Monthly Archives:

January 2012

The Straight Ally Series

“In the End, we will remember not the words of our enemies, but the silence of our friends.” ~ Martin Luther King, Jr.

I’ve always considered myself a rather reluctant gay activist. My main contribution to the cause is living my life openly and unabashedly. Granted, it’s in a way that most people would not dare to do, but I still don’t consider it all that much of an effort. This is me, take it or leave it, and fuck you if you don’t like it. That has made for some strides, but only within my close circle of friends and family.

To take it to a larger level requires much more time and effort, and a commitment that I am far too admittedly selfish to make. It requires an altruism and selflessness that I cannot even fathom, yet there are those who make the sacrifice, and do so when they seemingly have no personal vested interest in the cause.

These are our straight allies – those people who recognize that to deny the rights and equality of one person is to deny and diminish the rights of all. That takes a great deal of generosity, an understanding of our social standing in the world that I have but begun to touch. It is, among a great many other things, the ultimate act of humanity.

It humbles me in ways too numerous to mention. It lifts my heart and spirit in a way that little else does. It gives me hope and faith in a humanity that too often seems to let us down. I myself cannot claim half as much resolve and determination in helping others. I do not have what it takes to be such a giver. Yet because of them I want to be a better person. I want to try harder, I want to make the world a better place, I want to believe that together we can make it happen.

COMING SOON: The Straight Allies ~ A Series of Profiles

Continue reading ...

The Straight Ally

Let’s face it: we are in the midst of a cultural war. As the political year gears up for another Presidential race, as gay marriage slowly becomes legal state-by-state (and occasionally then illegal – California), as ‘Don’t Ask, Don’t Tell’ crumbles, the fight for gay equality has never been as vociferous, and hotly contested, as it seems to be today.

Thankfully, the tides appear to be turning slowly in our favor. Great cultural shifts don’t happen overnight, but in the last few years the strides have been enormous, and largely unthinkable as recently as the 90’s. The good thing is that we have not had to do it alone – because we couldn’t.

The revolution, if we are to fully realize a revolution, is going to depend largely on our straight allies. There simply aren’t enough gay people willing to put themselves out there and fight for it. Luckily, the enlightened straight people are taking up that challenge, fighting just as hard and valiantly for equality, as they recognize that to deny the rights of one person is to diminish the rights of all of us.

The more I thought about it, the more it struck home. All of my best friends – the folks I’ve held close to my heart for fifteen, twenty, thirty years – are, across the board, straight. Granted there aren’t many – I can count on two hands the number of life-long friends I’ve maintained – but they are the people who matter the most – Suzie, Chris, Missy, JoAnn – they know who they are – and they have been there for all of it. Unconsciously, I’ve surrounded myself with straight allies all my life.

While the villains often get more notice, the good guys wage a quieter, more dignified fight – and they pay for it with less fanfare and bombast. I’m guilty of it myself – you’re more likely to see a rant against a homophobic person than a congratulatory message on someone’s efforts toward equality. In an attempt to rectify that, I’m going to make a concerted effort to feature those who are working to make the world a better place, instead of those aiming to divide and destroy.

In the coming months, I’m planning to do a number of profiles on Straight Allies – those who have fought in their own way against homophobia, and for a better world of equality.

Continue reading ...

Lessons in Painting

According to my Uncle, the hardest part of painting was the prep work. He would say this every time we embarked upon a painting excursion – first around the house in Amsterdam when I was a little kid, then at the condo in Boston as I grew older. It was my Uncle who painted the latter when I first moved in, and then again when I returned from Chicago. Anyone can paint, and enjoy it – it was the work beforehand that was the difficult part. Such was his standard line as we began clearing rooms and sanding surfaces, and it always made me smile.

My Uncle was a painter, that was his job. Not of the John Singer Sargent kind, more of the Sherwin Williams sort, but he showed me there was nobility in every profession, if done properly and meticulously, without skipping steps or doing shoddy work. For all of his shortcomings and flaws, he was good at his job, even if he didn’t always like it.

I thought about him this weekend, as I painted the bedroom. Oddly enough, it wasn’t until the third day of painting that he came to mind, and then like a mad rush, as if he’d almost forgotten to visit. Maybe that’s the sign of getting over someone. Ten years after he died I can go three days without remembering. Not the most reassuring timetable for grief.

I remembered the first time we painted the condo together, back in January of 1996. Over the radio Whitney Houston sang that ‘Exhale (Shoop, Shoop)’ song, and my Uncle would mimic the “shoop” part, always a beat or two behind. It cracked me up so much that I had to buy the damn CD and play it just to hear him do it. That was one of the charming aspects of my Uncle – that someone so world-weary and cynical sometimes could have such an unintentionally-innocent, child-like moment.

It was a frigid January, nothing like the cake-walk we’ve had this year. The winds were brutal, and the quick walk from Copley Place to the condo was wicked. No matter how bundled up you were the icy air went through everything, cutting indiscriminately to the core. My Uncle, small and thin from a steady diet of coffee and cigarettes, hurried along, a scarf tied tightly around his head like some Russian peasant-woman. If I hadn’t been so cold I would have laughed more hysterically than I did, but my jaw wouldn’t move that much in such awful weather. The image of him like that has happily haunted me all my life.

Once inside, we cranked the heat and put on a pot of coffee. It was night, but not too late to begin the prep work. He went about setting up the ladder, and I moved the furniture into the bedroom. The smell of smoke and coffee filled the rooms, and to this day there is comfort in both. I asked for one of his cigarettes, then lit it in the bathroom, watching myself in the mirror, seeing if I could fascinate with a cigarette any better than with a fancy coat, but only a dull stare looked back. I would do this periodically throughout the following days, trying to entrance with the trails of cigarette smoke, but never did I learn the enchantment my Uncle had mastered. The most nonchalant flicking of ash in his hands would forever be cooler than my most studied Bette Davis smoking moves. Amid the smoke and the clutter, I slept. The next day, the painting would begin.

Armed with an arsenal of bordello red, kelly green, and the deepest blue, I aimed to attack the dull white walls with a blitz of super-saturated color, eradicating the stale memories of any former owners. My Uncle didn’t believe in taping things off – so steady and sure of hand was he that tape was an unnecessary step. And, to my amazement, he was right. That was not the case with me, however, so I stayed clear of cutting in, opting instead to run errands and pick up whatever supplies we were lacking, along with something to eat.

It was one of those crisp January mornings that seemed to light up the whole world, a prism of brightness lending hope to the gray winter. The sky was blue, and the sun was doubly redolent, reflecting off snow and ice in a blinding symphony of whites and mirrors. The nearest hardware store I could think of was on Newbury Street, and though it was small it had what I needed, and was close enough to Tower Records to afford a quick browsing session. While there I realized that far more interesting things might be happening at the condo, and I could browse these CD aisles at any time. Quickly, I made for home.

After returning for weeks to empty rooms, stillness, and silence, the sense of company was a strange relief. It was like somebody had revealed a hole in my heart that I’d never known was there, but that I’d been functioning without all these years – and part of me would always rue the knowledge imparted then. It would make the emptiness that followed so much worse.

At that moment, though, coffee gurgled in the kitchen, and tendrils of smoke mingled with the smell of fresh paint. It was transformation in action – the kitchen was turning into a striking patch of green, and the first bold border of red was slashing its way across the living room. A ladder reached for the ceiling while a dirty drop cloth, stained with the drippings of paint jobs prior, covered the floor.

I dropped the bag of supplies on a bit of empty counter-space, and began plotting the ragging-off effect I wanted for the living room. Working in tandem, my Uncle rolled the red paint on, as I pressed and mottled the area with a wet rag, leaving a rough, textured look. From a distance (and in most photographs) it only looked bright red, but up close there was detail and interest and no two areas were exactly the same. My Uncle seemed surprisingly impressed – the usual reaction when I did something right. There would be years in which to prove myself to him, but still not enough time.

The day drew too swiftly to its close, the last of the early-to-bed-sunlight disappearing out the bedroom bay window. The front two rooms were complete – only the bedroom and bathroom remained. We would finish in a day or two, and then it would be over. I didn’t want it to end. I wasn’t ready to be alone.

To the bedroom then. First, the ceiling was coated in blue. Deep, rich, blue – where oceans and sapphires crashed below an azure sky. The walls would be the same, but I needed the ceiling done first so I could start sponging on the clouds. (Yes, I had clouds on my bedroom ceiling. There’s no accounting for the questionable taste of a barely-twenty-something gay guy on his own in Boston.)

I sat at the top of that unforgivingly uncomfortable metal ladder, shifting the weight on my sore butt and dabbing on swirls and puffs of cumulus cloud formations. I looked to my Uncle only once for his opinion: “If you like it,” was his cryptic response, meaning he hated it or thought it foolish, but knew enough not to challenge me for the earful of a tongue-lashing he’d get.

All the blue was darker than I realized, but the afternoon sunlight flooded that room. I didn’t think of the nights, otherwise I might have stopped us then and there. For that moment, it offered cooling relief from the bold, blazing red of the main living room, and at that time I only wanted contrast and extremes.

As my Uncle finished up the quick work of the bathroom, and its questionable peachy tone (chosen for its pleasing proximity to the clay-hued brick wall), only a little clean-up and a few final touches awaited the next morning. My Mom would arrive to pick my Uncle up, leaving me by myself to return to school and work.

That first coat of paint – so emblematic of my world then – instantly made the condo a home. My Uncle helped me realize that, along with several other realizations. Our relationship was maturing – I was no longer a kid. The days of merry pranks and transparent acting-out were over, and I was, I hoped, becoming more of a friend to him. For the rest of that snowy winter, I clung to the memories of those days of painting, and the home he helped create cradled me in its color and warmth.

Every once in a while I’d steal a cigarette on my own, breathing in the memory of my Uncle, re-living those precious days, sitting calmly in the swirling smoke and wondering if he ever wondered about those moments.

A decade and a half later, I don’t need a cigarette to remember. It is a part of me, as implacable as the scar on my shoulder from a summer dive, irrefutable as my middle name. As I put my bedroom back together alone, taking in the way the afternoon sun falls upon the new accent wall, I am struck with the strange march of time. I am an Uncle now. Maybe one day soon I’ll have lessons of my own for Noah and Emi – and more than likely they’ll have lessons for me.

Continue reading ...

The Madonna Timeline: Song #62 – ‘Open Your Heart’ ~ Winter 1987

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

Early evening, in the midst of an endless and snowy winter. In the hallway of my childhood home, the television in my parents’ room glows, and MTV – a relatively recent addition to our lives – is playing Madonna’s ‘Open Your Heart’ video. I am alone upstairs, looking into the mirror above my mother’s bureau, while anonymous men look into the peep-show of Madonna’s video world.

The carpet in the room is blue, the bedspread a faded pastiche of pastels. Pale white-washed furniture stands on elegantly carved feet, while two candelabra lamps glow on each end of the bureau. It is one of my strongest childhood memories, and I don’t know why, for nothing other than Madonna and my solitude was happening, yet I distinctly remember that moment, that scene, the way the light fell – more than I remember most of my birthdays. It must have been early 1987, which made me all of eleven years old.

I see you on the street and you walk on by,
You make me wanna hang my head down and cry,
If you gave me half the chance you’d see,
My desire burning inside of me…

As a kid, I wasn’t the most social of children – preferring to entertain myself in solitude, far more interested in walks in the woods or the pursuit of solitary projects in my room. Yet part of me longed for company, to be a part of something, even as I pushed my contemporaries away. It was the essence of this song – yearning for someone to open their heart and include you in their life. I couldn’t see that then – I only loved a catchy hook and a decent beat.

But you choose to look the other way…

Back then, I never really hung out with people. School was my social scene, and it was enough. It was more than enough, actually, and it was like work. As such, it was tainted with the drudgery of forced labor, lacking in the joy and play that I wanted to surround social activities. I was well-liked enough, but I left those friendships and relationships at school, and was happy to do so.

I took the easy way out and just hung out with the friends my brother brought home. It was easier that way, and I could get away if I got bored, without being expected to provide entertainment, any sort of babysitting, or the awkward exit strategy.

My brother’s friends, younger than me by a year or two, were good enough for companionship, for the boyhood camaraderie that I simultaneously sought out and rejected. I always wanted for adventure, for some ‘Stand By Me’/’Goonies’ journey filled with exciting twists and turns, and a small, measured dose of danger to keep us on our toes – but such travails work best when you’re not alone.

We did the best we could, finding thrills in night-time games of hide-and-seek, now and then embarking on the planning of a fort in the woods (which would never see any real building), or enacting bike chases in front of befuddled neighbors.

I’ve had to work much harder than this
For something I want
Don’t try to resist me…

For all my enjoyment of solitude, part of me wanted to be some integral part of a pack, an instantly-assimilated team player, even as my otherness made it impossible. On one night, my brother was invited over to his friend’s house for a sleepover. I desperately wanted to go too, but pride prevented me from asking outright. Instead, I called over to the house, inventing some lame easily-seen-through excuse to talk to my brother. We spoke briefly, and then he had to go. About half-an-hour later I called back. I asked for my brother again, and his friend’s Mom asked if I wanted to come over. A quick feigning of surprise and utter interior relief, and I was soon part of the sleepover, running around the wood-paneled basement and hiding from their huge dog.

Open your heart to me, baby,
I hold the lock and you hold the key
Open your heart to me, darling,
I’ll give you love if you,
You turn the key.

I’ll probably never know what my brother and his friends thought of me, other than some sometimes-bothersome tag-a-long, or funny older brother – he claims to not remember much, and even my perfect memory has suffered a little deterioration. But whenever I hear ‘Open Your Heart’, the memory comes back – the memories, I should say – and instantly I’m that little boy again, begging to be asked, to be invited.

I think that you’re afraid to look in my eye
You look a little sad, boy, I wonder why
I follow you around but you can’t see
You’re too wrapped up in yourself to notice
So you choose to look the other way
Well I’ve got something to say…

‘Open Your Heart’ was, looking back, one of the major themes of my boyhood. As much as I fought against it, all I really wanted was to belong, and to be welcomed. All of my acting out, all of my strange behavior, all of the weird attention-getting antics ~ they were my convoluted ways of pleading for acceptance and love.

Don’t try to run I can keep up with you
Nothing can stop me from trying
You’ve got to open your heart to me, baby
I hold the lock and you hold the key
Open your heart to me, darling
I’ll give you love if you, you turn the key…

The strange thing is, the very ways I went about finding friends and companionship were so odd, and my interests and passions so atypical of an eleven-year-old boy (plants, flowers, tropical fish, Madonna, unicorns, dolls, glitter) that I alienated as much as I sought. It would be a conundrum that haunted my way through adolescence and into adulthood, and in so many key ways is with me to this day. All I can do to counter it, to vainly strive to show what it all means, is to put up a Madonna post and have her plead my case.

Open your heart with the key
One is such a lonely number
Open your heart, I’ll make you love me
It’s not that hard, if you just turn the key
Don’t try to run I can keep up with you
Nothing can stop me from trying
You’ve got to open your heart to me, baby
I hold the lock and you hold the key
Open your heart to me, darling
I’ll give you love if you, you turn the key…

Song #62 – ‘Open Your Heart’ ~ Winter 1987

Continue reading ...

Friends in Straight Places

One of my biggest fears of coming out as a gay man was the difference in the way I thought I’d be treated, especially by straight men. For the longest time, I was frightened by most of the heterosexual men in my life. I had no real reason to feel this way – it was more of a dangerous generalization I needed to work out.

The men in my strictly Catholic and machismo-fueled Filipino family were not always the most supportive role models for someone unconsciously searching for an ally. The straight guys in my school also did nothing to set my worrisome mind at ease, and while they generally left me alone, I saw the way they taunted others with the f-word. Being a small, slight boy, I had nothing to protect me should the attacks come my way.

Oddly enough, it would be a few straight men who emboldened me with the confidence to come out. In the summer of 1997, I was hanging out with Matt and Greg at Structure (the hetero anomalies of my retail world) and Chris in California (the metro anomaly of the rest of the world) – and they accepted me for who I was. My being gay wasn’t a big deal to them, they weren’t uncomfortably curious about any of it, and they let me be myself without judgment, derision, or ridicule. They also had my back, and said as much on several occasions (or I never would have known). They became, over the course of that summer, my closest friends at a time when I was just beginning to come out. Instead of any overt rainbow-flag-waving show of support, they offered their friendship ~ a far more powerful and potent talisman against feelings of inequality.

The importance of straight allies cannot be underestimated. Those men opened my own mind, broadening my wary views on the world, and paved the way for my friendships with other straight men, like Skip and Joe and Wally– some of my closest straight-guy friends, whom I met through their wives and sisters, but who have become friends in their own right. Whether they know it or not, they are my straight allies, and in offering unconditional friendship in return, they give me hope that one day being gay will be a complete non-issue, a simple matter-of-fact facet of one’s life, and a rather minor one at that. I see it in the way they raise their children, and as hard and jaded as I may be, it still inspires a vision of a better world to come.

Continue reading ...

A Perfect Pomegranate

My friend and co-worker Lorie, having heard of my unsuccessful quest for a pomegranate, brought one in from her recent excursion to Trader Joe’s. Until we get one of our own, that appears to be the closest supplier of the elusive fruit.

Price Chopper had rather rudely tweeted to my husband that it is no longer the season for pomegranates, and even the Fresh Market was out. Lorie mentioned that Ryan’s Produce might have some, so we may try that next. For now, we have this one glorious specimen – the perfect pomegranate – and I couldn’t wait to dig my fingers in and extract the little globules of goodness.

My friend JoAnn was the one who got me hooked on pomegranates. She said the best way to remove all the seeds was to cut it in half and submerge the fruit in a bowl of warm water. This prevents the blood-red juice from any broken seed pods from staining your skin, while allowing for easy separation from the surrounding membrane, which floats to the surface.

A ritual that involves a bit of work for a reward is a good past-time for the winter, and there is indeed something cleansing and calming about separating seed from flesh beneath warm red water.

The end result is a pile of sparkling ruby capsules, each one ready and waiting to burst open in the mouth like some refreshing pop of tart candy. Someone likened them to champagne, which I could just barely make out. They really are their own animal, to which I’ve already grown a fond attachment. Now if we could just find a decent supplier in the local area…

Until then, their elusiveness adds to their appeal.

Continue reading ...

Proof of Existence

I’ve always been fascinated by the whispers that people leave behind – sometimes even more-so than the people themselves. Granted, if I’m seeking out the remnants of you, you’ve likely left a larger imprint on my heart, but even in strangers I find the notion of their essence more intriguing than their presence.

The state of a hotel room that a person leaves, for instance, when they depart for the day. Have they left a book on the table? Has the remote been touched? In what sort of array are the sheets and pillows? Did they sleep on just one side of the bed? Are towels left on the floor, or hung to dry, to be used again?

We sometimes tell more in our absence than we could ever reveal in person, but what is told often leads to more questions, and assumptions, and suddenly a whole world with a conjured persona has arisen from the discarded candy wrapper that has fallen just short of the garbage can.

Personal articles lend a more solid glimpse. The pair of glasses left on the night-stand table, or carefully returned to their carrying case. They lend a vague bit of a possible appearance. A favored bottle of bath gel carefully nestled in the corner of the bathtub, the fragrance of which still lightly taints the bathroom air, evinces what might be one’s scent. Frequent travelers may even carry a small framed photo of a loved one, smiling back from the past, and from the distance ~ an unlikely bit of home in an otherwise sterile environment.

Even then, with perhaps the most important people of one’s life looking on, it is impossible to gauge a person. All we have are fragments, tiny pieces of the whole that may or may not make much sense, that could, for all we know, have nothing to do with who that person is, but if we care enough, if we are invested enough, it becomes an obsession.

I used to do this when my Uncle left after a visit. I’d hunt down the places he’d been in throughout the house, leaning over the desk where he kept his bottle of cologne, inhaling the lime-like scent mingled with scarred wood, trying to hold onto him a little bit longer. I’d traverse the paths he took in the basement, holding the ashtray of wrinkled cigarette butts and bringing it to my nose to take in the already-stale remnants of smoke. A still-damp towel hanging over the shower door from that morning’s wash or the stained coffee-cup suddenly gone cold teased and lingered there, their presence both a taunt and a comfort. The ones we love most seem to haunt with greater resonance, but maybe that’s just the way we want to believe.

In my hotel room, if I do leave anything telling, there is no one to care enough to look. A rumpled pair of boxer shorts on the floor, the swath of a scarf dangling from a chair, a tiny bottle of cologne on the tile of the bathroom window ~ none of it is really me. And when I am there – in the room, on the bed, at the sink – fully present and accounted for – I am alone, with nothing and no one to prove I even exist.

Except for the camera…

Continue reading ...

6 Columbus – Hotel Review

On one of the coldest days of the year, a little boxwood in a tall black planter shivers in the wind outside of the lobby of 6 Columbus. Tufted leather banquettes sparsely populated with bursts of bright pillows afford a bit of seating while I wait for my room to be ready. Two complaints of rooms with no heat have already been lodged at the front desk, and as the wind whips by the window this doesn’t seem to bode well.

The lobby, fronted by two very friendly door-men, is a balance of light and dark – coolly modern in style, like the rest of the hotel, but warmed by the staff. A sushi restaurant (Blue Ribbon Sushi Bar & Grill) is set off to the side, affording a tantalizing glimpse of a light wooden bar.

While Columbus Circle is not usually an area in which I’d stay while visiting New York, an online special ($140 a night, before taxes) lured me to 6 Columbus, and I’d heard good things about the parent company that runs it (Thompson Hotels).

A slightly dim elevator and hallway, the textured navy blue walls and dark floors eating up much of the light, lead to room #77. Like most New York accommodations, the pod rooms here are on the slightly smaller side of things (175 square feet), so it might be worth it to upgrade to a larger one if possible.

The bathroom is more ample, backed by glossy navy tiles and brightly polished Waterworks fixtures. Bolstered by Kiehl’s hair products and white fluffy towels, it is a modern, elegant space, even if an over-hyped Frette bathrobe errs on the side of starchy rather than soft.

Above the bed is a large Guy Bourdin print, echoing the proclaimed“60’s modernist” inspiration point for the hotel. The bed itself is comfortable, but not laid out with any top sheets – only a duvet. I’m neither picky nor grossed out about such things, and, as long as the heat was working, didn’t have need for extra bedding.

A word about the heat: despite my concerns upon hearing the complaints of other patrons, the heat in my room worked just fine – but it didn’t make it into the bathroom, which was a great deal cooler (not the ideal situation for January). I had to overcompensate in the bedroom to warm the tiled space, but it was nothing a hot shower didn’t fix.

On a Sunday night, the room remains pleasingly quiet, affording an uninterrupted evening of sleep. The next morning, as I make my way to the elevator, the unmistakable odor of pot hangs lightly in the air, while knocks and calls of “housekeeping” go unanswered. Another average day in New York has begun.

Continue reading ...

Madonna at the Golden Globes

I didn’t get to see her acceptance speech for Best Song (“Masterpiece”), but I did hear that several people thought she was narcissistic and arrogant. Well, duh. It’s Madonna, and she’s entitled. And as Matthew Rettennmund rightfully points out, she never wins anything, so I’m forgiving most of what she may have said.

Let’s talk, instead, about the dress. While I think it’s lovely enough, it feels like she settled for an in-between version of a full-blown ball gown (which I would have loved) and something far simpler. The diamonds do brighten it all up, though I have mixed feelings about the cross. Still, the whole effect is passably pretty, but once again I yearn, perhaps unfairly, for something more.

I like when she goes daring and edgy (as in her dramatic canary Olivier Theyskens gown, woefully under-appreciated at the 1998 VH-1 Fashion Awards, her brilliant bunny-eared Louis Vuitton ensemble at the 2009 Met Gala, or the glorious John Galliano get-up of the Evita premiere in 1996 – my favorite red-carpet look of all-time), and this one seemed to play it just a little safe – albeit in a gorgeous way.

It’s a nice soft set-up for what she’s going to wear for her next high-profile appearances: the Superbowl and the Oscars (assuming she attends the latter). I hope she removes the half-gloves before they become a sad trademark, or opts for a full-length formal version a la the Golden Globes of 1996, or the bombshell Marilyn Monroe-homage at the Oscars in 1991. Love it or hate it, the world is once again talking about Madonna. She wins.

 

Continue reading ...

9

Nine years ago this month, www.ALANILAGAN.com first went live. Back in 2003, it was a fledgling of a site, not much more than a few pages of a few projects and photographs, and visited by my Personal Manager and the few people who listened to her when she said to stop by. In the ensuing years, we’ve gained a few more friends and followers – and I use the collective “we” because I depend on a core group of good people to keep things running smoothly.

First and foremost among them is Webmaster Skip. He’s the main behind-the-scenes guy who both creates and troubleshoots as necessary. He also puts up with countless memos and e-mails, all with an affable, easy-going nature and an infectious enthusiasm. If there’s one good thing that has come of this website, it may be my friendship with Skip.

Second, there’s my Personal Manager Suzie, who also puts up with the delusional excess that spills into her FaceBook world and takes up space on her cel phone. She’s lasted far longer than the nine years of this site, and she’ll be here long after it’s over.

Finally, there’s you. If you are reading this, for whatever reason, you have contributed your time and energy for this one brief moment. In that, we have connected, however far apart, and however different our lives may be. I know many of you on FaceBook or Twitter, and some of us have corresponded through e-mail. I’ve even had the pleasure of meeting a few of you in person, and it’s always like greeting an old friend. For anyone who has visited here, I offer my heartfelt thanks.

I’m not going to make a big deal about this particular anniversary, because next year is going to be even bigger. You know what comes after 9…

Continue reading ...

The Madonna Timeline: Song #61 – ‘Deeper & Deeper’ ~ Fall/Winter 1992/93

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

I can’t help falling in love
I fall deeper and deeper the further I go
Kisses sent from heaven above
They get sweeter and sweeter
The more that I know.

It was a cold winter night, and the big Victorian house was drafty at best. Downstairs, the wind swept by stained glass, while the wrap-around front porch offered little protection. Despite this, the dark home offered warmth and refuge, the velvet red wall-paper in some rich damask pattern winding through the first few grand rooms. This was Suzie’s house, where she grew up, and where my family spent all of our holidays. It was the repository of memories old and happy, sad and pronounced, silly and momentous. On the night at hand – sometime in late 1992 or early 1993 – Madonna had just released ‘Deeper and Deeper’ from the infamous ‘Erotica’ album, and we were convening for a Friday or Saturday night of nothing. No more than seventeen years old, we had no idea what the outside world held in store, nor how protected we were in that old Victorian.

When you know the notes to sing,
You can sing most anything,
That’s what my Mama told me.
Round and round and round you go
Where you find love you’ll always know
I let my father mold me.

Deeply-stained wood framed everything, and the staircase wound round and round, higher and higher, or deeper and deeper. A small group of us wandered the dim corridors, peering into darkened rooms, seeking out the refuge of light in the kitchen, or the hidden recesses of secret passageways. Empty bedrooms, cold tiled bathrooms, and the call of darker secrets in the attic high and beyond lent the evening a slant of mystery. The flickering light of a few candles fluttered on the velvet walls, while shadows grew and receded.

Daddy couldn’t be all wrong
And my Mama made me learn this song
That’s why I can’t help falling in love
I fall deeper and deeper the further I go
Kisses sent from heaven above
They get sweeter and sweeter
The more that I know.

A bit of music played, someone did a little dance, and I sat on the couch and watched it all unfold, the only boy among all the girls, accepted as one of them, my gayness already entrance to the world of women. I leaned back and let my eyes close. A copy of the Sex book sat on the floor, and someone rifled idly through it. Ripples of laughter echoed from the kitchen down the hallway. Surrounded by ladies-in-the-making, I felt completely at home. No matter what else happened – and much did – I would always feel that comfort with them.

All is fair in love she said
Think with your heart not with your head
That’s what my Mama told me
All the little things you do
Will end up coming back to you
I let my father mold me…

How I loved those girls, and how loved they made me feel. When you took away the sexual tension between two people of the opposite sex (as being gay tends to do), it’s much easier to get along and become great friends. I wasn’t there yet though, and so we danced upon the rollicking sea of teenage hormones and the taste of freedom on the tips of our tongues.

Daddy couldn’t be all wrong
And my Mama made me learn this song
That’s why I can’t help falling in love
I fall deeper and deeper the further I go
Kisses sent from heaven above
They get sweeter and sweeter
The more that I know.

They would grow into women before my eyes. One would fuck me, one would hold me, one would laugh at me, one would make me laugh, and one would love me for life. Through it all, the woman to whom I compared all women sang her siren song.

Someone said that romance was dead
And I believed it instead of remembering
What my Mama told me, Let my father mold me
Then you tried to hold me
You remind me what they said
This feeling inside, I can’t explain
But my love is alive
And I’m never gonna hide it again.

The most fun song on the ‘Erotica’ album whirled its dancing beat, and on the television upstairs the video played in an amber-lit room. On-screen, the candles and the incense glowed, the whole sexy Madonna mystique was in full effect, with echoes of Dietrich in her blonde-afro wig, and waves of Andy Warhol rolled through the disco party scene. There were drugs and danger, and the master re-arranger, and then, finally, for the first time, Madonna quotes herself, and the then-rather-recent past of ‘Vogue’:

You’ve got to let your body move to the music,
You’ve got to just let your body go with the flow.

The music took up again, spinning wildly into dizzy abandon, and with it a little pocket of our youth was turned inside out, emptied and torn, ripped ragged in the wind of that last winter of our high school years. We loved each other then, as best as we could. We tumbled together down the final rocky stretch of childhood, holding onto one another, grasping and pushing and pulling, hoping to make the night run on forever…

Falling in love
Falling in love
I can’t keep from falling in love with you
There’s nothing better that I’d like to do.

Song #61 – ‘Deeper & Deeper’ ~ Fall/Winter 1992/93

Continue reading ...

Happiness Is A Hotel Room

There are some people who hate hotels. They miss the comforts of home, the well-tread channels of their own remote, and the assumption of safety that comes with all of it. I am decidedly not one of those people. If I had my choice, I’d spend the rest of my life living in a hotel. In my days of more extensive traveling I lived out of a suitcase and loved every minute of it. Being away from home somehow made things more real, and staying at a hotel made me feel more present. Without a place to call my own I was left on this island of me, and being acutely aware of that informed my life with a greater urgency, a more exciting moment-to-moment existence, where every minute seemed to matter more.

If all you have to present to the world is yourself – without the backing of a walk-in closet or backyard pool or any number of material accoutrements – then you have to focus more on your actual self ~ on your bearing, your words, your personality. Anyone with a big-enough closet can impress – it’s the people who live without all of that and still manage to capture our attention who matter. It sounds strange for someone so enamored of clothing to say such a thing, but there it is. The unlikely truth of the matter, laid bare before you. Believe it or not.

Far more often than the destination, it has been the framework and surrounding exercises of travel that have always held me rapt, and the starting point for this has become the accommodations. In recent years, I’ve come to appreciate the importance of a decent hotel room. In the distant past I’d be happy to simply have a roof and a shared bathroom on premises, but in my older age I’m less willing to rough it, and more demanding of finer lodging. Yet even a simple hotel room holds its allure.

I love the pretend sterility of it (save your tales of ultra-violet-revealed horrors) – the stark expanse of a perfectly-made bed, the covered cups, the baby bottles of shampoo and lotion, the way the curtains beckon to be opened or closed, the thermostat waiting for your very own preference of climate. It is as if the room asks you to leave your imprint on it by being so very blank – and I am glad to do so – in the opened suitcase, the hanging suit, and the traveler’s toiletries. The transitory signifiers of a life temporarily stationed for the evening. (I don’t mind the real lack of cleanliness in some places – we’ve survived plagues, a dirty hotel room won’t kill anyone.)

The emptiness and quiet of a hotel room appeals to me too. It is easier to think in a hotel room, simpler to focus on whatever’s ailing you, because there are no distractions. No dishes waiting in the kitchen sink, no pile of laundry in the bedroom, no damp dirty towel on the bathroom floor. It is a clean slate, waiting to be replenished each morning upon your departure. I long for such simplicity.

Continue reading ...

Madonna & A Black Lace Cape

On the day she (please-God-jokingly) said her new album would be titled “MDNA”, Madonna walked the red carpet for her London premiere of directorial effort, W.E., wearing… this. Normally one could correctly assume that Madonna and a black lace cloak of some kind would have my panties rung out from wetness already, but I’m honestly not feeling it. I don’t know if it’s the way the lace just seems to lifelessly hang there, or the lackluster way it comes across in photographs, or whether it’s simply too much black and lace over the last year or two, but whatever the case it’s not my favorite.

However, after deriding the look on FaceBook and Twitter, I had to stop and pull back. While I love Madonna more than my own self sometimes, I’m also quite hard on her, and waste no time criticizing something I don’t like. This is not for the sake of change, it suddenly dawned on me, but the simple fact that I hold Madonna to a higher standard than just about everyone. It’s to her credit that she gets judged so harshly, because she set the bar so high. If she looks bad, it’s only because she usually looks so good. Then it dawned on me that this is precisely the sort of back-handed compliment I absolutely despise.

It’s kind of like when someone says they think my facial hair looks like shit but I’m handsome anyway. With that bit of reflective reconsideration in mind I have but this to say to Madonna: Rock on with your bitchin’ and bewitchin’ cape. Everyone deserves the chance to fly.

PS – The red gloves are smoking.

Continue reading ...

Calvin Martin: The Model, the Friend, and the First Kid I Ever Babysat

This was the first child I ever babysat (way back in the early 90’s, which is a cold reality check on how much time has passed…) I was really not much more than a kid myself – just finishing up my senior year in high school – and he was the five-year-old cousin of my girlfriend. Over the course of that summer, I watched him a couple of times, even going so far as to take him to Great Escape (as referenced in the previous post).

He was without a steady father-figure, and part of him clung to any man that happened his way – even if the man was not quite 18, and even if the man was on his way to befriending Dorothy. Calvin didn’t mind – in his world filled with women even a gay guy was a welcome relief.

Always, he was loved – by his mother and his entire family. It couldn’t have been easy, being bi-racial, being different – but if it bothered him, he didn’t show it – not in meanness or growing pains. Through the years I’ve had the sometimes surreptitious enjoyment of watching him grow into a young man ~ sometimes from afar, sometimes from across the Christmas Dinner table. It’s been a joy to see him find his way in this world, through the triumphs and tragedies, the highs and lows, the successes and the mistakes – and they all made him into a fine young man – someone I admire, and consider a friend.

Usually, when writing a profile on someone, I have to work to fill in the blanks they leave me, drawing forth what it is they seem to be trying to say. So many artists and models falter when it comes to the written word, or expressing themselves verbally. Calvin was one of those rare subjects who had so much to say and contribute, and did so in such an articulate manner, that I didn’t need to connect the dots, and so this time I get to be lazy and let him speak for himself. Introducing Calvin Martin:

Describe your upbringing and background:

I come from a family full of women! It sounds funny as my opening statement to the question but when you ask about my upbringing the first thing I think of is me as a child surrounded at the dinner table by my mother, grandmother, aunts, and cousins. I think that a father figure is always something a young man needs growing up and I lacked that but truthfully the women made up for it. I’ve learned an incredible amount from my mother and all the females in my family. I was born and raised in Amsterdam, NY. Played sports and attended school in this area. As much as I love to be around my family and friends, sometimes your hometown is a place you have to leave in order to become more successful, and that’s where I am at right now.

What were the events that shaped you the most in your childhood?

Overcoming the hardships of my late teens. As a child I was very grounded and regimented. I was involved with a number of sports so throughout my early grade school years everything was smooth sailing because there wasn’t time for anything else. Once I reached High School and attended my first semester of college, life starts to become rough on you and if I didn’t experience some of the things I did during that time, I’m not sure if I would be focused and on the right track currently. Big props to my mother for sticking by me.

What were the main events that shaped your adult life?

I can’t really name a specific event that helped me understand what it is to become a man and grow as an adult because being 22 years old I am still growing and I hope to grow and learn something every day. I think that God presented an unbelievable mentor in my life who has truly enhanced my knowledge on manhood. Without him and the constant prompts and lessons of my mother, I probably wouldn’t be able to grasp what life is and should be.

How did you get into modeling?

Like many other models I started off with a dollar and a dream posting some photos on the website Mode Mayhem. I had received a tag from a model who was pretty established at this point and I thought it was great how he reached out to me, so I reached back asking for advice. He had told me his Father was an extremely busy man but he may able to give me some advice. That man is the man I refer to as my mentor and without him there would not be a start to modeling. I was blessed to have him kick-start my career the way he did, now in return I need to finish just as strong to prove I am not wasted talent.

 

What are the best and worst aspects of modeling?

Best aspect of modeling for me is that you can play a character and get away with it. At the end of the day OF COURSE you are always supposed to be yourself and be accepted for you but don’t tell me you’ve never wanted to be someone else for a day! In modeling it’s great because no matter what the concept or marketing idea is, the image created is something not Calvin. I have to be someone else for that hour or two [of a] shoot, and it is amazing. I think it tests you mentally if you can step outside the box and be that character America wants to know more about. Worst aspect is the worst aspect in any job, you get the people who aren’t in it for business purposes and you have to be careful. Not everyone is Joe Nice.

What does art contribute to the world?

Art contributes a whole new vision. The thing about Art is that it doesn’t just necessarily have to be an Alexander McQueen exhibit just to be classified as Art. Art is what we the people view it as. Art plays a vital part in many people’s lives because our own interpretation of it is different from everyone else. I think the word Art can define a human being and that is a beautiful thing.

 

What part does beauty play in the world?

Beauty is similar to art but beauty usually gets mistaken for just a physical form. Beauty is not just a flawless human being, beauty to me is everything. There is beauty in a person, place, photo, sculpture. The odds are if you find someone or something breathtaking then there is beauty inside of it. Without beauty in the world then what can we look at to motivate us? Nothing. Beauty is major.

What is most beautiful to you?

The way someone treats another person. I am all for how you want to be treated which means how you will treat someone else. I love to see people with great personalities who [would] rather feel the enjoyment of making someone else feel good. My mother always told me I have an act of making people feel good. That’s beautiful if you ask me!

Beauty – physical beauty – cannot last forever in a person. What are the traits that will last, and how will you move past the point when you’re no longer considered young and beautiful?

Can’t be young forever obviously but physical beauty can last forever in ourselves. The 22 year old young man with a six pack, is not going to look in the mirror 50 years from now flexing saying “Yeah, I still got it!” but the internal beauty will represent the outside. Keeping the same personality, passion and care you have as a young adult will keep you the same as an older human being. There should be no reason people get stuck on “I am no longer beautiful” because that is us being weak-minded. Look around, we are all going to get old and one day sadly we all are going to die but there is nothing we can do about it so if we keep the morals our loved ones instilled in us and our free, giving spirit the beauty shall stay.

Anyone can work out and look good naked – what unique attributes do you bring to a modeling session, and what do you most hope your work conveys to the viewer?

A lot of my images are body shots because I am in the gym once, sometimes twice, a day but what I feel is most unique in my shots is my ability to play a different role in each. My body will remain the same but if I show different emotion and deliver my body differently in each shoot then I am unique. Anybody can work out, flex their abs and have a picture taken of them but it is how you deliver and sell yourself. My former manager used to make sure body shots were artistic and not over the edge and with me pursuing a TV career on the back end of this, I will always try to be protective of myself.

If your work thus far has one message or over-riding theme, what would it be?

This kid is motivated. It keeps coming, the work never stops. I am motivated.

What are you currently working on and what do you envision for the next year or so?

For 2k12 I envision steps forward. At this time I am unsigned, and my former manager felt that at this time it was best for me but maybe the new year has a possibility of me getting signed. Fashion week is approaching so I would love to have a chance walking in some more shows. 2k12 is all about growth and getting closer. I think that will happen this year!

{All photos courtesy of Mr. Martin.}

Continue reading ...

The Madonna Timeline: Song #60 – ‘High Flying Adored’ – Winter 1997

{Note: The Madonna Timeline is an ongoing feature, where I put the iPod on shuffle, and write a little anecdote on whatever was going on in my life when that Madonna song was released and/or came to prominence in my mind.}

High flying, adored
What happens now, where do you go from here?
For someone on top of the world
The view is not exactly clear
A shame you did it all at twenty-six
There are no mysteries now
Nothing can thrill you, no one fulfill you
High flying, adored
I hope you come to terms with boredom
So famous so easily, so soon
It’s not the wisest thing to be
You won’t care if they love you
It’s been done before
You’ll despair if they hate you
You’ll be drained of all energy
All the young who’ve made it would agree

Okay, I admit it: I almost cheated on the Madonna Timeline. When I saw that ‘High Flying Adored’ was up next, I was about to skip over to the next song because this is really mostly Antonio Freaking Banderas. But I stayed true to the method of the madness, and am putting this up now, in the order in which it was received.

Not much to say about this bit from Evita. It takes place when Eva Peron is first realizing her glamour, and a bit of her power, and whenever I hear it I think of Madonna walking up that flight of stairs, impeccably gussied-up in a sparkling evening gown, hair pulled dramatically-high into lofty bun (the start of the transformation into Eva’s signature chignon), and head held aristocratically above it all. It’s the attitude I try to convey whenever I walk into a roomful of people I don’t know, but especially into a roomful of people I know well. Sometimes the latter is harder to do, and for those times it’s nice to employ a little Evita as armor.

High flying adored…
That’s good to hear but unimportant
My story’s quite usual
Local girl makes good, weds famous man
I was stuck in the right place at the perfect time
Filled a gap, I was lucky
But one thing I’ll say for me
No one else can fill it like I can.

Song #60: ‘High Flying Adored’ – Winter 1997

Continue reading ...