head on your cool pavement when I was throwing up lobster claws in the drunken aftermath of a breakup, and you kicked my ass when I started to feel sorry for myself. Your churches and cobblestone streets had seen so much more hurt and pain and suffering than I’d had the luxury of avoiding, and you always brought me back to a better place.
You showed me – far more than a fancy college education ever could – how to dig deep, to suss things out for myself, to look closer when in doubt – and you slowly opened up your secrets to me. The way the legendarily-cold New England attitude of people was mostly merely for show, how you would let down your guard if I just kept at you, if I made a friendly overture first, if I broke through that initial coldness – and it was a lesson I learned both ways, inside and out – how to protect and safeguard, but also how to let people in. And once you proved yourself, once you showed yourself and some mutual respect, some of those cold people would stand by you and defend you to the end.
Your springs and falls more than made up for the extremes of your summers and winters, but there was beauty always in something you provided – the dangling blooms of a weeping cherry tree, the scarlet shower of a shedding maple, the stilled muffling of a snowfall in the night, or the simple power of the midday sun over a bag lunch in Copley Square.
You married me to my husband in your Public Garden, as the swans set up their nest, and the squirrels rattled up the trees. You brought our families together on that beautiful day in May, and you never turned your nose up at my torn jeans or sunglasses. (I think you liked my Burberry.)
Your marathon was, I must admit, mostly a source of contention for us – trapping me one year, a block from the finish line, and on the wrong side of Boylston, when I was working on Newbury Street, thus preventing me from getting home after my shift. It also wound its 26 mile way exactly where we were trying to drive one time, forcing us to go – yes – 26 miles out of the way before we could double back. But each time I felt frustration, I’d look at the runners, and mostly the people waiting for them and cheering them on, and think what a wonderful thing that Boston was so supportive of everyone – people from every part of the world – and I got misty-eyed that they were handing out paper cups of water, towels, or simple high-fives to everyone who finished. On this one day, we were all Bostonians, and we were all in this human race together.
You’ve always been there for me, Boston. When I couldn’t count on friends or family or anyone at all, it was always you who remained steadfast and true. When I couldn’t even count on myself, you picked me up, brushed me off, and gave me a friendly nudge forward. In the darkest of nights, your Hancock Tower twinkled, guiding the way, and my eyes, to heaven. And though you are hurting now – and though we cry along with you – please know that you are never alone.
We love you, Boston.