Monthly Archives:

January 2013

Week In Review

Unlike many websites, I get the most traffic on weekends and holidays. (Most likely because people are away from their work filters… and that damn Amtrak.) But there are those staunch visitors who come here on weekdays too, and for Monday morning I’m going to try to do a weekly-roundup of the previous week’s highlights. Due to the format of The Blog, only the last four entries are featured on the main home page – the rest you have to manually “Continue reading” after each post to go back through the Archives. This will hopefully make that easier in case you missed a few days.

 

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Viewing Whip Lash, And A Breakneck Golden Globe Dress Rundown

From a marathon of Martha Stewart cooking lessons and a pair of Sunday Football games, to the Golden Globes and a detour to ‘Downton Abbey’, this afternoon/evening of viewing selections has my head spinning. Here are my first-look quick-takes on the dresses of the Golden Globes (I may or may not update these as the evening progresses):

  • Zooey Deschanel – Your fingernails are the biggest joke, the dress a close second.
  • Katherine McPhee – Katherine McSlutty.
  • Claire Danes – Classically gorgeous in Versace – that’s how you do red.
  • Amy Adams – You forgot to do one side of your hair. Not sure which one.
  • Ne-Ne Leakes – Nay-Nay.
  • Julianne Hough – My favorite of the evening. (I like it over-the-top, even the punky hair.)
  • Jodie Foster – So much for bucking badly-dressed-lesbian stereotypes (assuming you’re a lesbian – not sure what you were saying exactly). PS – I will never like navy. Especially beaded navy. What is the point of beaded navy?
  • Olivia Munn – Take that turquoise bead craft basket off this instant.
  • Lucy Liu – Why the ratty side pony, and a dress cut from my mother’s curtains? Why oh why oh why?
  • Jessica Chastain – I love you, and it kills me that your hair was styled like that and your dress so ill-fitting.
  • Jennifer Lawrence – What in the hell is that dress doing to your breasts, and why would you let that happen?
  • Taylor Swift – I actually don’t hate the dress. But I still hate you.
  • Julianne Moore – In Tom Ford. I love him too much to say anything now.
  • Halle Berry – A rare mis-step – wretched and raggedy.
  • Eva Longoria – I think I just saw your labia through that slit.
  • Giuliana Rancic – Love this – elegant, delicate, and a severely chic neck-line.
  • Nicole Kidman – Love you, love McQueen, but this fell short of expectations.
  • Sienna Miller – Lose the bib. Oh wait, that’s your top.
  • Adele – I think you’re gorgeous, but that dress is totally disguising it.
  • Kate Hudson – Sorry, Morticia, those garish golden accents have got to go.
  • The President of the Hollywood Foreign Press – Thank God you were funny. Because your accessories were too.
  • Salma Hayek – You took out one of those Golden Globe kids with either the front or the back, didn’t you?
  • Jessica Alba – I don’t know how it stayed up, but the color and the mermaid tale of the dress were perfection.
  • Bill Clinton – What the fuck are you doing here?
  • Jennifer Garner – That’s a pretty color for a garbage bag.
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Pats on the Back

The Patriots are playing today as we near the culmination of the football season, and while we’ll never match the Madonna-graced heights of last year’s Super Bowl, we’re doing a build-up anyway in the hopes that the Pats make it to the Big Game. (According to gay whiz Nate Silver, it’s going to be a match between the Patriots and the Seahawks, in which case I’ll be able to cry out, ‘Squish the Flying Fish!’) [Update: And the Seahawks just made a pretty major come-back to set up Mr. Silver to be correct…] [Second Update: Mr. Silver was wrong – the Seahawks just lost by two… the perils of pre-programmed posts.]

For today’s Sunday Football post, a pair of favorites: Wes Welker and Tom Brady, both of whom have been Hunks of the Day.

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Classic Shot Series ~ Sepia Rope

Continuing our month-year-long celebration of a decade of www.ALANILAGAN.com, this is one of the “Classic Shot Series“, taken some eight or nine years ago. Someone on FaceBook (whose profile pic was some cat or flower) challenged me to what made these photos “classic”. I thought of a number of responses, but in the end it came down to this: because I said so. And screw anyone who’s going to critique my pictures when they don’t even display one of their own for their profile.

This set was also shot for ‘The Divine Diva Tour: A Fairy’s Tale’, intended for the build-up to the finale, which takes a darker turn. The notion of a picnic basket lends a fairy-tale aspect to the scene, but the rope inside gives it a decidedly different feel. Both menacing and threatening, there is also a comedic element that is exemplified by the sunglasses and the shoes – dangerously high platforms that, in person, removed any real danger to the persona on hand.

Tie me up, tie me down…

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1:13

It started as he was walking down Newbury Street, just a few days into the year. He paused, struck by the realization that it may never have happened to him. Though expected on this day, it still caught him by surprise, to be outside at the actual moment a snowstorm began.

Surely he had been out when it was snowing before, and probably close to the very start of it, but not like this, when the snow was just barely appearing in the sky, when it evaporated before it came close to the ground, when the air swallowed it up instead of spitting it out. He would follow the downward trajectory of a large flake and it would simply disappear. He watched them fall, against the dark background of bricks, and still none of them managed to last. It was a strange thing, the way it started, the way everything started, and how rare it was to notice the beginning. He continued on, pulling his scarf tighter around his neck.

The stores still had their Christmas decorations displayed. What had always been a bother to him, a bump on the road of getting on with it, was, in the days after Christmas, more of a comfort. They no longer shouted false or forced merriment, they were a sign of the effort. Speaking in a quieter manner, they resonated differently with him now, their meaning and intention somehow more pure as soon as the hubbub had died down. If he was a person who took pictures, this would be the time when he would take them. The days after rather than the days before. Anyone can get themselves worked up into a frenzy of a few days – it’s what happened afterward that always proved more fascinating, and troublesome. That was where the tension was revealed.

He needed new boots, and the impending storm impelled him out on this Saturday morning, when otherwise he would have gladly slept in, the luxurious relief of an absent roommate punctuated only briefly by a few sparks of lonely terror, pangs of something akin to homesickness.

In the shoe store, he sat down on the low bench and waited for the woman to return. She gave him a fake smile. He wondered if everyone saw how obvious some people were at pretending. He wondered if he would ever be handsome. He sucked his stomach in just in case.

The boots, rubber-soled, fit well enough. Maybe they were a mite too snug, lined as they were with some sort of off-yellow fleece, but he didn’t say anything. He didn’t dare look to the salesperson for approval or reassurance. His hooded jacket suddenly felt hot, and he pulled it off quickly enough to transfer a bit of static to his hair. In a mirror behind the counter, he caught a few wisps of unruly pieces rising like they did when he was a little kid. Tamping them down, he quickly proffered his credit card. The woman slid it expertly through the machine, giving out another false smile.

With box in bag, and bag in hand, he put his coat back on before going outside. Above, the sky turned darker, a shade of wet cement, deadened and upheld by bare tree branches and strings of unlit Christmas lights. Still the snow fell and fell and never reached the ground.

The forecast had called for a foot of it. He would need food. Trying to picture what was left in the dark half-fridge of the apartment left him feeling lonely. The thought of stocking it filled him with the closest thing to hope. A market was on the corner, a line of leftover Christmas tree tops meandered around the entrance. Nailed into wooden slabs, the tops of the trees looked especially desolate. He wouldn’t glance at the price or the markdowns, pushing instead into the cramped store to the sound of bells clanging against the door.

A man at the counter eyed him wearily. Two young women giggled in a corner. It sometimes felt like there was nowhere in the world where he might belong, where he would be welcomed. Hurriedly, for he was suddenly uncomfortable in the small space, he picked out a loaf of bread, some butter, a box of pasta, and a jar of sauce. One step up from a can of Campbell’s or Chef Boyardee. At the register he grabbed a candle and added it to his pile. Behind the counter, the man absently bagged up the sad collection of provisions, saying nothing of the impending storm.

He walked along Newbury, not because he needed anything else, but because he wasn’t ready to go back to the apartment. The sky was dark, though the snow had not started sticking. He looked up, tilting his head back, darting his tongue out like he did when he was a boy, feeling the tiny death of a snowflake on his skin. He stood still in that stance, not noticing the snickering of a couple, the puzzled gaze of a child holding absently onto the hand of her mother.

As alienated as he sometimes felt around people, he found comfort being in their presence. Sometimes it was enough to watch them, to surreptitiously join in their mundane tasks, to feel like he was one of them. The ease of others was infuriatingly out of grasp, ever just ahead, beyond reach, beyond understanding. They made it look so easy, and all his life he had done nothing but struggle. As he got older, he realized it wasn’t youth that was holding him back. He began to think it was him. Even so, he stayed on Newbury a little longer. To be with them. And to watch the snow.

He was nearing the cross street that would take him back to the apartment. His arms were weighted down with bags, the plastic handles stretching and cutting into his hands. He should have worn gloves. A coffee-shop glowed on the corner, its windows shrouded in cloudy condensation, a few rivulets of water already starting to streak. Only when confronted with the opportunity of warmth did he feel the cold. He had mastered the gestures, the crossed arms folding in on themselves, the hunched retraction of his head into the folds of a scarf, but they were just show, just what he was supposed to do.

As he ducked into the place, no one looked up. Ordering a small coffee, he eyed a raised plate of cookies but didn’t get one. Carefully, he balanced the drink with the pendulous pull of the bags, managing to add a bit of cream and two packets of sugar to the dark liquid. He sat at a table looking out onto the street, placing the bags between his legs, ever furtive, slightly suspicious. It was hard for him to trust in people.

He brushed his hair out of his face. It was too long. He thought it would look better, but it merely made him feel sloppier. Blowing on the coffee before him, he noticed a girl around his age, sitting a few tables away, reading a book. She was pretty, in a plain way, someone he would love to talk to, someone he might even like to date, but he would never. How would he even begin? Buried in her book, she had a self-possession that he attributed to well-won confidence. There it was again – the ease of living – and he was just playing along, pretending, trying to catch up and follow the pattern in the hopes that one day it would be real and he wouldn’t have to think about it because that’s who he would really be.

He thought of the cream he had swirled into his coffee, the way it mixed in so easily, with barely a twist of a spoon. Why was everything always so hard? In front of him, obscured by cloudy windows, cars drove by, their lights stretched and distorted. His eyes narrowed, overcome by a wave of sleepiness and lulled by a stomach filled with hot coffee before the caffeine kicked in. Giving one last backward glance at the girl, who didn’t lift her eyes, he threw the coffee cup away.

Outside, he waited for the snow to land. It was sticking to the cars, darkening the street, but only in its melting. More was falling, and soon it would stay. People were moving faster now. They could feel it too.

He wasn’t quite ready to go home, but he had nowhere else to go. Turning toward Copley, he made his way to a couple of towering hotels. His coat was speckled with melted snow as he pushed through a revolving door. In the lobby, the busy excitement of travelers in flux offered a bit of comfortable anonymity. He sometimes went to hotels to find this kind of comfort. It was enough just to sit and watch others coming and going. It reminded him of childhood trips. As much as it pained him, it was a sort of relief from the dull lack of pain he’d noticed lately.

A fireplace glowed along one wall, and a Christmas tree stood fully lit in the center of the space. To most, it would make a merry scene, even coming days after the fact. It filled him with weariness. Already the day was too long. There were no windows here. He couldn’t tell how much it was snowing. He studied the coats and heads of those walking in, but it was difficult to discern. His eyes fell back upon the fireplace, on the tips of flames, lapping at the air. ‘We are so easily extinguished,’ he thought.

A bellman rolled a collection of suitcases across the carpeted floor, the brass-topped cart humming smoothly, the carriage arriving safely at the elevators, and a happy couple making empty chit-chat. Another flawless execution of living. He decided then that he would rather not go through the motions.

An hour or two passed. He felt as though he might fall asleep, even as the coffee tugged at his bladder. He was too far from the windows to tell how much darker it had gotten. The days were still so short. He waited a little while longer. It was easier to go out into full darkness than the tricky abyss of what fell just before. He preferred things to be definite. Nimble nuances and subtle shading were problematic. The unintentionally-cruel words of a teacher, written in a note he was never meant to see, came back to him. ‘Your son is good at dealing with things that are black or white, but isn’t capable of deciphering the range of possibility outside clearly defined entities.’ He remembered the finicky penmanship in which it had been written, and the way the words looked on crumpled paper. He also remembered the way the ink burned, and how it had remained legible before it crumbled into ash. It was all so much rubbish.

Gathering his bags, he stood. When he stayed too long in one place, he felt them turn his gaze back on himself. People started watching him then, and that made it worse. He took a final look at the fire, turned, and walked toward the revolving door in the distance.

According to his half-unwitting plan, it was already dark, but the darkness was buffered. The snow had started to accumulate and was beginning to reflect the lights of the city. What had been hard edges were now softened into white curves, sculpted into an artist’s abstract rendition of a city street. He liked it this way. It felt safer, easier to navigate among the mess than the dangers of a clear sunny day. The snowstorm provided refuge, and the snowflakes were falling fiercely.

They tickled his ears and nose. They shuffled down along hair shafts and tingled against his scalp. They blew into his eyes and he laughed as he cried. He should have changed into his new boots, but it was too late now. With head hunched down, he hurried along to the apartment. It would be cold when he got there. He had to prepare himself for that.

Flecks of dirty salt and wet patches that got smaller and smaller as he ascended the stairs hinted that others were in the building, but he never saw them. A light-bulb was out on the landing between the first and second floor, but his key was already in his hand, turning the lock, gaining him entrance to the emptiness. He closed the door quickly behind him, locking it and checking the peep-hole out of habit. Wriggling free of his shoes, he left them by the door. He would clean up the little puddle later.

In the kitchen, he put the food away. The boots he left in his bedroom, still boxed and bagged. On the table in the living room, near the window that looked out onto the street, he lit the candle. A stool stood between the table and the window. He sat down on it to watch the falling snow.

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A Poetic Preamble for 13

Thirteen Ways of Looking At A Blackbird
By Wallace Stevens

I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.

II
I was of three minds,
Like a tree
In which there are three blackbirds.

III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.

IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.

V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.

VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.

VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?

VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.

IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.

X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.

XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.

XII
The river is moving.
The blackbird must be flying.

XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.

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Spotlight on StoneLight

Continuing our tenth-anniversary celebration of www.ALANILAGAN.com, we are putting the StoneLight project into the spotlight. It was shot in 2007, in the hushed stillness and quiet of various cemeteries. Out of respect, whenever I drove past the gates into a cemetery, I’d shut off the radio or the CD that was playing, and allow the silence to be an offering of honor to the dead. Silly, perhaps, but something I felt was necessary. When compiling the photos and putting the project together, however, I turned the music back on. Whenever I complete a Project, or am in the process of creating one, I usually think of an inspiration song or two that sets the mood for the piece. Music, perhaps more than anything else, can always set a scene.  For the StoneLight work, I listened to Beethoven’s Emperor Concerto.

It has a slow, contemplative cadence that is a perfect reflection of time marching on, and viewing StoneLight while listening to this music can become an almost-spiritual affair, which is precisely the feel of that Project. The slowly-shifting shadows moving over stone, the textures of carved rock mottled by lichens, and the varying gradations of gray perfectly complement the somber pace of the concerto. The architecture of the human form is revealed in sculpture, each rib counted on the depressed keys of a piano. There is a stately nobility to the proceedings (in spite of all the nudity) and only the proper piece of music can convey that.

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Family is Family

This clip has been making the YouTube/FaceBook rounds for a couple of days, and until today I ignored it. Assuming it was some Susan Boyle type performance where this kid starts off shaky then turns into some wild Josh-Groban-wanna-be song stylist, I really couldn’t be bothered. Well, I have never been so wrong to dismiss something sight unseen. Take a look and tell me you didn’t tear up.

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A Wedding Gift Dressing Gown

One of my favorite wedding gifts that Andy and I received was a pair of gorgeous dressing gowns, one of which is shown here. Given to us by my Mom’s cousin Randy, this gift has special meaning to me, because Randy was the first gay man I met. Not that I knew it at the time. All I was told was that he lived with his friend Mark, and they had a farm with chickens. When you’re a ten-year-old kid, all you care about is the chickens, not deciphering the living situation and what it might mean.

I was staying in Hoosick Falls with my Gram, and it was summer. She loved Randy, and doted on him. He, in turn, brought her flowers regularly, and kept her entertained when her immediate family was an hour away. On this particular visit, she had arranged for me to accompany her to Randy’s farm for dinner. We spent the day doing our usual tasks – walking to the store down the street, visiting with a neighbor, inspecting the patch of cosmos and zinnias in the side yard. There’s not much to do in Hoosick Falls, but when you’re a kid spending time with your Gram every moment is exciting, especially when you’re away from your parents. In the afternoon, we walked to my great Aunt Ruth’s apartment complex a few blocks away, and got into the car for the ride to Randy’s.

When I was little, I loved animals and plants, and a farm was just about the most perfect place on earth. We pulled into the dusty driveway and were greeted by Randy and Mark. They brought us drinks on the front porch, where we sat and made introductory talk before Mark brought us on a quick tour. A small orchard ran up behind the main house, and Mark had built an observatory half-way up the hill. Gram and I looked with wonder at the construction of it, the wooden frame-work, and the afternoon sun slanting in through the window. As they made their way back to the house, I hung back – the lone kid present for the afternoon – because I wanted to explore on my own.

I stopped in the small barn, where the chickens were squawking in the dim light. The scent of stale straw warmed the nose, and the dust floated through the few rays of sunlight that peeked around the entrance. Hidden from the eyes of adults, I walked around, watching the chickens and looking for eggs. I leaned over the fence and felt my hand press into something warm and wet. Chicken shit. A fresh pile of it, right there on the gate, and now smashed by the palm of my hand. Fighting the urge to gag, I wiped it off as best I could, then headed back to the house – and the bathroom – to wash up, thoroughly, for dinner. I didn’t care – it was worth it for that little time alone.

Back inside, preparations were being made for the meal. I was giddily lost in the shuffle. The dining room and living room had been photographed for a national magazine, and it looked like it. This was the background for idyllic American summer moments, the stuff that Martha Stewart was just beginning to dream up. I sipped at my soda while Gram drank her beer. For once, I didn’t feel like a nuisance kid, but one of the elite, there to eat, and remain for the duration of the dinner.

A couple of musicians from the Philadelphia Orchestra were in attendance that night as well (so there was no way in hell I was going to break out ‘Private Dancer’ or ‘The Rose’ on the piano, no matter how much Gram begged). It was, I now realize, my first brush with gay men. The insinuations were mostly lost on me, but I sensed the camaraderie – taken together they both frightened and enthralled me. I did my best to follow the conversation, hoping to laugh at the right moments, and finally starting to understand adults a little. I had to hold my own, as Gram was seated a few chairs away from me, but I managed to do so without fear. Surrounded by beauty both rustic and refined, this would be one of those enchanted nights that I kept with me for the rest of my life.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Two and a half decades later, I remembered that evening as I opened up the wedding gift from Randy. The dressing gown, sumptuous in its golden brocade and rich in its emerald hue, embodied that night for me, as well as my relationship with Randy. Though we saw one another but once a year for the most part, he felt like a guardian angel, and an unsaid and unspoken bond between us lent me strength in darker times, when I questioned myself and wondered about my place in the family.

 

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Giving Good Head(s)

Given my druthers, I’d live in a hotel. Everything about them fascinates me – and I travel as much to experience a new location as I do to experience a new property. Given that, ‘Heads in Beds’ is my new favorite book. It’s the story of Jacob Tomsky’s hotel adventures, and his journey from a parking valet to a front desk agent, and it held me captivated from page one. At turns riotous, clever, despondent, and inspiring, the tale has you rooting for Tomsky as he navigates the often-soul-sucking service world, where the customer is always (yet never) right. While most of us only know what it’s like to be on the receiving side of the counter, it’s a testament to Tomsky’s voice and narrative that we feel like one of the insiders. If anything, this book is a powerful defense of those helping us out on a daily basis, and a much-needed reminder that no one is better than anyone else just because they have more money.

That’s the most potent part of the proceedings, and the thing that stayed with me long after I finished the last page. Tomsky brings a nobility to hotel service, and a sense of honor to employment. Kindness and loyalty are, today, mostly forgotten virtues. Compassion is largely gone too. He never loses sight of those traits, even in the face of rude clients, unbearable managers, and shady co-workers. It comes through, even in the most disturbing and hilarious stories, mostly due to his erudite, witty way with words, blended in an impossibly seamless way with his raw New York/New Orleans vernacular. North and South, silly and serious, compassionate and cold, Tomsky manages a fine balancing act with his prose, while liberally sprinkling enough helpful hints to aid the most hapless hotel guest into getting superior service. Sometimes all it takes is some genuine kindness. Some genuine gratuity doesn’t hurt either – and if there’s one concrete take-away I’ll bring to my next hotel stay, it’s the latter.

I’ve always thought of myself as a decent tipper – nothing less than twenty percent to wait-staff (unless I witness cruelty or apathetic ineptitude), twenty-five to thirty percent for a good haircut (that doesn’t involve a lot of mindless chatter or ear-nicking) – and I always remember to tip the bell-men, housekeepers, and taxi-drivers (as well as the guys who get the taxi-drivers to stop). Thanks to ‘Heads in Beds’, I’ve learned to tip the front desk agents as well – which will bode well for future trips.

My cheap friends usually scoff at this, but tipping, to me, is never a waste. Maybe it’s a superstitious desire on my behalf to build up good karma (God knows I need all the help I can get), but it’s also about knowing what it’s like to be in a service position. Four years in retail (and a brief but life-altering two weeks as a bus-boy) schooled me on what it’s like to deal with the public. There should be a mandatory life-course for everyone: in order to receive service, you must first work in a service position for at least a year. The world would be a better place for that.

Author Jacob Tomsky

Tomsky gives a face to the faceless, reminding all of us guests that behind the uniform and name-tag is another human being. In Tomsky’s case, it’s a guy who only wants to help you out while making a living providing exceptional service. In the end, ‘Heads in Beds’ will not only leave you a better hotel guest, but a better person. That’s worth more than a Benny.

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Change of Plans

In an unlikely decision, I’m not going to Boston this weekend after all. I’d been teetering on the edge of uncertainty, but when the Mayor declared a State of Emergency because of all the flu cases that were going around, I decided to stay in upstate New York. Besides, the new bed has not yet been delivered, and I didn’t want to lug the new television there on my own. When the signs appear you do nothing but a disservice to yourself by ignoring them. Instead, I’ll get to focus on some projects and some house-cleaning (if Andy ever deigns to take the desiccated carcass of a fire hazard down – and by that I mean the Christmas tree that still stands in our living room shedding its needles like a molting bird).

I also have some reading and writing to do, and we’re seeing ‘Lincoln’ because we are way behind on our Oscar-viewing list. In other words, this may be the first normal weekend I’ve had in a while. If we can get a dinner out on Saturday, I may just survive it – otherwise I should be too bored. God help us all.

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Hugh Jackman, Jacked

That is all.

(From the new ‘Wolverine’ movie. And here I haven’t even seen the old one yet.)

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Mr. SexyBack is Coming Back

The news that Justin Timberlake is releasing his long-awaited next album (six years since his last) was greeted in these parts largely by a yawn, but there are surely those who are excited. For them, I offer this quick post. It’s not an official Hunk of the Day post, and he’s nowhere near as naked as he’s been here before, but it will give some consolation for anyone eagerly anticipating the comeback of Mr. SexyBack.

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Tears of Meditation

Do me a favor. Stop whatever you’re doing. Turn off the television or the stereo or the other YouTube window you’ve got open.

There – are we sitting in quiet? Do you have a few minutes to focus? Then go ahead and press play so that bearded guy can give us some music. His name is Arvo Pärt, and he wrote this music. It is one of the few pieces in the world that can bring me to tears on its own, no matter what else is going on in my life. Because of that I don’t play it very often. Some nights, though, demand this kind of contemplation, and you give in and let it happen, because there is nothing else to do. When the heart is at its most broken is the exact moment when the healing begins. You set everything else aside, and inhabit that moment. You inhabit the stillness, the space between the notes of a piano, the plaintive moan of a violin – and you let it all go.

It is music for meditation, and sometimes meditation makes you cry. The simple clearing of one’s head can be such a jarring, startling relief, the only way to cope is to heave out torrents of tears. And sometimes just a few silent ones will suffice. Wipe them away, and I promise not to say anything. Whenever it gets to be too much, I try to think of the fact that we’re all in this together. This great big mess of a world, with all its troubles and worries and awfulness… we share in the grief and the madness, and it’s a small piece of solace on a windy winter night.

As I write this, I listen to the piano and the violin and the music of Mr. Pärt, as maybe you’re listening right now, and I feel less alone. Outside the wind rages, and the night is dark, but here, with the glow of a computer screen and the thought of someone reading these words and hearing these notes, a glimmer of comfort flickers like a candle.

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The Madonna Timeline: Song #82 – ‘Live To Tell’ ~ Summer 1986

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.} 

I have a tale to tell
Sometimes it gets so hard to hide it well
I was not ready for the fall
Too blind to see the writing on the wall…

It was the summer of 1986. In many ways it was the last summer of my childhood. ‘Stand By Me’ was in the movie theaters, and around every corner was an adventure that could only be reached by bicycle. In the stifling heat of the garage, sitting in the station wagon, my Mom and I waited for my brother. The bitter scent of exhaust filled the hot space. At odds with the sunny day, the dim wood and oil-stained cement lent the moment a purgatorial feel. Despite the rising temperature, I was not uncomfortable. That’s one of the tenets of childhood – you don’t notice the extremes of hot or cold. Getting in the car after a day at Disneyworld was nothing back then, and going out in a snowstorm was a cakewalk.

I stared at the door going into the house, willing my brother to appear sooner rather than later. On the radio Madonna‘s ‘Live To Tell’ was playing. At the time, I didn’t like the song (a sign that I would later love it – see ‘Frozen‘.) It wasn’t that I actively disliked it, I simply preferred her dance songs, something more upbeat. I liked my pop songs to be a form of escapism. On this day, however, something changed.

A man can tell a thousand lies
I’ve learned my lesson well
Hope I live to tell the secret I have learned, til then…
It will burn inside of me.

The mysteries and secrets of childhood were all around me. The unfairness of being a child was always in suspense, waiting to be released in a flood of messy tears and red-faced anguish. What secrets can a ten-year-old hold? You’d be surprised. Time moves differently when you’re a kid. The magnitude of minutes can be immense, and a year can feel like an eternity. Everything is magnified, everything means more. The intensity of childhood equalizes its carefree aspects, and that’s a precarious balance. Shift in either one direction too far and disaster is imminent. We don’t give children enough credit sometimes. We don’t know how much of what adults do weighs down upon their shoulders. Luckily, as children, we don’t always know either.

I know where beauty lives
I’ve seen it once, I know the warm she gives
The light that you could never see
It shines inside, you can’t take that from me.

On the verge of turning eleven, I was lucky that summer. I had not quite turned the corner to adolescence. Any notions of sexuality or being gay were too far in the distance, and though there were definite signs, I could still operate within the safety of childhood. My parents could still love me unconditionally. If you can make it through the first decade of life relatively unscathed, you might stand a chance. In that way, I was fortunate. But something told me the luck was about to run out. In the ticking of the song, in that moment of waiting, the last bit of sand was squeezing through the cinched waist of the hourglass.

A man can tell a thousand lies
I’ve learned my lesson well
Hope I live to tell
The secret I have learned, til then
It will burn inside of me…
The truth is never far behind
You’ve kept it hidden well
Hope I live to tell
The secret I knew then
Will I ever have the chance again?

The song suddenly stopped, or I thought it did. The low hum of a single synthesized bass was lost in the car. Then, slowly, a few chords sounded. At the moment that the powerful bridge began, I distinctly remember opening the door of the car. I paused there, the door handle in my hand, as the song filled the garage.

If I ran away, I’d never have the strength, to go very far,
How would they hear the beating of my heart?
Will it grow cold, the secret that I hide?
Will I grow old?
How will they hear?
When will they learn?
How will they know?

That’s when it all changed for me. The song. The innocence. The childhood. It all broke – not for any specific reason, not for any dramatic turn of events – it simply happened. In so many ways, I grew up then. That it was Madonna who guided me through it was fitting. I did not know how much she would come to influence me and see me through the difficult times. I did not realize that she would be the perfect person to raise a gay son. I did not understand how much I would have to do alone.

There, in the midst of the heat, still waiting for my brother to come out of the house, I felt a chill. Call it a premonition, call it foreshadowing, I just know that at that singular moment my world shifted. Though it lasted but half a minute, it has stayed with me, frozen in time and memory, for all of my existence. Something in the song called to me from what was to come, some strange but vital message from my future whispered that I would need these words to survive, that, someday, Madonna would save my life.

It may sound silly and stupid as an adult, but nothing is silly when you’re a kid. I ran into the house and shouted for my brother. Back in the car, the rest of the song played on. Patiently, my Mom and I waited. It was dark in the garage, and we were probably going somewhere I didn’t want to go, but I still didn’t want to be late.

A man can tell a thousand lies
I’ve learned my lesson well
Hope I live to tell
The secret I have learned, til then
It will burn inside of me.

As for its place in Madonna’s storied career, ‘Live To Tell’ was (at least according to a 1995 interview promoting her ‘Something to Remember’ ballad collection) one of her favorites. Oddly enough, she has only performed it on three tours. While I loved the confessional Catholic drama of her Blonde Ambition rendition, it was her Christ-on-a-cross pose for the Confessions tour that stands as my favorite. Witnessing the rise of that arresting image was a highlight of the show – the deliberate droning of a church organ playing tensely in-between verses, and Madonna in a crown-of-thorns singing for the children, for the lost, for the crucifixion of innocence.

The truth is never far behind
You’ve kept it hidden well
If I live to tell
The secret I knew then
Will I ever have the chance again?

Song #82 – ‘Live To Tell’ ~ Summer 1986

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